[arr] From Rukmani to Jai ho

2009-02-24 Thread Moin Ul Haque
 Not sure if this is posted earlier. Old article after the Golden globe win.
---From Rukmani to Jai ho

 *Allah Rakha Rahman’s* journey is no less incredible than that of the
protagonist of Slumdog Millionaire. From a South Indian regional composer
with a National award for his debut film 16 years back, Rahman has now won
three nominations at the Oscars for his songs in a mainstream Hollywood film


*1966:* On January 6, A.S.Dileep Kumar is born to R.K.Shekhar,
composer-arranger in Malayalam films. His father passes away when Dileep is
just nine. The family subsists on hiring out musical equipment to leading
composers.

*1977:* Rahman joins Ilayaraja as keyboardist after training with Master
Dhanraj. He also plays for M. S. Viswanathan and Ramesh Naidu and with Zakir
Hussain, Kunnakudi Vaidyanathan and L. Shankar on world tours and soon
obtains a scholarship from the Trinity College of Music in London, where he
graduates with a degree in Western Classical music.

*1989:* The family converts to Islam and the boy is renamed Allah Rakha
Rahman. Rahman becomes a keyboard player and arranger in the band Roots with
childhood friend A.Sivamani. He is the founder of the rock band Nemesis
Avenue and also plays keyboard, piano, the synthesizer, harmonium and
guitar.

*1991:* Rahman starts a recording studio in his house and starts composing
for jingles and television serials.

*1992:* Mani Ratnam, who has been watching Ilayaraja’s assistant, gives him
an independent break with Roja, the original Tamil film. A new style of
music is introduced and in a first-time feat later equalled only by Ismail
Darbar with the Hindi film Hum Dil De Chuke Sanam, bags the National Award
for a debut score, the first of four.

*1993:* Roja is dubbed in Hindi and as it sweeps the charts, led by Dil hai
chhota sa and the “item” song Rukmani Rukmani, Roja also brings into focus
the hitherto-neglected talent of singer Hariharan, who is suddenly
considered chart-friendly! With this score, Rahman forever changes the
future of Hindi film music.
His Tamil chartbuster that year is Thiruda Thiruda.

*1994-1995:* Two films of Rahman are dubbed in Hindi - his hit Kaadhalan as
Humse Hai Muqabala and Bombay. More importantly, several music directors
officially (The Gentleman) and otherwise (Angrakshak, Sabse Bada Khiladi et
al) pilfer his Tamil hits.
Duet, Indira and Muthu are his Tamil hits that year. And Rahman gets his
first international honour - the Mauritius National award in 1995.
In late 1995, Rahman writes history all over again with his debut original
Hindi film, Rangeela. Asha Bhosle returns to high-tide with Yai re and Tanha
tanha after a lull.

*1996:* More of Rahman’s films are dubbed, with indifferent results except
for Hindustani (Indian).
But the Tamil scenario is still upbeat with Love Birds and Kadhal Desam.
Rahman also scores the background music for his first crossover film Fire.
And Minsaara Kanavu wins Rahman his second National award.

*1997:* Sapnay, the dubbed version of the 1996 hit marks the debut of singer
KK with Strawberry aankhen, a top name today, and the breakthrough of Hema
Sardesai with Awara bhanwre. It begins his long association with Javed
Akhtar.
Sony Music (now Sony-BMG) signs Rahman as their first-ever South Asian
artiste for the hit album Vande Mataram.
The Tamil hits include Iruvar, Aishwarya Rai Bachchan’s debut.

*1998:* The composer storms the charts with Mani Ratnam’s first original
Hindi film, Dil Se…, ending the struggle of singer Sukhwinder Singh with
Chal chhaiyya chhaiyya, and the singer’s association with him will now peak
with the Oscar nomination for Jai ho from Slumdog Millionaire. The same is
true of his journey with Gulzar, whose best phase as a top lyricist begins.
The film also features his first song with Lata Mangeshkar, Jiya jale. Also
released this year is Jeans.

*1999:* Rahman finally makes a proper pan-Indian breakthrough with Subhash
Ghai’s Taal, a musical love story that wins him his first Screen award. In
the same year, Deepa Mehta’s Earth is released in Hindi as 1947 with a
highly-appreciated, underrated but not-too-popular score. These two films
cement his association with Ghai and Anand Bakshi (till his death in 2002),
Javed Akhtar and Aamir Khan.
He also tours Germany with Michael Jackson in the Michael Jackson  Friends
Concert.

*2000:* Rahman scores his first home production of a Mumbai hero - Anil
Kapoor, in Pukar. This is also the first of his only two films with Phalke
laureate lyricist Majrooh Sultanpuri.
The Tamil side is noted for Kandukondain Kandukondain and Thenali.

*2001:* Lagaan, Aamir Khan’s first film, wins him the National Best Music
award for the first time for a Hindi film. Careful observers term this his
most accomplished score in Hindi till then.

*2002:* Saathiya makes the industry take note of Kunal Ganjawala with O
humdum suniyo re. There is also an evocative score in The Legend Of Bhagat
Singh.
Back 

Re: [arr] From Rukmani to Jai ho

2009-02-24 Thread Shah Navas
*2003-2004*: The Rahman Hindi bandwagon hits a lull with dull scores like
Tehzeeb, Meenakshi - A Tale Of Three Cities and Lakeer.

Meenakshi, dull score??

On Tue, Feb 24, 2009 at 8:02 PM, Moin Ul Haque moinulha...@gmail.comwrote:

Not sure if this is posted earlier. Old article after the Golden globe
 win. ---From Rukmani to
 Jai ho

  *Allah Rakha Rahman’s* journey is no less incredible than that of the
 protagonist of Slumdog Millionaire. From a South Indian regional composer
 with a National award for his debut film 16 years back, Rahman has now won
 three nominations at the Oscars for his songs in a mainstream Hollywood film


 *1966:* On January 6, A.S.Dileep Kumar is born to R.K.Shekhar,
 composer-arranger in Malayalam films. His father passes away when Dileep is
 just nine. The family subsists on hiring out musical equipment to leading
 composers.

 *1977:* Rahman joins Ilayaraja as keyboardist after training with Master
 Dhanraj. He also plays for M. S. Viswanathan and Ramesh Naidu and with Zakir
 Hussain, Kunnakudi Vaidyanathan and L. Shankar on world tours and soon
 obtains a scholarship from the Trinity College of Music in London, where he
 graduates with a degree in Western Classical music.

 *1989:* The family converts to Islam and the boy is renamed Allah Rakha
 Rahman. Rahman becomes a keyboard player and arranger in the band Roots with
 childhood friend A.Sivamani. He is the founder of the rock band Nemesis
 Avenue and also plays keyboard, piano, the synthesizer, harmonium and
 guitar.

 *1991:* Rahman starts a recording studio in his house and starts composing
 for jingles and television serials.

 *1992:* Mani Ratnam, who has been watching Ilayaraja’s assistant, gives
 him an independent break with Roja, the original Tamil film. A new style of
 music is introduced and in a first-time feat later equalled only by Ismail
 Darbar with the Hindi film Hum Dil De Chuke Sanam, bags the National Award
 for a debut score, the first of four.

 *1993:* Roja is dubbed in Hindi and as it sweeps the charts, led by Dil
 hai chhota sa and the “item” song Rukmani Rukmani, Roja also brings into
 focus the hitherto-neglected talent of singer Hariharan, who is suddenly
 considered chart-friendly! With this score, Rahman forever changes the
 future of Hindi film music.
 His Tamil chartbuster that year is Thiruda Thiruda.

 *1994-1995:* Two films of Rahman are dubbed in Hindi - his hit Kaadhalan
 as Humse Hai Muqabala and Bombay. More importantly, several music directors
 officially (The Gentleman) and otherwise (Angrakshak, Sabse Bada Khiladi et
 al) pilfer his Tamil hits.
 Duet, Indira and Muthu are his Tamil hits that year. And Rahman gets his
 first international honour - the Mauritius National award in 1995.
 In late 1995, Rahman writes history all over again with his debut original
 Hindi film, Rangeela. Asha Bhosle returns to high-tide with Yai re and Tanha
 tanha after a lull.

 *1996:* More of Rahman’s films are dubbed, with indifferent results except
 for Hindustani (Indian).
 But the Tamil scenario is still upbeat with Love Birds and Kadhal Desam.
 Rahman also scores the background music for his first crossover film Fire.
 And Minsaara Kanavu wins Rahman his second National award.

 *1997:* Sapnay, the dubbed version of the 1996 hit marks the debut of
 singer KK with Strawberry aankhen, a top name today, and the breakthrough of
 Hema Sardesai with Awara bhanwre. It begins his long association with Javed
 Akhtar.
 Sony Music (now Sony-BMG) signs Rahman as their first-ever South Asian
 artiste for the hit album Vande Mataram.
 The Tamil hits include Iruvar, Aishwarya Rai Bachchan’s debut.

 *1998:* The composer storms the charts with Mani Ratnam’s first original
 Hindi film, Dil Se…, ending the struggle of singer Sukhwinder Singh with
 Chal chhaiyya chhaiyya, and the singer’s association with him will now peak
 with the Oscar nomination for Jai ho from Slumdog Millionaire. The same is
 true of his journey with Gulzar, whose best phase as a top lyricist begins.
 The film also features his first song with Lata Mangeshkar, Jiya jale. Also
 released this year is Jeans.

 *1999:* Rahman finally makes a proper pan-Indian breakthrough with Subhash
 Ghai’s Taal, a musical love story that wins him his first Screen award. In
 the same year, Deepa Mehta’s Earth is released in Hindi as 1947 with a
 highly-appreciated, underrated but not-too-popular score. These two films
 cement his association with Ghai and Anand Bakshi (till his death in 2002),
 Javed Akhtar and Aamir Khan.
 He also tours Germany with Michael Jackson in the Michael Jackson  Friends
 Concert.

 *2000:* Rahman scores his first home production of a Mumbai hero - Anil
 Kapoor, in Pukar. This is also the first of his only two films with Phalke
 laureate lyricist Majrooh Sultanpuri.
 The Tamil side is noted for Kandukondain Kandukondain and Thenali.

 *2001:* Lagaan, Aamir Khan’s first film, wins 

[arr] From Rukmani to Jai ho

2009-01-29 Thread Vithur
 From Rukmani to Jai ho
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*Allah Rakha Rahman's* journey is no less incredible than that of the
protagonist of Slumdog Millionaire. From a South Indian regional composer
with a National award for his debut film 16 years back, Rahman has now won
three nominations at the Oscars for his songs in a mainstream Hollywood film

*1966:* On January 6, A.S.Dileep Kumar is born to R.K.Shekhar,
composer-arranger in Malayalam films. His father passes away when Dileep is
just nine. The family subsists on hiring out musical equipment to leading
composers.

*1977:* Rahman joins Ilayaraja as keyboardist after training with Master
Dhanraj. He also plays for M. S. Viswanathan and Ramesh Naidu and with Zakir
Hussain, Kunnakudi Vaidyanathan and L. Shankar on world tours and soon
obtains a scholarship from the Trinity College of Music in London, where he
graduates with a degree in Western Classical music.

*1989:* The family converts to Islam and the boy is renamed Allah Rakha
Rahman. Rahman becomes a keyboard player and arranger in the band Roots with
childhood friend A.Sivamani. He is the founder of the rock band Nemesis
Avenue and also plays keyboard, piano, the synthesizer, harmonium and
guitar.

*1991:* Rahman starts a recording studio in his house and starts composing
for jingles and television serials.

*1992:* Mani Ratnam, who has been watching Ilayaraja's assistant, gives him
an independent break with Roja, the original Tamil film. A new style of
music is introduced and in a first-time feat later equalled only by Ismail
Darbar with the Hindi film Hum Dil De Chuke Sanam, bags the National Award
for a debut score, the first of four.

*1993:* Roja is dubbed in Hindi and as it sweeps the charts, led by Dil hai
chhota sa and the item song Rukmani Rukmani, Roja also brings into focus
the hitherto-neglected talent of singer Hariharan, who is suddenly
considered chart-friendly! With this score, Rahman forever changes the
future of Hindi film music.
His Tamil chartbuster that year is Thiruda Thiruda.

*1994-1995:* Two films of Rahman are dubbed in Hindi - his hit Kaadhalan as
Humse Hai Muqabala and Bombay. More importantly, several music directors
officially (The Gentleman) and otherwise (Angrakshak, Sabse Bada Khiladi et
al) pilfer his Tamil hits.
Duet, Indira and Muthu are his Tamil hits that year. And Rahman gets his
first international honour - the Mauritius National award in 1995.
In late 1995, Rahman writes history all over again with his debut original
Hindi film, Rangeela. Asha Bhosle returns to high-tide with Yai re and Tanha
tanha after a lull.

*1996:* More of Rahman's films are dubbed, with indifferent results except
for Hindustani (Indian).
But the Tamil scenario is still upbeat with Love Birds and Kadhal Desam.
Rahman also scores the background music for his first crossover film Fire.
And Minsaara Kanavu wins Rahman his second National award.

*1997:* Sapnay, the dubbed version of the 1996 hit marks the debut of singer
KK with Strawberry aankhen, a top name today, and the breakthrough of Hema
Sardesai with Awara bhanwre. It begins his long association with Javed
Akhtar.
Sony Music (now Sony-BMG) signs Rahman as their first-ever South Asian
artiste for the hit album Vande Mataram.
The Tamil hits include Iruvar, Aishwarya Rai Bachchan's debut.

*1998:* The composer storms the charts with Mani Ratnam's first original
Hindi film, Dil Se…, ending the struggle of singer Sukhwinder Singh with
Chal chhaiyya chhaiyya, and the singer's association with him will now peak
with the Oscar nomination for Jai ho from Slumdog Millionaire. The same is
true of his journey with Gulzar, whose best phase as a top lyricist begins.
The film also features his first song with Lata Mangeshkar, Jiya jale. Also
released this year is Jeans.

*1999:* Rahman finally makes a proper pan-Indian breakthrough with Subhash
Ghai's Taal, a musical love story that wins him his first Screen award. In
the same year, Deepa Mehta's Earth is released in Hindi as 1947 with a
highly-appreciated, underrated but not-too-popular score. These two films
cement his association with Ghai and Anand Bakshi (till his death in 2002),
Javed Akhtar and Aamir Khan.
He also tours Germany with Michael Jackson in the Michael Jackson  Friends
Concert.

*2000:* Rahman scores his first home production of a Mumbai hero - Anil
Kapoor, in Pukar. This is also the first of his only two films with Phalke
laureate lyricist Majrooh Sultanpuri.
The Tamil side is noted