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This is a short piece about how a series of first time directors have renewed Swedish cinema during the last decade, and come to dominate the ”Swedish Oscars” in a rather extraordinary manner, with films that have renewed the social realist tradition, while often drawing on the rapidly growing class divide in my native country. It might be interesting for anyone wishing to catch up with the best of the last decade’s Swedish cinema (which is not, in my opinion, the internationally acclaimed films of Roy Andersson or Ruben Östlund, that the cineastes among you might be aware of). http://www.versopolis.com/review/59/new-swedish-realism _________________________________________________________ Full posting guidelines at: http://www.marxmail.org/sub.htm Set your options at: http://lists.csbs.utah.edu/options/marxism/archive%40mail-archive.com
