[arr] Re: Let's keep in mind the attitudes and exposure of the elders

2009-03-06 Thread jibandevta
My father[age:60] and uncle[age:55] both were  are inclined to SD Burman,Salil 
chaudhary and Madan mohan stuff..My Father never liked RD Burman.
This is quite strange to me.!![with due respect to PanchamDa].
but both like ARR lot..
My father is fan of him..his fav includes Lagaan,water,swades,Taal
Delhi6,Guru,some songs from Saathiya and JA. 
Connections is his most favourite album!!..Whenever I come from office he asks 
me my Nokia express to listen connections.
[and I switch over to my Cd player].

-jiban



--- In arrahmanfans@yahoogroups.com, Nagaraj arr_naga...@... wrote:

 
 My Dad is 50 and he loves ARR. He was a IR/MSV fan in his youth.
 But after lagaan he became a ARR fan.
 
 Songs he loves.
 Guru - tera bina.
 Lagaan - full
 Swades - yeh tara,aahista,yeh jo des.
 Rhythm,Sivaji,Lagaan,12ka4.
 
 However he hasnt developed an ear for smthng like Bose/Water.
 
 Would like to know wat the middle aged and older group feel abt ARR.
 Especially the people above 45 as their prime(15-30) would have been during 
 RD Burman/Illyaraja/MS Vishwanathan.
 
 
 
 
 
 --- In arrahmanfans@yahoogroups.com, Leslie D dorai365@ wrote:
 
  You nailed it. My father is now in his early 60s. I have always known him as
  a big music lover. He can recognize almost all Rafi, Kishore, Manna Dey,
   Lata and old Malayalam songs. I gifted him an iPod loaded with lots of
  songs. Mostly he still listens to old songs. Yes one of new songs gets him
  really excited. The ones that he liked recently are 1.O Sathiya - From a
  John Abraham moview - Anu Malik composition
  2. Instrumental from Jhoom Barabar Jhoom
  3. Suraj Hua Madham - KKKG
  4. Teri Ore from Singh is King
  
  For a big ARR fan that I am, I would have loved to see him fall in love with
  an ARR song. But somehow he doesnt seem to appreciate. But that doesnt mean
  I dislike his choice of music. I just wonder what the songs mentioned above
  clicked big time with him but all ARR songs failed to do do. His
  appreciation is no certification of Anu Maliks talent either. Sometimes you
  just cant understand why somebody loves something. Respect every persons
  individuality. Like Pyarelalji my dad doesnt think ARR is any great shakes
  but he is happy that ARR has won an Oscar.
  
  On Sun, Mar 1, 2009 at 5:34 PM, Chord purevibz@ wrote:
  
 After reading Jagjit Singh's, Pyarelal's and Ali Khan's comments about
   ARR and his music, it also struck me the big generational differences
   in terms of attitudes and exposure towards music. Personally, I have
   found that even with people I know, like my parents and their friends,
   their appreciation for music is within a narrow range. Anything
   outside that range is overlooked and not appreciated as much, and
   sometimes ridiculed. I have found that amongst many elders, there is
   a certain arrogance or haughtiness implying, we know what's best.
   This is a product of our culture revering elders and their wisdom by
   tradition in contrast to many seniors and elders feeling left out and
   disrespected by attitudinal changes in today's world reflecting less
   respect and reverie towards seniors.
  
   For example, when I gave my parents a copy of the D6 CD, they only
   liked the folk and semi-classical elements of the soundtrack. That's
   it. When I asked them about Jaane Tu, they said that they didn't like
   the music, although they love and appreciate ARR's other works that
   are more in line with their taste. Of course, even within elders,
   there will be a lot of variation in terms of taste and attitude, but
   overall, I feel that they are more narrow minded about music than we
   youngsters are OVERALL AS A GROUP, keeping in mind individual
   differences. Because ARR's music is so diverse and touching upon so
   many different genres, a large percentage of his work is not going to
   be appreciated by those with more narrow minded definitions of good
   music.
  
   Who knows, maybe when we reach that age, we too may reflect some of
   that narrow mindedness in terms of our exposure compared to what the
   youth may be listening to at that time. However, I have hope that
   because we youngsters have been exposed to such an array of world
   music through ARR and other artists, I think we will generally have a
   broader appreciation for music than previous generations.
  
   ARR has gifted us with something very important: tolerance and open
   mindedness for different types of music. Thank you ARR!
  

  
 





[arr] Re: Let's keep in mind the attitudes and exposure of the elders

2009-03-06 Thread jibandevta
Very good article Rawat..the analysis is wonderfull..BTW liked the line: 
And that was the time when a new star has risen in music sky. His name is ARR.

and the name is still ruling and will rule forever
..

Regards
-jiban
jai ho


--- In arrahmanfans@yahoogroups.com, V S Rawat vsra...@... wrote:

 On 3/6/2009 7:21 AM India Time, _Nagaraj_ wrote:
 
  My Dad is 50  and he loves ARR.
 
  He was a IR/MSV fan in his youth. But after lagaan he became a ARR
  fan.
  
  Songs he loves. Guru - tera bina. Lagaan - full Swades - yeh
  tara,aahista,yeh jo des. Rhythm,Sivaji,Lagaan,12ka4.
  
  However he hasnt developed an ear for smthng like Bose/Water.
  
  Would like to know wat the middle aged and older group feel abt ARR. 
  Especially the people above 45 as their prime(15-30) would have been
  during RD Burman/Illyaraja/MS Vishwanathan.
 
 Before Anu Malik and Nadeem Sharavan, the last undisputed ruler of 
 bollywood music was Laxmikant Pyarelal and his era has ended by 1981 (Ek 
 Duje Ke Liye, Kranti, Naseeb, prem rog, hero). But, while LP mostly used 
 more Indian instruments (dholak, tabla, harmonium), RDB was the master 
 at western instruments so RDB was the obvious choice for producers who 
 were targeting youths in their movies.
 
 My impression is that though R D Burman was popular for quite a
 long time (Kishna Shah took him for Shalimar, that was quite a credit in
 those days), the signal-to-noise ratio in RDB's music was the worst 
 among all bollywood MDs, even worse than Anu malik. By that, I mean to 
 say that RDB had given many more junk songs than he had given good songs.
 
 Luckily, Junk songs disappeared without a trace and current generation
 gets to hear only his surviving good songs, so they think he was all
 around great. It was not so. I can say that while ARR has consistent
 creativity and experimentation, RDB was a case of creativity and
 experimentation gone haywire. His several songs lik Samandar Mein Naha
 Ke Aur Bhi Namkeen Ho Gayi ho, and Dhoop Mein Nikla Na karo Roop Ki Rani
 sounded a pain on the ears and head. He would give one good album and 4 
 sickening albums. So, RDB was a big name for quite some, but I think he 
 was never a ruling no. 1 of bollywood like Anu Malik or Nadeem Sharavan 
 or LP or Shankaj Jaikishan or Naushad had been from time to time.
 
 I think Shaan, 1980 was one of their last big budget film of their era
 that too flopped. After giving 10-15 films each year in 80-85, they went 
 single digit for a few years and were soon bygone by 1989.
 
 So, you can say that RDB's era ended by 1983-85.
 
 And then, first Anand Milind appeared with Lal Dupatta Malmal Ka and
 then Nadeem Shravan had appeared with Aashiqi and both pairs ruled the
 heart of music lovers for quite some time. Anu Malik was giving absolute
 cacophony earning them pure hatred but then they discovered themselves
 with telefilm Phir Teri Kahani Yaad Aayi in 1993 and started winning the
 hearts of listeners.
 
 And that was the time when a new star has risen in music sky. His name
 is ARR.
 --
 
 Those who love several of RDB's albums are the ones who hate dozens of 
 his (RDB's) remaining albums. So, I think it was LP last, who had 
 consistent high quality across most of his albums and songs, and after 
 than it was/ is ARR who has consistent high quality across most of his 
 albums and songs. In between, all others had less signals and more 
 noise. We would listen to whatever rare good album/ song they produced 
 but didn't become there fans.
 
 With this rough indicative history, if RDB's era ended by 1985, those 
 who were 15-30 at that time would be around 39-54 now. Seeing the posts 
 in this list you might not realize, but I think there would be quite a 
 few members here in that age range or approaching that. And they are 
 here because they love ARR's music.
 
 --
 Rawat





Re: [arr] Re: Let's keep in mind the attitudes and exposure of the elders

2009-03-06 Thread V S Rawat
On 3/6/2009 3:32 PM India Time, _jibandevta_ wrote:

 Very good article Rawat..the analysis is wonderfull..BTW liked the line: 
 And that was the time when a new star has risen in music sky. His name is 
 ARR.
 
 and the name is still ruling and will rule forever
 ..

ha ha. Actually, that single line was the purpose of entire write up. I 
sometimes feels that youger ones are enjoying ARR's music but they don't 
know the significance of the phenomenon of ARR - all that action-revenge 
thinggy started by Amitabh ji way back in 1973 had reached a crescendo 
leaving no space for music, the cacophony that was sold as music in 80s 
and early 90s, song banks evolving having 1000s of ready tunes, Gulshan 
Kumar and T Series becoming the patrons and protectors and launchers of 
MDs and singers, MDs themselves so egoistic and loud-foul-spoken, TV 
gone colored in 1982 Asiad (youngsters would be surprised to know that 
25 years ago, TV was black and white and single channel), there was no 
cable TV till 1991 - we first heard about it in Iraq Quwait war, FM 
radio was not yet there and nobody used to listen to AM/SW radio, 
internet not yet there, mobile phones not yet there, multiplexes not yet 
there, Indian pop music not yet there.

In such a technologically stone age, entertainment-less world, the only 
relief were the occasional sweet music albums by someone, leading to 
wasting money in buying his next few albums which were again junk.

And then ARR arrived and made lovely music a precedence, a right that 
listeners can expect and get in each and every of his album, with variety.

I think if younger fans of ARR can realize the implication of the other 
scenario, then they would know why we got sold to him and why we retain 
our unwavering trust in him even when we don't like some occasional 
album/ song of him.

 
 Regards
 -jiban
 jai ho

Thanks.
--
Rawat


Re: [arr] Re: Let's keep in mind the attitudes and exposure of the elders

2009-03-02 Thread Shah Navas
There you go. . My dad still listens only to 70's and 80's

On Mon, Mar 2, 2009 at 9:34 AM, ramakrisha laxmana subramanian siva gopala
acharya iyer .aiyooo amma idli wada dosa sambar chatni . 
sriramiye...@yahoo.co.in wrote:

   You put it very well! My dad loves the classical old tamil  malayalam
 songs, whenever I play ANY say 'fast track' he doesn't seem to like
 it. He likes slow and soft music and doesn't care for whose music it
 is by. I was wondering how people could listen to and love say Himesh
 or even Anu Malik. But there is something about them which attracts
 people, and they love AR too, but are more into the former. So at the
 end of the day, its all about personal choices. And a majority of
 youngsters in my college love AR and seem to connect with his music
 instantly, but it varies with every album. They loved 'Jaane tu' more
 than JA, but for me it's vice-versa.


 --- In arrahmanfans@yahoogroups.com arrahmanfans%40yahoogroups.com,
 Chord purev...@... wrote:
 
  After reading Jagjit Singh's, Pyarelal's and Ali Khan's comments
 about
  ARR and his music, it also struck me the big generational
 differences
  in terms of attitudes and exposure towards music. Personally, I
 have
  found that even with people I know, like my parents and their
 friends,
  their appreciation for music is within a narrow range. Anything
  outside that range is overlooked and not appreciated as much, and
  sometimes ridiculed. I have found that amongst many elders, there
 is
  a certain arrogance or haughtiness implying, we know what's best.
  This is a product of our culture revering elders and their wisdom by
  tradition in contrast to many seniors and elders feeling left out
 and
  disrespected by attitudinal changes in today's world reflecting less
  respect and reverie towards seniors.
 
  For example, when I gave my parents a copy of the D6 CD, they only
  liked the folk and semi-classical elements of the soundtrack.
 That's
  it. When I asked them about Jaane Tu, they said that they didn't
 like
  the music, although they love and appreciate ARR's other works that
  are more in line with their taste. Of course, even within elders,
  there will be a lot of variation in terms of taste and attitude, but
  overall, I feel that they are more narrow minded about music than we
  youngsters are OVERALL AS A GROUP, keeping in mind individual
  differences. Because ARR's music is so diverse and touching upon so
  many different genres, a large percentage of his work is not going
 to
  be appreciated by those with more narrow minded definitions of good
  music.
 
  Who knows, maybe when we reach that age, we too may reflect some of
  that narrow mindedness in terms of our exposure compared to what the
  youth may be listening to at that time. However, I have hope that
  because we youngsters have been exposed to such an array of world
  music through ARR and other artists, I think we will generally have
 a
  broader appreciation for music than previous generations.
 
  ARR has gifted us with something very important: tolerance and open
  mindedness for different types of music. Thank you ARR!
 

  



[arr] Re: Let's keep in mind the attitudes and exposure of the elders

2009-03-01 Thread ramakrisha laxmana subramanian siva gopala acharya iyer .aiyooo amma idli wada dosa sambar chatni .
You put it very well! My dad loves the classical old tamil  malayalam 
songs, whenever I play ANY say 'fast track' he doesn't seem to like 
it. He likes slow and soft music and doesn't care for whose music it 
is by. I was wondering how people could listen to and love say Himesh 
or even Anu Malik. But there is something about them which attracts 
people, and they love AR too, but are more into the former. So at the 
end of the day, its all about personal choices. And a majority of 
youngsters in my college love AR and seem to connect with his music 
instantly, but it varies with every album. They loved 'Jaane tu' more 
than JA, but for me it's vice-versa.



--- In arrahmanfans@yahoogroups.com, Chord purev...@... wrote:

 After reading Jagjit Singh's, Pyarelal's and Ali Khan's comments 
about
 ARR and his music, it also struck me the big generational 
differences
 in terms of attitudes and exposure towards music.  Personally, I 
have
 found that even with people I know, like my parents and their 
friends,
 their appreciation for music is within a narrow range.  Anything
 outside that range is overlooked and not appreciated as much, and
 sometimes ridiculed.  I have found that amongst many elders, there 
is
 a certain arrogance or haughtiness implying, we know what's best. 
 This is a product of our culture revering elders and their wisdom by
 tradition in contrast to many seniors and elders feeling left out 
and
 disrespected by attitudinal changes in today's world reflecting less
 respect and reverie towards seniors.  
 
 For example, when I gave my parents a copy of the D6 CD, they only
 liked the folk and semi-classical elements of the soundtrack.  
That's
 it.  When I asked them about Jaane Tu, they said that they didn't 
like
 the music, although they love and appreciate ARR's other works that
 are more in line with their taste.  Of course, even within elders,
 there will be a lot of variation in terms of taste and attitude, but
 overall, I feel that they are more narrow minded about music than we
 youngsters are OVERALL AS A GROUP, keeping in mind individual
 differences.  Because ARR's music is so diverse and touching upon so
 many different genres, a large percentage of his work is not going 
to
 be appreciated by those with more narrow minded definitions of good
 music.  
 
 Who knows, maybe when we reach that age, we too may reflect some of
 that narrow mindedness in terms of our exposure compared to what the
 youth may be listening to at that time.  However, I have hope that
 because we youngsters have been exposed to such an array of world
 music through ARR and other artists, I think we will generally have 
a
 broader appreciation for music than previous generations.  
 
 ARR has gifted us with something very important:  tolerance and open
 mindedness for different types of music.  Thank you ARR!