Re: Nude Pinting in Churches

2005-12-30 Thread Gilberto Simpson
Are the restrictions on images of Shoghi Effendi?

Are there any specific reasons given for the restrictions you mention below?

-Gilberto


On 12/30/05, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
  I don't understand why this is starting to feel like an argument.

 Dear Gilberto,

 I'm not sure either.

  But it is interesting because Judaism and Islam have adopted similar
  attitudes towards representational art (with some exceptions in each
  community of course) while Christianity is the odd man out.

 Yes, though I'm not sure where Nestorian Christianity stands on this.

 
  I thought the Bahai faith also had restrictions on images of the
  Central firgures at least. Do you know what the exact rule is? Is
 that
  the only such restriction?

 There is a painting of the Bab and a couple of photos of Baha'u'llah
 but Baha'is do not possess copies of these and they view them only on
 special occasions like pilgrimage. I might add that they are viewed in
 the Archives Building and there is no ritual or ceremony involved. My
 recollection is the painting was done by an Armenian Christian in the
 Persian minature style. As such you don't get a sense of the Bab's
 distinctive features. I presume you have seen the photo of Baha'u'llah
 since our enemies have placed it on the internet. We do not depict
 images of the Manifestations ourself either in art or drama. So if we
 made a movie of the early days of the Faith it would likely be
 similiar to the Anthony Quinn movie on Muhammad; i.e. made without
 depicting Him directly. In regards to Abdu'l-Baha, because He came to
 America He got photographed and painted a lot. There are some
 restrictions on distributing paintings of Abdu'l-Baha but I'm not
 entirely sure how those work, except that a lot of artists have found
 them to be a headache.

 warmest, Susan




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Re: Nude Pinting in Churches

2005-12-30 Thread smaneck
 Are the restrictions on images of Shoghi Effendi?

Dear Gilberto, 

I don't think so, but I know the Guardian *really* disliked having his 
picture taken. 

I should have added that Baha'is do not protray *any* Manifestation of 
God. I'm posting the relveant texts below. My impression is that this 
kind of thing should be avoided because we such protrayals are likely 
to be idolatrous at one extreme or irreverent at the other. 

warmest, Susan 


Your understanding that the portrayal of the Báb and Bahá'u'lláh in 
works of art is forbidden, is correct. The Guardian made it clear that 
this prohibition refers to all Manifestations of God; photographs, or 
reproductions of portraits, of the Master may be used in books, but no 
attempt should be made to portray Him in dramatic or other works where 
He would be one of the 'dramatic personae'. However, there can be no 
objection to symbolic representation of such Holy Figures, provided it 
does not become a ritual and that the symbol used is not irreverent.

(From a letter of the Universal House of Justice, December 3, 1972)
(Compilations, Lights of Guidance, p. 539)

There is no objection that the believers look at the picture of 
Bahá'u'lláh, but they should do so with the utmost reverence, and 
should also not allow that it be exposed openly to the public, even in 
their private homes.

(From a letter written on behalf of Shoghi Effendi to an individual 
believer, December 6, 1939)

(Compilations, Lights of Guidance, With reference to your 
question whether the Figures of the Báb and Bahá'u'lláh should be made 
to appear as characters in dramatic works written by the  98  
believers, Shoghi Effendi's opinion is that such an attempt to 
dramatize the Manifestations would be highly disrespectful, and hence 
should be avoided by the friends, even in the case of the Master. 
Besides it would be practically impossible to carry out such a plan 
faithfully, and in a dignified and befitting manner.

(From a letter written on behalf of the Guardian to the National 
Spiritual Assembly of the United States and Canada, January 27, 1935)

(Compilations, Lights of Guidance, p. 97)




As to your question concerning the advisability of dramatizing Bahá'í 
historic episodes; the Guardian would certainly approve, and even 
encourage that the friends should engage in such literary pursuits 
which, no doubt, can be of an immense teaching value. What He wishes 
the believers to avoid is to dramatize the personages of the Báb, 
Bahá'u'lláh and 'Abdu'l-Bahá, that is to say to treat them as dramatic 
figures, as characters appearing on the stage. This, as already 
pointed out, he feels would be quite disrespectful. The mere fact that 
they appear on the scene constitutes an act of discourtesy which can 
in no way be reconciled with Their highly exalted station. Their 
Message, or actual Words, should be preferably reported and conveyed 
by Their disciples appearing on the stage.

(From a letter written on behalf of Shoghi Effendi to an individual 
believer, July 25, 1936)

343. If Light Suggests Personification of the Manifestation, it Should 
not be Used

The use of light, either of great intensity or in different colours, 
needs your careful consideration. If the use of light in any way at 
all suggests a personification of the Manifestation of God it should 
not be used, but if it can be done without in any way giving the 
impression that the Prophet is being represented or personified then 
there is no objection to its use.

(From a letter written on behalf of the Universal House of Justice to 
an individual believer, August 12, 1975)

344. Prohibition on Representing Manifestations of God in Paintings or 
Drawings Applies to all Manifestations

The prohibition on representing the Manifestation of God in paintings 
and drawings or in dramatic presentations applies to all the 
Manifestations of God. There are, of course, great and wonderful works 
of art of past Dispensations,  100  many of which portrayed the 
Manifestations of God in a spirit of reverence and love. In this 
Dispensation however the greater maturity of mankind and the greater 
awareness of the relationship between the Supreme Manifestation and 
His servants enable us to realize the impossibility of representing, 
in any human form, whether pictorially, in sculpture or in dramatic 
representation, the Person of God's Manifestations. In stating the 
Bahá'í prohibition, the beloved Guardian pointed out this 
impossibility.

(From a letter written on behalf of the Universal House of Justice to 
an individual believer, March 9, 1977)

(Compilations, Lights of Guidance, p. 99)







 
 
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Nude Pinting in Churches

2005-12-29 Thread Max Jasper
Dear friends,

I am looking for history of coming of nude paintings on the ceilings and
walls of Christian churches. When did it begin? What was the social causes
of such decision by church leaders?

I notice that after 1400 since Islam, still nude pictures are not introduced
in Islamic mosques, or is it?

All articles, essays, research papers on this topic is highly appreciated
with gratitude.

Best regards,
Max Jasper.
[EMAIL PROTECTED]



 
 
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Re: Nude Pinting in Churches

2005-12-29 Thread smaneck
 I am looking for history of coming of nude paintings on the 
 ceilings and
 walls of Christian churches. When did it begin?

Dear Max, 

The painiting of nudes began during the Renaissance and was largely an 
outcome of their misunderstanding of Greek art. As you know, the 
Renaissance represents an attempt at revival of Greco-Roman culture. 
For that reason, Greek sculpture was taken as the model for accurately 
representing the human form. And what Renaissance artists saw of those 
sculptures were nudes. Thing is, the Greeks clothed and painted their 
scuplture originally. But the clothing and paint did not survive, 
leaving only a nude base for our Renaissance artists to emulate. 

warmest, Susan 



 
 
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Re: Nude Pinting in Churches

2005-12-29 Thread Gilberto Simpson
The original 10 commandments included a prohibition on graven images
(clothed or not). Islam has a similar restriction on representational
art.

I'm not sure about the exact chronology in terms of Christianity but
an argument I've read in terms of why they even got into graven images
was based on the incarnation. The idea was something like: Since God
took on a form, it no longer was prohibited to make images of living
things. (But don't quote me).

I would have thought that nude images in the West had a revival with
the Renaissance as Susan suggests, but this is the first time I'm
hearing that Greek statues were actually painted and had clothes.
Sounds interesting.


Max, do you think nude pictures in mosques would be an example of progress?

-Gilberto


On 12/29/05, Max Jasper [EMAIL PROTECTED] wrote:
 Dear friends,

 I am looking for history of coming of nude paintings on the ceilings and
 walls of Christian churches. When did it begin? What was the social causes
 of such decision by church leaders?

 I notice that after 1400 since Islam, still nude pictures are not introduced
 in Islamic mosques, or is it?

 All articles, essays, research papers on this topic is highly appreciated
 with gratitude.

 Best regards,
 Max Jasper.
 [EMAIL PROTECTED]





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Re: Nude Pinting in Churches

2005-12-29 Thread Scott Saylors






You won't find a human image, clothed or unclothed in a synagogue or mosque because it is not allowed to paint a "likeness" of any actual human, plant or animal.The painting of icons goes back to Greek and Roman traditions before Christ.Regards,  ScottMax Jasper [EMAIL PROTECTED] wrote:  Dear friends,I am looking for history of coming of nude paintings on the ceilings andwalls of Christian churches. When did it begin? What was the social causesof such decision by church leaders?I notice that after 1400 since Islam, still nude pictures are not introducedin Islamic mosques, or is it?All articles, essays, research papers on this topic is highly appreciatedwith gratitude.Best regards,Max
 Jasper.[EMAIL PROTECTED]






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As human beings, we are endowed with freedom of choice, and we cannot shuffle off our responsibility upon the shoulders of God or nature. We must shoulder it ourselves. It is our responsibility. Arnold J. Toynbee 

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Re: Nude Pinting in Churches

2005-12-29 Thread smaneck
 The original 10 commandments included a prohibition on graven images
 (clothed or not). Islam has a similar restriction on representational
 art.

Dear Gilberto, 

The prohibition on graven images was never absolute. The Ark of the 
Covenant, for instance, had golden cherubim on each end, this 
according to Biblical instructions. 
 
 I'm not sure about the exact chronology in terms of Christianity but
 an argument I've read in terms of why they even got into graven 
images
 was based on the incarnation. The idea was something like: Since God
 took on a form, it no longer was prohibited to make images of living
 things. (But don't quote me).

There were differences within the church on this issue which took the 
form of the iconoclastic debate which was going full speed at the time 
Islam began to move into the former territories of the Roman Empire. 
Syrian Christians opposed icons of any kind. The Greek church approved 
of icons in the form of paintings. Only the Western church (later 
Roman Catholic) had no problems with statues either. 

warmest, Susan 


 
 
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Re: Nude Pinting in Churches

2005-12-29 Thread Gilberto Simpson
On 12/29/05, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote:
  The original 10 commandments included a prohibition on graven images
  (clothed or not). Islam has a similar restriction on representational
  art.

 Dear Gilberto,

 The prohibition on graven images was never absolute. The Ark of the
 Covenant, for instance, had golden cherubim on each end, this
 according to Biblical instructions.

Sure, but that's the only one of a few exceptions (there was also the
bronze snake). Idol-making in other contexts is a VERY serious
offense. In orthodox Judaism, one of the three sins a Jew is not
supposed to commit, even on pain of death is bowing down to an idol.
(Check out the Haunukah story). The prohibition on graven images was
serious enough that even the engraved faces on Roman coins made it
impermissible to pay donations to the temple in Roman currency (That's
why the money-changers were there by the Temple in the first place,
when they were cast out by Jesus.)

  I'm not sure about the exact chronology in terms of Christianity but
  an argument I've read in terms of why they even got into graven
 images
  was based on the incarnation. The idea was something like: Since God
  took on a form, it no longer was prohibited to make images of living
  things. (But don't quote me).


 There were differences within the church on this issue which took the
 form of the iconoclastic debate which was going full speed at the time
 Islam began to move into the former territories of the Roman Empire.
 Syrian Christians opposed icons of any kind. The Greek church approved
 of icons in the form of paintings. Only the Western church (later
 Roman Catholic) had no problems with statues either.


Sure. The statement in the catechism of the Catholic Church which I
alluded to earlier says:

2131 Basing itself on the mystery of the incarnate Word, the seventh
ecumenical council at Nicaea (787) justified against the iconoclasts
the veneration of icons - of Christ, but also of the Mother of God,
the angels, and all the saints. By becoming incarnate, the Son of God
introduced a new economy of images.

And the original commandment:

Exodus 20
[4] You shall not make for yourself a graven image, or any likeness
of anything that is in heaven above, or that is in the earth beneath,
or that is in the water under the earth;
[5] you shall not bow down to them or serve them; for I the LORD your
God am a jealous God, visiting the iniquity of the fathers upon the
children to the third and the fourth generation of those who hate me,
[6] but showing steadfast love to thousands of those who love me and
keep my commandments.


 
 
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Re: Nude Pinting in Churches

2005-12-29 Thread smaneck
Idol-making in other contexts is a VERY serious
 offense.

Dear Gilberto, 

Sure idol-making is. But most representational art is not idol-making. 
Even most religious icons aren't idols. 

warmest, Susan 


 
 
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