[BAROQUE-LUTE] Re: Mouton's campanella technique

2012-04-12 Thread Bernhard Fischer
Dear Arto,

This Mouton Prelude is well known and included in lute school books as
teaching material / example. It is included in several historic manuscripts
in various versions, with and without dissection the bass course. For your
kind information I attach my hand-written copy of this piece from the Vienna
MS 17706.

Best regards from Vienna,
Bernhard

-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Arto Wikla
Gesendet: Mittwoch, 11. April 2012 18:50
An: Baroque Lute Net; vihu...@cs.dartmouth.edu
Betreff: [BAROQUE-LUTE] Mouton's campanella technique

   Dear baroque lutenists and guitarists,
   I played a tiny Prelude by Mouton from his printed book Pieces de Luth,
   page 1.  Here Mouton uses his unique(?) technique of playing first only
   the low octave of a bass course and only after some higher strings the
   upper octave of the same bass course. So it is actually the
   campanella technique better known in baroque guitar music.
   You can find my version in
 [1]http://www.youtube.com/watch?v=N64w2NH6hCgfeature=youtu.be
   It is quite short, 46 seconds. The campanella passage starts in about
   0:21, where the bass goes C-B-A-G-F (a'A5Hz).
   Does anyone know, whether any other baroque lutenist used this
   technique?
   All the best,
   Arto
   --

References

   1. http://www.youtube.com/watch?v=N64w2NH6hCgfeature=youtu.be


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

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[BAROQUE-LUTE] Re: Mouton's campanella technique

2012-04-12 Thread wikla

Dear Bernhard,

thanks! The 17706 (8r-8v) doesn't seem to indicate playing the 
campanella, as you also have written. On the other hand the Saizenay 
279153 (p. 114) does that, and uses special markings to that: g. and 
p.. What (French?) words could those mean?


Best,

Arto


On 12/04/12 09:45, Bernhard Fischer wrote:

Dear Arto,

This Mouton Prelude is well known and included in lute school books as
teaching material / example. It is included in several historic manuscripts
in various versions, with and without dissection the bass course. For your
kind information I attach my hand-written copy of this piece from the Vienna
MS 17706.

Best regards from Vienna,
Bernhard

-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von Arto Wikla
Gesendet: Mittwoch, 11. April 2012 18:50
An: Baroque Lute Net; vihu...@cs.dartmouth.edu
Betreff: [BAROQUE-LUTE] Mouton's campanella technique

Dear baroque lutenists and guitarists,
I played a tiny Prelude by Mouton from his printed book Pieces de Luth,
page 1.  Here Mouton uses his unique(?) technique of playing first only
the low octave of a bass course and only after some higher strings the
upper octave of the same bass course. So it is actually the
campanella technique better known in baroque guitar music.
You can find my version in
  [1]http://www.youtube.com/watch?v=N64w2NH6hCgfeature=youtu.be
It is quite short, 46 seconds. The campanella passage starts in about
0:21, where the bass goes C-B-A-G-F (a'A5Hz).
Does anyone know, whether any other baroque lutenist used this
technique?
All the best,
Arto
--

References

1. http://www.youtube.com/watch?v=N64w2NH6hCgfeature=youtu.be


To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html





[BAROQUE-LUTE] Re: Mouton's campanella technique

2012-04-12 Thread Martyn Hodgson

   Von Radolt also employs this technique in his  'Der Aller Treueeste
   Freindin...' (Vienna 1701) - see the paper with relevant translation
   and commentary by Bill Samson and me in FoMRHI Quarterly some years ago
   (digital copies available - search FoMRHI). And I've recall at least
   one other example in a French MS source but can't offhand remember
   which.

   But this effect is not really the same as guitar campenella play in
   which different courses are used to pluck a scalic passage.

   Martyn
   --- On Wed, 11/4/12, Mathias Roesel mathias.roe...@t-online.de wrote:

 From: Mathias Roesel mathias.roe...@t-online.de
 Subject: [BAROQUE-LUTE] Re: Mouton's campanella technique
 To: Baroque Lute Net baroque-lute@cs.dartmouth.edu
 Date: Wednesday, 11 April, 2012, 23:12

   Here Mouton uses his unique(?) technique of playing first only
the low octave of a bass course and only after some higher strings
the
upper octave of the same bass course. So it is actually the
campanella technique better known in baroque guitar music.
...
Does anyone know, whether any other baroque lutenist used this
technique?
There is an allemande by Graf Pergen in Giesbert's method where
   this
technique is used also.
Mathias
  --
   To get on or off this list see list information at
   [1]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[BAROQUE-LUTE] Re: Mouton's campanella technique

2012-04-12 Thread Bernhard Fischer
Arto,

In his famous book Pieces de luth Perrine uses the p for pouce (engl:
thumb).

Bernhard

-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von wi...@cs.helsinki.fi
Gesendet: Donnerstag, 12. April 2012 09:34
An: Bernhard Fischer
Cc: 'Baroque Lute Net'; vihu...@cs.dartmouth.edu
Betreff: [BAROQUE-LUTE] Re: Mouton's campanella technique

Dear Bernhard,

thanks! The 17706 (8r-8v) doesn't seem to indicate playing the 
campanella, as you also have written. On the other hand the Saizenay 
279153 (p. 114) does that, and uses special markings to that: g. and 
p.. What (French?) words could those mean?

Best,

Arto


On 12/04/12 09:45, Bernhard Fischer wrote:
 Dear Arto,

 This Mouton Prelude is well known and included in lute school books as
 teaching material / example. It is included in several historic
manuscripts
 in various versions, with and without dissection the bass course. For your
 kind information I attach my hand-written copy of this piece from the
Vienna
 MS 17706.

 Best regards from Vienna,
 Bernhard

 -Ursprüngliche Nachricht-
 Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag
 von Arto Wikla
 Gesendet: Mittwoch, 11. April 2012 18:50
 An: Baroque Lute Net; vihu...@cs.dartmouth.edu
 Betreff: [BAROQUE-LUTE] Mouton's campanella technique

 Dear baroque lutenists and guitarists,
 I played a tiny Prelude by Mouton from his printed book Pieces de
Luth,
 page 1.  Here Mouton uses his unique(?) technique of playing first
only
 the low octave of a bass course and only after some higher strings the
 upper octave of the same bass course. So it is actually the
 campanella technique better known in baroque guitar music.
 You can find my version in
   [1]http://www.youtube.com/watch?v=N64w2NH6hCgfeature=youtu.be
 It is quite short, 46 seconds. The campanella passage starts in about
 0:21, where the bass goes C-B-A-G-F (a'A5Hz).
 Does anyone know, whether any other baroque lutenist used this
 technique?
 All the best,
 Arto
 --

 References

 1. http://www.youtube.com/watch?v=N64w2NH6hCgfeature=youtu.be


 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html








[BAROQUE-LUTE] Re: Mouton's campanella technique

2012-04-12 Thread Bernhard Fischer
Arto,

In his famous book Pieces de luth Perrine uses the p for pouce (engl:
thumb). And to indicate the first finger (right hand) he used an a as you
can see from the copy of a page of this other book Livre de musique pur le
lut.

Bernhard

-Ursprüngliche Nachricht-
Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im Auftrag
von wi...@cs.helsinki.fi
Gesendet: Donnerstag, 12. April 2012 09:34
An: Bernhard Fischer
Cc: 'Baroque Lute Net'; vihu...@cs.dartmouth.edu
Betreff: [BAROQUE-LUTE] Re: Mouton's campanella technique

Dear Bernhard,

thanks! The 17706 (8r-8v) doesn't seem to indicate playing the 
campanella, as you also have written. On the other hand the Saizenay 
279153 (p. 114) does that, and uses special markings to that: g. and 
p.. What (French?) words could those mean?

Best,

Arto


On 12/04/12 09:45, Bernhard Fischer wrote:
 Dear Arto,

 This Mouton Prelude is well known and included in lute school books as
 teaching material / example. It is included in several historic
manuscripts
 in various versions, with and without dissection the bass course. For your
 kind information I attach my hand-written copy of this piece from the
Vienna
 MS 17706.

 Best regards from Vienna,
 Bernhard

 -Ursprüngliche Nachricht-
 Von: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] Im
Auftrag
 von Arto Wikla
 Gesendet: Mittwoch, 11. April 2012 18:50
 An: Baroque Lute Net; vihu...@cs.dartmouth.edu
 Betreff: [BAROQUE-LUTE] Mouton's campanella technique

 Dear baroque lutenists and guitarists,
 I played a tiny Prelude by Mouton from his printed book Pieces de
Luth,
 page 1.  Here Mouton uses his unique(?) technique of playing first
only
 the low octave of a bass course and only after some higher strings the
 upper octave of the same bass course. So it is actually the
 campanella technique better known in baroque guitar music.
 You can find my version in
   [1]http://www.youtube.com/watch?v=N64w2NH6hCgfeature=youtu.be
 It is quite short, 46 seconds. The campanella passage starts in about
 0:21, where the bass goes C-B-A-G-F (a'A5Hz).
 Does anyone know, whether any other baroque lutenist used this
 technique?
 All the best,
 Arto
 --

 References

 1. http://www.youtube.com/watch?v=N64w2NH6hCgfeature=youtu.be


 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



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