[Finale] Copy Protection and Lost Sales

2003-10-10 Thread Dennis W. Manasco
Hello --

Since I posted to the list a copy of my email to Coda/MakeMusic 
canceling my order for Finale 2004, I thought it only fair to them to 
post their reply; though I have interspersed it with my reply to them.

If you feel that this is a waste of bandwidth I apologize. Please 
feel free to flame me, but I think that this is an exchange that 
should be made public.

-=-Dennis

Reply to email from [EMAIL PROTECTED] dated Wed, 13 Aug 
2003 15:56:12 -0500:
__

To: Finale Sales [EMAIL PROTECTED]
From: Dennis W. Manasco [EMAIL PROTECTED]
Subject: RE: Cancellation of Order Number {number deleted}
Cc: [EMAIL PROTECTED]

Dear Dennis,

Thank you for taking the time to write us about your concerns.
Thank you for responding. Concerns is an understatement.

We hope you understand that there is no limit to the number of installations
that can be performed from the Finale CD-ROM.  At installation time, the
software simply requires that you register the software within 30 days. You
may also install it on a second computer if you desire. The registration can
be automatically obtained with your computer if you have internet access, or
can be obtained by phone, FAX or standard mail for those who don't.  In any
case, you have full use of the software for 30 days even without
registering.
This paragraph misses the entire point. The number of possible 
installations from a particular CD is irrelevant. The point is that 
once the user installs the software the user is dependant on the 
existence and integrity of Coda/MakeMusic's Copy Protection Servers 
to successfully operate the software after the 30 day trial period. 
Should, at any time, Coda/MakeMusic's Copy Protection Servers cease 
to function, or no longer provide registration codes for a particular 
version or configuration, the user will not be able to make full and 
complete use of the software which was lawfully and legitimately 
purchased.

You may consider this concern trivial, but it warrants primacy in 
my consideration. Should I purchase Finale 2004 and my system 
configuration change I would no longer be able to use the software 
without the explicit permission of Coda/MakeMusic. This would be true 
even should Coda/MakeMusic no longer exist.

The future existence of software providers is a valid concern. At 
least once a month I use a software program that was last updated in 
1993. I use it for an essential business function and have never 
found a suitable replacement. The publisher went out of business some 
years, and numerous hard disk and computer replacements, ago. If that 
publisher had used Coda/MakeMusic's copy protection system I would no 
longer be able to execute a necessary business function. This is only 
one example of why I will never tie my business's future viability to 
any other company's.

The promised future ability to transfer licenses does not lessen the 
onerousness of the situation. Should my hard disk fail, or I 
otherwise lose the ability to access my computer data, I would not be 
able transfer the software.

We did listen to our users' feedback regarding the copy protection that was
used for the 98 version of product, which is why it was discontinued and has
never used since.  The registration does not use the PACE system to which
you refer.  If, after trying the software, you are not satisfied, we do
offer a 30-day return/refund guarantee.
Thankfully you are not using the PACE system. This paragraph does not 
however state explicitly, absolutely and irrevocably that the Finale 
Copy Protection System does not use a pervasive and systemic copy 
protection technique and will have no adverse effects upon users' 
Operating Systems or the programs which run under them. As such this 
paragraph provides no alleviation of my concerns whatsoever.

The final sentence of this paragraph is a non sequitur. I have no 
intention of purchasing the product, so a 30-day return/refund 
guarantee is irrelevant. I would never allow any software on my 
computer which I suspected might be carrying a deleterious component 
so a 30-day return/refund guarantee is irrelevant

We worked to make this process as easy and pain-free as possible.  We hope
that you agree that Finale is worth having and worth protecting.  We believe
that this required registration will enable us to continue leading the music
notation business.
The process may be pain-free. The implications of the process are 
anything but.

I too belive that Finale is worth having and worth protecting . 
Here is an alternative scheme:

Since the probability is high that Coda/MakeMusic's servers will 
still exist when I receive the software from the distributor, force 
me to register ONCE AND ONLY ONCE when I receive it. Give me a 
secondary serial number that is encoded with my (verified) name (but 
not address, as that may change) and original serial number. Using 
this new serial number force me to brand the software with my 

[Finale] Copy Protection and Lost Sales

2003-08-15 Thread Dennis W. Manasco
Hello --

Since I posted to the list a copy of my email to Coda/MakeMusic 
canceling my order for Finale 2004, I thought it only fair to them to 
post their reply; though I have interspersed it with my reply to them.

If you feel that this is a waste of bandwidth I apologize. Please 
feel free to flame me, but I think that this is an exchange that 
should be made public.

-=-Dennis

Reply to email from [EMAIL PROTECTED] dated Wed, 13 Aug 
2003 15:56:12 -0500:
__

To: Finale Sales [EMAIL PROTECTED]
From: Dennis W. Manasco [EMAIL PROTECTED]
Subject: RE: Cancellation of Order Number {number deleted}
Cc: [EMAIL PROTECTED]

Dear Dennis,

Thank you for taking the time to write us about your concerns.
Thank you for responding. Concerns is an understatement.

We hope you understand that there is no limit to the number of installations
that can be performed from the Finale CD-ROM.  At installation time, the
software simply requires that you register the software within 30 days. You
may also install it on a second computer if you desire. The registration can
be automatically obtained with your computer if you have internet access, or
can be obtained by phone, FAX or standard mail for those who don't.  In any
case, you have full use of the software for 30 days even without
registering.
This paragraph misses the entire point. The number of possible 
installations from a particular CD is irrelevant. The point is that 
once the user installs the software the user is dependant on the 
existence and integrity of Coda/MakeMusic's Copy Protection Servers 
to successfully operate the software after the 30 day trial period. 
Should, at any time, Coda/MakeMusic's Copy Protection Servers cease 
to function, or no longer provide registration codes for a particular 
version or configuration, the user will not be able to make full and 
complete use of the software which was lawfully and legitimately 
purchased.

You may consider this concern trivial, but it warrants primacy in 
my consideration. Should I purchase Finale 2004 and my system 
configuration change I would no longer be able to use the software 
without the explicit permission of Coda/MakeMusic. This would be true 
even should Coda/MakeMusic no longer exist.

The future existence of software providers is a valid concern. At 
least once a month I use a software program that was last updated in 
1993. I use it for an essential business function and have never 
found a suitable replacement. The publisher went out of business some 
years, and numerous hard disk and computer replacements, ago. If that 
publisher had used Coda/MakeMusic's copy protection system I would no 
longer be able to execute a necessary business function. This is only 
one example of why I will never tie my business's future viability to 
any other company's.

The promised future ability to transfer licenses does not lessen the 
onerousness of the situation. Should my hard disk fail, or I 
otherwise lose the ability to access my computer data, I would not be 
able transfer the software.

We did listen to our users' feedback regarding the copy protection that was
used for the 98 version of product, which is why it was discontinued and has
never used since.  The registration does not use the PACE system to which
you refer.  If, after trying the software, you are not satisfied, we do
offer a 30-day return/refund guarantee.
Thankfully you are not using the PACE system. This paragraph does not 
however state explicitly, absolutely and irrevocably that the Finale 
Copy Protection System does not use a pervasive and systemic copy 
protection technique and will have no adverse effects upon users' 
Operating Systems or the programs which run under them. As such this 
paragraph provides no alleviation of my concerns whatsoever.

The final sentence of this paragraph is a non sequitur. I have no 
intention of purchasing the product, so a 30-day return/refund 
guarantee is irrelevant. I would never allow any software on my 
computer which I suspected might be carrying a deleterious component 
so a 30-day return/refund guarantee is irrelevant

We worked to make this process as easy and pain-free as possible.  We hope
that you agree that Finale is worth having and worth protecting.  We believe
that this required registration will enable us to continue leading the music
notation business.
The process may be pain-free. The implications of the process are 
anything but.

I too belive that Finale is worth having and worth protecting . 
Here is an alternative scheme:

Since the probability is high that Coda/MakeMusic's servers will 
still exist when I receive the software from the distributor, force 
me to register ONCE AND ONLY ONCE when I receive it. Give me a 
secondary serial number that is encoded with my (verified) name (but 
not address, as that may change) and original serial number. Using 
this new serial number force me to brand the software with my