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”Barbara” is IMO still one of the best films on DDR post-89. Here’s the first para of my review of it: ”Barbara (2012), written and directed by Christian Petzold, is a remarkable film. It may well be the best so far of all the German films made in recent years on the still very much contentious subject of the defunct German Democratic Republic (GDR). Generally speaking, such films, at least the ones that have reached an international audience, tend to fall into two categories: those tinted by nostalgia (in German the term Ostalgie – combining the words for ‘east’ and ‘nostalgia’ – is the label used for cultural expressions of nostalgia for the GDR) and those who, on the contrary, portray the GDR as a place of undiluted evil. Good Bye, Lenin! (2003) and The Lives of Others (2006) are probably the best-known examples of the respective category. Barbara treads a path beyond these ideological dead-end alleys." http://filmint.nu/?p=5881 Website: http://filmint.nu/ Facebook: http://www.facebook.com/FilmInt Twitter: https://twitter.com/#!/FilmInt > 4 apr. 2018 kl. 17:39 skrev Louis Proyect via Marxism > <marxism@lists.csbs.utah.edu>: > > ******************** POSTING RULES & NOTES ******************** > #1 YOU MUST clip all extraneous text when replying to a message. > #2 This mail-list, like most, is publicly & permanently archived. > #3 Subscribe and post under an alias if #2 is a concern. > ***************************************************************** > > Ernie, I haven't seen "Barbara" but I refer to it favorably in this piece. I > got a chuckle out of the NY Times article referring to "mustache-twirling > villain", the same words I used in my Counterpunch article: > > > In a NY Times profile of Christian Petzold, the director of “Barbara”, he > states that he did not want Stasi operatives to be “depicted as > mustache-twirling villains”. The eponymous lead character is a doctor who has > been banished to the countryside for some unspecified offense, where she is > snooped on by Stasi operatives. We learn from a review of the film that > Petzold was influenced by Alfred Hitchcock, evidence of which is “the > prickles of unease that creep into his work, creating a cold climate of > paranoia and an oft-justified fear of an imminent threat.” I haven’t seen > this film but when it comes to prickles of unease, you can’t help but think > of Hitchcock’s “Torn Curtain”, where mustache-twirling villains abound. > > https://louisproyect.org/2017/03/30/another-stasi-film-no-thanks/ > _________________________________________________________ > Full posting guidelines at: http://www.marxmail.org/sub.htm > Set your options at: > http://lists.csbs.utah.edu/options/marxism/daniel.lindvall%40filmint.nu _________________________________________________________ Full posting guidelines at: http://www.marxmail.org/sub.htm Set your options at: http://lists.csbs.utah.edu/options/marxism/archive%40mail-archive.com
