Thanks George. I look forward to seeing your picture. Do you know of a
reciprocity chart for the Arista film?

Thanks
Greg


> -----Original Message-----
> From: pinhole-discussion-admin@p at ???????
> [mailto:pinhole-discussion-admin@p at ???????]On Behalf Of George L Smyth
> Sent: Monday, May 20, 2002 3:37 PM
> To: pinhole-discussion@p at ???????
> Subject: Re: [pinhole-discussion] Litho - Halftone film question
>
>
>
> --- Greg Newberry <grnewbe...@qwest.net> wrote:
> > I'm building an 8x10 pinhole camera and I planned on using RC
> paper for the
> > negative and then contact print it. It was recommended to me to also
> > consider using sheet film because of the flexibility of doing
> alternative
> > contact prints. Litho/Half tone film was recommended because of
> it's price.
> > Can someone tell me about this type of film? What kind of
> negative do you
> > get? How do you develop it? Brand & price? What you gain or
> loose over using
> > normal sheet negatives?
>
> If you're going to be using it for alternative processing, you'll
> definitely
> want to use some form of film.  Contrast is an important element
> in dealing
> with something like the Van Dyke process, and using paper
> probably is not going
> to give you the contrast you'll need (plus, you need to think in terms of
> pretty long exposure times under your light unit).
>
> I use Arista Premium Halftone film and shoot it at around EI 6.
> Development is
> normally with Dektol diluted 1+10.  The primary advantage of
> halftone film over
> something like TMX is one of price, as there is a vbast
> difference between the
> two.
>
> I will probably upload my Pinhole Day picture tonight, which was
> taken with
> Arista and printed with the Van Dyke process.
>
> Cheers -
>
> george
>
> =====
> Handmade Photographic Images
> http://GLSmyth.com
> DRiP Investing
> http://DRiPInvesting.org
>
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