Re: [agi] US PATENT ISSUED for the TEN ETHICAL LAWS OF ROBOTICS

2008-07-31 Thread John LaMuth
Richard

Dismissal as gibberish is one of the oldest and cheapest rhetorical tricks in 
History and the signpost of a feeble mind.

I would save a mention of you in my memoirs, but that would still be far too 
generous ...

JLM
^

John,

You make a mistake common to many people who make claims such as yours: 
  you deliver some incoherent gibberish and claim that it is a theory of 
everything, then you tell the world that it is the world's 
responsibility to prove you wrong.

Incoherent gibberish cannot be proven wrong.

It is part of the very definition of incoherent gibberish, that such 
stuff cannot be proven wrong.

Harvey Newstrom was quite right:  this is borderline spam.

Richard Loosemore





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Re: [agi] How do we know we don't know?

2008-07-31 Thread Valentina Poletti
This is how I explain it: when we perceive a stimulus, word in this case, it
doesn't reach our brain as a single neuron firing or synapse, but as a set
of already processed neuronal groups or sets of synapses, that each recall
various other memories, concepts and neuronal group. Let me clarify this. In
the example you give, the wod artcop might reach us as a set of stimuli:
art, cop, mediu-sized word, word that begins with a, and so on. All these
connect activate various maps in our memory, and if something substantial is
monitored at some point (going with Richard's theory of the monitor, I don't
have other references of this actually), we form a response.

This is more obvious in the case of sight - where an image is first broken
into various compontents that are separately elaborated: colours, motion,
edges, shapes, etc. - and then further sent to the upper parts of the memory
where they can be associated to higher level concepts.

If any of this is not clear let me know, instead of adding me to your
kill-lists ;-P

Valentina



On 7/31/08, Mike Tintner [EMAIL PROTECTED] wrote:


 Vlad:

 I think Hofstadter's exploration of jumbles (
 http://en.wikipedia.org/wiki/Jumble ) covers this ground. You don't
 just recognize the word, you work on trying to connect it to what you
 know, and if set of letters didn't correspond to any word, you give
 up.


 There's still more to word recognition though than this. How do we decide
 what is and isn't, may or may not be a word?  A neologism? What may or may
 not be words from:

 cogrough
 dirksilt
 thangthing
 artcop
 coggourd
 cowstock

 or fomlepaung or whatever?





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-- 
A true friend stabs you in the front. - O. Wilde

Einstein once thought he was wrong; then he discovered he was wrong.

For every complex problem, there is an answer which is short, simple and
wrong. - H.L. Mencken



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Re: [agi] How do we know we don't know?

2008-07-31 Thread Richard Loosemore

Vladimir Nesov wrote:

I think Hofstadter's exploration of jumbles (
http://en.wikipedia.org/wiki/Jumble ) covers this ground. You don't
just recognize the word, you work on trying to connect it to what you
know, and if set of letters didn't correspond to any word, you give
up. This establishes deep similarity between problem-solving,
perception and memory, and poses deliberative reasoning as iterative
application of reflexive perception-steps. If you think the question
and it gives you an answer, you can act on it. If it doesn't, the
context in which you thought the question, deliberative program
starting the request, will produce I don't know... response. It's
probably as simple as that: a higher level of organization, not
fundamental to the structure of mind, learned behavior.



Agreed:  Hofstadter's Jumbo system was inspirational to me when i read 
it in 1986/7, and that idea of relaxation is exactly what was behind the 
descriptions that I gave, earlier in this thread, of systems that tried 
to do recognition and question answering by constraint relaxation.



Richard Loosemore



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Re: [agi] How do we know we don't know?

2008-07-31 Thread Brad Paulsen

Mike,

Valentina was referring to a remark I made (and shouldn't have -- just on 
general principles) about her making my *personal* kill-list thanks to the LOL 
she left regarding Richard Loosemore's original reply to the post that started 
this thread.  I should have taken a time out before I opened my big fingers. 
Had I done so, I would have found out (as I did through subsequent exchanges 
with Richard) that his comments were based on a misunderstanding.  He thought 
what I was calling the list of things we don't know was a list of all things 
not known.  It wasn't.  I was referring to the list of things we know we don't 
know.  I take full responsibility for creating this misunderstanding through 
sloppy writing/editing.  Anyhow, I took Richard's initial comments the wrong way 
(probably because I'm as insecure as the next person).  Valentina's message got 
read in that context.  The misunderstanding has all been worked out now, so 
there was really no reason for all the initial drama.


Valentina: if you're reading this, I apologize for overreacting.  I re-read your 
post after I'd calmed down and realized that you did add a brief comment on 
Richard's reply.  You didn't just pile on.  I look forward to hearing more 
about your views on building an AGI.


I'm happy to see this thread has generated some interesting side discussions. 
I'm here to learn and, occasionally, see what people who give a lot of time and 
thought to this subject think of my whacky ideas.


Cheers,

Brad


Mike Tintner wrote:

Er no, I don't believe in killing people :)
 
I'm not quite sure what you're what getting at. I was just trying to add 
another layer of complexity to the brain's immensely multilayered 
processing.  Our processing of new words/word combinations shows that 
there is a creative aspect to this processing - it isn't just matching.  
Some of this might be done by standard verbal associations/ semantic 
networks - e.g. yes IMO artcop could be a word for, say, art critic -  
cops police, and art can be seen as being policed - I may even have 
that last expression in memory.  But in other cases, the processing may 
have to be done by imaginative association/drawing - dirksilt could 
just conceivably be a word, if I imagine some dirk/dagger-like 
tool being used on silt, (doesn't make much sense but conceivable for my 
brain) -  I doubt that such reasoning could be purely verbal.
 
 
Valentina: This is how I explain it: when we perceive a stimulus, word 
in this case, it doesn't reach our brain as a single neuron firing or 
synapse, but as a set of already processed neuronal groups or sets of 
synapses, that each recall various other memories, concepts and neuronal 
group. Let me clarify this. In the example you give, the wod artcop 
might reach us as a set of stimuli: art, cop, mediu-sized word, word 
that begins with a, and so on. All these connect activate various maps 
in our memory, and if something substantial is monitored at some point 
(going with Richard's theory of the monitor, I don't have other 
references of this actually), we form a response.


 
This is more obvious in the case of sight - where an image is first

broken into various compontents that are separately elaborated:
colours, motion, edges, shapes, etc. - and then further sent to the
upper parts of the memory where they can be associated to higher
level concepts.
 
If any of this is not clear let me know, instead of adding me to

your kill-lists ;-P
 
On 7/31/08, *Mike Tintner* [EMAIL PROTECTED] wrote:



Vlad:

I think Hofstadter's exploration of jumbles (
http://en.wikipedia.org/wiki/Jumble ) covers this ground.
You don't
just recognize the word, you work on trying to connect it to
what you
know, and if set of letters didn't correspond to any word,
you give
up.


There's still more to word recognition though than this. How do
we decide what is and isn't, may or may not be a word?  A
neologism? What may or may not be words from:

cogrough
dirksilt
thangthing
artcop
coggourd
cowstock

or fomlepaung or whatever?

 



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