I committed some changes to logical instruments functionality. They just
fine-tune it.
The first group of changes concerns how tightly channel intervals are fitted.
Why: Segments weren't fitting as tightly as they could. That's because I
had to put about a second of silence after each segment, because otherwise
a sudden change to another instrument can make spurious sounds (even
shortly after the final noteoff, a note can still be audibly affected by a
change of instrument)
But that meant that some very normal situations resulted in wasting as
many as half the channels. For instance, after you split a segment, the
start of the second segment was a second earlier than the end of the first
segment, and during that one second of overlap they need two channels,
which means they can't have the same channel.
Fixes:
1. Now when we allocate a channel interval, we consider whether it
will play on a different instrument than whatever instrument used
the channnel previously or will use it next. If instrument is the
same, the interval doesn't get a margin. Changing a segment's
instrument forces a channel reallocation.
2. We select the least wasteful channel interval instead of the first
one we see.
3. And channel intervals aren't wasted on muted tracks. If they get
unmuted, they get one the first time they actually play a note. I
didn't try to keep up with mute/unmute commands, so this only
affects tracks that are muted for the whole session.
Second change (bugfix): Sometimes there are controllers that neither the
instrument nor the segment knows about. If one of them has been changed
on that channel, it could continue into the segment's playing. So now
when a segment starts we send 121 (All Controllers Off) first.
Third change (bugfix): This bug hadn't actually manifested that I know of,
but it was still wrong so I fixed it. We were treating the loop time of
MappedBufMetaIterator as if it applied to all iterators. Actually it's
only progressive per iterator; it can regress between iterators. Fix: Now
iterators track their own progressive time.
Tom Breton (Tehom)
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