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http://www.time.com/time/printout/0,8816,1622178,00.html

Thursday, May. 17, 2007
Michael Moore Gets Ready to Rumble
By Jeffrey Kluger

Here’s something that won’t surprise you: Michael Moore has some gripes
about how things are going in this country — and he wants to share them
with you. The filmmaker behind such blistering hits as Fahrenheit 9/11,
Bowling for Columbine and Roger & Me, Moore, 53, is back with Sicko, his
soon-to-be released take on the U.S. health-care industry.

The movie, screened for TIME, is double-barreled Moore, a mix of familiar
numbers (47 million uninsured Americans, the ever rising cost of care) and
chilling moments (the 18-month-old baby who dies of a seizure when she’s
denied emergency-room access, the husband and father with kidney cancer
whose insurer won’t pay for a bone-marrow transplant). Together, they will
have many moviegoers angry enough to gouge holes in their armrests.

But it’s not always clear how fair Moore plays. His romanticized take on
Canada’s single-payer health-care system is a few data points shy of a
controlled study, and his decision to shoot part of the movie in Cuba made
him the subject of a federal investigation, which may be precisely the
p.r. gold he was after. Still, the film will surely get people talking,
which is just what Moore wants — and just what he did in a wide-ranging
conversation with TIME.

TIME: A portion of your audience is pre-sold on your politics, but another
portion is undecided. Is your finger-in-the-eye style the best way to
change minds, or does it give people a reason to tune you out?

Michael Moore: I’ve already moved the needle on some things. In March
2003, I stood up at the Oscars and said we’re being led to war for
fictitious reasons, and I was booed. Only 20% of the country agreed with
me. I should have learned my lesson and gone away quietly. Instead, I made
Fahrenheit 9/11. I did that because I believe that the majority of
Americans are not only persuadable but that they have a generous heart and
ultimately want to do the right thing. Now I am in agreement with 70% of
the country about Mr. Bush. So it took a while.

TIME: With Sicko, do you think you picked an easy target? After all, you
can’t find a whole lot of people who are happy with their HMO.

Michael Moore: This film does cut across party lines. Everybody gets sick;
everybody has had a problem with insurance or the prescription drugs
they’re supposed to be taking or an elderly parent who needs care. On the
surface, it does seem that the only people who are going to be upset are
the executives of insurance and pharmaceutical companies.

TIME: So if there’s no argument that the system is broken, why use your
energies to start one?

Michael Moore: Because what’s even more broken is the fact that our
Congress and White House are bought and paid for by these two industries,
which rival the oil industry in terms of money and influence. They have a
vested interest in maintaining their control. But they’re not dumb. They
know which way the wind is blowing and that this is the No. 1 domestic
issue with Americans. Their job now is to try to control it so that
universal health care is run through them, so that they can still skim the
money, make the obscene profits and keep their investors happy.

TIME: Of the declared presidential candidates, down to the Dennis Kucinich
level, say, who do you think has the best health-care plan?

Michael Moore: Including Kucinich?

TIME: We could include him.

Michael Moore: Then Kucinich, but he doesn’t go far enough. He supports
what he’s calling a single- payer nonprofit plan, but from my read, it
would still allow [private] entities to control things, as opposed to the
government. What’s wrong with the government? The right wing and the
G.O.P. have done a wonderful job brainwashing people that government
doesn’t work, and then, as Al Franken says, they get elected and proceed
to prove the point. [Laughs.]

TIME: So you think Washington could handle a program this big?

Michael Moore: Ask anyone on Social Security if their check comes on time
every month. Like clockwork. And it comes through the so-called
dilapidated U.S. mail. My dad’s check literally will come on the same day
every month. The government has been quite good and efficient at creating
a number of systems. If I tell people the administrative costs for a
private health plan —advertising, p.r., executive pay —are 20% and ask
them what Medicare’s administrative costs are, they’ll guess 50%, 60%. The
fact is, for Medicare/ Medicaid, it’s 3%. The last figure I read for
Canada’s [government] system is 1.7%.

TIME: Your movie paints an almost utopian picture of the Canadian system.
You do show some American critics arguing that there can be long waits for
treatments north of the border, and you refute them simply by interviewing
a handful of happy, satisfied Canadians. Pretty unscientific, no?

Michael Moore: Canadians as a whole are pretty happy with their system.
Yes, it’s a flawed system, and the main flaw is that it’s underfunded. The
[in-depth] answers exist in articles and essays, and I’ll have them up on
my website.

TIME: You also speak rhapsodically about the French and Cuban systems and
travel to Cuba, where you interview Che Guevara’s daughter. France, Cuba,
Che. Are you going out of your way to annoy the right?

Michael Moore: I give people more credit than the media and the political
machine running this country do. The story line is: France, bad; France,
cowards. What crime did France commit? We wouldn’t have had this country
without their support in the Revolution. They gave us that statue that
sits out in New York Harbor. They responded immediately after 9/11. And
they remain eternally grateful for what we did during World War II.

As for Cuba, yes, when I’ve got a film crew there, they’re going to show
us their best. But there’s a reason the World Health Organization ranks
their health-care system [among] the best in the Third World and that
people from Latin America come there for their health care. There’s also a
reason Cubans live on average a month longer than we do. I’m not
trumpeting Castro or his regime. I just want to say to fellow Americans,
“C’mon, we’re the United States! If they can do this, we can do it.”

TIME: What was the hardest thing about making this movie?

Michael Moore: Getting insurance. How do you convince an insurance company
to insure a film about insurance? I finally found this guy who’s got a
little company out in Kansas City. I think he’s the only Democrat who owns
an insurance company.

TIME: Do you think people will accuse the movie of inaccuracy?

Michael Moore: I offered $10,000 to anybody who could find a single fact
in Fahrenheit 9/11 that was wrong.

TIME: Have you had to pay anything?

Michael Moore: No, of course not. Every fact in my films is true. And yet
how often do I have to read over and over again about supposed falsehoods?
The opinions in the film are mine. They may not be true, but I think they
are.

TIME: How do you entertain people at the same time you’re trying to get
them to think about hard things?

Michael Moore: When I’m shooting a movie, I’m always in an invisible
theater seat. I respect the fact that people have worked hard all week and
want to go to the movies on the weekend and be entertained. But the
struggle for me does not come between politics and entertainment, because
I know that if I succeed in making an entertaining and funny or sad film,
that the things I want to say politically will come through very strong.
If there ever is a struggle, making a good movie will always supersede the
need to be noble.

TIME: Yet you don’t shy from showing some pretty stark scenes in your
movies. Anything you’ve ever decided to cut because it was just too
unsettling?

Michael Moore: In Bowling for Columbine, we used the videotape in the
cafeteria, but I’m not going to show students being killed. In Fahrenheit
9/11, I felt that the media had shown the images of the planes flying into
the towers more than enough, so the screen goes black for over a minute
during the attack. So I’m always thinking about this sort of thing.

TIME: After taking aim at so many big targets, who do you plan to go after
next?

Michael Moore: I don’t know. I’m going to wait and see how people respond
to this. After that, I think it’s time for a romantic comedy.
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