If you use only one slit, the image is very diffused and will be greatly 
stretched in the same direction as the slit, it is actually a great process.  
However, if you use 2 slits perpendicular to each other, one in front of the 
other and offset by a short distance (say the depth of a washer), you will have 
a sharper image and it will be less distorted, but still stretched in the 
direction of the slit closest to the film.  Try it out, you might be surprised 
at the amazing images you create.

don


I like the idea of using a 35 mm film cassette! My first thought was to
cut film strips and just shove them into the tin. Then use the tin as a
processing tray... Or cut the strip a little long, and spring it into
place. That way, you get a curved film plane, and it holds itself in
place in the bargain.

On Pinhole day I took a picture of some sort of metal vapor lamp. Got
the B&W film back from the lab, and saw a ragged lamp image. Lots of
spikes. Except the spikes had dark bands in them. Is it possible that I
got a crude bright line spectrum of the lamp? Sort of makes me want to
try chasing the spectrum by rigging a tiny slit, instead of a pinhole,
and reshoot the picture! Any idea what an image from a slit looks like?

Cheers
Mike
-- 


"Gravity is a harsh mistress"
The Tick- 1996

Mike Beacom

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