[backstage] Live football score data

2011-06-20 Thread Richard Lockwood
Morning all,

I suspect the answer to this is no, but is there a BBC feed of live
football score data - ie the data that provides the live scores on a
Saturday and Sunday?  I've had a look around but can't find one - am I
just being dim, or is this something that's bought in from a third
party and hence not available for reuse?

Cheers,

Rich.
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Re: [backstage] Live football score data

2011-06-20 Thread Richard Lockwood
 Morning all,

 I suspect the answer to this is no, but is there a BBC feed of live
 football score data - ie the data that provides the live scores on a
 Saturday and Sunday?  I've had a look around but can't find one - am I
 just being dim, or is this something that's bought in from a third
 party and hence not available for reuse?

 AFAIK, that's exactly the case (applies to most sports stuff, not just 
 football).


Thought that was probably the case, but the being dim option is
always a definite possibility!

Cheers,

R.

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Re: [backstage] Live football score data

2011-06-20 Thread Richard Lockwood
Hi Jacqueline,

Thanks for that - I suspected that was probably the case.

Cheers,

R.

On Mon, Jun 20, 2011 at 10:18 AM, Jacqueline Phillimore
jacqueline.phillim...@bbc.co.uk wrote:

 Hi Richard,

 The BBC buys the data from PA and we use their feeds to populate the BBC 
 Sport Online results pages. I think we may use another data source as well. 
 So yes, there are rights around what we can make available to the public.

 J

 -Original Message-
 From: owner-backst...@lists.bbc.co.uk 
 [mailto:owner-backst...@lists.bbc.co.uk] On Behalf Of Richard Lockwood
 Sent: 20 June 2011 08:55
 To: backstage@lists.bbc.co.uk
 Subject: Re: [backstage] Live football score data

 Morning all,

 I suspect the answer to this is no, but is there a BBC feed of live
 football score data - ie the data that provides the live scores on a
 Saturday and Sunday?  I've had a look around but can't find one - am
 I just being dim, or is this something that's bought in from a third
 party and hence not available for reuse?

 AFAIK, that's exactly the case (applies to most sports stuff, not just 
 football).


 Thought that was probably the case, but the being dim option is always a 
 definite possibility!

 Cheers,

 R.

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Re: [backstage] Ping...

2011-06-03 Thread Richard Lockwood
  I had got used to Chrome doing my spell checking (but no grammar check
  as yet...) and I've just got myself an Asus Transfomer with a fresh helping
  of Android Ice Cream Sandwich and .. no spell checker in the browser.

 The check's in the post.

 Cheque, surely?


Do you need a spell chequer?

:-)

R.
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Re: [backstage] Green Ink.

2010-06-17 Thread Richard Lockwood
I'm not a lawyer either, but I can at least translate what David's saying;

ME ME ME ME ME!!! I WANT IT ALL!  FOR NOTHING!!!  ME ME! GIVE IT TO ME!  I
DON'T WANT TO PAY FOR ANYTHING, EVER!!! ME ME ME!!!  IT'S MY RIGHT TO HAVE
EVERYTHING FOR NOTHING FOR EVER AND EVER, AND I'LL CRY IF I CAN'T!!

That's pretty much the gist of it.

Cheers,

Rich.

On Thu, Jun 17, 2010 at 5:25 PM, Nick Reynolds-FMT nick.reyno...@bbc.co.uk
 wrote:

 I'm not a lawyer so I can't answer

 -Original Message-
 From: owner-backst...@lists.bbc.co.uk
 [mailto:owner-backst...@lists.bbc.co.uk] On Behalf Of David Tomlinson
 Sent: 17 June 2010 17:10
 To: backstage@lists.bbc.co.uk
 Subject: [backstage] Green Ink.

 Nick, has been drinking the BBC kool aid, and thinks we have a weak
 case.

 Well I have submitted a complaint to the BBC suggesting the following
 five actual or stated intention of the BBC, in public documents, to
 prima facie case of breaking the law.

 1. State Aid.
 2. Public Service Obligations
 3. Extra Judicial enforcement by a public body 4. Oligopolistic
 Dominance, and Anticompetitive Parallel Behaviour
 5  Vertical Discrimination

 I could do better with more time.

 Nick how do you like our case now ?

 Extract:
 1. Summary.

 The BBC's case is that it is in the public interest to submit to and
 engage in anticompetitive parallel behaviour in breach of it's own
 legal obligations and competition law (which is not justified by
 copyright).

 This ignores the violation of several principles enshrined in law: legal
 obligations and competition law. And exceptions to copyright under the
 law.

 But most worrying of all, intellectual property is continuing to be used
 to justify the eroding and rights and violating principles that appear
 in the European Convention on Human Rights[13] Universal Declaration of
 Human Rights[12] or a written constitution (like the US
 constitution[11]): freedom of speech and expression, intrusions into the
 publics autonomy, privacy, property and extra-judicial enforcement of
 arbitrary restrictions.

 By contrast:
 Breech of copyright is a Tort (civil wrong), only in exceptional cases a
 criminal offence (that is changing as more draconian laws are passed), a
 loss has to be established, for which damages may be awarded, by the
 courts.

 The BBC is clearly taking disproportionate action, by creating the
 infrastructure for control of the public by special interests and
 violating the law, in exchange for illusionary short term gains.

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Re: [backstage] Fwd: Slashdot| Apple's Trend Away From Tinkering

2010-02-05 Thread Richard Lockwood
Apologies - Apple Hardware rather than Macs.  Although Macs *are*
primarily consumer hardware.  The amount of tinkerability has always
been several degrees of magnitude below that of a PC.

Cheers,

R.

On Fri, Feb 5, 2010 at 7:19 AM, Mo McRoberts m...@nevali.net wrote:
 On Fri, Feb 5, 2010 at 01:29, Richard Lockwood
 richard.lockw...@gmail.com wrote:
 Use a PC.

 Macs are consumer hardware - and it's never been suggested that
 they're anything else.

 Er, eh?

 Are we talking about the same thing, here?

 _iPads and iPhones_ are consumer hardware, no shadow of a doubt.

 OTOH, Apple has quite regularly suggested that Macs aren't necessarily
 consumer-focused. I don't think most consumers would care that 10.5
 was certified UNIX, for example (or even know what that means, for
 that matter).

 Don't forget, the vast majority of people want their computer to just
 work - and that means: email, web browsing, basic word processing and
 maybe a spreadsheet.  Oh, and handling their digital photos. And maybe
 their home videos.

 That I’ll agree with, though.

 It's only people on this list who give more than a pico-shit* about
 making it do something interesting and different.

 To be honest, it's worth bearing in mind that

 a) It's still very early days for iPhone OS - Apple has a
 backwards-compatibility nightmare with Mac OS X, and doesn't want to
 fall into the same trap where it has the opportunity to do things
 cleanly - things get added when Apple can figure out how to do them in
 a way which it is happy with (cf. Copy  Paste, and also a few of the
 features appearing in 3.2)

 b) It's a first-generation device

 c) Apple won't be the only people producing tablets which work

 d) If all of this is as wildly successful as people seem to be
 predicting/Apple would like, they'll have no choice but to open things
 up

 I reckon this will happen before long, though:
 http://nevali.net/post/363412864/unlock-in

 M.

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Re: [backstage] Fwd: Slashdot| Apple's Trend Away From Tinkering

2010-02-04 Thread Richard Lockwood
Use a PC.

Macs are consumer hardware - and it's never been suggested that
they're anything else.

Don't forget, the vast majority of people want their computer to just
work - and that means: email, web browsing, basic word processing and
maybe a spreadsheet.  Oh, and handling their digital photos. And maybe
their home videos.

It's only people on this list who give more than a pico-shit* about
making it do something interesting and different.

Cheers,

Rich.

* the SI unit of caring

On Fri, Feb 5, 2010 at 1:08 AM, Ian Stirling
backstage...@mauve.plus.com wrote:
 Tim Dobson wrote:

 Thoughts on postcard?

 My postcard only has tickboxes for 'wish you were here', 'having a lovely
 time' and 'Had a lovely time at iDisney', all the rest of the card is too
 slippery to write on, what do I do?
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Re: [backstage] New prototype

2010-01-31 Thread Richard Lockwood
Cool...  :-)

Cheers,

Rich.

On Sun, Jan 31, 2010 at 7:19 PM, Tim Coysh tjcr...@gmail.com wrote:
 Hello BBC Backstage,

 In the last few weeks I have been working on a simple system, similar to
 Chris Riley's trackplaying, of showing the currently playing song on BBC
 Radio and providing some information about the song and artist. I have never
 sent an email to a mailing list before, but I am hoping this would be the
 best way of telling BBC enthusiasts about my site. The site is currently
 designed to be user-friendly, and uses a simple design and interface.

 In addition to the main feature of showing the currently playing song, I
 have compiled a list of all songs which have been 'scrobbled' to the BBC
 Radio 1 last.fm account (Which is where the information is retrieved) since
 its creation in 2005. This could hopefully prove to be very useful in
 finding 'trends' of songs played etc. Depending on the amount of use this
 gets, I will create a database for the other radio stations as well.

 I am fairly new to web programming, only starting last year. I was hoping
 this website could be a way to expand my website programming knowledge and
 so far its proved to be very good at that.

 The site is located at http://www.radio1now.co.cc

 Thanks,

 Tim Coysh




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Re: [backstage] The browser wars, reloaded?

2009-12-14 Thread Richard Lockwood
Hopefully it'll leave Firefox well and truly in the bin where it belongs.

Must admit I always preferred IE for everyday use (and advocated it
very strongly for non-geek users), but I'm an absolute Chrome convert.
 It. Just. Works.  And its Javascript engine is blisteringly quick.

Cheers,

Rich.

 On FF on OS X, and if I see another Chrome ad on Youtube or Google homepage 
 I'll cry.

 Interested to see where this might leave Mozilla in the long run - as a 
 matter of interest, can anyone tell me if FF's default Google homepage is 
 whoring itself similarly?

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Re: [backstage] Changes to the list

2009-10-20 Thread Richard Lockwood
You work for Twitter and I claim my five pounds.

Cheers,

Rich.

On Tue, Oct 20, 2009 at 3:54 PM, Phil Lewis backst...@linuxcentre.net wrote:
 I should have added that you are granted 7 days to view the message and
 after which it will become unreadable. You also must always obtain an
 auth token before reading (it only lasts 30 seconds) - unless of course
 I choose to take my authorisation server down. I believe that this will
 stop undue proliferation of my message and therefore increase future
 message popularity and revenue.

 On Tue, 2009-10-20 at 15:35 +0100, Mo McRoberts wrote:
 On 20-Oct-2009, at 15:26, Phil Lewis wrote:

  [REDACTED]

 I’m sorry, I would have replied to your message, but it required
 quoting it, and I’m not sure I was granted the appropriate
 redistribution rights.

 M.

 Produced for the BBC Backstage Mailing List by Mo McRoberts’ fingers.

 © MM MMIX . All rights reserved.


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Re: [backstage] Free as in 'Freedom'

2009-10-09 Thread Richard Lockwood

 It is my genuine position. Abolishing copyright would  achieve exactly what
 I want.


This is what it all boils down to whenever the let's abolish
copyright for the good of society.  It's actually about let's
abolish copyright for my own personal benefit.  You simply don't want
to have to pay for anything, and I'm guessing you don't produce
anything creative, hence you don't benefit from copyright.

It's the me, me, me, me, me! argument again - have you been down the
pub with Dave Crossland too often?  ;-)

Cheers,

Rich.

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Re: [backstage] Free as in 'Freedom'

2009-10-09 Thread Richard Lockwood
On Fri, Oct 9, 2009 at 11:16 AM, David Tomlinson
d.tomlin...@tiscali.co.uk wrote:
 Richard Lockwood wrote:

 It is my genuine position. Abolishing copyright would  achieve exactly
 what
 I want.


 This is what it all boils down to whenever the let's abolish
 copyright for the good of society.  It's actually about let's
 abolish copyright for my own personal benefit.  You simply don't want
 to have to pay for anything, and I'm guessing you don't produce
 anything creative, hence you don't benefit from copyright.

 It's the me, me, me, me, me! argument again - have you been down the
 pub with Dave Crossland too often?  ;-)

 It's why not do a thought experiment, after all there are several million
 people on the Internet, who intend to practice it.

 The attempts to prevent them are the real danger to society.

 Lord Mandeleson, and the French want to throw out the Magna Carta, and the
 whole legal system to maintain it.

 Content Vendors want to lock down every piece of consumer electronics.
 and impose huge costs on society.


None of that makes any sense whatsoever.

Rich.

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Re: [backstage] Free as in 'Freedom'

2009-10-09 Thread Richard Lockwood
On Fri, Oct 9, 2009 at 11:23 AM, David Tomlinson
d.tomlin...@tiscali.co.uk wrote:
 Alia Sheikh wrote:

 Dave,
 So we can have this discussion in only a manner which is determined by
 yourself?
 Children count, pictures of dogs count, pictures of someone's gran or bank
 statement or a tree counts.  If your arguments hold tight then they hold
 tight for all examples.  Hard to have a discussion when people threaten to
 take their ball away and not play anymore.
 Which signifies no more than the end of this discussion with you perhaps,
 but thought it worth mentioning in case the negative reactions to that
 statement were just whistling past.
 Alia

 If you wish to talk about personal images use the example of adults, a
 spouse for example. Or personal information. Involving children is like
 using the word Nazi, it is designed to close down debate, because of the
 moral panic surrounding the issue.

No.  That's just you realising you're just digging yourself deeper and
looking for a way out.

Rich.

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Re: [backstage] Free as in 'Freedom'

2009-10-09 Thread Richard Lockwood
 No.  That's just you realising you're just digging yourself deeper and
 looking for a way out.

 See Michael Smethurst's post, it is a topic in in itself and does not solely
 rely only upon copyright.


Now you're just randomly quoting bits of messages and dropping in
irrelevant soundbites.  You appear to be failing the Turing test.

Rich.

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Re: [backstage] Free as in 'Freedom'

2009-10-09 Thread Richard Lockwood
On Fri, Oct 9, 2009 at 12:16 PM, David Tomlinson
d.tomlin...@tiscali.co.uk wrote:
 Richard Lockwood wrote:

 None of that makes any sense whatsoever.


 It made sense to me, several million people in the UK fileshare without
 regard to copyright. But the proposed cure (Three strikes), which bypasses
 the legal system is worse than the problem.

Why didn't you just say that then?  Instead of trying to couch your
reply in meaningless and obfuscating rhetoric and gobbledegook?

Rich.
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Re: [backstage] Free as in 'Freedom'

2009-10-09 Thread Richard Lockwood
Dear David,

You are getting less and less reasonable with each posting you make.
I assert that you are a dickhead of the highest order and are going
straight into my trash folder.

If you could  off a bit quicker, that would be much appreciated.

Best regards etc,

Rich.

On Fri, Oct 9, 2009 at 2:24 PM, David Tomlinson
d.tomlin...@tiscali.co.uk wrote:
 Deirdre Harvey wrote:


 We don't call them all laws.

 No and not all fish are sharks, but sharks are fish.

 But the particular law of copyright, imposes more costs than benefits and
 should be abolished.



 That is your contention, it is not a fact.

 Yes, and I am defending that contention.



 Easy as that, eh? Just pass a few privacy laws... they never impinge on
 the freedom of people and their right to access certain information, do
 they?

 No but it is off topic, in that copyright is not a good tool for privacy
 etc.


 Whose freedom? Not Martin Belam's freedom to protect his work from
 unauthorised copying obviously.


 Martin Belam's Freedoms should not impose on freedoms of others, where that
 happens we have social conventions, laws, judges etc.

 I just think copyright is a bad law and we should review (abolish) it.



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Re: [backstage] Google Wave

2009-10-07 Thread Richard Lockwood
As would I.  On one hand I'd like an invite, on the other I'd rather
gouge my eyes out than have one. The way Google pass their invites
out is very clever-clever in building up a market, but it marks them
out as c***s.  I've worked with all kinds of Google stuff and been to
various Google conferences over the years but this time I don't get an
invite, whereas I have friends who couldn't give the square root of
f*** all about Google who've been granted an invite.

F**k 'em and the horse they rode in on.

R.

On Wed, Oct 7, 2009 at 5:42 PM, Dan Brickley dan...@danbri.org wrote:
 On Wed, Oct 7, 2009 at 6:20 PM, Ian Forrester ian.forres...@bbc.co.uk wrote:
 Changing the long running threads (don't think I'm not watching)

 Now Google Wave invites are out there and more of you have had a chance
 to play with wave. What do people think? And why is no one building a
 decent client for it?

 Am I the only excited person?

 I think most everyone else is embarrassed to admit they'd quite like an 
 invite.

 I'd quite like an invite.

 Main thing I'm positive about so far, is that XMPP deserves serious
 attention and this will help it get some...

 cheers,

 Dan
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Re: [backstage] Fixing the iPlayer support in Plex

2009-09-29 Thread Richard Lockwood
 Have a look at the XBMC iplayer plugin which you should be able to
 leverage.

I think you mean use.  Or possibly reuse.  You do not, under any
circumstances, mean leverage.  That's utterly meaningless.  We have
words in English to cover most eventualities without misusing
buzzwords.

Cheers,

Rich.
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Re: [backstage] Fwd: [Autonomo.us] Skype, out?

2009-08-06 Thread Richard Lockwood
In those days, of course, everything cost sixpence, was made of wood
and lasted forever.

(Cue Dvorak's Symphony for the New World in the background)

:-)

R.

On Thu, Aug 6, 2009 at 10:16 AM, Nico Morrisonmicroni...@gmail.com wrote:
 Hey - I sent my then girlfriend a loveletter on paper punchtape, ASR-33
 Teletype controlling a PDP-11 that ran a Motorola satnav receiver on the
 survey boat I was on in Papua New Guinea in 1971, it was probably an 11-23
 and we booted it manually with switches until it could see the paper tape.

 She got someone in the Singapore office to dump out the paper tape and it
 must have worked as we married and had kids.

 I am of the blase camp as well in this respect - 'plus ca change, plus c'est
 la meme chose' - try that in Google translate.

 Nico Morrison

 2009/8/6 Brian Butterworth briant...@freeview.tv


 2009/8/6 Tim Dobson li...@tdobson.net

 Brian Butterworth wrote:

 The first version of Unix I used was on a PDP11!  When I started doing
 system admin for Unix I learnt both System V and BSD.  I used XWindows on
 Sparcstations! So, I have a rather blaze attitude to new versions of
 something I have known for a more than a few decades.  Sorry...

 Gah. I always feel young round here.
 I can hardly ever join in discussions on vintage computing :(

 [snip]

 I agree with your points, but dispute that it's not nearly there.
 I dislike this article for several reasons but
 http://www.bbc.co.uk/blogs/bbcinternet/2008/06/linux_ubuntu_blog.html
 if the catalyst has to be the publicity from claiming the UK has 400
 linux users, so be it! ;)

 LOL.  And we all know where AH is now.  And what he spent his BBC expenses
 on.


 Now there are certainly issues encountered there, but he still makes some
 good points.



 How about a BBC Micro 2012 Edition...?  FMT need another impossible
 tech project.  Be more exciting than Bang Goes The Theory.

 If exciting means more likely to cause flame wars on backstage than
 iplayer then yes. :P

 The world does not need new gnu/linux distros IMHO.

 Yes, consumers probably like stability over endless choice in this
 department.


 Tim :)

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 --

 Brian Butterworth

 follow me on twitter: http://twitter.com/briantist
 web: http://www.ukfree.tv - independent digital television and switchover
 advice, since 2002



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Re: [backstage] Fwd: [Autonomo.us] Skype, out?

2009-08-04 Thread Richard Lockwood
Right.  I think that sums it up.  If I tell my Mum that, she'll look
at me as though I'm from Mars.

To be honest, as a non-Linux user, but experienced computer user, I
have no idea what the hell DEB or RPM are.

If that's the best sell you can do, it just demonstrates that desktop
Linux still isn't ready for the day to day computer user.

Cheers,

Rich.

On Tue, Aug 4, 2009 at 1:03 PM, Andrew Bowdenandrew.bow...@bbc.co.uk wrote:
 Most Linux software is now available in DEB or RPM format.  There's some
 smaller packages that aren't, and commercial companies have a habit of not
 fitting in.  But frankly most modern distros take an RPM and DEB and know
 exactly what to do with it so that the user need do little more than click
 on the file.

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Re: [backstage] Fwd: [Autonomo.us] Skype, out?

2009-08-03 Thread Richard Lockwood
Don't worry about Dave, he's just trolling again.

Cheers,

Rich.

On Mon, Aug 3, 2009 at 6:31 PM, Alun Rowealun.r...@pentangle.co.uk wrote:


 No doubt some palms will be crossed with silver (or equity).
 The business case for open standards has to be thought through ingreat depth
 before embracing it.
 Also Skypes network has been around for a longtime!

 On 3 Aug 2009, at 17:10, Dave Crossland d...@lab6.com wrote:

 Proprietary software and centtalised network services strike again...

 Regards, Dave

 -- Forwarded message --
 From: Nathan Willis nwil...@glyphography.com
 Date: 3 Aug 2009, 4:05 PM
 Subject: [Autonomo.us] Skype, out?
 To: autonomo.us discussion mailing list disc...@lists.autonomo.us

 Seems like this would be a good opportunity to discuss the free
 alternatives:
 http://www.nbr.co.nz/article/if-skype-goes-who-would-fill-gap-106880

 Executive summary: eBay is in an acrimonius patent lawsuit with a company
 called Joltid that owns a patent on something used by Skype; Joltid is
 claiming that eBay violated their license and has terminated it, a
 situation that if upheld by the court would force them to deactivate Skype.
 Highly doubtful that that will come to pass, but I suppose you never know.

 Nate
 --
 nathan.p.willis
 nwil...@glyphography.com
 aim/ym/gtalk:n8willis
 flickr.com/photos/willis



 Alun Rowe

 Pentangle Internet Limited

 2 Buttermarket

 Thame

 Oxfordshire

 OX9 3EW

 Tel: +44 8700 339905

 Fax: +44 8700 339906

 Please direct all support requests to it-supp...@pentangle.co.uk
 Pentangle Internet Limited is a limited company registered in England and
 Wales. Registered number: 3960918. Registered office: 1 Lauras Close, Great
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Re: [backstage] Mobile sites - how wide

2009-07-14 Thread Richard Lockwood
Maybe I've missed the point here, but:

script type=text/javascript
document.write(screen.width+'x'+screen.height);
/script

Or is that not reliable?

Cheers,

R.

On Tue, Jul 14, 2009 at 3:09 PM, Brian Butterworthbriant...@freeview.tv wrote:
 Hi,
 I've been looking at adapting some sites to work better on mobile devices.
 I can do the stripping down everything to text and minimal graphics and so
 on, that's the easy bit.
 Does anyone know of anything reliable that can tell me the width in pixels
 of the device?
 I was hoping that Glow would cover this, but it does't.
 --

 Brian Butterworth

 follow me on twitter: http://twitter.com/briantist
 web: http://www.ukfree.tv - independent digital television and switchover
 advice, since 2002

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Re: [backstage] Clay Shirky: Newspapers and Thinking the Unthinkable

2009-03-29 Thread Richard Lockwood
As ever, the answer, and the future lies somewhere inbetween.
While 'bloggers can, and do pass opinion, and produce stories based on
primary news stories, they don't have the resources to become those primary
news sources.  The BBC, The Times, Reuters etc do have the resources.

There have been a couple of articles in the press recently which raise the
question of trust: Who do you trust more, an unaccountable 'blogger, or the
BBC?

Dave C will have you believe that a 'blogger is more trustworthy because
he's free - but he's unaccountable to anyone.  The whole concept of
unbiased reporting doesn't apply to 'bloggers.

The rise of Citizen journalists is probably unstoppable, but the decline
of real, accountable journalists has been massively overstated.

Cheers,

Rich.

On Sun, Mar 29, 2009 at 7:33 PM, James Ockenden james.ocken...@gmail.comwrote:

  I think this is a false dilemma. Guys in my office have phones with
  8MP cameras. My 18-month old phone has a 5MP camera. I suspect a good
  lens and skill with photoshop is vastly more important than the
  photographer being professional.

 Sure, some kid with a 10MP phone can take a 300dpi front-page-sized
 picture of a UFO crashing down into the village green – but when the
 alien crawls out and asks to speak to Gordon Brown for the first time,
 do you, as a news editor, send the kid with the phone, or perhaps
 someone who has a bagfull of experience, a ladder, good elbows, and a
 record of never ever fg up?

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Re: [backstage] The BBC as sheep... and irresponsible ones too

2009-02-27 Thread Richard Lockwood
Can I just point out that I *didn't* write that.  That was David's comment.

Thanks,

R.

On Thu, Feb 26, 2009 at 1:13 AM, Mr I Forrester mail...@cubicgarden.com wrote:
 Richard Lockwood wrote:
 In this day and age it *is* important to teach people about electronic 
 security.

 This story completely fails to do so.
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Re: [backstage] The BBC as sheep... and irresponsible ones too

2009-02-25 Thread Richard Lockwood
Um - what are you suggesting as an alternative?  Alright, even with a
hole drilled through it, it's still possible to get some data back -
the tinier bits you can smash your drive into, the less chance there
is of anyone getting the data back in any meaningful form.

It's more a question of who would WANT to spend the hours putting a
drive back together just to get access to your £500 overdraft
facility - ie a question of trouble / worth.

Me, I reformat them, smash 'em up with a lump hammer and stick 'em in
the general metal recycling at the local recycling centre, on the
basis that it's more trouble than it's worth to get data back, just to
get my bank details, or my Second Life password.;

Where's your problem?

R.

On Wed, Feb 25, 2009 at 5:41 PM, David Greaves da...@dgreaves.com wrote:
 So here we are, a month after Which? gave out the same dumb advice the BBC 
 follows:

  http://news.bbc.co.uk/newsbeat/hi/technology/newsid_791/7910045.stm

 Sensationalist pillock :)

 I can't wait for someone to be seriously hurt trying to drill through a hard 
 drive.

 FWIW:
  http://16systems.com/zero/index.html

 David

 --
 Don't worry, you'll be fine; I saw it work in a cartoon once...
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Re: [backstage] BBC5.TV

2009-02-25 Thread Richard Lockwood
OMFG - TEH CONSPIRISSY TEHEORISTS R OUT IN FORSE

Arseholes.

R.

On Wed, Feb 25, 2009 at 2:10 PM, Ian Forrester ian.forres...@bbc.co.uk wrote:
 http://bbc5.tv found via Michael


 I find this quite interesting...
 http://bbc5.tv/eyeplayer/?q=terms-conditions

 THE FOUNDERS OF BBC5.TV AGREE THAT AS THE BBC IS NOT ADHEREING TO FAIR 
 EDITORIAL GUIDELINES, IT IS THEREFORE PARTIALLY DEFUNCT.

 THE FOUNDERS OF BBC5.TV HAVE THE UPMOST RESPECT FOR THE STAFF WHO WORK FOR 
 THE BBC. THEY ARE SOME OF THE MOST HIGHLY SKILLED JOURNALISTS ON THE PLANET.

 THERE ARE HOWEVER AGENTS OF MALVECENCE EMBEDDED WITHIN THE BBC, AND OTHER 
 NEWS ORGANISATIONS, WHO COMPROMISE THE TRUTH TO COVER HIDDEN AGENDAS.

 BBC5.TV IS AN INDEPENDENT PRODUCTION COLLECTIVE SET UP TO HELP ALL THE VOIDS 
 CREATED BY CENSORED, DISTORTED AND BANNED JOURNALISM.

 BBC5.TV IS NOT JUST A SUBVERSIVE DIG AT THE BBC. THEY ARE BY NO MEANS THE 
 WORST OFFENDERS.

 IF THE BBC DO DECIDE TO TAKE LEGAL ACTION THEN WE WILL SIMPLY REBRAND.


 Ian Forrester

 This e-mail is: [] private; [] ask first; [x] bloggable

 Senior Producer, BBC Backstage
 Room 1044, BBC Manchester BH, Oxford Road, M60 1SJ
 email: ian.forres...@bbc.co.uk
 work: +44 (0)1612444063
 mob: +44 (0)7711913293

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Re: [backstage] The BBC as sheep... and irresponsible ones too

2009-02-25 Thread Richard Lockwood
When it boils down to it, you *can* retrieve old data from a zeroed
disc.  It's a case of is it worth it?.

In the case of criminal investigations - maybe it is.

In the case of chasing your overdraft, probably not.

The problem with the BBC's story is that they fail to make this clear.

Cheers,

R.

On Wed, Feb 25, 2009 at 8:27 PM, David Greaves da...@dgreaves.com wrote:
 Richard Lockwood wrote:
 Um - what are you suggesting as an alternative?

 Read the 2nd URL.

 In this day and age it *is* important to teach people about electronic 
 security.

 This story completely fails to do so.

 Excerpt from that URL:
  Legitimate data recovery firms know that recovering data from a zeroed hard
 drive is impossible. They will not take the challenge. Lastly, it is noble and
 just to dispel myths, falsehoods and untruths.

 Whilst it is true that someone with a scanning electron microscope or the
 ability to build a HDD and the associated electronics by hand could
 theoretically recover some data from a wiped disk I think (as you do) it's
 reasonable to assume that a crook buying HDDs on eBay isn't likely to be
 operating at this level.

 I actually applaud the BBC/Which? research that found these un-deleted disks 
 and
 I grant you that most people are not capable of deleting files properly and 
 need
 to be educated. However, by promoting myths the problem is made worse. A far
 better approach would have been to recommend any one of the numerous 'disk
 wipers' such as:
  http://www.dban.org/about

 There are charitable organisations all over the world who can reuse IT 
 equipment
 and despite caveats the BBC are promoting waste and pollution - the junk will 
 be
 put in the council bins and go to landfill - not be disposed of properly.

 It's more a question of who would WANT to spend the hours putting a
 drive back together just to get access to your £500 overdraft
 facility - ie a question of trouble / worth.

 Agreed, but as the report showed - destroying them is *hard* and dangerous.
 Simply erasing them is cheap and a lot safer!

 *AND* you can donate them to charity.

 Me, I reformat them,
 And this is the flaw in your plan and the BBCs. Reformatting does not erase
 data. The BBC completely failed to say:
  You may think that reformatting works - you really need to use a special 
 disk
 eraser such as dban - otherwise you could find your second hand sale costing 
 you
 more than you could imagine.

 Where's your problem?

 I hope that answers you?


 David

 --
 Don't worry, you'll be fine; I saw it work in a cartoon once...
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Re: [backstage] Make the primary operating system used in state schools free and open source

2009-02-09 Thread Richard Lockwood
Mm.  Very interesting.  If something as simple as a petition will make
Windows free and open source, why has no-one thought of it before?

Why do the idiots who start these petitions never have any kind of
grasp of grammar?  Or proof reading?

Would you take anyone seriously who turned up on your doorstep
dribbling from the mouth, telling you it's all bout the lu1z?

No.  Nothing to see here - move along now...

Cheers,

Rich.

On Mon, Feb 9, 2009 at 2:24 PM, Mr I Forrester mail...@cubicgarden.com wrote:
 Seen this in my mailbox a few times today, sure you will all find this
 interesting...

 We the undersigned petition the Prime Minister to Make the primary
 operating system used in state schools free and open source

 http://petitions.number10.gov.uk/nonMSschools/

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Re: [backstage] Make the primary operating system used in state schools free and open source

2009-02-09 Thread Richard Lockwood
 I allege that the advantages of switching to Free
 Software *can* outweigh the costs (sic) of support, teaching, and third
 party staff upgrading their skills to more open, flexible and studiable
 systems. ;-)

I like the use of the word allege.  Can you demonstrate it?

Cheers,

Rich.
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Re: [backstage] If you had a ton of content to freely distribute

2009-01-20 Thread Richard Lockwood
Hey Ian - just stick it on a terabyte USB external hard drive, invest
in some bubble wrap and a strong cardboard box, and organise a mailing
loop...  Then folk can copy what they want and post it onto the next
user

Bit lo-tech, I know, but given broadband speeds in some parts of the
country, probably quicker than Bit Torrenting it.  :-)

Cheers,

Rich the Luddite

(Or have I missed the point?)



On Tue, Jan 20, 2009 at 4:21 PM, Ian Forrester ian.forres...@bbc.co.uk wrote:
 Wow thanks guys.

 I don't want to get into a discussion about the footage per-se because that's 
 not the important thing.

 So to answer the points about the packaging. I didn't know Tar was just a way 
 to pack together files with no compression. Now tar.gz makes sense to me :)

 The reason why we would like to Tar the files together is because of things 
 like subtitles, artwork, cuts of music, other metadata pieces, etc. We're not 
 just talking a collection of video files. I guess we're also thinking about 
 the 5% of the audience who would actually do a remix with the raw project 
 files. This would be on going rather that a one off, so we need the ability 
 to handle everything from low rez 3gp files to ultra high rez animations at 
 stupid frame rates

 Delivery,

 Seems BitTorrent, P2Pnext (tribler) and the internet archive are the best 
 solutions by a long way. I did speak to people about how we pass footage 
 around internally and the answer was via hard drives. There was some thought 
 in the past about having drop off points in major cities where you can get 
 all the footage in one go by bringing your 1TB drive for example. Sneakernet, 
 or what ever they now call it.

 Licensing,

 I think we'll use something like CC-BY-NC (although I totally understand the 
 arguments against NC, Dave) CC-BY-NC-SA is tempting due to the nature of the 
 content. I do wonder how we keep the licence in tack even when the assets are 
 broken up and reused? Maybe we should be looking into watermarking or some 
 adobe xmp type system? This would also be useful for figuring out reach.

 Lots to think about... But once I got the footage cleared and sorted you guys 
 will be first to know. We're planning to be as open as possible about the 
 whole experience.

 Ian Forrester

 This e-mail is: [] private; [x] ask first; [] bloggable

 Senior Producer, BBC Backstage
 Room 1044, BBC Manchester BH, Oxford Road, M60 1SJ
 email: ian.forres...@bbc.co.uk
 work: +44 (0)2080083965
 mob: +44 (0)7711913293
 -Original Message-
 From: owner-backst...@lists.bbc.co.uk 
 [mailto:owner-backst...@lists.bbc.co.uk] On Behalf Of Jim Tonge
 Sent: 19 January 2009 23:59
 To: backstage@lists.bbc.co.uk
 Subject: Re: [backstage] If you had a ton of content to freely distribute

 +1 BitTorrent
 +1 MP4

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Re: [backstage] DOGs on the BBC TV online streams?

2009-01-14 Thread Richard Lockwood
That's a pretty extreme form of tattooing - where'd you get it done?

Cheers,

Rich.


On Wed, Jan 14, 2009 at 12:23 AM, Jim Tonge jim_d_to...@yahoo.co.uk wrote:
 I've grown to love the BBC logo we've burned into our plasma.

 jim


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Re: [backstage] BNP mashups

2008-11-20 Thread Richard Lockwood
On Thu, Nov 20, 2008 at 9:22 AM, Rob Myers [EMAIL PROTECTED] wrote:
 On Thu, Nov 20, 2008 at 7:48 AM, Richard Lockwood
 [EMAIL PROTECTED] wrote:

 Certainly.  Dave is forever banging on about how if information can be
 copied it *should* be copied and shared - not just free software, but
 anything; music, films etc, regardless of the wishes of the original
 creator of that information - all in the name of freedom and
 friendship.  So I find it ironic that he's so pleased that the
 Google mashup using BNP data has been taken down.  I'm intrigued to
 know what he believes is more important - his beloved freedom, or
 personal privacy (especially as that information is now in the public
 domain).

 That confuses means with ends. What you do with information isn't
 excused by the fact that you are using information in doing it.

 - Rob.
 -

I don't see any confusion at all.  It's simply a question of where
does Dave draw the line between you must share and copy this and
you must not share and copy this.  He's previously given the very
strong impression that there was no line, and you must share and copy
everything.

Rich.
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Re: [backstage] BNP mashups

2008-11-19 Thread Richard Lockwood
And it was published, by an ex-member of the BNP.  (Obviously despite
a high court injunction, but when it comes to little things like, say,
the law, you don't think it applies to you when copying stuff, do
you?)

So where's your problem?  It's published, it's in the public domain.

Rich.

On Wed, Nov 19, 2008 at 3:29 PM, Dave Crossland [EMAIL PROTECTED] wrote:
 2008/11/19 Richard Lockwood [EMAIL PROTECTED]:
 That surprises me Dave.  After all, you're always bleating on about
 how just because information can be copied, it should be copied, and
 how there's no such thing, morally, as copyright any more, and how all
 information should be free.

 Unpublished information is clearly different to published information.
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Re: [backstage] BNP mashups

2008-11-19 Thread Richard Lockwood
It's your argument, not mine Dave.  It's just amusing to see you
squirm when it doesn't quite fit what you think you should see as your
personal beliefs.

Har, and indeed, har.

Rich.

On Wed, Nov 19, 2008 at 4:32 PM, Dave Crossland [EMAIL PROTECTED] wrote:
 2008/11/19 Richard Lockwood [EMAIL PROTECTED]:
 And it was published, by an ex-member of the BNP.  (Obviously despite
 a high court injunction, but when it comes to little things like, say,
 the law, you don't think it applies to you when copying stuff, do
 you?)

 So where's your problem?  It's published, it's in the public domain.

 I'm glad to hear you think publishing works means they are in the
 public domain. I just think they should be redistributable verbatim.

 Har har.

 Cheers,
 Dave
 (Personal opinoin only)
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Re: [backstage] BNP mashups

2008-11-19 Thread Richard Lockwood
More than your oft-vaunted personal concept of freedom?


 Just to clarify: I do not support the BNP, do not agree with their
 foundational concepts, but think they have a right to exist and a
 right to privacy - as MS says, privacy matters.

 Cheers,
 Dave
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Re: [backstage] BNP mashups

2008-11-19 Thread Richard Lockwood
On Wed, Nov 19, 2008 at 11:03 PM, Tim Dobson [EMAIL PROTECTED] wrote:
 Richard Lockwood wrote:
Dave Crossland wrote:
 Just to clarify: I do not support the BNP, do not agree with their
 foundational concepts, but think they have a right to exist and a
 right to privacy - as MS says, privacy matters.

 More than your oft-vaunted personal concept of freedom?

 I don't really see what the right to privacy has to do with free software
 or, indeed, freedom in general.

 Perhaps you could clarify...

 Tim


Certainly.  Dave is forever banging on about how if information can be
copied it *should* be copied and shared - not just free software, but
anything; music, films etc, regardless of the wishes of the original
creator of that information - all in the name of freedom and
friendship.  So I find it ironic that he's so pleased that the
Google mashup using BNP data has been taken down.  I'm intrigued to
know what he believes is more important - his beloved freedom, or
personal privacy (especially as that information is now in the public
domain).

Rich.
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Re: [backstage] Zingzing

2008-11-01 Thread Richard Lockwood
I hate horizontal scrolling.  That's hate spelled L.O.A.T.H.E.  As does
the rest of the world, surely?
While it's now four years old, www.tvplanner.co.uk - nothing clever, nothing
whizzy, it just works.

Cheers,

Rich.

On Sat, Nov 1, 2008 at 7:01 PM, Phil Wilson [EMAIL PROTECTED]wrote:

  I came across this site the other day, I don't think anyone has mentioned
 it
  before...
  It's an interactive TV guide, all done without Flash.  The search is AJAX
  and searches after each keypress, and it looks good too.
  http://www.zingzing.co.uk/

 clever, but rather annoying to use for me at least. tvguide.co.uk all
 the way! ;)
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Re: [backstage] Zingzing

2008-11-01 Thread Richard Lockwood
Oh, and ZingZing doesn't work.  I search for Mock the Week and it
highlights a load of Sin City episodes.  And then shows me Mock The Week
being on ITV3.
Maybe I'm missing something terribly clever, but if I can't make it work
immediately, what chance has my mum?  Or any other real user

Bag o' shite.  Anyone can make a whizzy interface.  If it doesn't work -
well - who cares?

Cheers,

Rich.

On Sat, Nov 1, 2008 at 8:44 PM, Richard Lockwood [EMAIL PROTECTED]
 wrote:

 I hate horizontal scrolling.  That's hate spelled L.O.A.T.H.E.  As does
 the rest of the world, surely?
 While it's now four years old, www.tvplanner.co.uk - nothing clever,
 nothing whizzy, it just works.

 Cheers,

 Rich.


 On Sat, Nov 1, 2008 at 7:01 PM, Phil Wilson [EMAIL PROTECTED]wrote:

  I came across this site the other day, I don't think anyone has
 mentioned it
  before...
  It's an interactive TV guide, all done without Flash.  The search is
 AJAX
  and searches after each keypress, and it looks good too.
  http://www.zingzing.co.uk/

 clever, but rather annoying to use for me at least. tvguide.co.uk all
 the way! ;)
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Re: [backstage] BBC Job

2008-07-31 Thread Richard Lockwood
Apart from all the aliens.

Cheers,

Rich.

On Thu, Jul 31, 2008 at 1:09 PM, Brian Butterworth [EMAIL PROTECTED]wrote:

 Looks nice these days on Torchwood...


 2008/7/31 Dave Simons [EMAIL PROTECTED]


 Its Job ref 449771, should mention that the job is based in Cardiff.

 *Dave Simons* BEng MSc DBA MIET MBCS**
 Technology Specialist - Control Systems / Arbenigwr Technoleg - Sustemau
 Rheoli**

 *BBC Cymru Wales*




Re: [backstage] Date: Thu, 3 Jul 2008 16:40:58 +0100

2008-07-04 Thread Richard Lockwood





Have you ever considered your freedom, or do you thrive off being
 facetious?



Yes.  I regular consider my freedom.  My freedom to consider, carefully
think about and, where appropriate amend my views.  My rights to not be
hectored, badgered and lectured at, at every possible opportunity, by people
who consider their views (or rather, views that they've taken verbatim from
a third party) the only possible moral stance, and by people who use
inflammatory and emotive words such as evil in entirely inappropriate
circumstances.

How about you?

Rich.


Re: [backstage] Date: Thu, 3 Jul 2008 16:40:58 +0100

2008-07-04 Thread Richard Lockwood
No Dave.

The main thing *for you* is that you preserve *your* perceived freedom.  For
a lot of us, that isn't the main thing at all.  Please stop making sweeping
statements as though your world view is the only one.  If you don't want to
use non-free software, then don't.  Don't go trying to impose your
restrictions on the rest of us.  You don't want to code with AIR, then
don't.  Simple solution.

As ever Dave, it's all about *you*, and what *you* want.

Rich.

On Fri, Jul 4, 2008 at 10:53 AM, Dave Crossland [EMAIL PROTECTED] wrote:

 2008/7/4 simon [EMAIL PROTECTED]:
  Ben's suggestion to allow the people to choose their RIA flavour whether
 it
  be AIR, gears or whatever is very sensible.
 
  Surely the main thing is that a good idea gets built.

 Surely the main thing is that we preserve our freedom to understand
 and share the software we use to do our computation.

 Using software running on other people's servers to do _our_
 computation also tramples our freedom, and this is becoming more
 common with RIA technology.

 If your software would keep us divided and helpless, please don't
 write it. We are better off without it. We will find other ways to use
 our computers, and preserve our freedom.
 - http://news.bbc.co.uk/1/hi/technology/7487060.stm

 Cheers,
  Dave
 Personal opinion only.
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Re: [backstage] Date: Thu, 3 Jul 2008 16:40:58 +0100

2008-07-04 Thread Richard Lockwood
On Fri, Jul 4, 2008 at 1:33 PM, Fred Phillips [EMAIL PROTECTED]
wrote:

 On Fri Jul  4 11:59:45 2008, Richard Lockwood wrote:

  If you don't want to use non-free software, then don't.  Don't go
  trying to impose your restrictions on the rest of us.  You don't
  want to code with AIR, then don't.  Simple solution.

 But it is suggested that this competition be _only_ provided to people
 who use non‐free software. It's not a simple solution, if people
 choose not use Adobe AIR they cannot enter the competition.


Mummy, the big boys won't let me play!!!

You've made your bed - now lie in it.

R.


Re: [backstage] Date: Thu, 3 Jul 2008 16:40:58 +0100

2008-07-04 Thread Richard Lockwood
You may not.  A certain Mr Crossland does.

R.

On Fri, Jul 4, 2008 at 1:41 PM, Fred Phillips [EMAIL PROTECTED]
wrote:

  On Fri Jul  4 10:24:29 2008, Richard Lockwood wrote:
   Have you ever considered your freedom, or do you thrive off being
   facetious?
  
 
 
  Yes.  I regular consider my freedom.  My freedom to consider, carefully
  think about and, where appropriate amend my views.  My rights to not be
  hectored, badgered and lectured at, at every possible opportunity, by
 people
  who consider their views (or rather, views that they've taken verbatim
 from
  a third party) the only possible moral stance, and by people who use
  inflammatory and emotive words such as evil in entirely inappropriate
  circumstances.
 
  How about you?
 
  Rich.

 I have no taken my views verbatim. After researching free software I
 found that the freedoms set out by GNU fit in line with my ethics
 outside of software. I do not assume my views are the only possible
 stance, but I do believe people who do not share my views to be
 immoral.

 Try to remember that by telling people what you think their views are
 doesn't make them so.




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Registered address:
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Re: [backstage] Date: Thu, 3 Jul 2008 16:40:58 +0100

2008-07-04 Thread Richard Lockwood
On Fri, Jul 4, 2008 at 3:32 PM, Fred Phillips [EMAIL PROTECTED]
wrote:

  On Fri Jul  4 15:16:03 2008, Richard Lockwood wrote:
  On Fri, Jul 4, 2008 at 1:33 PM, Fred Phillips [EMAIL PROTECTED]
 
  wrote:
 
   On Fri Jul  4 11:59:45 2008, Richard Lockwood wrote:
  
If you don't want to use non-free software, then don't.  Don't go
trying to impose your restrictions on the rest of us.  You don't
want to code with AIR, then don't.  Simple solution.
  
   But it is suggested that this competition be _only_ provided to people
   who use non‐free software. It's not a simple solution, if people
   choose not use Adobe AIR they cannot enter the competition.
  
 
  Mummy, the big boys won't let me play!!!
 
  You've made your bed - now lie in it.
 
  R.

 So it's okay to exlude people because of their beliefs?


No.  It's OK to exclude people if they've made a practical decision knowing
that decision may exclude them.  In effect, if they exclude themselves.

R.


Re: [backstage] Date: Thu, 3 Jul 2008 16:40:58 +0100

2008-07-03 Thread Richard Lockwood
On Thu, Jul 3, 2008 at 5:46 PM, Dave Crossland [EMAIL PROTECTED] wrote:

 2008/7/3 Matt Barber [EMAIL PROTECTED]:
  On Thu, Jul 3, 2008 at 4:41 PM, Ian Forrester [EMAIL PROTECTED]
 
  If we ran a competition which required the final prototype to be in
 Adobe
  Air, how would people feel about that?
 
  No problem with that.

 There is a large problem with that - Adobe Air is proprietary
 software, so it ought to be boycotted.


You boycott it Dave, if it makes you happy.  The rest of us can carry on
living in the real world.




  It's using a new technology and product to encourage
  development, and the technology is available to end users easily and with
  little effort, on multiple platforms.

 But it tramples our freedom and community, which are more important.


No Dave, you're thinking of Godzilla.

Rich.


Re: [backstage] Backstage's future plans

2008-06-24 Thread Richard Lockwood
Hope you're feeling better Ian; can I make a request please?  Can we have
some captal letters at the start of sentences in the text on the green
background please?  Please??

Cheers,

Rich.




 
  The New Backstage Website is not publicly available at -
  welcomebackstage.com as a beta. Please be gentle and bear in mind it
  needs alot more work (I'm quite sick at the moment, I' m .
 



Re: [backstage] Backstage's future plans

2008-06-24 Thread Richard Lockwood
Thankyewverrmush.  :-)

Cheers,

Rich.

On Tue, Jun 24, 2008 at 1:17 PM, Mr I Forrester [EMAIL PROTECTED]
wrote:

 Capital letters? Why? :)

 No only kidding, will see what I can do

 Richard Lockwood wrote:

 Hope you're feeling better Ian; can I make a request please?  Can we have
 some captal letters at the start of sentences in the text on the green
 background please?  Please??
  Cheers,
  Rich.




 The New Backstage Website is not publicly available at -
 welcomebackstage.com http://welcomebackstage.com/ as a beta.
Please be gentle and bear in mind it
 needs alot more work (I'm quite sick at the moment, I' m .



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Re: [backstage] Mashed : Hack Moyles - Audio segmentation with RTMP

2008-06-19 Thread Richard Lockwood
I find the easiest way to skip the boring bits in the Moyles podcast is to
simply not download it.

Cheers,

Rich.

On Thu, Jun 19, 2008 at 11:50 AM, Peter Bowyer [EMAIL PROTECTED] wrote:

 2008/6/18 Alia Sheikh [EMAIL PROTECTED]:
  So last week there was some discussion on this list about writing an app
  that let you skip the boring bits of a podcast, and I mentioned that we
 had
  some code that would let you do just that.
 
  We're making that code, some demo apps and some open source applications
  available that will let you use mp3 tags to enhance audio with images,
  chapters and descriptive text.  We are also providing enhanced versions
 of
  the Chris Moyles podcast for you to play around with.

 A very useful feature for the Moyles podcast would be a button to
 press to skip the boring bits between the music...

 I'll get my coat.

 --
 Peter Bowyer
 Email: [EMAIL PROTECTED]
 Follow me on Twitter: twitter.com/peeebeee
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Re: [backstage] Thinking Digital conference

2008-05-23 Thread Richard Lockwood
Or, translated; Yes. Spam.

Could you  off a bit quicker than that please?

R.
On Fri, May 23, 2008 at 10:41 AM, TRYPHENA BRADE 
[EMAIL PROTECTED] wrote:

 *no not spam*, it was forwarded several times to get a contact in
 backstage as we are enquiring for the first time as follows:

 Thank you for the information and website.

 We want to add a video or video clips to your website for MUSIC IN GENERAL
 ALSO GOSPEL MUSIC-SOUL-RB. WE HAVE SPEAKER TOO FOR GOSPEL. Finaly, I.T. 
 COMPUTING VIDEOS ON I.T.

 Please forward the instructions how to go about it.



  --
 Date: Fri, 23 May 2008 11:19:49 +0200
 From: [EMAIL PROTECTED]
 To: backstage@lists.bbc.co.uk
 Subject: Re: FW: [backstage] Thinking Digital conference


 Is this spam?

 2008/5/23 TRYPHENA BRADE [EMAIL PROTECTED]:

  From: [EMAIL PROTECTED]
 To: backstage@lists.bbc.co.uk
 Subject: FW: [backstage] Thinking Digital conference
 Date: Fri, 23 May 2008 08:39:15 +


 From: [EMAIL PROTECTED]
 To: backstage@lists.bbc.co.uk
 Subject: RE: [backstage] Thinking Digital conference
 Date: Fri, 23 May 2008 08:16:31 +

 Thank you for the information and website.

 We want to add a video or video clips to your website for MUSIC IN GENERAL
 ALSO GOSPEL MUSIC-SOUL-RB. WE HAVE SPEAKER TOO FOR GOSPEL. Finaly, I.T. 
 COMPUTING VIDEOS ON I.T.

 Please forward the instructions how to go about it.
 regards


  Date: Thu, 22 May 2008 12:13:15 +0100
  From: [EMAIL PROTECTED]
  To: backstage@lists.bbc.co.uk
  Subject: [backstage] Thinking Digital conference
 
  Hi All,
 
  Backstage is sponsoring a few a events around the thinking digital
  conference, if your up in the North East of England and want to hang out
  (lobbycom), chat with some great speakers. Drop into the Sage in
  Gateshead. We're running a geekdinner on Friday night which leads nicely
  into the BarCampNorthEast which is this weekend.
 
  For you guys who can't make it, we're putting the videos up online very
  fast. Actually I've put up the first session videos already.
 
  http://blip.tv/topics/view/thinkingdigital
 
  Enjoy and hope to see you in Gateshead soon
 
  Cheers
 
 
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 Messenger's gone Mobile! Get it 
 now!http://clk.atdmt.com/UKM/go/msnnkmgl001001ukm/direct/01/


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 now!http://clk.atdmt.com/UKM/go/msnnkmgl001001ukm/direct/01/


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 http://clk.atdmt.com/UKM/go/msnnkmgl001010ukm/direct/01/




 --
 Please email me back if you need any more help.

 Brian Butterworth

 http://www.ukfree.tv - independent digital television and switchover
 advice, since 2002


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 now!http://clk.atdmt.com/UKM/go/msnnkmgl001001ukm/direct/01/




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Re: [backstage] Thinking Digital conference

2008-05-23 Thread Richard Lockwood
http://www.youtube.com/watch?v=anwy2MPT5RE




On Fri, May 23, 2008 at 2:52 PM, TRYPHENA BRADE 
[EMAIL PROTECTED] wrote:

 Thank you for a DECENT reply.

 We AIM to:


- host videos on BBC
- the Thinking Digital site


 Thanking you in advance


  Date: Fri, 23 May 2008 14:20:08 +0100
  From: [EMAIL PROTECTED]
  To: backstage@lists.bbc.co.uk
  Subject: Re: [backstage] Thinking Digital conference
 
   Tryphena,
 
  if you could perhaps reword your initial post, so as we could
  understand what you are actually trying to acheive, we might be able
  to help.
 
  Are you talking about hosting your videos on BBC or the Thinking Digital
 site?
 
  Clarity and brevity will get you everywhere.
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Re: [backstage] BBC iPlayer, loved by millions, disliked by a single US citizen

2008-05-06 Thread Richard Lockwood



  On 06/05/2008, Helen Watson [EMAIL PROTECTED] wrote:
 
Someone who earns 14K per annum pays 1% of their income in TV
  Licensing,
someone who earns 140K pays only 0.1%, (assuming both own a colour
television), (figures not exact).
  
Anyone else think that is a little bit unfair? Wouldn't a
  proportional
or progressive tax be fairer?
 
  NO!


 Perhaps you could explain your thoughts.  Are you a high earner?


I know not whether Helen is a high earner.  It doesn't matter - her position
is quite right.  The license fee is precisely that - a one off fee.  It is
not a tax.  If you don't want to use the service, don't pay.  Is there any
evidence that high earners consume more output from the BBC than low
earners?

If I go to Morrisons this evening to buy four bottles of Timothy Taylor
Landlord (other supermarkets and beers are available), do they ask me at the
checkout how much I earn before deciding how much to charge me?  No.  Well
then - it's exactly the same with the TV license.

If you want to even it up, why not put a charge, or an annual license on
each device capable of viewing BBC content?  (Waits for Dave Crossland to
start spitting feathers)  That way, the wealthy with a TV in every room will
pay more, as they will (probably) be consuming more output.

:-)

Cheers,

Rich.


Re: [backstage] BBC iPlayer, loved by millions, disliked by a single US citizen

2008-05-06 Thread Richard Lockwood

  
   If I go to Morrisons this evening to buy four bottles of Timothy
  Taylor Landlord (other supermarkets and beers are available), do they ask me
  at the checkout how much I earn before deciding how much to charge me?  No.
  Well then - it's exactly the same with the TV license.
 

 But there's no British Supermarkets Corporation supermarket that you are
 required pay 140 a year to in order to obatain a supermarket licence so
 that you could legally go shopping at any supermarket (whether it's a BSC
 public service supermarket or a private one like Morrisons), backed up
 with the threat of a 1000 pound fine or jail time for anyone who goes
 shopping but doesn't have a licence.


It wasn't the greatest analogy, I'll admit, but it's valid - the British
Supermarkets Corporation is irrelevent.  If I want to watch TV, I have to
pay for it.  Once.  No matter how much I use it.  Also  - and this is the
point - there's no evidence that rich people use more of it than poor
people.  If I'm rich, why should I have to pay more for the same level of
use of a non-essential good than someone who is less well off?




  If you want to even it up, why not put a charge, or an annual license on
  each device capable of viewing BBC content?  (Waits for Dave Crossland to
  start spitting feathers)  That way, the wealthy with a TV in every room will
  pay more, as they will (probably) be consuming more output.
 


 That assumes that wealthy people will have more TVs per room than people
 on lower incomes, and I doubt that's true. Seeing as TVs are fairly low cost
 (and used TVs can be picked up for next to nothing) you can't equate TVs per
 room with wealth. Besides, it would be a nightmare to implement, requiring
 even more draconian invasions of people's privacy than the current system.
 Far better to go the simple option and fund the BBC straight from normal
 taxation, like most other public services.

 Scot


Not necessarily TVs per room, but number of devices that are capable of
receiving TV?  (Computers, laptops, whizzy phones etc)  Possibly.  And if
you were to make it a value based tax, even more so.  (Big -off plasma
screens, home cinema equipment).  It's unworkable, certainly, but less so
than a sliding scale of TV license.  Funding the BBC from normal taxation
seems at first sight like a reasonable solution - but then it's a public
service that you genuinely can opt out of (unlike the NHS, or
policing (say)).  Would you be able to opt out of part of your tax?  (I'm
well aware that even now it's a pain if you don't have a TV to have
threatening letters coming through the door from the licensing authority -
but you don't HAVE to buy a license.)

The license fee is probably the worst and least fair way to fund the BBC,
apart from all the others that have been dreamed up.  :-)

Cheers,

Rich.


Re: [backstage] US TV on iPlayer

2008-04-28 Thread Richard Lockwood
On Mon, Apr 28, 2008 at 3:16 PM, Brian Butterworth [EMAIL PROTECTED]
wrote:



 2008/4/28 Michael Sparks [EMAIL PROTECTED]:

   On Mon, Apr 28, 2008 at 5:19 AM, Brian Butterworth
   [EMAIL PROTECTED] wrote:
Why would you want to watch them on the iPlayer when you could have
downloaded them as torrents from the US a whole year before?
   Allegedly
 
  It may be considered quaint, but some of us like to stay within the
  law.
 
  Afterall, if I don't respect the copyrights of others, why should they
  respect mine ? (cf open source software I release both at work and home)


 That's why I said Allegedly.

 Let's face it, copyright is heading toward the status of bunk, isn't it?


Um.  No.  Much as a lot of people might like it to be, no, it isn't.

Cheers,

R.


Re: [backstage] Anyone got a Eee PC 2G Surf/Linux CD?

2008-04-18 Thread Richard Lockwood
OK, a toy computer for £229.

Small attractive black brick, just Error 17, desperately seeking an
 installer CD.  Need only .GZ. GSOH.


I just bought a 2.2GHz Dual core, 3 Gig RAM, 1Tb hard drive desktop PC for
(inc VAT and delivery) for three and a half hundred quid.  That included a
£100 graphics card.

It'll come with Windows Vista something or other - but I can just wipe the
drives and install whatever I like.  I have the legit media.

If I desperately need a laptop (RSI beckoning), I reckon I can get one for
about the same price, with a massively higher spec than an E.

Apart from being fashionable, why would I want one?  Why not leave them for
the original target market?

Cheers,

Rich.  (Grumpy and a bit pissed)


Re: [backstage] Telegraph Developer Weekend

2008-04-04 Thread Richard Lockwood
It's just you.

Cheers,

Rich.

On Fri, Apr 4, 2008 at 6:05 PM, Frances Berriman
[EMAIL PROTECTED] wrote:
 Is it just me, or does the URL to the sign-up page mentioned at the end of 
 the post just 404?




 Afternoon all.

 We (The Telegraph) have announced a Developers Weekend 26th-27th April at our 
 Victoria offices (opposite Google).

 http://www.telegraph.co.uk/labs2008
 http://blogs.telegraph.co.uk/Default.htm/Telegraph+Developer+Weekend+2008

 Hope to see you there.


 Seán



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Re: [backstage] iPlayer DRM is over?

2008-03-21 Thread Richard Lockwood
On Fri, Mar 21, 2008 at 11:43 AM, Brian Butterworth
[EMAIL PROTECTED] wrote:




 On 21/03/2008, Richard Lockwood [EMAIL PROTECTED] wrote:
  
   And of course there are places (such as libraries and schools) that
 actually
   have the right to retain copies as long as they want, and the BBC is,
   perhaps illegally, preventing this!
 
  Just playing Devil's Advocaat for a moment, while schools and colleges
  have the right to retain copies, is there any clause that says they
  have the right to make those copies by hacking the iPlayer, or by any
  other downloading method?  Surely, provided they can still make those
  copies by conventional means (PVR, VHS, DVD Recorder etc), the BBC
  isn't doing anything illegal?

 The argument is more subtle.  If schools have a right to retain a programme
 obtained by the iPlayer, it is unlawful for the programme supplied by the
 BBC to delete the programme from a computer at the school, and for the DRM
 to deactivate the programme.


But the schools don't have a specific right to retain a programme
obtained by the iPlayer - they have a right to retain a copy of the
programme - and the sections of the act quoted below specifically
refer to broadcast and cable.  Not streamed, nor downloaded.

 If it were so, if the school used software that removed the DRM from the
 file, it could argue that it were forced to do so, as the DRM breached the
 school's right to retain copyright broadcasts.

Again, it doesn't breach any such thing.

Cheers,

Rich.


 The Act specifically says that a tribunal should be considering ... if any
 [charges] ... should be paid for a licence, [as] the owners of copyright ...
 in the broadcast or cable programme have already received, or are entitled
 to receive, payment in respect of their inclusion.



 The Copyrights and Patents Act says:

 131 Licences for educational establishments in respect of works included in
 broadcasts or cable programmes

 (1) This section applies to references or applications under this Chapter
 relating to licences for the recording by or on behalf of educational
 establishments of broadcasts or cable programmes which include copyright
 works, or the making of copies of such recordings, for educational purposes.

 (2) The Copyright Tribunal shall, in considering what charges (if any)
 should be paid for a licence, have regard to the extent to which the owners
 of copyright in the works included in the broadcast or cable programme have
 already received, or are entitled to receive, payment in respect of their
 inclusion.
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[backstage] BBC Home Page broken

2008-03-14 Thread Richard Lockwood
12.05 GMT - it's looking a little, shall we say, untidy.

:-)

http://www.bbc.co.uk/

Cheers,

Rich.
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Re: [backstage] iPlayer DRM is over?

2008-03-12 Thread Richard Lockwood
Yes.  They should asterisk that out.

St**e J*bs.

Cheers,

Rich.

On Wed, Mar 12, 2008 at 8:59 AM, Sean DALY [EMAIL PROTECTED] wrote:
 Here's The Register on the subject, with an offensive title.

 http://www.theregister.co.uk/2008/03/12/iplayer_linux_stream_download_hack/




 On Tue, Mar 11, 2008 at 3:38 PM, Andy [EMAIL PROTECTED] wrote:
  On 11/03/2008, Ivan Pope [EMAIL PROTECTED] wrote:
Thanks. And if I might make so bold - why do they do this?
 
   Presumably it's because they want to send Flash to a PC, and MP4 only to 
  phones.
   Unfortunately user agent sniffing isn't really designed to do what
   they are trying to do.
   They would generally have to have a list of all phones user agents and
   whether they support Flash or MP4 and serve accordingly.
 
   There are better ways of doing this.
   For instance the user agent (i.e your phone) can chose itself by being
   given multiple options via a 300 response code.
 
   Or check what the browser/phone actually wants, i.e. check the Accept
   header to see if it wants .flv or .mp4
 
   Or use the fallback of HTML object tags.
   Present a Flash object tag and inside it put the HTML for MP4.
   If flash is not present the browser should fallback to what's inside
   the tag (may fail if Flash is present but incompatible, or wrong
   version).
 
   Of course most methods fail at some point so provide a link to the
   user to override possible incorrect choices. User Agent sniffing is
   certainly not a good solution if there is no user override for
   correcting it's mistakes. It is certainly bad accessibility wise.
 
 
What is it
specific about the iPhone that this feed needs to be limited to iPhones?
 
   Nothing, it's just their way of separating PC and phone, if it
   isn't an iPhone they assume it's a PC. Similar to some sites that
   assume if a web browser is not IE it's Firefox/Netscape.
 
 
Or, to put it another way, if it wasn't sniffing my phone, could I watch
this feed on my N95 (insert any other capable phone or phone app here)
 
   If your phone supports MP4 and HTTP then it should be fine.
 
   For now fake user agent. In the long run complain to the BBC or the
   BBC Trust. (This is NOT platform agnostic as requested by the trust,
   specifically scanning for a certain product and delivering them better
   content is extremely risky).
 
   As I said it shouldn't take more than 10 minutes for the BBC to correct.
 
   If they are doing things server side then just alter there code to
   server MP4 if user agent is iPhone, OR if a certain argument in the
   URL is set.
 
   Something like:
   ?php
$version = 'flash';
if (isset($_GET['force']))
  $version = $_GET['force'];
else if (isIPhone())
  $version = 'mp4';
else
  $version = 'flash';
 
if ($version == 'flash')
  // serve flash stuff here
else if ($version == 'mp4')
  // server mp4 here
else
  echo 'Unrecognised version!!!';
   ?
 
   And then add links with force=flash and force=mp4 so the user can
   correct mistaken user agent sniffing. Combining this with some of the
   other above methods would be even better. But unless the BBC wants to
   actually hire me I'm not going to do their jobs for them!
 
   Of course that code may not work, I haven't done PHP for over 3 years
   but it is the basic idea.
 
 
 
   Andy

 
   --
 
 
  Computers are like air conditioners.  Both stop working, if you open 
  windows.
  -- Adam Heath
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Re: [backstage] One-day Conference To Help Web Developers Address Accessibility in Web 2.0

2008-03-12 Thread Richard Lockwood
On Mon, Mar 3, 2008 at 2:51 PM, Ian Forrester [EMAIL PROTECTED] wrote:
 Hi All,

 We're involved in abilitynet's one day conference - 
 www.abilitynet.org.uk/accessibility2


So who's actually going to this then?

Cheers,

Rich.
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Re: [backstage] Adobe fuses on and offline worlds

2008-02-27 Thread Richard Lockwood

   I find filtering his mail directly into trash helps.

 That is a mature approach to dealing with mailing lists; thanks :-)

It's a mature way of dealing with trolls on mailing lists, yes.

R.
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Re: [backstage] Adobe fuses on and offline worlds

2008-02-26 Thread Richard Lockwood
That's never bothered Dave before.  If you don't inhabit the fantasy
world that is Davetopia, you must be related to the anti-Christ.
He'll a one issue troll, who'll quite happily try insult anyone who
disagrees with his zealot tendencies.

I find filtering his mail directly into trash helps.

Rich.

On Tue, Feb 26, 2008 at 6:10 PM, Michael [EMAIL PROTECTED] wrote:
 On Tuesday 26 February 2008 15:24:05 Dave Crossland wrote:
  It feel uncomfortably like you're avoiding thinking about ethical
  aspects of your profession.

 I think that's an incredibly unfair thing to say. Just because someone
 doesn't share your personal views doesn't mean that they don't think
 about the ethical aspects of their work.


 Michael.

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Re: [backstage] Radio 1 Top 40 Feed

2008-02-12 Thread Richard Lockwood
I did a similar one ages ago -
http://www.hyperactive-stage.co.uk/chartfeed/feed.asp - but it didn't
provide as much data, just artist and title.

Cheers,

R.

On Feb 11, 2008 1:31 PM, Andy Mace [EMAIL PROTECTED] wrote:

  Hey Chaps,

 This has probably been done before, but i was bored with a hangover on
 Saturday.

 I knocked together this little beauty..
 http://chino.welcomebackstage.com/~andy.mace/r1top40.php

 Have a look.. tell me what you think.. I'm sure i can find somewhere to
 house it permanently if so required.

 Andy


 *Andy Mace*
 iTV Operations Engineer

 *BBC Future Media  Technology
 *# BC5 B4, Broadcast Centre, 201 Wood Lane, W127TP
 ( 0208 008 2346 (x82346) ( 07766 043 100
 * [EMAIL PROTECTED]





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Re: [backstage] Request Frequency

2008-02-07 Thread Richard Lockwood
Why not database the data the first time it's grabbed in a time period of
your choice - per hour or per day maybe.  Then it's far fewer requests.

On this I run a cron job every morning:
http://www.sdldev.co.uk/weather/map_big.asp

Cheers,

R.

On Feb 7, 2008 3:45 PM, Rob Dunfey [EMAIL PROTECTED] wrote:

 Hi,

 I'm writing an application that displays weather at various locations
 throughout the world on a digital globe, similar to Google Earth.  I use the
 BBC Weather GeoRSS feeds to grab the weather info for each location, this
 involves making a web request for each of the 278 locations I display on the
 globe.  I would like to share this app with people but for each person i
 share it with, another 278 requests are made.  Is this considered acceptable
 behavior?  If 200 people used this application just once, that would be in
 excess of 55,000 hits?  Is this acceptable?

 All the best,

 Rob




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Re: [backstage] Broadcasters to launch joint VoD service

2008-01-01 Thread Richard Lockwood
And sure enough, Martin hits the nail on the head.  (And, for the benefit of
Dave, no, he's not confusing an ethical position with a religious one -
you obviously missed the bit that says with a few word changes.  Perhaps
parts of your monitor are obscured with froth?)

RIch.


On 12/30/07, Dave Crossland [EMAIL PROTECTED] wrote:

 On 29/12/2007, Martin Belam [EMAIL PROTECTED] wrote:
   An excellent quote which I will endeavour to use in 2008 every time
   the zealots start drowning out the conversation.
 
  though I suspect you will be met with similar content to almost the
  first reaction to that article:
 
  It's sad to see that Linus Torvalds, one of the leading figures in
  the Free Software movement, doesn't really care for freedom.

 Here's the full comment:

 It's sad to see that Linus Torvalds, one of the leading figures in
 the Free Software movement, doesn't really care for freedom. And it's
 even sadder that he resorts to insults, saying that those who *do*
 care about freedom are frothing-at-the-mouth.

 I think it's also dishonest for Linus to see only the people who like
 to have control over their computers as ideological. Linus' own view
 that users should *not* have control over their computers is just as
 ideological, and Linus is actively pushing his own ideology on other
 people.

 Personally I disagree with Linus. I find that freedom means control
 over your own computer and I believe that all computer users have a
 right to be free and in control.

 I think the point about proprietary restrictions are conscionable if
 the software has some convenient feature being an ideology that
 Torvalds pushes is interesting.

   it's also applicable, with a few word changes, to religion too

 Are you confusing an ethical position with a religious one?

 --



Re: [backstage] Interview with Anthony Rose - Podcast

2007-12-14 Thread Richard Lockwood
Bangs head on desk:

*http://tinyurl.com/2fppy9*



Rich.



On 12/14/07, Andy [EMAIL PROTECTED] wrote:

 On 14/12/2007, Matthew Cashmore [EMAIL PROTECTED] wrote:
  so like all other BBC Content it
  can't be used in any commercial sense

 What about those BBC DVDs that are sold commercially, don't the likes
 of HMV/Amavon etc. sell them for commercial profit?

 See BBC content *can* and *is* used commercially.

  MP3 works on everyone's computer with free (as
  in cost) software

 You could only possibly know that if you had accessed and scanned the
 software of every single computer in the world. I sure as hell didn't
 authorise you to do that with my computer. Are you admitting to
 Unauthorised Access under the Computer Misuse Act?

 What is a BBC employee doing scanning the software on users PCs
 without telling them? Is this why iPlayer's source is secret, do you
 have a function in there for this purpose?

  it just works for everyone

 No it doesn't. Can't play an MP3 with this machines default media player.

  and we're more than happy for
  people to take the podcast and re-encode them to what-ever format people
  want.

 Fine, point me to the original raw quality audio file and it will be done.


  but do not feel our time is best spent encoding into separate
  formats when we know MP3 will work for everyone.

 Nice to see the usual lies resurface.

 Computers can do the transcoding for you.
 try:
 oggenc podcast.wav
 (insert correct filename)

 Odd how you claim taking 3 seconds to type a command is too long
 (shorter if you use tab auto-complete).
 And yet you wrote a long email justifying your choice not to do that.
 In the time you took to write that email you could probably have typed
 that command 52 times, (1 a week for an entire year), if not more.

 Or you could save even more time by using some kind of script connected to
 cron.

 How much does the BBC pay people to do the work of small shell scripts?
 Maybe you should make them redundant and replace them with scripts
 saving enough money to buy that really expensive free software the BBC
 claims it can't afford. (I was actually told the BBC would have to
 increase the license fee to stream in Ogg because of the cost of the
 software).

 Andy




Re: [backstage] Muddy Boots on Backstage

2007-11-28 Thread Richard Lockwood





 It was only one idea, I'm sure that there are others. who knows, one of
 them might even including resurrecting the noble art of journalism as a
 public service rather than to make money.

 So can you give us any indication of when the technologists will have
 completed the prototype of the journalist that doesn't need food or shelter?

 Apparently it's already with us.  It's called a 'blogger.  Can't
generally write for toffee, doesn't check facts, confuses opinion with
truth, is credulous as hell, and has nothing worth saying, but hey - if you
want everything for free...  ;-)

Cheers,

Rich.


Re: [backstage] Muddy Boots on Backstage

2007-11-28 Thread Richard Lockwood
  Journalists in terms of national newspapers and national broadcasters
 aren't needed in modern society. We could easily and happily do without
 them.


Really?  Why's that then?

Rich.


Re: [backstage] Muddy Boots on Backstage

2007-11-27 Thread Richard Lockwood

 You are Dave Crossland in a different hat, and I claim my five pounds.
 We are different people; that £5 belongs to me.


Hmm.  If it looks like a duck, and quacks like a duck...

:-)

Rich.


Re: [backstage] Muddy Boots on Backstage

2007-11-27 Thread Richard Lockwood


  No.  Banging on and on and on and on about the same tired, laboured
 point is
  wrong - and simply blindly quoting Richard Stallman doesn't make it any
 more
  likely to have people agree with your narrow viewpoint.  You are Dave
  Crossland in a different hat, and I claim my five pounds.

 This is where our opinions diverge.


Ah, so continually banging on and on about the same laboured point is OK is
it?



 I, obviously, have some strong view points on freedom and politics. I
 join /discussion/ groups so that I can /discuss/ the issues that
 interest me.


Yes, I see that.  Please note the difference between discussion and
repeatedly banging on.



 When a /discussion/ starts that involves freedom or politics I find
 that I like to join in the /discussion/ by weighing in with my
 opinion. That, after all, is the point of a /discussion/ list.


Fine, but note that weighing in with is not neccessarily a synonym for
repeatedly banging on about.

Discussing is a two way process.  Standing on a soapbox and shouting
LISTEN TO ME! is not.  (There's something wrong with your keyboard BTW -
it's putting quote marks out as slashes)



 I only /discuss/ things that interest me when there is direct
 relevance to the /discussion/ at hand. If a newbie asks how can I get
 foo driver to work with linux you won't find me correcting his use of
 the word linux to include gnu but you will find me correcting
 someone who says tescos should sell and market linux pcs. See the
 difference?


Yes.  How is this relevant?



 When someone accuses me of banging on about something really they
 are saying I have heard your opinion before, don't like it and can't
 be bothered discussing it.


No.  They're saying You've made exactly that point before, there's no need
to keep repeating it - it's not going to get any more valid or true the
ninth time you make it, and you're certainly not going to convince anyone to
change their minds.  You're far more likely to alienate people.



 To which I have two suggestions:

  1) Leave the /discussion/ list you're on.
  2) Move to the next message, trash the message and move on.
  3) Filter all email with freedom in the body into /dev/null and be
 done with it.


That's three.  Like the Spanish Inquisition this...

I have a suggestion too.  Why not limit making the exact same point to, ooh,
three times per day, per discussion list?  That way it comes across less
like bullying.



 Stop throwing you're weight around because you can't be bothered
 /discussing/ something on a /discussion/ list.


I hope you're not suggesting I have any weight to throw around.  I just find
bullies, extremists and zealots of any descripton intensely annoying,
especially in what's generally a friendly environment.

Rich.


Re: [backstage] Muddy Boots on Backstage

2007-11-27 Thread Richard Lockwood
  My fourth suggestion would be that perhaps the discussion you want to
  have is not on topic for a list. As such continuing the discussion you
  want to have may be off topic for most list members.
 On this list the noise is the signal and you are invited to use filters.


Noise.  Note noise.  Not Shouting.



 On 27/11/2007, Richard Lockwood [EMAIL PROTECTED] wrote:
  I hope you're not suggesting I have any weight to throw around.  I just
 find
  bullies, extremists and zealots of any descripton intensely annoying,
  especially in what's generally a friendly environment.

 Richard, the world is full of people who are going to disagree with
 you - calling them bullies, extremists and zealots is only going to
 get you so far.


Disagreeing is fine - continually banging on without being prepared to
listen is not.  Look up zealot at dictionary.com, then tell me it's not an
unearned epithet.



 As you only seem to be throwing around ad hominems the discussion is over.


I'll take this as realising you can't realistically argue your point any
more and are taking your bat home.  (However, I'm not convinced you're not
going to come back, jabbing a finger into a metaphorical table, shouting
and another thing...)



 /me bows out


Bye.

Rich.


[backstage] Broadcasters to launch joint VoD service

2007-11-27 Thread Richard Lockwood
http://www.guardian.co.uk/media/2007/nov/27/bbc.itv?gusrc=rssfeed=technology

No real technical details, more a re-hashed press release, but an
interesting idea nontheless.

Cheers,

R.

(Waits for this news to descend into DRM-Bad, Free-Good!! ranting...)


Re: [backstage] Broadcasters to launch joint VoD service

2007-11-27 Thread Richard Lockwood
And that's already been pointed out...  Sorry!  :-)

Cheers,

Rich.



On 11/27/07, Richard Lockwood [EMAIL PROTECTED] wrote:

 Um - that wasn't me.  My line was:
 No real technical details, more a re-hashed press release, but an
 interesting idea nontheless.

 That was the end of my contribution on this.  You've mistaken someone
 else's quote for me.

 No problem, but just putting the record straight.  :-)

 Cheers,

 Rich.



  On 11/27/07, Nick Reynolds-AMi [EMAIL PROTECTED] wrote:
 
  You really need to be careful with your language Richard
 
  BBC management did not refuse to comply with the Trust's previous
  ruling


snip


Re: [backstage] Broadcasters to launch joint VoD service

2007-11-27 Thread Richard Lockwood
Um - that wasn't me.  My line was:
No real technical details, more a re-hashed press release, but an
interesting idea nontheless.

That was the end of my contribution on this.  You've mistaken someone else's
quote for me.

No problem, but just putting the record straight.  :-)

Cheers,

Rich.



On 11/27/07, Nick Reynolds-AMi [EMAIL PROTECTED] wrote:

 You really need to be careful with your language Richard

 BBC management did not refuse to comply with the Trust's previous
 ruling

 Both management and the Trust have agreed that the Player will be platform
 neutral (indeed the management's position has always been that the Player
 will be platform neutral) - the only question is how and when

 Kangaroo is a commercial proposition from BBC Worldwide - and these
 usually don't take as long to approve

 

 From: [EMAIL PROTECTED] on behalf of Andy
 Sent: Tue 11/27/2007 2:29 PM
 To: backstage@lists.bbc.co.uk
 Subject: Re: [backstage] Broadcasters to launch joint VoD service



 On 27/11/2007, Richard Lockwood [EMAIL PROTECTED] wrote:
  No real technical details, more a re-hashed press release, but an
  interesting idea nontheless.

 How can this possible go live in a few months? (2008 starts in a few
 weeks if I am not much mistaken).

 The trust haven't even approved it. And the BBC has refused to comply
 with it's previous ruling. Need I remind you the BBC Trust said you
 must be Platform Neutral?

 So will Kangaroo* be Platform Neutral? If not it looks unlikely the
 trust will sign off on it given their previous comments about the
 iPlayer (was there ever a huger waste of money? Except maybe the
 Dome).

 Is it going to be standards based (only way to actually be platform
 neutral as some platform consist mainly of custom designed hardware
 which need to know the precise operating details to get high
 performance.)?

 Are we going to be allowed to improve it, bug fix it, security scan
 it, verify it's not a trojan etc.?

 Nice to see a complete lack of detail though, now where did I put my
 document on making an FOI request, (technically a written request here
 would most likely count, after all it's written, has a name and has an
 address.)

  (Waits for this news to descend into DRM-Bad, Free-Good!! ranting...)

 I see no mention of DRM in either article, neither do I see the term
 Digital Rights Management.

 Helpfully the BBC have made sure to hide every single even slightly
 technical detail from view. What precisely are you hiding?

 The only vaguely technical detail appears to be that it is designed to
 work over broadband, wow I couldn't have guessed that!

 What platforms are we talking about? Is it going to be truly platform
 neutral or is the BBC going to have to rewrite the old iPlayer to
 comply with your regulator (or as appears to be the intended plan
 refuse to comply with the regulator)

 What protocols and formats will be used?

 Will it be as awfully as 4OD and iPlayer, using up peoples bandwidth
 with no control what-so-ever (BitTorrent clients have supported
 throttling for years)? Odd how the BBC can have such a huge
 development time, such a huge spending and still end up with a vastly
 inferior product when compared to free alternatives.

 Will it permit user written extensions?

 Will it support third party access via Open API's?

 Andy

 * Is the name Kangaroo meant to be some joke about bouncing back after
 the disaster that was the first offerings?
 --
 Computers are like air conditioners.  Both stop working, if you open
 windows.
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Re: [backstage] tiresias PC fonts released under the GPL

2007-11-27 Thread Richard Lockwood

  Not everyone thinks it's great though - there's a rebuttal/ critique
  here
  http://screenfont.ca/fonts/today/Tiresias/

 As much as I regard Joe Clark to be an asshole


Now - who was talking about Ad Hom earlier?  Or is this just abuse?

R.


Re: [backstage] Muddy Boots on Backstage

2007-11-27 Thread Richard Lockwood


 Nutritionists and Dietitians are just artisans of couse, whereas we
 programmers are computer scientists, no?



Dietitians have real courses of study, and qualifications from respectable
institutes of learning.  Nutritionists don't.  (See Gillian McKeith /
Patrick Holford etc...)

Listen to advice from a qualified dietitian.  Don't take it from a
self-proclaimed nutritionist.

Not on topic, or relevant for this forum, but an important distinction.

Cheers,

Rich.


Re: [backstage] Muddy Boots on Backstage

2007-11-26 Thread Richard Lockwood


 Basically the author is saying that anyone who has strong opinions is
 committing the equivalent of rape. Now, ignoring the highly
 inappropriate analogy to forced sexual penetration, I think that you
 could sum this up as having strong opinions and sticking by them is
 wrong. which is clearly brain-dead.


No.  Banging on and on and on and on about the same tired, laboured point is
wrong - and simply blindly quoting Richard Stallman doesn't make it any more
likely to have people agree with your narrow viewpoint.  You are Dave
Crossland in a different hat, and I claim my five pounds.

Rich.


Re: [backstage] BBC Podcasts Including Music

2007-11-20 Thread Richard Lockwood


  Forget popularity, think about principle.


 It is worth noting that often these things turn around on the head of a
 pin.  If we were having this discssion in 1985, someone would have pointed
 out that *no one ever got* *sacked for buying IBM.  Everyone was happy
 with the popular 3270 terminals connected to proriatory mainframes.*
 **
 *Then came the minicomputer running Unix with RAID disks and VT220
 terminals.*
 **
 *There are plenty of other examples of this.  Dave is 100% correct to say
 that being popular today is a poor way of determining the future.*
 **


No.  Being popular is not *a poor way* of determining the future.  Being
popular is *not necessarily a good way* of determining the future.  These
are not the same thing.  In Davetopia everything is black and white
- popular = bad.  In the real world, things are less clear cut.  Popular has
no place on the scale between good and bad.

Rich.


Re: [backstage] BBC Podcasts Including Music

2007-11-19 Thread Richard Lockwood
On Nov 19, 2007 10:08 PM, Dave Crossland [EMAIL PROTECTED] wrote:

 On 19/11/2007, Martin Belam [EMAIL PROTECTED] wrote:
  You see, I just somehow knew that giving away content including music
  for free, forever, at the point of delivery, to anyone, regardless of
  whether they had paid their Licence Fee or lived in the UK, *still*
  wasn't going to be good enough for some.

 Martin, I am not interested in for free. I'm happy to pay money for
 things I value, and often do.

 I'm interested in freedom, and I'm sorry that the difference between
 libre and gratis, as the two unrelated concepts are known in
 French, hasn't been clear to you.


Rubbish.  Utter rubbish.  You've never made a convincing argument for this -
it IS all about not having to pay for stuff, as I think we established a
couple of weeks ago.  You throw in spurious arguments and unrelated points,
hoping that people will think that they back up your argument, but they
don't.  You want it all for free.  Whether you're prepared to pay a nominal
sum at some point is neither here nor there - you want it to be made
available for no money whatsoever.  Don't for one moment think that anyone
believes otherwise.

Rich.

Rich.


Re: [backstage] Use of Tinyurl in Emails

2007-11-09 Thread Richard Lockwood
On Nov 9, 2007 12:02 PM, Richard Lockwood [EMAIL PROTECTED]
wrote:



  On Nov 9, 2007 11:07 AM, Noah Slater [EMAIL PROTECTED] wrote:

  On 09/11/2007, vijay chopra [EMAIL PROTECTED] wrote:
   You can't deliberately invoke Godwins law:
   http://www.catb.org/jargon/html/G/Godwins-Law.html
   So the silliness is set to continue.
 
  Please vijay, RFC 1149 and 2549 clearly state that referenced
  hyperlinks included within the message body should be indented by no
  less than two U+0020 (SPACE) characters.


 I think you'll find that's two fewer.  ;-)

 Cheers,

 R.


Whoops - fewer than two.

:-)

R.

-- 
SilverDisc Ltd is registered in England no. 2798073

Registered address:
4 Swallow Court, Kettering, Northamptonshire, NN15 6XX


Re: [backstage] Use of Tinyurl in Emails

2007-11-09 Thread Richard Lockwood
On Nov 9, 2007 11:07 AM, Noah Slater [EMAIL PROTECTED] wrote:

 On 09/11/2007, vijay chopra [EMAIL PROTECTED] wrote:
  You can't deliberately invoke Godwins law:
  http://www.catb.org/jargon/html/G/Godwins-Law.html
  So the silliness is set to continue.

 Please vijay, RFC 1149 and 2549 clearly state that referenced
 hyperlinks included within the message body should be indented by no
 less than two U+0020 (SPACE) characters.


I think you'll find that's two fewer.  ;-)

Cheers,

R.


Re: [backstage] Ashley Highfield speaks again

2007-11-05 Thread Richard Lockwood
And it appears the Linux community has managed to ignore what he has to say
and has organised a let's shout him down louder and louder until someone
takes some notice of us party.

No positive suggestions, just bleat bleat bleat we hate you...  As ever.

Cheers,

R.

Ashley has posted an update:
 http://www.bbc.co.uk/blogs/bbcinternet/2007/11/linux_figures_1.html




Re: [backstage] Ashley Highfield speaks again

2007-11-05 Thread Richard Lockwood
Absolutly.  Not all Linux users are the same at all.  I know some who are
perfectly happy to accept that they've made their own decision about which
OS to use, for whatever reason, and realise that because of that choice,
they're going to have to make some sacrifices which may or may not outweigh
the advantages.  There are some on this list.

The community that shouts the loudest is the one that doesn't realise
this, and shouts; Bleat, bleat, me me me, bleat, I want it and I'll cry if
I can't have it, bleat bleat, Slashdot, bleat bleat boo hoo IT'S NOT
FAIR!!!
at every perceived injustice, or slight on their beloved OS.  They're the
ones who royally p*** me off.

I realise that that isn't every Linux user (by a long way), and I apologise
for appearing to tar them all wth the same brush.

Cheers,

Rich.


On 11/5/07, Andrew Bowden [EMAIL PROTECTED] wrote:

  I always hate that term community in this sense - because not all Linux
 users are the same after all.  And I've seen plenty of Mac fans do similar
 things (usually when someone is critising their beloved Apple!)

 Anyway, where's the Windows community in all this ;)

  --
 *From:* [EMAIL PROTECTED] [mailto:
 [EMAIL PROTECTED] *On Behalf Of *Richard Lockwood
 *Sent:* 05 November 2007 14:50
 *To:* backstage@lists.bbc.co.uk
 *Subject:* Re: [backstage] Ashley Highfield speaks again




 And it appears the Linux community has managed to ignore what he has to
 say and has organised a let's shout him down louder and louder until
 someone takes some notice of us party.

 No positive suggestions, just bleat bleat bleat we hate you...  As ever.

 Cheers,

 R.

 Ashley has posted an update:
  http://www.bbc.co.uk/blogs/bbcinternet/2007/11/linux_figures_1.html
 
 


-- 
SilverDisc Ltd is registered in England no. 2798073

Registered address:
4 Swallow Court, Kettering, Northamptonshire, NN15 6XX


Re: [backstage] Ashley Highfield speaks again

2007-11-05 Thread Richard Lockwood
On 11/6/07, Tim Dobson [EMAIL PROTECTED] wrote:

 On 05/11/2007, [EMAIL PROTECTED] [EMAIL PROTECTED] 
 wrote:
 
  This always makes me laugh, whether it's Firefox users or Linux users.
 
  Because you *can* change the UA in my favourite software, it
  automatically follows that 30% of reported visitors *are* faking it.
 
  (Sounds of straws being grasped)
 

 At no point have I stated 30% etc and you know that. Try backing up what
 you say with facts rather than a bit of fiction that everyone 1/2 believes.


Oh please. Don't try and dismiss the point by picking up on one obviously
illustrative statistic.  Of course you never mentioned 30%.  But you're
claiming that the actual figures for Linux use are much higher than the
evidence shows.  You're choosing the kind of figures you want, concocting a
theory to fit those figures, and then passing it off as fact.

You're not a homeopath are you?

Rich.


Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-11-02 Thread Richard Lockwood
On 11/1/07, Andy [EMAIL PROTECTED] wrote:

 On 01/11/2007, Richard Lockwood [EMAIL PROTECTED] wrote:
  sharing artistic works is NOT a
  central tenet of friendship.

 Of course it is. You can't possibly be friends with someone unless you
 copy stuff off them. I mean how could you possible be a friend due to
 things like shared interests, conversation or any other social
 activities. Did you not know nobody in the world had friends till the
 dawn of Internet File Sharing, they all sat around on there one
 speaking to no one. It wasn't until file sharing that friendship
 existed how could you not know that?

 (^^ I would hope I don't need to point this out but that was meant
 sarcastically.)

 Seriously if all your friendships are based solely on what artistic
 material you can acquire from a friend I think you might need to
 reconsider your concept of friendship.

 Anyone who knows me, (and most of the people on this list as well ;))
 would know that I am certainly not the most pro-copyright person
 around. And yet even I disagree with the statement that friendship is
 based on file sharing.


 Of course media does have an impact on friendship. I watch DVDs I
 legally own with friends. Of course they are getting access to the
 media content and aren't paying anything, but *severely* doubt that is
 the kind of sharing that Rich is objecting to.


Good grief.  Andy and I agree on something.  :)



  Suggesting they should
  do smething else to finance making more music (which you'll then copy
 free
  of charge) is also, frankly, patronising.

 Are you saying people shouldn't suggest alternative business models,
 or are you saying his are patronizing, or are you saying that just
 because someone can present an alternative revenue stream it doesn't
 alter the morality of copying?


The latter.

Surely a rational business must at least consider alternative models
 for making revenue.


Absolutely. Few people would disagree that the way people consume music
and films is a constantly changing process, and over the last few years the
rate of that change has increased massively.

For some bands it's no possible for them to run their own affairs to a much
greater extent than in the past, running the band as a business as opposed
to just being an artist working for and being paid by a record company.
However, for some bands, this isn't an option, and the traditional model
will very often work better.  To quote the Broken Family Band in the
Guardian (http://tinyurl.com/23xn6f);

I'll bet that without Razorlight they'd all be f***ed for jobs. I wouldn't
let Johnny Borrell do my photocopying.

:-)

Right - let's move on.

Cheers,

Rich.


Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-11-01 Thread Richard Lockwood
  
   Sharing artistic works between friends is one of the central tenets of
   friendship. Ask anyone under 20 if they've got a laptop, and if they
   do, if they have copies of music from their friends. Its almost
   certain that they will.
 
  No - it isn't!

 Ask 'em. Seriously. On the way to work or something. Please?


Deliberate misunderstanding for the sake of shoring up your increasingly
feeble argument.  Yes, they'll have music - sharing artistic works is NOT a
central tenet of friendship.  You keep parroting this line as though it
backs up your argument - it's no more true now than it was the first time
you mentioned it.

 How many times - friendship has nothing to do with pirating
  music and films.  Again - just because you can (and do) doesn't mean
 that
  it's morally right.
 
   The law isn't an authority on ethics. That something is illegal
   doesn't mean it is wrong.
 
You don't have the automatic right to redistribute someone
else's artistic endeavours.
  
   You do, because the ultimate point of copyright is to benefit
   audiences, its not for the sake of publishers, or authors. People tend
   increasingly to reject and disobey the copyright restrictions imposed
   on them for their own benefit which highlights this.
 
  Civil disobedience, while it has a noble tradition, isn't always right.
  Copyright restrictions aren't imposed purely for the benefit of the
 consumer
  - they're also there to protect the rights of the artist.  Those rights
 that
  you want to do away with.

 Copyright restrictions _are_ imposed purely for the benefit of the
 public -


That's rubbish.  The copyright on a work is automatic to the creator of that
work.


they're only there to protect the interests of the artists in
 so far as the artists' interests align with the public's. When they
 diverge, the public trumps the artists. So yes, I want want to do away
 with the rights that no longer work in my favor, and I'm willing to
 engage in civil disobedience until the law catches up.


Ah yes - you finally admit it's about things not being in your favour.  Not
about your woolly concept of freedom, but about you gaining benefit at the
expense of the artist.

The attitude that it is morally wrong to redistribute copies came
 about because of copyright legislation written for a bygone era. It
 used to be in the public's benefit to prohibit redistribution, because
 only businesses could do it. But now the public can do it, its not in
 our favor to prohibit it, and the attitude that it is morally right to
 redistribute copies has come about.


Just because you can doesn't mean you should.  You *can* stab your neighbour
to death with a breadknife.  Doesn't make it morally right.

 You're saying that once an artist has sold one copy - to you - you have
 the
  right to spread that as far and wide as you like, for free.  In theory,
 that
  artist may never sell another copy, but the whole world's got their
 music.

 If they can find an audience that appreciates them, they will sell
 other copies, despite that their audience can listen without paying
 before hand. And they will sell tickets for gigs. And they will sell
 branded kit. And when businesses want to use their music for
 promotion, those businesses will pay them royalties.


Not relevant.  This isn't about suggesting how artists can replace the
income stream you're taking away from them.  It's about your ludicrous claim
that you have the moral right to copy their music.  Suggesting they should
do smething else to finance making more music (which you'll then copy free
of charge) is also, frankly, patronising.

So that single artist will not starve, and friends will not have an
 important new aspect of friendship trampled on.

  How many times do I have to say it - you want everything to be free in
 order
  for you not to have to pay for it.  That's

 tautologous?


Yes, but continuous repetition seems to be the only way to get any point
through to you Dave.  You want it to be made your legal right to have
everything for nothing.

  I don't think that not *having* to pay, and *being able* to pay, are
   mutually exclusive. We can have both.
 
  Yes - but being able to pay isn't part of it.

 I just said it is, bro


But that isn't part of your argument.  Your argument is that music / films
should be (and in your mind, are) freely copyable.  Your argument isn't that
music / films should be copyable, only if the person receiving the copy is
able to reimburse the artist in some way.  You want free.  Gratis.  Costing
you no money.  Making out that you wouldn't do that, that you personally
would actually reimburse the artist is both irrelevant and sounds like
backtracking.

And don't call me bro.

Rich.


Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-11-01 Thread Richard Lockwood

 
  Is this not what would happen with iPlayer? Hello Jim, I enjoyed Spooks
 on
  iPlayer last night, Really Jason? I'll go and watch that on my
 iPlayer,
  cable catchup, or whatever without the hassle of cracking the DRM out of
 the
  WMV file and working out how to get it off your computer via a slow ADSL
  upload speed or taking our laptops to the pub.

 That is the nasty situation that the DRM in the iPlayer tries to set up,
 yes.


How the  is that a nasty stuation?  Come on - in simple terms, without
getting on the ALL DRM IS EVIL - FREE FREE - I WANT IT FOR NOTHING
soapbox, how it it a nasty situation.

I can understand the frustrations of those who can't run iPlayer - but
that's a different discussion.

Rich.


Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-10-31 Thread Richard Lockwood
On 10/30/07, Dave Crossland [EMAIL PROTECTED] wrote:

 On 30/10/2007, Richard Lockwood [EMAIL PROTECTED] wrote:
  
   
Dave doesn't mean sharing.  Dave means stealing and redistributing
for free.  When he says sharing, Dave always means stealing.  Dave
 wants
everything for nothing.
  
   This is simply untrue: non-commercial redistribution allow a lot of
   scope for business, without trampling friendship, neighborlinesses and
   community.
 
  But that's not what you advocate.

 I just said something, and you're telling me that is not what I am saying?
 WTF?


You say it allows a lot of scope for... etc.  But what you always bang on
about when this subject comes up is your unalterable right to copy what you
want, when you want.  You don't say you should be able to make limited
'fair use' copies for... - no, you repeatedly state that it's your right to
do anything you want with any creative material, and that the original
creators have no moral right to deny you that.  You then try and make it
sound warm and fluffy by going on to state, with no justifiation, that
giving away other people's creativity is one of the central tenets of
friendship - and if anyone has the temerity to disagree, they're horrid,
unfriendly people.




  You advocate the wholesale copying and
  redistributing, however and whenever you feel like it.  Your arguments
 have
  got absolutely nothing to do with neighbourliness and community, and
  everything to do with wanting to enjoy the fruits of someone elses work
  without giving anything in return.

 Magnatune.com dude.


I'm not saying you *don't* ever buy music.  Once you've bought it though -
you want to copy it and give it to other people so they don't have to pay
for it.





   Usually when I say free, I am referring to freedom, not price.
 
  That's rubbish.  Utter, utter rubbish.

 The last 6 months or so I have been _very_ careful to say zero price
 when I mean free-as-in-beer.


Toss.  It's about money pure and simple.  You might have convinced yourself
that it's not - but when it boils down to it, you want to be able to pirate
music and flms so you or your mates don't have to pay for them.




  You copy a CD and give it to your
  mate, that's all about money

 No, its about friendship.


See?   You're doing it again.



  or rather it's all about not wanting to pay
  money.  Your friend may think that CD's overpriced and so wouldn't pay
 the
  (say) ten quid asking price, but he wants it badly enough to get you to
 copy
  it.  For free.

 Perhaps he'll go to a gig by the band or send them money in some other
 way, and there is nothing stopping anyone from doing that. But now it
 is possible to make copies of digitally encoded information for
 friends, that is now a basic aspect of friendship. Prince, Radiohead,
 and many up-and-coming bands, understand this. The writing has been on
 the wall for over a decade.


If you were talking about making up mixtapes, or burning a couple of tracks
to a CD and say listen to this - it's fantastic, you should go and get the
album, I'd say you have a point.  But you're not.  You're suggesting that
everyone has the right to copy anything and everything, when, how and where
they like, not for personal backups, or to play in the car when they've got
the CD at home, or to get their mates into their new favourite band, but to
give to their friends so they can avoid paying any money for it.

Prince and Radiohead can afford to give away their music (they still got
paid for it, don't forget) - and it's their choice.  I have no problem if
you want to copy any of the music on my band's site and give it to your
mates either, but I'm not a struggling band trying to make a living from
it.  If I was, and I chose not to grant you that right, that's my
perogative.  The business model of the music business *is* changing, you're
quite right, but that doesn't automatically give you the right to take away
one large proportion of a band's income.  Of course one copy doesn't equal
one lost sale - that's a specious argument - but it *does* equal one
*potential* sale.  Maybe ten illegal copies equate to one lost sale, maybe
five copies do - but whatever the ratio, it's still going to be a loss of
revenue, a proportion of which would've gone to the band.  (Whether that
proportion is 100% for a DIY indie band, or 5% for an Sony BMG slave, it
doesn't matter.  It's a loss of revenue.)



  It's not an intellectual freedom that you're arguing

 No, because that's to do with modification, which is only neccessary
 for functional works, not artistic ones.


Now you're grasping at straws / trying to derail the argument.  A moral
freedom / an intellectual freedom - whatever.  You don't have that right.

 it's
  a purely financial gain that you're after.  He's quite likely to buy you
 a
  beer, or fix your dripping tap for nothing at some point in the future.

 Right - other aspects of friendship. Or do you never buy friends beers
 and charge them

Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-10-31 Thread Richard Lockwood
On 10/31/07, Andy [EMAIL PROTECTED] wrote:

 On 31/10/2007, Richard Lockwood [EMAIL PROTECTED] wrote:
  I'm not saying you *don't* ever buy music.  Once you've bought it though
 -
  you want to copy it and give it to other people so they don't have to
 pay
  for it.

 And what precisely is wrong with people wanting to copy stuff. Are you
 denying you copy things? Did you not copy this message (From you ESP's
 server to your machines RAM, then probably to the hard disk, maybe
 into RAM again, onto a display unit)? (there was a time when the UK
 Patent Office claimed that displaying something constituted copying)

 If I buy a CD for £9 (seems about the going rate for a CD on HMV.com)
 then that's extremely over priced if I am buying the medium (blank
 CD's are a few pence). If however (as many argue) I am paying for the
 information encoded onto the disc itself (you would probably call that
 creativity, I don't because if I could encode creativity itself onto a
 disc then I would be a very rich man) then why should I not take it
 off the disc and put the data somewhere else?

 Why is it so morally wrong for me to transfer something I have payed
 for from it's transmission medium (CD) and place it on another storage
 device I may own, e.g. PC hard drive, MP3 player, Network Streaming
 Server, Cassette, etc. (I may or may not posses all of those btw.)



It's not.  If you'd read the rest of the email, rather than picking and
choosing quotes that appear to help you make your moral point, you'd've
found the following:

You're suggesting that everyone has the right to copy anything and
everything, when, how and where they like, not for personal backups, or to
play in the car when they've got the CD at home, or to get their mates into
their new favourite band, but to give to their friends so they can avoid
paying any money for it. 

It's the last bit that's important.  There's nothin morally repugnant about
copying for your own use - of course there isn't.  Copying and giving away
is another matter entirely.

Rich.


Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-10-31 Thread Richard Lockwood

  your unalterable right to copy what you
  want, when you want.  You don't say you should be able to make limited
  'fair use' copies for... - no, you repeatedly state that it's your
 right to
  do anything you want with any creative material,

 File sharing between friends is essential for friendship, which is a
 long way back from anything you want.


As several people have already pointed out, this is nonsense.

 and that the original
  creators have no moral right to deny you that.  You then try and make it
  sound warm and fluffy by going on to state, with no justifiation, that
  giving away other people's creativity is one of the central tenets of
  friendship - and if anyone has the temerity to disagree, they're horrid,
  unfriendly people.

 Sharing copies is how the youth of today roll, bro. Its self evident.


Now you're backtracking wildly.  Just because something can be done and done
fairly easily doesn't make it your inalienable right to do it.

  Magnatune.com dude.
 
  I'm not saying you *don't* ever buy music.  Once you've bought it though
 -
  you want to copy it and give it to other people so they don't have to
 pay
  for it.

 Please look at www.magnatune.com and note that their business model
 allows you to copy all their music and give it to other people so they
 don't have to pay for it for the own personal listening. But if they
 want to use the music commercially, or modify it, they have to license
 those rights.


I've looked at Magnatune, and frankly, there's a good reason for them saying
you can copy their tracks for free.  However, that's a matter of personal
taste.

 If you were talking about making up mixtapes, or burning a couple of
 tracks
  to a CD and say listen to this - it's fantastic, you should go and get
 the
  album, I'd say you have a point.  But you're not.  You're suggesting
 that
  everyone has the right to copy anything and everything, when, how and
 where
  they like, not for personal backups, or to play in the car when they've
 got
  the CD at home,

 It is inarguable that they should have those fair use rights, and
 this is a central problem of DRM, since it tramples them.


Yes.  Agreed.

 or to get their mates into their new favourite band, but to
  give to their friends

 This is arguable, and I have a position that differs from the law to
 date. But the law isn't an authority on ethics. For example, in living
 memory in places in the USA, it was illegal to sit at the front of a
 bus if you were black. That something is illegal didn't mean it is
 wrong.


Ooh - naughty naughty, likening something you don't agree with to racism.
This isn't the same and you're trying to bring in more emotive arguments
now.

 so they can avoid paying any money for it.

 I'm all in favor of sending money to artists whose work we value, and
 there are many schemes that can be arranged to make this convenient.
 They aren't yet implemented on a large scale.


But this doesn't back up your stated belief that you have the right to copy
and give away.

I think it will happen, because it has to: friend-to-friend sharing is
 an unavoidable effect of the Internet, and here to stay.


Again - just because you can do something doesn't give you the moral right
to do it.

But the paying money happens after getting copies of the music, not
before, like it was in the 20th century.

But you're not backing your argument up.  I've agreed that the business
model is changing, and will probably change more.  The point is that you
believe you have the right to copy anything and everything, and you're not
backing it up at all.

 a struggling band trying to make a living from it.

There is no right to make a living: Most of us cannot manage to get
any money for standing on the street and making faces. But we are not,
as a result, condemned to spend our lives standing on the street
making faces, and starving. We do something else.

I never said there was that right. I said that you're removing one revenue
stream from a band trying to make a living.  Everyone has the right to *try*
to make a living.

But that is the wrong answer because it accepts your implicit
assumption: that without cutting up friendship and community, artists
cannot possibly be paid a penny. Supposedly it is all or nothing.

Removing one revenue stream.  There are obviously other revenue streams.
Live gigs (although this isn't an option for some artists), merchandise
etc.  However, the concept of selling records is critical to most
professional bands.

 The business model of the music business *is* changing, you're quite
right,
 but that doesn't automatically give you the right to take away one large
 proportion of a band's income.

Its changing because we have that right, and we are exercising it.

No.  You're trying to stomp all over it by not paying for goods and
services.  (I appreciate that a digital download may not technically be
defined as a good, but you know what I mean)

 It's a loss of revenue.

Buggy whips suffered 

Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-10-31 Thread Richard Lockwood
On 10/31/07, Andy [EMAIL PROTECTED] wrote:

 I have yet to recieve an answer to the BBC's false claims, why is this?

 The BBC claimed:
  There is no open source digital right managment

 All I have to do to prove this false, is to demonstrate that 1 Open
 Source DRM solution exists.
 You must therefore disprove that all the following exist:
 http://www.sidespace.com/products/medias/


Media-S is an open-source development project that aims to create an open
Digital Rights interface for the creation, playback, and management of
multimedia files.

Because of its open nature, Ogg Vorbis
http://www.xiph.org/ogg/vorbis/will be the first format to be
protected by this initiative.

Og Vorbis is an audio format, isn't it?  So that's no good.  And the project
aims to.  Now, I'm not spending my afternoon looking through code but that
imples it's not finished / ready yet.  Everything's in future tense.  So we
can discount that.




https://dream.dev.java.net/


Hmm.  Looks much the same.  A white paper from two years ago, and the
declaration that DReaM is an initiative to develop open Digital Rights
Management (DRM) solution for multiple domains.  An initiative to
develop..., not a fully fledged system...  Scratch that then.

http://sourceforge.net/projects/openipmp


Looks better, but a quick browse of the forums seems to indicate a lot of
people (and as it's a project in deveopment, I'm guessing most of these
people are pretty clued up on techy matters) are having a lot of problems
even getting it to work at all.

So that's your three alternatives dealt with.

 Rich.


Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-10-31 Thread Richard Lockwood


 Not it isn't.
 You failed to show either of the only 2 things needed:
 1) That the software is not Open Source.
 2) That the software is not DRM.
 What was stated was that there is no open source digital rights
 management.
 Your points about completion, grammar, usability are irrelevant in
 proving or disproving the given statement as they have nothing to do
 with the statement.


Surely is fit for purpose and actually works now is a requirement.  And
all three fail dismally.

Rich.


Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-10-31 Thread Richard Lockwood
On 10/31/07, Dave Crossland [EMAIL PROTECTED] wrote:

 On 31/10/2007, Richard Lockwood [EMAIL PROTECTED] wrote:

and that the original
creators have no moral right to deny you that.  You then try and
 make it
sound warm and fluffy by going on to state, with no justifiation,
 that
giving away other people's creativity is one of the central tenets
 of
friendship - and if anyone has the temerity to disagree, they're
 horrid,
unfriendly people.
  
   Sharing copies is how the youth of today roll, bro. Its self evident.
 
  Now you're backtracking wildly.  Just because something can be done and
 done
  fairly easily doesn't make it your inalienable right to do it.

 Sharing artistic works between friends is one of the central tenets of
 friendship. Ask anyone under 20 if they've got a laptop, and if they
 do, if they have copies of music from their friends. Its almost
 certain that they will.


No - it isn't!  How many times - friendship has nothing to do with pirating
music and films.  Again - just because you can (and do) doesn't mean that
it's morally right.


  It is inarguable that they should have those fair use rights, and
   this is a central problem of DRM, since it tramples them.
 
  Yes.  Agreed.

 GREAT SUCCESS

 http://funkyheart.com/images/stories/Borat/highfive.gif

   I have a position that differs from the law to
   date. But the law isn't an authority on ethics. For example, in living
   memory in places in the USA, it was illegal to sit at the front of a
   bus if you were black. That something is illegal didn't mean it is
   wrong.
 
  Ooh - naughty naughty, likening something you don't agree with to
 racism.
  This isn't the same and you're trying to bring in more emotive arguments
  now.

 I'll rephrase:

 The law isn't an authority on ethics. That something is illegal
 doesn't mean it is wrong. I am advocating something that is not legal,
 but is not wrong.


Can we get you banged up for incitement to commit a crime then?

   so they can avoid paying any money for it.
  
   I'm all in favor of sending money to artists whose work we value, and
   there are many schemes that can be arranged to make this convenient.
   They aren't yet implemented on a large scale.
 
  But this doesn't back up your stated belief that you have the right to
 copy
  and give away.

 I don't think that not *having* to pay, and *being able* to pay, are
 mutually exclusive. We can have both.


Yes - but being able to pay isn't part of it.  You want to be allowed to
have everything for nothing.  You're backtracking now, and saying well,
obviously I'd allow the poor struggling artist some crumbs from my enormous
savings - whatever *I feel is fair - but in Davetopia you don't.  You just
redistribute, for free, that which isn't yours to give.

 But the paying money happens after getting copies of the music, not
  before, like it was in the 20th century.
 
  But you're not backing your argument up.  I've agreed that the business
  model is changing, and will probably change more.  The point is that you
  believe you have the right to copy anything and everything, and you're
 not
  backing it up at all.

 The reason the business models are changing is because we have the
 right to copy anything and everything.


NO.  You ing don't!

  The business model of the music business *is* changing, you're quite
  right,
   but that doesn't automatically give you the right to take away one
 large
   proportion of a band's income.
 
  Its changing because we have that right, and we are exercising it.
 
  No.  You're trying to stomp all over it by not paying for goods and
  services.  (I appreciate that a digital download may not technically be
  defined as a good, but you know what I mean)

   It's a loss of revenue.
 
  Buggy whips suffered terrible losses of revenue when cars came along
  and STOLE their POTENTIAL SALES.
 
  The horror.
 
  Specious comparison.  That would be a good argument if you were
 comparing
  1970s prog rock bands and punk, crooners and rock 'n' roll, or even
 vinyl
  pressers and CD manufacturers, where one thing supercedes another, but
 in
  this case it doesn't hold up.  We're talking about you advocating simply
  giving away the results of someone else's work.

 Publishers, like record companies, suffered terrible losses of revenue
 when the public got hold of the internet and came along and STOLE
 their POTENTIAL SALES.

 One thing supercedes another.


Yes - when  music is available directly from the artist via the internet,
the record companies suffer.  But again, that's not what you're saying.
You're saying that once an artist has sold one copy - to you - you have the
right to spread that as far and wide as you like, for free.  In theory, that
artist may never sell another copy, but the whole world's got their music.
You're doing that talking from arse thing again.

 You don't have the automatic right to redistribute someone
  else's artistic endeavours.

 You do

Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-10-30 Thread Richard Lockwood
On 10/29/07, Michael Sparks [EMAIL PROTECTED] wrote:

 On Monday 29 October 2007 18:47, Dave Crossland wrote:
 ...
  Asking people to agree not share with friends and betray their
  community is evil :-(

 No, it's not.


Yes it is.  Not sharing is a bad thing.  If I had a bag of sweets, and
didn't hand them round my friends, that would be wrong.  If I'd bought a CD
of the new Reynolds Girl's Best Of... compilation (contender for shortest
album in the world), and a friend asked if he could listen to it, I'd have
to be really mean to say no.

That's sharing, and as I always tell my three year old daughter, it's good
to share.

However, Dave doesn't mean sharing.  Dave means stealing and redistributing
for free.  When he says sharing, Dave always means stealing.  Dave wants
everything for nothing.



Rich.


Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-10-30 Thread Richard Lockwood



 Its a bit like saying we'll design a transport system for able-bodied
 people first (as they are the majority) - and gradually roll out to
 others - this is also thought to be morally wrong, as well as a poor
 design decision.


No - it's like designing a transport system, then later on adapting it so
people who've cut their own legs off can use it.

Using analogies to argue this point is like using a fish to power a nuclear
reactor.  :-)

Cheers,

Rich.


Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-10-30 Thread Richard Lockwood
On 10/30/07, Michael Sparks [EMAIL PROTECTED] wrote:

 On Tuesday 30 October 2007 10:35, Richard Lockwood wrote:
 ..
  Not sharing is a bad thing. If I had a bag of sweets, and didn't hand
 them
  round my friends, that would be wrong

 Dave said:

  Asking people to agree not share with friends ... is evil

 Sharing is axiomatically good in our society at present, since sharing is
 something everyone teaches their children. However is asking someone not
 to share something *evil* ? No. It isn't. (opinion, obviously)


 Michael.
 --
 (It should be clear that the above is completely personal opinion)


It should also be made clear that that quote from me has been
used completely out of context - I was making the point that copying someone
else's work when they've specifically asked you not to, and giving it away
is theft - it is NOT sharing.

Rich.


Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-10-30 Thread Richard Lockwood
 
  Dave doesn't mean sharing.  Dave means stealing and redistributing
  for free.  When he says sharing, Dave always means stealing.  Dave wants
  everything for nothing.

 This is simply untrue: non-commercial redistribution allow a lot of
 scope for business, without trampling friendship, neighborlinesses and
 community.



But that's not what you advocate.  You advocate the wholesale copying and
redistributing, however and whenever you feel like it.  Your arguments have
got absolutely nothing to do with neighbourliness and community, and
everything to do with wanting to enjoy the fruits of someone elses work
without giving anything in return.


Usually when I say free, I am referring to freedom, not price.


That's rubbish.  Utter, utter rubbish.  You copy a CD and give it to your
mate, that's all about money - or rather it's all about not wanting to pay
money.  Your friend may think that CD's overpriced and so wouldn't pay the
(say) ten quid asking price, but he wants it badly enough to get you to copy
it.  For free.  It's not an intellectual freedom that you're arguing - it's
a purely financial gain that you're after.  He's quite likely to buy you a
beer, or fix your dripping tap for nothing at some point in the future.

 Making a copy for your friend is not stealing. Thinking of information
 as property i a mirage.

You're talking out of your arse, parroting fashionable views you've read
elsewhere without an original thought or point of view.  Your real worry
is that if you have to pay for anything it'll affect the amount you can pay
into your pension plan.

Face it - you're just backing a system which ensures you can get the maximum
return for the least input - but you're telling yourself that you're a
footsoldier in some imaginary intellectual war.  Get over it and pay for
stuff like everyone else.

Rich.


Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-10-30 Thread Richard Lockwood
On 10/30/07, Michael Sparks [EMAIL PROTECTED] wrote:

 On Tuesday 30 October 2007 14:07, Richard Lockwood wrote:
  It should also be made clear that that quote from me has been
  usedcompletely out of context -

 I didn't mean to quote you out of context - my apologies. I thought they
 were
 two separate points. Point 1 being that sharing is generally a good thing,
 and that not sharing is generally bad. (which I agree with)



Apology accepted - no problem, misunderstandings happen.  :-)

Cheers,

Rich.


Re: [backstage] Ashley Highfield on iPlayer - 26min Interview

2007-10-30 Thread Richard Lockwood
 That's rubbish.  Utter, utter rubbish.  You copy a CD and give it to
  your mate, that's all about money - or rather it's all about not wanting to
  pay money.  Your friend may think that CD's overpriced and so wouldn't pay
  the (say) ten quid asking price, but he wants it badly enough to get you to
  copy it.
 
Rich.
 

 I disagree, any time I've given or received a copied tape\CD the other
 party wouldn't have bother to buy it him\herself. Indeed most of the time
 it's been offered before the receiving party has even heard more than one
 track(hey do you want a copy of this!).
 Personally, if I've liked the tape\CD I've gone and bought the original
 because I'm the type of geek who likes having the original jewl case.

 There is one exception; mix-tapes, if you can tell me how I can buy the
 rights to the mix-tape that my best friend gave me aged 11 so I could hear
 some new bands, feel free to tell me. The same goes for the mix-CD I gave to
 my ex-girlfriend should I have bought her the rights for them first? Not
 exactly romantic is it? Fortunately we have fair dealing laws though...

 Vijay.


Morally, I have no problem with people knocking up mix tapes, samplers etc
to give to their mates.  If it encourages people to listen to music they've
not encountered before, then all to the good.

However, Dave's holier-than-thou attitude of it's my moral right to copy
anything as often as I like, and I'll have it for free, without a thought
for anone else is what really grates.  Whether you refer to it as copyright
infringement, manufacture of pirated goods or theft, I don't give a toss.
Unless the creator of a work specifically grants you the right to copy that
work, you don't have that right.

End of.

Rich.







-- 
SilverDisc Ltd is registered in England no. 2798073

Registered address:
4 Swallow Court, Kettering, Northamptonshire, NN15 6XX


Re: [backstage] Thoughts from a previous BBC employee

2007-10-12 Thread Richard Lockwood
There probably is.  And no.  I would sell my house and all my possessions
to help the BBC.

Cheers,

Rich.


On 10/12/07, dantes inferno [EMAIL PROTECTED] wrote:

 Is there a campaign anywhere to abolish the license fee?

 Anyone want tostart one?

 On 11/10/2007, Gordon Joly [EMAIL PROTECTED] wrote:
  At 17:12 +0100 11/10/07, Jason Cartwright wrote:
  Well, like it or not big corps are often the gatekeepers sat between
  the audience masses and content owners. That doesn't seem to be
  changing (*cough* Google).
  
  J
 
  And there you have the case in point. Auntie, for better or worse, is
  the best we have. Radio, television, and now Internet. BBC
  Worldservice is a world brand, because of the quality and the
  veracity of the content. It never had to sell itself, it just was on
  the only voice of authority and truth that reason so many nations in
  the world.
 
  The masses can have the mass media. I want quality. At the moment for
  me that means Radio 4. I don't do telly at the moment.
 
  Public service broadcasting (the BBC, Channel 4 etc) cannot and
  should not compete in the market place.
 
  Gordo
 
  --
  Think Feynman/
  http://pobox.com/~gordo/
  [EMAIL PROTECTED]///
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  Sent via the backstage.bbc.co.uk discussion group.  To unsubscribe,
 please visit http://backstage.bbc.co.uk/archives/2005/01/mailing_list.html.  
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SilverDisc Ltd is registered in England no. 2798073

Registered address:
4 Swallow Court, Kettering, Northamptonshire, NN15 6XX


Re: [backstage] New Developer Focused List

2007-10-04 Thread Richard Lockwood
Why would you be sending SVG in an email?

Cheers,

Rich.

On 10/4/07, ~:'' ありがとうございました。 [EMAIL PROTECTED] wrote:
 Matthew,

 usualy chaos registering, perhaps not helped by your instructions?

 seems majordomo doesn't like html, neither do I, but it's currently
 the only way to send SVG
 and majordomo doesn't like anything in the subject line
 and

 best wishes

 Jonathan Chetwynd
 Accessibility Consultant on Media Literacy and the Internet

 With either

 subscribe backstage-developer [your email]

 Or

 subscribe backstage-developer [your email]

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 visit http://backstage.bbc.co.uk/archives/2005/01/mailing_list.html.  
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 http://www.mail-archive.com/backstage@lists.bbc.co.uk/



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Registered address:
4 Swallow Court, Kettering, Northamptonshire, NN15 6XX
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