Re: [abcusers] Issues with abcm2ps---help!

2004-07-22 Thread Jean-Francois Moine
On Tue, 20 Jul 2004 21:33:13 -0700, Andrew T. Lenz, Jr. 
[EMAIL PROTECTED] wrote:
Hello everyone!

Hello Andrew,

ISSUE 1:
PROBLEM: triplets in the first line. The first one works fine, that is,
it places a 3 above the arch, the second, however, the 3 appears
over the ef gracenotes! (Seems buggy to me.)

We don't want the number UNDER the triplets.

Is there a better way of getting numbers over the triplets?

Odd: your example works fine with both 3.7.18 and 4.6.5.
Otherwise, actually, you cannot force the the tuplet numbers to go
above the notes. Some day, I will add an other tuplet option...

ISSUE 2:
PROBLEM: Bar linking 1/16th notes is split. 
{g}f/e/{g}c/{d}A/
[snip]
In other words, BarFly draws all four notes with a double line (1/16) in
the backbone of the beam, and draws an extra line between the middle two
notes to indicate that they're 1/32.  abcm2ps draws a single line
through all four, a double line for the outer pairs and two little flags
pointing outwards on the middle notes.

Is there a way to get abcm2ps to do it the Barfly way, which we think is
more readable?

As there is no ABC indication for beaming, each programmer codes the
best she thinks. In this case, I had remarks saying that, as the tempo
is binary, beaming should stop on binary borders (this not easy to do,
and not fully solved yet..).

If you don't like it, with the versions 4.x.x you may disable beam
breaking using:

%%halfbeam 0

ISSUE 3:
[snip]
| ^2nd Time 2nd Part {g}f2 {g}ef {g}fA{g}df |
[snip]
PROBLEM: The added text 2nd Time 2nd Part doesn't appear in the
generated Postscript file. I'm pretty sure this is supposed to be
supported by abcm2ps, but maybe I'm wrong.

This is a bug in the 3.x.x versions: the annotations go to the grace
note instead of to the main note. To make it work, place the grace note
before the annotation:

| {g} ^2nd Time 2nd Part f2 {g}ef {g}fA{g}df |

This is fixed in the 4.x.x versions.

ISSUE 4:
Given a series of three gracenotes, is it possible to make the center
gracenote be appear as a 16th note instead of the standard 32nd?

Yes: '{ab2c}'.

Regards.

-- 
Ken ar c'hentañ | ** Breizh ha Linux atav! **
|   http://moinejf.free.fr/
Pépé Jef|   mailto:[EMAIL PROTECTED]
To subscribe/unsubscribe, point your browser to: http://www.tullochgorm.com/lists.html


Re: [abcusers] Issues with abcm2ps---help! Profanity.

2004-07-22 Thread Christian M. Cepel
I'm going to top post _AND_ snip for those of you who hate that, as it's 
a slightly different thread.

Hey Andrew, this is off topic, but I thought you might like a heads up 
if you're in the same position I was in...  After reading  hearing the 
word in so many different contexts, I'd started using it casually, 
thinking it was the equivalent of 'damn', or some such.  Indeed it 
seemed thrown around in such a way that I figured it could not possibly 
be offensive to anybody.

I then later in life missed a chord in my folk guitar class in college 
and let it slip under my breath...  My Australian teacher made it clear 
to me that the word has all the same meanings and connotations as the 
f word, both in her home of Australia, and also in other places 
sharing the same common vocabularies.

I had thought it a word one could use in casual conversation, and found 
out that some find it quite offensive.

Oh well, it was my bad... just thought you might like to know, in case 
you get into a situation where it really matters, and offend someone you 
didn't mean to, or didn't want to offend.

//Christian M. Cepel
Andrew Lenz, Jr. wrote:
Bugger. I'm now wondering if it might change with the default note 
length.
Probably shouldn't, but I could try and see.

Thanks!
Andrew
Andrew T. Lenz, Jr.
www.BagpipeJourney.com
Santa Cruz, California U.S.A.
To subscribe/unsubscribe, point your browser to: 
http://www.tullochgorm.com/lists.html


--
||
Christian Marcus Cepel   | And the wrens have returned 
[EMAIL PROTECTED] icq:12384980 | are nesting; In the hollow of
371 Crown Point, Columbia, MO| that oak where his heart once
65203-2202 573.999.2370  | had been; And he lifts up his
Computer Support Specialist, Sr. | arms in a blessing; For being
University of Missouri-Columbia  | born again. --Rich Mullins
To subscribe/unsubscribe, point your browser to: http://www.tullochgorm.com/lists.html


Re: [abcusers] Copyright Issues addressed (fwd)

2004-07-22 Thread Christian M. Cepel
This is groovy, but I'm a mite confused by the following...   It seems 
contradictory to my small brain, but prolly is not Could you help me 
to understand?   Perhaps I need to paste earlier rows as well... but 
these were the ones that troubled me.

Unpublished works created before 1978 that were published before 1 
January 2003 	Life of the author + 70 years or 31 December 2047, 
whichever is greater 	Nothing. The soonest the works can enter the 
public domain is 1 January 2048
Unpublished works created before 1978 that were published after 31 
December 2002 	Life of the author + 70 years 	Works of authors who died 
before 1934.


I. Oppenheim wrote:
-- Forwarded message --
Date: Thu, 22 Jul 2004 09:00:02 -0400
From: George Robinson [EMAIL PROTECTED]
To: World music from a Jewish slant [EMAIL PROTECTED]
Subject: Copyright Issues addressed
Pardon the cross-listing but since questions about copyright come up
frequently on this list, I thought I'd direct your attention to this:
Copyright Term and the Public Domain in the United States
http://www.copyright.cornell.edu/training/Hirtle_Public_Domain.htm
A reference chart to help you to determine the  copyright status of a given
work
Best,
g
-- [EMAIL PROTECTED] -+
Hosted by Shamash: The Jewish Network, http://shamash.org/
a service of Hebrew College, which offers online courses and an
online MA in Jewish Studies, http://hebrewcollege.edu/online/
To unsubscribe email [EMAIL PROTECTED] and have your message read:
unsubscribe jewish-music
-- [EMAIL PROTECTED] -=
To subscribe/unsubscribe, point your browser to: http://www.tullochgorm.com/lists.html
 


--
||
Christian Marcus Cepel   | And the wrens have returned 
[EMAIL PROTECTED] icq:12384980 | are nesting; In the hollow of
371 Crown Point, Columbia, MO| that oak where his heart once
65203-2202 573.999.2370  | had been; And he lifts up his
Computer Support Specialist, Sr. | arms in a blessing; For being
University of Missouri-Columbia  | born again. --Rich Mullins
To subscribe/unsubscribe, point your browser to: http://www.tullochgorm.com/lists.html


RE: [abcusers] Copyright Issues addressed (fwd)

2004-07-22 Thread Richard Walker
If left up to Sonny Bono and the RIAA there would be no
public domain.

-Original Message-
From: [EMAIL PROTECTED]
[mailto:[EMAIL PROTECTED] On Behalf Of
Christian M. Cepel
Sent: Thursday, July 22, 2004 10:59 AM
To: [EMAIL PROTECTED]
Subject: Re: [abcusers] Copyright Issues addressed (fwd)

This is groovy, but I'm a mite confused by the following...
It seems 
contradictory to my small brain, but prolly is not Could
you help me 
to understand?   Perhaps I need to paste earlier rows as
well... but 
these were the ones that troubled me.

Unpublished works created before 1978 that were published
before 1 
January 2003Life of the author + 70 years or 31 December
2047, 
whichever is greaterNothing. The soonest the works can
enter the 
public domain is 1 January 2048
Unpublished works created before 1978 that were published
after 31 
December 2002   Life of the author + 70 years   Works of
authors who died 
before 1934.



I. Oppenheim wrote:

-- Forwarded message --
Date: Thu, 22 Jul 2004 09:00:02 -0400
From: George Robinson [EMAIL PROTECTED]
To: World music from a Jewish slant
[EMAIL PROTECTED]
Subject: Copyright Issues addressed

Pardon the cross-listing but since questions about
copyright come up
frequently on this list, I thought I'd direct your
attention to this:

Copyright Term and the Public Domain in the United States
http://www.copyright.cornell.edu/training/Hirtle_Public_Dom
ain.htm
A reference chart to help you to determine the  copyright
status of a given
work

Best,
g


-- [EMAIL PROTECTED]
-+
Hosted by Shamash: The Jewish Network, http://shamash.org/
a service of Hebrew College, which offers online courses
and an
online MA in Jewish Studies,
http://hebrewcollege.edu/online/

To unsubscribe email [EMAIL PROTECTED] and have your
message read:
unsubscribe jewish-music
-- [EMAIL PROTECTED]
-=
To subscribe/unsubscribe, point your browser to:
http://www.tullochgorm.com/lists.html

  



-- 
||

Christian Marcus Cepel   | And the wrens have
returned 
[EMAIL PROTECTED] icq:12384980 | are nesting; In the
hollow of
371 Crown Point, Columbia, MO| that oak where his heart
once
65203-2202 573.999.2370  | had been; And he lifts up
his
Computer Support Specialist, Sr. | arms in a blessing; For
being
University of Missouri-Columbia  | born again. --Rich
Mullins

To subscribe/unsubscribe, point your browser to:
http://www.tullochgorm.com/lists.html


To subscribe/unsubscribe, point your browser to: http://www.tullochgorm.com/lists.html


Re: [abcusers] Issues with abcm2ps---help! Profanity.

2004-07-22 Thread Guy Gascoigne - Piggford
Well coming from England I'd have to say that I've never thought that it 
was anywhere near as bad as the 'f' word.  Yes I do know what the word 
refers to and so it would make sense for it to be just as offensive, but 
I never found it to be the case in either Birmingham or London when I 
lived there.

Now, as a Brit living in America I've become very away of how we gauge 
the depth of swearing based on the expectation of the listener.  Back 
home I could say something and not have to guess about how it might be 
interpreted, over here I've become much more aware of what will and 
won't be understood as I intended.  Most Americans that I've been 
exposed to, seem to think that saying the B word simply marks me as one 
of those weird Brits, and I guess that is the case whenever one uses 
slang that isn't commonly used by the majority of listeners.

For example, what happens when an Australian asks for a roll of Durex in 
an English shop, or a Brit asks for a fag in San Fransisco.  Oh what 
fun, it's bad enough when they use completely different names for 
things, but when the same name has such completely different meanings,  
well you get the idea.

As an aside, since the meaning of the work is merely crude rather than 
blasphemous, i believe that it would count as swearing rather than 
profanity :)

Sorry for the endless stream of blurb, but I really find this sort of 
thing very interesting :)

Guy
Andrew Lenz, Jr. wrote:
Christian,
I then later in life missed a chord in my folk guitar class in 
college and let it slip under my breath...  My Australian teacher 
made it clear to me that the word has all the same meanings and 
connotations as the f word, both in her home of Australia, and also 
in other places sharing the same common vocabularies.

Wow. Good to know. I thought, what I know now, to be the B 
(Australian B word) was equivalent to fooey. I stand corrected! Yipe!

Andrew
To subscribe/unsubscribe, point your browser to: 
http://www.tullochgorm.com/lists.html

.
To subscribe/unsubscribe, point your browser to: http://www.tullochgorm.com/lists.html


Re: [abcusers] Issues with abcm2ps---help! Profanity.

2004-07-22 Thread Christian M. Cepel
You're exactly right in that it's in the 'hearer' that the distinction 
is drawn.

I was taught by one friend and native Hindi speaker to jokingly call 
people 'pagel' or 'pagelpan' to call them crazy,  and the same by a 
Taiwanese speaking friend to call someone 'san-ba'  for the same purpose 
(it's pure Taiwanese, so those who are trying to make sense of it in 
Mandarin... it is what it says  it just makes sense to them), 
and by a Korean friend to say 'michin'...

For every single phrase, which I was told was completely innocuous, I've 
said it 'around' not 'to' a different native speaker, and had them react 
in absolute horror and shock at my profanity   The people who taught 
me, were not disingenuous, quite the opposite, and they were quite 
surprised when I told them of my plight.

Now.. I'm not going to tell the story of the Japanese business man who 
was told to thank the Russian businessmen around the conference table at 
the end of his presentation by saying 'igo nahooey'. :)

//Christian M. Cepel
Guy Gascoigne - Piggford wrote:
Well coming from England I'd have to say that I've never thought that 
it was anywhere near as bad as the 'f' word.  Yes I do know what the 
word refers to and so it would make sense for it to be just as 
offensive, but I never found it to be the case in either Birmingham or 
London when I lived there.

Now, as a Brit living in America I've become very away of how we gauge 
the depth of swearing based on the expectation of the listener.  Back 
home I could say something and not have to guess about how it might be 
interpreted, over here I've become much more aware of what will and 
won't be understood as I intended.  Most Americans that I've been 
exposed to, seem to think that saying the B word simply marks me as 
one of those weird Brits, and I guess that is the case whenever one 
uses slang that isn't commonly used by the majority of listeners.

For example, what happens when an Australian asks for a roll of Durex 
in an English shop, or a Brit asks for a fag in San Fransisco.  Oh 
what fun, it's bad enough when they use completely different names for 
things, but when the same name has such completely different 
meanings,  well you get the idea.

As an aside, since the meaning of the work is merely crude rather than 
blasphemous, i believe that it would count as swearing rather than 
profanity :)

Sorry for the endless stream of blurb, but I really find this sort of 
thing very interesting :)

Guy
Andrew Lenz, Jr. wrote:
Christian,
I then later in life missed a chord in my folk guitar class in 
college and let it slip under my breath...  My Australian teacher 
made it clear to me that the word has all the same meanings and 
connotations as the f word, both in her home of Australia, and 
also in other places sharing the same common vocabularies.

Wow. Good to know. I thought, what I know now, to be the B 
(Australian B word) was equivalent to fooey. I stand corrected! 
Yipe!

Andrew
To subscribe/unsubscribe, point your browser to: 
http://www.tullochgorm.com/lists.html

.
To subscribe/unsubscribe, point your browser to: 
http://www.tullochgorm.com/lists.html


--
||
Christian Marcus Cepel   | And the wrens have returned 
[EMAIL PROTECTED] icq:12384980 | are nesting; In the hollow of
371 Crown Point, Columbia, MO| that oak where his heart once
65203-2202 573.999.2370  | had been; And he lifts up his
Computer Support Specialist, Sr. | arms in a blessing; For being
University of Missouri-Columbia  | born again. --Rich Mullins
To subscribe/unsubscribe, point your browser to: http://www.tullochgorm.com/lists.html


Re: [abcusers] Issues with abcm2ps---help!

2004-07-22 Thread Andrew Lenz, Jr.
Jean-Francois,
First off, thanks for a great program!! Hats off to you!
On Thu, 22 Jul 2004, Jean-Francois Moine wrote:
On Tue, 20 Jul 2004 21:33:13 -0700, Andrew T. Lenz, Jr.
[EMAIL PROTECTED] wrote:
Hello everyone!
Hello Andrew,
ISSUE 1:
PROBLEM: triplets in the first line. The first one works fine, that is,
it places a 3 above the arch, the second, however, the 3 appears
over the ef gracenotes! (Seems buggy to me.)
We don't want the number UNDER the triplets.
Is there a better way of getting numbers over the triplets?
Odd: your example works fine with both 3.7.18 and 4.6.5.
Otherwise, actually, you cannot force the the tuplet numbers to go
above the notes. Some day, I will add an other tuplet option...
I have to apologize. I still had 3.7.9 installed. I must be getting old. I 
thought I had downloaded 3.7.18, but must have skipped that step. Oops. I 
imagine it should work correctly with 3.7.18.


ISSUE 2:
PROBLEM: Bar linking 1/16th notes is split.
{g}f/e/{g}c/{d}A/
	[snip]
In other words, BarFly draws all four notes with a double line (1/16) in
the backbone of the beam, and draws an extra line between the middle two
notes to indicate that they're 1/32.  abcm2ps draws a single line
through all four, a double line for the outer pairs and two little flags
pointing outwards on the middle notes.
Is there a way to get abcm2ps to do it the Barfly way, which we think is
more readable?
As there is no ABC indication for beaming, each programmer codes the
best she thinks. In this case, I had remarks saying that, as the tempo
is binary, beaming should stop on binary borders (this not easy to do,
and not fully solved yet..).
If you don't like it, with the versions 4.x.x you may disable beam
breaking using:
	%%halfbeam 0
Any chance of an appearance like that of Barfly's screen display? Maybe as 
Ewan said, a  %%centerbeam  option? Or maybe that's what you are eluding 
to above.


ISSUE 3:
	[snip]
| ^2nd Time 2nd Part {g}f2 {g}ef {g}fA{g}df |
	[snip]
PROBLEM: The added text 2nd Time 2nd Part doesn't appear in the
generated Postscript file. I'm pretty sure this is supposed to be
supported by abcm2ps, but maybe I'm wrong.
This is a bug in the 3.x.x versions: the annotations go to the grace
note instead of to the main note. To make it work, place the grace note
before the annotation:
| {g} ^2nd Time 2nd Part f2 {g}ef {g}fA{g}df |
This is fixed in the 4.x.x versions.
I'll give that a shot, should get around the problem.

ISSUE 4:
Given a series of three gracenotes, is it possible to make the center
gracenote be appear as a 16th note instead of the standard 32nd?
Yes: '{ab2c}'.
Thank you for implementing that.
Andrew
Andrew T. Lenz, Jr.
Santa Cruz, California
To subscribe/unsubscribe, point your browser to: http://www.tullochgorm.com/lists.html