The H3000 is a legendary piece of gear. I've worked with the two main designers of it and they both live in the same town in Vermont that I do. I did not get to work on that product line when I joined Eventide in late 1991.
>From a simple and effective user-interface POV, it's also quite well designed >for it's vintage (1989, i think). But the TMS320 is not what made the H3000 great. It became great in spite of the lack of greatness in the 16-bit TI DSP chip. In fact, the H3000 has *three* TMS320 chips in it and to get the box to do great things, they had to divide up very difficult complex programming among the 3 DSPs and do some synchronized parallel processing where they were passing data between the chips and timing their instructions to do that. In today's world, I don't see it as a good idea to use the TMS320 for any synth/effects at all. What do you have? An old dev board? -- r b-j r...@audioimagination.com "Imagination is more important than knowledge." > On July 20, 2020 7:42 AM Tristan <t...@alphalink.com.au> wrote: > > > Hi Peter, > > The Eventide H3000 uses TMS32010 DSP chips. > > https://reverb.com/news/tech-behind-eventide-h3000-ultra-harmonizer > > /Tristan > > On Mon, Jul 20th, 2020 at 7:52 PM, "Peter P." <peterpar...@fastmail.com> > wrote: > > > Dear list, > > > > I am looking for examples of commercial synthesis and audio effects > > products using DSPs from the TMS320 family. > > > > Thanks in advance for any pointers! > > cheers, Peter > > _______________________________________________ dupswapdrop: music-dsp mailing list music-dsp@music.columbia.edu https://lists.columbia.edu/mailman/listinfo/music-dsp
