Re: [digitalradio] center of the waterfall question

2007-10-01 Thread Roger J. Buffington
Bill Aycock wrote:
  Frank- I think that there is MUCH confusion in our ranks on this
  subject. For instance, I set my rig to one frequency (usually
  14,070.00) and leave it there. I tune to different signals by moving
  the marker that shows the offset from the base frequency on the
  waterfall. The radio bandwidth is many times as wide as the signal
  width (for PSK31), and many signals can be accommodated in the
  passband. I have a tuneable Digital filter, and one of the most
  educational tricks is to shift the upper and lower audio limits of
  the filter, and watch the result on the waterfall One of the sources
  of the confusion is the ambiguity in the meaning of best. I think
  that it is highly improbable that we can get a clear definition. Good
  luck- Bill-W4BSG


In my opinion there are two classes of radios for digital use, and 
which type you have dictates how you handle the center frequency 
question.  Older  legacy radios do not allow use of narrow crystal 
filters (originally intended for CW) in the digital modes.  The 
designers of these radios either ignored the digital modes altogether 
(requiring, for example, interfacing the radio through the mic 
connector) or simply didn't care much (my FT-900, an otherwise good 
radio, falls into this category).  These radios can be used for digital, 
but lack the most important QRM-fighting tools--the crystal and 
mechanical filters.  For these radios you can get away with tuning by 
leaving the VFO alone and simply moving the marker on the waterfall to 
the signal you wish to receive.  But you will miss receiving many, many 
signals if the band is at all crowded if you tune using this technique.

Newer radios generally all allow use of the narrow crystal and 
mechanical filters in the digital modes and typically have a special 
DIGI mode setting for this purpose.  For radios of this type, it is 
*very important* to tune the station that you are working to the center 
frequency rather than simply moving the marker on the waterfall and 
not touching the VFO.  The reason is that otherwise you cannot use the 
crystal and mechanical filters of your rig effectively.  The optimal way 
to tune a station with a modern rig is to place the received signal in 
the center frequency passband, typically either 1000hz (most Yaesu 
radios, for example) or 1500 hz, and then utilize the rig's narrow 
filter.  For PSK31, literally the narrower the better -- for example, my 
Mark V's 250hz filters are super for PSK modes, and the 500hz filters 
are great for MFSK, 500hz Olivia, Domino, and MT63.  Doing this also 
makes the IF width and shift controls much more effective, and often you 
can use these controls to eliminate even a QRMing signal that is inside 
the narrow passband corridor.

Placing the received signal in the center frequency passband often makes 
a huge difference in your ability to receive a signal.  Often if there 
is a strong PSK signal elsewhere on the band, it will desensitze your 
receiver through AGC action to the point where you are not receiving the 
weaker signals at all.  Kick in the narrow filters, and this problem 
will disappear.  This is true even with higher-end rigs such as the 
FT1000MP/Mark V.  Sure, you can work stations by simply moving the 
marker to the station you want to work rather than tuning the same 
station to your rig's center frequency, but this technique is 
sub-optimal and makes the signal you wish to receive subject to QRM and 
AGC desensitization even from signals 1Khz or more away. 

You can usually readily see how important 1) tuning the received signal 
to the center frequency and 2) kicking in the narrow filters actually 
is, by watching the waterfall.  Often the waterfall on the rig will be 
dark when the passband is wide open, and much lighter on the received 
signal once the filters are kicked in.  This is because some stronger 
signal outside of the filter passband is desensitizing the receiver.  I 
can often copy signals with the filters in the circuit that are 
completely invisible on the waterfall without the filters.

The best digital programs recognize the importance of tuning the 
received signal to the center passband frequency, and make this easy to 
do.  DM780 has a center frequency marker, and with one click of an icon 
it automatically tunes the received signal to the center passband (moves 
the received signal marker to the C center frequency marker).  One 
more click and you can kick in whichever narrow filters your rig has 
that are appropriate for the mode, e.g. 500hz for MFSK, much narrower 
for PSK.  MixW also enables the user to do this with a few clicks by use 
of an easy-to-program macro function.

As the band conditions start to improve, with more signals on the band 
(remember, we are presently right at the solar minimum) using the narrow 
filters on digital modes will become more and more important. 

de Roger, W6VZV



Re: [digitalradio] center of the waterfall question

2007-10-01 Thread Simon Brown
- Original Message - 
From: Roger J. Buffington [EMAIL PROTECTED]

 As the band conditions start to improve, with more signals on the band
 (remember, we are presently right at the solar minimum) using the narrow
 filters on digital modes will become more and more important.


It will be very, very interesting in two or three years. I expect that we 
will use 14.070 to 14.076 or so...

Simon HB9DRV 



Re: [digitalradio] center of the waterfall question

2007-10-01 Thread Bill Aycock

Roger- thanks for an excellent set of comments. With my rig (FT-920), 
my best filtering is in the audio, which limits me. I do have a 
narrower (INRAD) filter than the stock one and that helps. I can 
dream about a tuneable RF filter, though, can't I?
Thanks- Bill-W4BSG

At 05:37 AM 10/1/2007, you wrote:
Bill Aycock wrote:
   Frank- I think that there is MUCH confusion in our ranks on this
   subject. For instance, I set my rig to one frequency (usually
   14,070.00) and leave it there. I tune to different signals by moving
   the marker that shows the offset from the base frequency on the
   waterfall. The radio bandwidth is many times as wide as the signal
   width (for PSK31), and many signals can be accommodated in the
   passband. I have a tuneable Digital filter, and one of the most
   educational tricks is to shift the upper and lower audio limits of
   the filter, and watch the result on the waterfall One of the sources
   of the confusion is the ambiguity in the meaning of best. I think
   that it is highly improbable that we can get a clear definition. Good
   luck- Bill-W4BSG
 

In my opinion there are two classes of radios for digital use, and
which type you have dictates how you handle the center frequency
question.  Older  legacy radios do not allow use of narrow crystal
filters (originally intended for CW) in the digital modes.  The
designers of these radios either ignored the digital modes altogether
(requiring, for example, interfacing the radio through the mic
connector) or simply didn't care much (my FT-900, an otherwise good
radio, falls into this category).  These radios can be used for digital,
but lack the most important QRM-fighting tools--the crystal and
mechanical filters.  For these radios you can get away with tuning by
leaving the VFO alone and simply moving the marker on the waterfall to
the signal you wish to receive.  But you will miss receiving many, many
signals if the band is at all crowded if you tune using this technique.

Newer radios generally all allow use of the narrow crystal and
mechanical filters in the digital modes and typically have a special
DIGI mode setting for this purpose.  For radios of this type, it is
*very important* to tune the station that you are working to the center
frequency rather than simply moving the marker on the waterfall and
not touching the VFO.  The reason is that otherwise you cannot use the
crystal and mechanical filters of your rig effectively.  The optimal way
to tune a station with a modern rig is to place the received signal in
the center frequency passband, typically either 1000hz (most Yaesu
radios, for example) or 1500 hz, and then utilize the rig's narrow
filter.  For PSK31, literally the narrower the better -- for example, my
Mark V's 250hz filters are super for PSK modes, and the 500hz filters
are great for MFSK, 500hz Olivia, Domino, and MT63.  Doing this also
makes the IF width and shift controls much more effective, and often you
can use these controls to eliminate even a QRMing signal that is inside
the narrow passband corridor.

Placing the received signal in the center frequency passband often makes
a huge difference in your ability to receive a signal.  Often if there
is a strong PSK signal elsewhere on the band, it will desensitze your
receiver through AGC action to the point where you are not receiving the
weaker signals at all.  Kick in the narrow filters, and this problem
will disappear.  This is true even with higher-end rigs such as the
FT1000MP/Mark V.  Sure, you can work stations by simply moving the
marker to the station you want to work rather than tuning the same
station to your rig's center frequency, but this technique is
sub-optimal and makes the signal you wish to receive subject to QRM and
AGC desensitization even from signals 1Khz or more away.

You can usually readily see how important 1) tuning the received signal
to the center frequency and 2) kicking in the narrow filters actually
is, by watching the waterfall.  Often the waterfall on the rig will be
dark when the passband is wide open, and much lighter on the received
signal once the filters are kicked in.  This is because some stronger
signal outside of the filter passband is desensitizing the receiver.  I
can often copy signals with the filters in the circuit that are
completely invisible on the waterfall without the filters.

The best digital programs recognize the importance of tuning the
received signal to the center passband frequency, and make this easy to
do.  DM780 has a center frequency marker, and with one click of an icon
it automatically tunes the received signal to the center passband (moves
the received signal marker to the C center frequency marker).  One
more click and you can kick in whichever narrow filters your rig has
that are appropriate for the mode, e.g. 500hz for MFSK, much narrower
for PSK.  MixW also enables the user to do this with a few clicks by use
of an easy-to-program macro function.

As the band conditions 

Re: [digitalradio] center of the waterfall question

2007-10-01 Thread G. McFarlin


So which is better, park the dial and move the audio
center frequency (ACF) ldquo;markerrdquo;, or park the marker and move
the frequency dial? The former seems to be the standard method used for
PSK31 (when using programs like Digipan and PSK31), but the latter seems
to make more sense in the context of finding your peak output point in the
bandpass and leave your marker there for best decoding. Is it partially
dependant on the available filters and/or the age of the rig and its
ability to handle digital modes?
 

 

This latter concept seems to fly in the face of guidance
(at least for modes like Olivia) provided on hflink.com and other tutorial
sites where the ACF marker is supposed to be set in accordance with the
tone pair/mode in use and the frequencies are voluntarily set based on the
ldquo;sub-bandrdquo; (.65 or .50, etc). This suggests that both the
frequency and ACF should be fixed or channelized, regardless of rig or
bandpass ldquo;sweet spotsrdquo;.
 

 

From the context of making it easier to find signals and
establish QSOrsquo;s, this guidance makes sense, assuring (to some
degree) that if your dial is set to a specific frequency and your ACF
marker is in the proper spot for the tone pair in use, any one who comes
along can find you quickly. If everyone running Olivia between 14104 and
14109 used ldquo;channelsrdquo; on .50, a tone pair of 1000/32 and a
marker on 1000hz (at least to call CQ) QSOs would be much easier to locate
and lock onto. Between 14072 and 14078, ldquo;channelsrdquo; should be
on .65, running 500/16 with an ACF of 750Hz. Easier, but is it at the
expense of best decoding, power output, and QRM avoidance?
 

 

Again, this is all by gentlemenrsquo;s agreement, but
there seems to be little other established guidance in print or on the
web. Was this originally suggested to assist in happily co-existing with
other ldquo;channelizedrdquo; modes frequently found in these sub-bands,
like Pactor? Wouldnrsquo;t the ldquo;park the marker, move the
dialrdquo; method make it difficult to post and follow digital spots on
sites like Andyrsquo;s (K3UK) if everyonersquo;s dial showed a different
frequency? (A minor concern, maybe, but certainly a huge help on these
sparse bands!)
 

 

Finally, could this same question be applied
equally to RTTY, where it depends on the software used, despite long
established rules for mark/space frequencies? If I use MixW, I can keep my
rig dial fixed and click on any of several signals in the passband,
decoding them all equally (easy, certainly but not optimal). Is this just
the wrong way to use this software? Should the ACF be locked centered
between the standard RTTY M/S audio frequencies and the dial moved?
Using MMTTY, the marker stays fixed and the dial is adjusted so
itrsquo;s not a concern. Is one better than the other, personal
preference, or rig dependent?

R/
Glenn KD4ULB

 Bill Aycock wrote:

 Frank- I think that there is MUCH confusion in our ranks on
this 
 subject. For instance, I set my rig to one frequency
(usually 
 14,070.00) and leave it there. I tune to different
signals by moving 
 the marker that shows the
offset from the base frequency on the 
 waterfall. The radio
bandwidth is many times as wide as the signal 
 width (for
PSK31), and many signals can be accommodated in the 

passband. I have a tuneable Digital filter, and one of the most 
 educational tricks is to shift the upper and lower audio limits
of 
 the filter, and watch the result on the waterfall One of
the sources 
 of the confusion is the ambiguity in the
meaning of best. I think 
 that it is highly
improbable that we can get a clear definition. Good 
 luck-
Bill-W4BSG 
 
 
 In my opinion there are
two classes of radios for digital use, and 
 which
type you have dictates how you handle the center frequency 

question. Older legacy radios do not allow use of narrow
crystal 
 filters (originally intended for CW) in the digital
modes. The 
 designers of these radios either ignored the digital
modes altogether 
 (requiring, for example, interfacing the radio
through the mic 
 connector) or simply didn't care much (my
FT-900, an otherwise good 
 radio, falls into this category).
These radios can be used for digital, 
 but lack the most
important QRM-fighting tools--the crystal and 
 mechanical
filters. For these radios you can get away with tuning by 

leaving the VFO alone and simply moving the marker on the
waterfall to 
 the signal you wish to receive. But you will miss
receiving many, many 
 signals if the band is at all crowded if
you tune using this technique. 
 
 Newer radios
generally all allow use of the narrow crystal and 
 mechanical
filters in the digital modes and typically have a special 

DIGI mode setting for this purpose. For radios of this type,
it is 
 *very important* to tune the station that you are working
to the center 
 frequency rather than simply moving the
marker on the waterfall and 
 not touching the VFO.
The reason is that otherwise you 

Re: [digitalradio] center of the waterfall question

2007-09-28 Thread Bill Aycock

Frank- I think that there is MUCH confusion in our ranks on this 
subject. For instance, I set my rig to one frequency (usually 
14,070.00) and leave it there. I tune to different signals by moving 
the marker that shows the offset from the base frequency on the waterfall.
The radio bandwidth is many times as wide as the signal width (for 
PSK31), and many signals can be accommodated in the passband. I have 
a tuneable Digital filter, and one of the most educational tricks is 
to shift the upper and lower audio limits of the filter, and watch 
the result on the waterfall
One of the sources of the confusion is the ambiguity in the meaning 
of best. I think that it is highly improbable that we can get a 
clear definition.
Good luck- Bill-W4BSG

At 10:27 PM 9/4/2007, you wrote:
Hey group, this is Frank K2NCC,

Just wanted to ask what is surely a noobie question or two.

If my waterfall (using MixW) can receive a signal between 300KHz and
3000KHz on the spectrum, that's my bandwidth of the radio, right?
Seems to match what the manual says, 2700.

I've read where PSK31 is best at 1000KHz on the audio marker in a QSO.
But, one could QSO pretty far on either side of that line if you
avoid the fringes.  Right?

Oh, if it matters, the radio is TS-830S and a Signalink.

Well, the halfway point on the waterfall for me is about 1650 on the
audio marker.

I'm guessing that whatever frequency I'm on when I tune the signal to
that 1650 point, is the frequency they're transmitting on.  I asked
and have been very close, but can only hope that my rig is on the
mark.  Either way, it's not been off by more than 3Hz.  Since the rig
only has six digit display, I round it off anyway.

Is that the best place to transmit and receive?  Dead center of the
frequency seems to be the ideal place if both sides are doing the same.

73.  Frank K2NCC



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