Re: [h-cost] Stomacher --a photo demo

2006-03-19 Thread Bjarne og Leif Drews

Hi,
I should not have answered as i did, obviously they did it in a different 
way than in my period.

How long time did they have this lacing in the side bodice? Anybody knows?

Bjarne

- Original Message - 
From: Melody Watts [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, March 19, 2006 5:02 AM
Subject: Re: [h-cost] Stomacher --a photo demo



Hi,
Did you check out this?
http://www.ninyamikhaila.com/Princesselizabeth.html

this shows the bodice part without the
stomacher/placard pinned on.
The visual helps alot, I know I had a hard time
wrapping my brain around how the gowns went on, as I
kept thinking they laced up the back.
This photo group made it all clear to me.
melody


--- [EMAIL PROTECTED] wrote:


I was recently made aware of the stomacher from some
previous posts. I make Elizabethan costumes and
though it isn't strictly period I am interested in
learning more about them. I don't have the luxury of
a ladies maid and this invention would definitely
make getting dressed by oneself easier. Can anyone
explain the workings of these, or possibly have a
good picture of how they're attached and how they
cover the laces? Thank-you
  Tania
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Re: [h-cost] Great Coat

2006-03-19 Thread Joannah Hansen

 Thanks Bjarne, but in the context this is definitely a dress of some 
 kind.
 One of several references--We have retired to dress for  dinner.  Shall I
 tell you our dresses? I hear you say Yes.  Mrs. P.  wears a brocade; 
 Cousin
 M. her pink Great-Coat, and I my pink.

 Ann Wass

Anne,

Have you thought about trying to contact Linda Baumgarten, the author of these 
books? If anyone would know, she is probably the person.

http://www.amazon.com/exec/obidos/search-handle-form/ref=s_sf_b_as/104-8506690-0966322

I believe that she is the Curator of Textiles at Colonial Williamsburg. You may 
even be able to speak to her on the phone. :-) ( see below link )

http://www.history.org/search/contact.cfm

Let us know, if you do find out? We're all intrigued now, I'm sure.

Joannah

~*~ Practice random acts of kindness, and senseless acts of beauty. ~*~


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Re: [h-cost] New Topic: drawstring necklines on chemises

2006-03-19 Thread Robin Netherton

On Sun, 19 Mar 2006, Jennifer Geard wrote:

 Hi All,
 
 On Tue, 14 Mar 2006 04:50, Kate M Bunting wrote:
  We've debated this topic more than once and the general consensus seems to
  be that chemises/shifts before the 18th century had stitched-down gathers,
  not drawstrings.
 
 I'm well behind and paying only another flying visit, but for what
 _might_ be another take on gathered chemise necklines, have a look at
 Raphael's La Donna Velata
 (http://gallery.euroweb.hu/html/r/raphael/5roma/3/03velata.html -
 click image for larger version). Are the black bows with aglets
 functional or purely decorative?
 
 Ten years ago I made a version of this assuming the bow laces were
 functional and that they served to gather the camisa neckline. Using
 very fine fabric, separate gathering cords for the front, back and
 shoulders, and the tightest channel I could sew for the laces [*] I
 managed to make something that captured the look. It's quite
 possibly a fake, but if so it's a good enough fake that it made me
 wonder whether this might have been the way the gathering was
 achieved, even if it was then secured to a woven band.

I remember this one! We had a great discussion of it in May 2004. I've
saved a post I wrote then, which I'll append below.

ISTR there were lots of different readings of the image, of which mine is
only one. Probably worth going back to the archives to read them all, if
this image interests you.

--Robin


Date: Thu, 20 May 2004 13:16:08 -0500 (CDT)
From: Robin Netherton [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Subject: Re: [h-cost] Drawstring chemise

On Thu, 20 May 2004, Katie Pleasance wrote:

 If you click on the picture enough times you get a *very* enlarged
 image that shows much detail. Look at the bow on the right side of the
 picture.  Look at the left-hand aiglette. Follow that cord back to the
 bow. Where the cord intersects the bow is a section of cord jutting to
 the left and disappearing into the casing. The casing opening is even
 rounded where the round cord enters the casing. To me this is evidence
 of a casing with a cord coming out of the casing and the cord
 (drawstring) being tied in a bow. The cord is a round cord as would be
 used as a drawstring. The bow looks functional rather than decorative.

This isn't my period, but I've learned to look for multiple possibilities,
and I'm pretty suspicious of drawstrings at this date.

I do agree that the bow is functional. And it's also clear that the
chemise edge breaks at the point of the bow, so it's discontinuous there.  
But it's also worth noting that the aiglettes would never pass through the
tiny channel that runs along the top edge of the chemise, below the
ruffled bit.

It's possible that it's a drawstring that was put in first, with the
aiglettes added later. But I also wonder if the bow is made of a cord of
about five or six inches long, passed through an eyelet on each side of
the break at neck edge. Such fastenings (IIRC) appear on Elizabethan
shirts, or so I remember reading on this list.

It's also worth noting that the bows are placed perfectly for nursing
openings, meaning we might be looking at a means of closing slits that run
vertically down from the bow points. The fullness of the chemise would
keep the slits from opening up in the space between dress and neckline.

Not a proof, just another point to consider.

 The pleats are a decorative edge trimming the neckline. The pleats
 attach to the body of the chemise at the top of the casing.

Why do you think that? I would think that such an attachment would add
quite a bit of bulk in the seam, which I'm not seeing. The ruffled bit
could just as easily be the top part of the chemise fabric whether you're
assuming a casing or not, particularly if the casing is made by putting a
ribbon along the back of the fabric and stitching top and bottom to form a
channel. But I think it still looks more like two lines of stitching
holding the chemise pleats in place.

Remember also that the artist would paint his impression of the look,
meaning we probably won't see individual stitches if they are very small.
It also means he may not have had the remotest idea of how the bow was
fastened in, but only painted what he saw -- the bow interrupting the line
of the chemise top and disappearing into the chemise fabric at each side.

--Robin


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Re: [h-cost] New Topic: drawstring necklines on chemises

2006-03-19 Thread Melody Watts
Very interesting, when you click it up to 200% you can
see the string end entering the channel/casing, but I
was wondering if it was only 2 pieces of string
involved 1 very long one for the channel across
the back of the shoulders to the area above the collar
bones and a shorter run directly across the front of
the bust? The agilets would prevent the cord from
slipping in the channel and getting lost
  Are the black
 bows with aglets functional 
 or purely decorative? 
 When you say the 4 laces make stop points, do you
mean there are 4 laces total involved or 4 ends,2
tying ends for each  bows ? 
 Have never seen this type of neck treatment and it
opens alot of options
  Melody

SNIP
--- Jennifer Geard [EMAIL PROTECTED] wrote:
  
...another take on gathered chemise necklines, have a
 look at Raphael's La 
 Donna Velata

(http://gallery.euroweb.hu/html/r/raphael/5roma/3/03velata.html
 
 - click image for larger version). 

[*]   The four laces
 mean there are stop-points 
 at the front and back of the armpits, controlling
 any tendency for the 
 fullness to gravity-feed to the centre front and
 back.
 
 
 Discussion welcome. 
 grin JLG
 -- 
 Jennifer Geard
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Re: [h-cost] semi-OT: waiting for books

2006-03-19 Thread Lavolta Press
So what's the implication here?  That the seller is dishonest or that 
the publisher's printer is late?  Or that media mail is slow?


If their printer is late (and book printers usually are late, by some 
weeks), there is nothing you, a retailer, or in many cases the publisher 
can do about it. Book printers often work on the schedule most 
convenient for themselves.


If the book was shipped by media mail, which can take a month or more, 
there is nothing much anyone can do about it after the book has been 
shipped.  The post office also tends to work on the schedule most 
convenient for themselves.


There is also nothing the members of h-costume can do about your order. 
 Why not just ask whoever you ordered the book from--the retailer or 
the publisher?


And what's the rush anyway?  You preordered a book knowing it was not 
immediately available.


Fran
Lavolta Press
http://www.lavoltapress.com



Edith Reardon wrote:

Mine said Feb. 21 still no book Brin

Lonnie D. Harvel [EMAIL PROTECTED] wrote:  
I ordered the Tudor Tailor. Still waiting on it. They said March 2006 
and it is still March...


E House wrote:



Has anyone order and actually received either of these two books?



The Tudor Tailor by Ninya Mikhaila et al (pre-ordered from website)
ISBN: ?





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RE: [h-cost] to dye for

2006-03-19 Thread Sharon at Collierfam.com
We still have that poison green dye--they soak wood in it to keep it free
from termites.
Sharon

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On
Behalf Of Bjarne og Leif Drews
Sent: Saturday, March 18, 2006 12:35 PM
To: [EMAIL PROTECTED]
Subject: [h-cost] to dye for


Not a reply to the previous mail about books, but the head`er made me think 
about a story i heard about poison dyes.
In about 1840ies i heard there was a new invention with a very bright green 
colour. They made wall hangings with this dyed silks and also it became a 
very popular colour for fashionable ball dresses. But they didnt realise 
that it was a very poisonable dye. The skin would consume the poison. Have
anybody other heard this? It was a story i heard at Gammel Estrup where they
have a room with silk 
tapestries in this collour.

Bjarne




Leif og Bjarne Drews
www.my-drewscostumes.dk

http://home0.inet.tele.dk/drewscph/ 


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[h-cost] Can you help me find a similar fabric?

2006-03-19 Thread A J Garden
My daughter loves this fabric at 
http://www.ninyamikhaila.com/images/C16th/Eliz2005.jpg . Does anyone 
know where I can find something similar and not too expensive?

Thanks, Aylwen
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Re: [h-cost] Early 19th century French term

2006-03-19 Thread Lloyd Mitchell
The translation sure sound like the tool I got in January...online.
Kathleen
- Original Message - 
From: Diana Habra [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Saturday, March 18, 2006 11:27 AM
Subject: Re: [h-cost] Early 19th century French term



  Has anyone run across a reference to some sort of early 19th-century
  tool for pinking fabric called an arrache-pièce à dents?  (I'm not sure
  the accents will come through in the email you receive, but I tried.
  The only modern reference I've found to this terms to a tool called a
  gear puller in English, and this is certainly not that.)  If so can
  you point me to any more info?

 As near as I can translate it (from my 4+ years of high school french) the
 literal translation is a piece puller with teeth.  So your modern
 reference is very close to the french term.

 Could it be like the antique pinking tools you can see on EBay where you
 turn a crank and run the fabric through to pink the edge?

 Hope that helps...

 diana

 www.RenaissanceFabrics.net
 Everything for the Costumer

 Become the change you want to see in the world.
 --Ghandi

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Re: [h-cost] Can you help me find a similar fabric?

2006-03-19 Thread Suzi Clarke

At 10:42 19/03/2006, you wrote:
My daughter loves this fabric at 
http://www.ninyamikhaila.com/images/C16th/Eliz2005.jpg . Does anyone 
know where I can find something similar and not too expensive?

Thanks, Aylwen



Why don't you e-mail Ninya Mikhaila and ask her a) where she got what 
she used, and b) does she know a source for similar fabrics. She is 
usually very helpful.


Otherwise you could look here http://www.mperkins.com/index.htm but I 
don't remember him having anything like this. Also type into whatever 
search engine you use, Church Fabrics. That usually produces big 
brocade patterns like this.


Suzi 



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Re: [h-cost] Can you help me find a similar fabric?

2006-03-19 Thread kelly grant


There is a merchant on EBay that sell church brocades.  His prices are 
reasonable, and the fabric is  yummy.  Check fibre contents though, some are 
highly polyester and may not be suitable for your project.  We found some 
good blends that are nice and heavy and have really good drape for period 
clothing.


Kelly

My daughter loves this fabric at 
http://www.ninyamikhaila.com/images/C16th/Eliz2005.jpg . Does anyone know 
where I can find something similar and not too expensive?

Thanks, Aylwen
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Re: [h-cost] Early 19th century French term

2006-03-19 Thread Lavolta Press
My reference comes from almost a century earlier than the crank pinker 
you bought--I checked the picture of yours when you bought it. Do you 
have a picture of a crank pinker for home use like the one you bought 
but from the early 19th century/Regency period?  All the other 
references I have from the same document are for an emporte-pièce, that 
is a punch, for pinking. From context the arrache-pièce à dents is 
something that pinks both edges of a strip of material, but I do not 
know whether it is a two-sided punch or some other kind device.


Thanks,

Fran
Lavolta Press
http://www.lavoltapress.com

Lloyd Mitchell wrote:


The translation sure sound like the tool I got in January...online.
Kathleen


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[h-cost] Re: 17th c doublet cuff closure

2006-03-19 Thread Cin
Bjarne, Carmen  MikeT,
Thanks so much for your design  research help.  I think I'm going to
go with hidden hooks and a close fitting wrist to mimic the
invisible closures (presumably hooks) at the CF on the Carvaggio. 
There's no way my guy will put up with pins at the wrist... tho an
interesting piece of trivia!
Thanks much for your help, y'all.  I'll check out the Stockholm online
photos, too.

--cin
Cynthia Barnes
[EMAIL PROTECTED]

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Re: [h-cost] Can you help me find a similar fabric?

2006-03-19 Thread Susan Data-Samtak


Susan

Slow down. The trail is the thing, not the end of the trail. Travel
too fast and you miss all you are traveling for.  - Ride the Dark
Trail by Louis L'Amour

On Mar 19, 2006, at 12:02 PM, Suzi Clarke wrote:


At 10:42 19/03/2006, you wrote:
My daughter loves this fabric at 
http://www.ninyamikhaila.com/images/C16th/Eliz2005.jpg . Does anyone 
know where I can find something similar and not too expensive?

Thanks, Aylwen



Why don't you e-mail Ninya Mikhaila and ask her a) where she got what 
she used, and b) does she know a source for similar fabrics. She is 
usually very helpful.


Otherwise you could look here http://www.mperkins.com/index.htm but I 
don't remember him having anything like this. Also type into whatever 
search engine you use, Church Fabrics. That usually produces big 
brocade patterns like this.


Suzi

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Re: [h-cost] semi-OT: waiting for books

2006-03-19 Thread Lonnie D. Harvel


Well,

I don't think there is any problem. In my case, as I said, the book is 
not even late. My voucher says it will be mailed when the First Editions 
come in (expected by the end of March). Given processing and mailing 
time, I wouldn't be concerned until the end of May comes along and I 
haven't heard anything.


Not worried, just impatient for what looks like a wonderful resource! ;)

Lonnie

Lavolta Press wrote:

So what's the implication here?  That the seller is dishonest or that 
the publisher's printer is late?  Or that media mail is slow?






Lonnie D. Harvel [EMAIL PROTECTED] wrote:  I ordered the Tudor 
Tailor. Still waiting on it. They said March 2006 and it is still 
March...






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Re: [h-cost] Early 19th century French term

2006-03-19 Thread Lloyd Mitchell
Do I recall a thread( that might now be in the archives) when the topic of
pinking became a lively discussion of just such punchers that some of the
people who do 18th C and maybe earlier were using...or looking for? I recall
that someone had an earlier tool that others were suggesting that maybe
someone doing metal crafting might copy for the benefit of the members who
might want one.
I guess that I had not seen the referent for the tool presently in question.
Alas...
Mine for the 19th C is proving to be most useful.  I sure am glad I spotted
it when I did.  One that would do both sides at once would be an even Bigger
help.

Kathleen
- Original Message - 
From: Lavolta Press [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, March 19, 2006 12:18 PM
Subject: Re: [h-cost] Early 19th century French term


 My reference comes from almost a century earlier than the crank pinker
 you bought--I checked the picture of yours when you bought it. Do you
 have a picture of a crank pinker for home use like the one you bought
 but from the early 19th century/Regency period?  All the other
 references I have from the same document are for an emporte-pièce, that
 is a punch, for pinking. From context the arrache-pièce à dents is
 something that pinks both edges of a strip of material, but I do not
 know whether it is a two-sided punch or some other kind device.

 Thanks,

 Fran
 Lavolta Press
 http://www.lavoltapress.com

 Lloyd Mitchell wrote:

  The translation sure sound like the tool I got in January...online.
  Kathleen
 
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Re: [h-cost] Early 19th century French term

2006-03-19 Thread Lavolta Press
My question is largely whether this two-sided pinker _is_ a punch.  It 
is apparently a different tool from the emporte-piece.  I don't recall 
any 18th-century or Regency H-costume member commenting on a two-sided 
pinker. But if anyone knows of one--and especially if it was called a 
arrache-pièce à dents--I'd be glad to know.


They had the base technology to develop a crank pinker for home use in 
the early 19th century, but whether they did develop one is another 
question.


Fran
Lavolta Press
http://www.lavoltapress.com


Lloyd Mitchell wrote:


Do I recall a thread( that might now be in the archives) when the topic of
pinking became a lively discussion of just such punchers that some of the
people who do 18th C and maybe earlier were using...or looking for? I recall
that someone had an earlier tool that others were suggesting that maybe
someone doing metal crafting might copy for the benefit of the members who
might want one.
I guess that I had not seen the referent for the tool presently in question.
Alas...
Mine for the 19th C is proving to be most useful.  I sure am glad I spotted
it when I did.  One that would do both sides at once would be an even Bigger
help.

Kathleen
- Original Message - 
From: Lavolta Press [EMAIL PROTECTED]

To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, March 19, 2006 12:18 PM
Subject: Re: [h-cost] Early 19th century French term




My reference comes from almost a century earlier than the crank pinker
you bought--I checked the picture of yours when you bought it. Do you
have a picture of a crank pinker for home use like the one you bought
but from the early 19th century/Regency period?  All the other
references I have from the same document are for an emporte-pièce, that
is a punch, for pinking. From context the arrache-pièce à dents is
something that pinks both edges of a strip of material, but I do not
know whether it is a two-sided punch or some other kind device.

Thanks,

Fran
Lavolta Press
http://www.lavoltapress.com

Lloyd Mitchell wrote:



The translation sure sound like the tool I got in January...online.
Kathleen



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Re: [h-cost] semi-OT: waiting for books

2006-03-19 Thread E House
Well, my hurry on the first order is that the book has been released, and 
was released about 7 weeks ago; the seller claims it should arrive within 
2-4 weeks, which means _my_ individual order is 3-5 weeks late.  I know 
others have gotten their copy; this leads me to think that something has 
gone wrong with _my_ order, and before I call the seller up to ask what's 
wrong, it seemed reasonable to try to find out if _I'm_ the only one with 
this problem, or if it's a problem everyone else is having.


Since I was already asking about the one book, it seemed like a good time to 
ask about the other, which--as I stated in my email--I know is NOT late; 
it's merely eagerly expected.  Based on what is on the writers'/publisher's 
website, mid-March is about the earliest it could have arrived; I posted 
about this in the hopes that those who lived closest to the mailing point 
might already have gotten their books, which would have meant that I, here 
in the US, was within a week or two of receiving my copy. I am not surprised 
or upset to discover that no one else has gotten their copy; I am merely 
better informed, having asked and been answered.


I realize that this could be a touchy subject for you, but I think you're 
misinterpreting eager expectation as anger, which is no way involved--not 
even on the overdue book, and certainly not in this post.  My original post 
was a request for information; not a complaint.


-E House

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Re: [h-cost] semi-OT: waiting for books

2006-03-19 Thread Lavolta Press




I realize that this could be a touchy subject for you,


Why?  I don't sell books before I get them in (although it is a common 
practice, and there is nothing wrong with it), nor do I get many 
complaints about late arrivals.  I was merely trying to explain how the 
book industry works--which is about all you can expect from a post to 
people who know nothing about your order.  There is no need to interpret 
_my_ repsonses as anger.  I have nothing to do with either of these books.


Fran
Lavolta Press
htttp://www.lavoltapress.com
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Re: [h-cost] Great Coat

2006-03-19 Thread AnnBWass
 
In a message dated 3/19/2006 9:35:37 A.M. Eastern Standard Time,  
[EMAIL PROTECTED] writes:

Have you  thought about trying to contact Linda Baumgarten, the author of 
these books?  If anyone would know, she is probably the  person.

http://www.amazon.com/exec/obidos/search-handle-form/ref=s_sf_b_as/104-8506690
-0966322

I  believe that she is the Curator of Textiles at Colonial Williamsburg. You 
may  even be able to speak to her on the phone. :-) ( see below link  )

http://www.history.org/search/contact.cfm

Let us know, if you  do find out? We're all intrigued now, I'm sure.



Thanks, yes, I know Linda and have thought about contacting her.   
(Unfortunately, even she was not able to help clear up one of my other  
mysteries, which 
still remains so.)
 
Ann Wass
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Re: [h-cost] Early 19th century French term

2006-03-19 Thread Lavolta Press
Just because you have a technology, or the potential for it, does not 
mean people were using it for that purpose at that time. A cranked 
pinker in the early 19th-century for home use is a technological 
possibility, but so is a two-sided punch. I was hoping someone on the 
list had definite info.


Thanks,

Fran
Lavolta Press
http://www.lavoltapress.com

Lloyd Mitchell wrote:
and the thought came to me

that once the mechanization of the sewing machine was accomplished , how
rapidly some of the same technology would be accommodated to other sewing
room tasks.  Pinking would certainly have been one of them...Then again,
mayhap the technology got applied in the opposite order?

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[h-cost] painting references needed

2006-03-19 Thread Lonnie D. Harvel


Greetings!

I am looking for pointers to online paintings (or woodcuts, etc.) of 
Polish, Russian, and Eastern European clothing from 13th century through 
the 16th century.  References to books would be OK as well, I can check 
to see if the library has them or can borrow them.


Thanks! Cheers!
Lonnie

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[h-cost] books

2006-03-19 Thread Beth and Bob Matney
One that I'm REALLY eager to get is the one on the Oseberg textiles. 
Supposedly it's at the printers and due out sometime in May according to 
(someone else's reading of) this article:

http://www.aftenposten.no/fakta/innsikt/article1248828.ece

Unfortunately, I don't read Norwegian and the translation engines are a bit 
limited., so I'm taking their word for it.  Despite extensive searches on 
the Internet, I cannot find an ISBN or even a title of it though..and I get 
no replies to emails to the Viking Ship Museum.


Beth Matney 


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Re: [h-cost] books

2006-03-19 Thread Lavolta Press
Fred Struthers of R. L. Shep gets in a lot of foreign publications and 
is usually interested in hearing about new ones of interest to 
costumers.  In other words, if he thinks some other customers will want 
it, in addition to you, he may well stock it. Fred's email address is 
[EMAIL PROTECTED]


Fran
Lavolta Press
http://www.lavoltapress.com

Beth and Bob Matney wrote:
One that I'm REALLY eager to get is the one on the Oseberg textiles. 
Supposedly it's at the printers and due out sometime in May according to 

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[h-cost] Tudor Tailor Book update and Fabric source

2006-03-19 Thread Suzi Clarke

Posted on behalf of My Lady's Wardrobe, who seems unable to post at present.



Hi,

TUDOR TAILOR BOOK deliveries:
Due to promoting The Tudor Tailor this weekend 
at The Original Re-Enactor's Fayre and also 
Kentwell Hall (both in the UK), Ninya was 
actually staying with me in Suffolk. My husband 
Edmund has regularly commissioned gorgeous 
Elizabeth and Tudor suits of clothing from her 
and we both know her very well from Kentwell 
(Tudor and Elizabethan re-enactment!)


I can confirm that the advance copies of the 
book arrived LAST FRIDAY (and it was touch and 
go as to whether they WERE going to arrive that 
day!) I now have my copy (which was given to me 
in return for helping to pattern test). Edmund 
has spirited it away at the moment whilst I am on the internet.


Anyway, from tomorrow (20th March), Ninya has 
the job of packing up all the books that have 
been pre-ordered and sending them on their way 
to their new homes. The delivery time will now 
be at the mercy of the postal service but expect to receive it very soon!


And I can say it really is a GREAT book! Well worth the wait!

On a different topic:

PRINCESS ELIZABETH fabric:-
At 10:42 19/03/2006, you wrote:
My daughter loves this fabric at
http://www.ninyamikhaila.com/images/C16th/Eliz 
2005.jpghttp://www.ninyamikhaila.com/images/C16th/Eliz2005.jpg . Does anyone

know where I can find something similar and not too expensive?
Thanks, Aylwen

Aylwen,

That fabric WAS VERY expensive. I know where it 
came from but I am not authorised to provide the 
person's details (and don't know their contact 
details anyway, only their name!). I have had 
different fabric from this person - it was an 
ivory and gold silk damask for my wedding gown. 
And that, 6 years ago was £75 (sterling) per 
metre! I know the purple one was MUCH more than that.


However, at the Re-enactor's Fayre this weekend, 
there was a stall called Quartemasterie (no 
website!) who sell silks of all kinds (its 
amazing - I didn't succumb this time!).


They have THAT VERY silk probably because it was 
the end of a bolt that someone else purchased 
and didn’t use the rest. As such, they tend to 
be very much cheaper but their silks are very 
good quality. If you like, I can email them with 
the picture you gave a link to and ask them to 
send me a swatch of it and the cost? I can then 
pass it on to you. It’s an odd fabric because 
the purple bits are very velvety in feel though it certainly is not velvet.


Reply on the list as I can read it (I just can’t 
POST to it for some bizarre reason) or contact 
me privately on myladysw AT myladyswardrobe DOT com



Best wishes to all and hi to one or two of you 
who do know me. And Thanks to Suzi for posting on my behalf.


Bess
myladyswardrobe.com



Suzi 
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Re: [h-cost] painting references needed

2006-03-19 Thread Suzi Clarke

At 20:03 19/03/2006, you wrote:


Greetings!

I am looking for pointers to online paintings (or woodcuts, etc.) of 
Polish, Russian, and Eastern European clothing from 13th century 
through the 16th century.  References to books would be OK as well, 
I can check to see if the library has them or can borrow them.


Thanks! Cheers!
Lonnie
Vecellio's Book of Costumes (or a similar title - not near my 
books). Dover book. Drawings by a 16th century Italian of costume 
from the known world.


Suzi 



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Re: [h-cost] books

2006-03-19 Thread Bjarne og Leif Drews

Hi,
I could perhaps try to find the ISBN number for you, i could search for it 
in an online library.


Bjarne


- Original Message - 
From: Beth and Bob Matney [EMAIL PROTECTED]

To: h-costume@mail.indra.com
Sent: Sunday, March 19, 2006 8:59 PM
Subject: [h-cost] books


One that I'm REALLY eager to get is the one on the Oseberg textiles. 
Supposedly it's at the printers and due out sometime in May according to 
(someone else's reading of) this article:

http://www.aftenposten.no/fakta/innsikt/article1248828.ece

Unfortunately, I don't read Norwegian and the translation engines are a 
bit limited., so I'm taking their word for it.  Despite extensive searches 
on the Internet, I cannot find an ISBN or even a title of it though..and I 
get no replies to emails to the Viking Ship Museum.


Beth Matney
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[h-cost] You Bad Bad Bad people! VBEG

2006-03-19 Thread cahuff

At 12:02 PM -0700 3/19/06, [EMAIL PROTECTED] wrote:

I don't think there is any problem. In my case, as I said, the book is
not even late. My voucher says it will be mailed when the First Editions
come in (expected by the end of March). Given processing and mailing
time, I wouldn't be concerned until the end of May comes along and I
haven't heard anything.

Not worried, just impatient for what looks like a wonderful resource! ;)


Yeah sure, remind me about this book, while I have a few pennies. 
Sure and it's in the pre-order window. WEG And soon to be in my 
house G
S how long till the next one comes out??? (Tapping one's foot 
impatiently!) Stuart clothes - Yeah!

Ta
Carol, who has worked out the scheme for the 17th cent dress, now to sew it up!
--
Creative Clutter is Better Than Idle Neatness!
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[h-cost] 17th cent woolen/worsted cloth

2006-03-19 Thread cahuff


Hi
I have a question for all  of you 17th cent mavens...What options are 
available for the cloth for a woolen or worsted jacket? Was most all 
of the wool cloth so heavily fulled and napped that the surface was 
smooth and plush? Was there much use of wool cloth (Middle sort, NOT 
Highlands, English) that had a distinct pattern other than 
tartan--either stripes in the warp or a shot--warp one color, weft 
another in tabby, or a twill made fancy by a different weft color?


Or am I just getting to AR and should just start sewing the undies??

Ta
Carol--slowly getting a handle on Mid 18th cent only to foolishly 
jump the Time Stream back a 100 years! Early 1st cent is beginning to 
look easy! G

--
Creative Clutter is Better Than Idle Neatness!
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[h-cost] Daughter of Charity cornette

2006-03-19 Thread Debra
I saw a request on another list for instructions on how to make a Daughter
of Charity cornette--sometimes called a butterfly headdress or sailboat
headdress. Some folks call it the Flying Nun headdress even though it's not
the same as used in the TV series.
I know I tried finding instructions a few years ago but came up empty. There
isn't a motherhouse here in Atlanta either to contact. I emailed someone in
Emmitsburg but they didn't have instructions either at the time.
I am looking to recreate a DC habit for a reenactment group here as a
Civil-War era nurse but the cornette is the only thing I haven't figured out
how to do yet. I do imagine it would require very starched linen over a cap.
Anything would help.
Thanks,
Debra
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Re: [h-cost] semi-OT: waiting for books

2006-03-19 Thread Sue Clemenger
??insert Vulcan eyebrow raise here
Fran, I don't know you in person, but the tone of your notes does sometimes
come across as, well, touchy.  Don't know if you care or not, but the
original poster's not the only one to think that
--Sue

- Original Message -
From: Lavolta Press [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Sunday, March 19, 2006 11:59 AM
Subject: Re: [h-cost] semi-OT: waiting for books



 
  I realize that this could be a touchy subject for you,

 Why?  I don't sell books before I get them in (although it is a common
 practice, and there is nothing wrong with it), nor do I get many
 complaints about late arrivals.  I was merely trying to explain how the
 book industry works--which is about all you can expect from a post to
 people who know nothing about your order.  There is no need to interpret
 _my_ repsonses as anger.  I have nothing to do with either of these books.

 Fran
 Lavolta Press
 htttp://www.lavoltapress.com
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Re: [h-cost] New Topic: drawstring necklines on chemises

2006-03-19 Thread Bella
Adele de Maisieres [EMAIL PROTECTED] wrote:
  I remain unconvinced that the black lace enters the channel. I think 
that what we're looking at is similar to this one:
http://gallery.euroweb.hu/art/p/palma/vecchio/blonde.jpg 


  You beat me to it Adele! :-)
   
   
   
  Bella


-
On Yahoo!7
  Messenger: Make free PC-to-PC calls to your friends overseas. 
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Tudor Tailor (was Re: [h-cost] You Bad Bad Bad people! VBEG

2006-03-19 Thread Susan B. Farmer

Quoting cahuff [EMAIL PROTECTED]:


At 12:02 PM -0700 3/19/06, [EMAIL PROTECTED] wrote:

I don't think there is any problem. In my case, as I said, the book is
not even late. My voucher says it will be mailed when the First Editions
come in (expected by the end of March). Given processing and mailing
time, I wouldn't be concerned until the end of May comes along and I
haven't heard anything.



I never got a voucher -- but I do have a PayPal recepit.  I hope there
won't be a problem!

Susan
-
Susan Farmer
[EMAIL PROTECTED]
University of Tennessee
Department of Ecology and Evolutionary Biology
http://www.goldsword.com/sfarmer/Trillium/


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Re: [h-cost] semi-OT: waiting for books

2006-03-19 Thread Lavolta Press
No, I don't care if lots of other people think I'm not nice, or 
whatever.  Or whether they like me or not.


I don't believe in the traditional (and outmoded) female role model of 
constantly saying, of course, it's only my opinion, it's just my two 
cents, your mileage may vary, what does the rest of the group 
think? ad nauseum.


That's all about conformity.  It has nothing to do with kindness, 
helpfulness, informativeness, or any positive virtue.  Those are just 
continual statements that a woman is not supposed to think independently 
and that she should always be ready to back down the instant someone 
disagrees with her or says she's rude.


It has nothing to do with real friendhip. A large percentage of the 
women playing out that role are constantly trying to stab each other in 
the back just under the line of what the group--whichever group it 
is--will openly complain about.  Or getting together to gang up on each 
other, because if you've got enough people on your side, apparently it's 
OK to be as nasty as you want.


Men, on the other hand, do not have to apologize every time they make a 
statement.  They just do it.  If more women felt OK about saying what 
they thought and doing what they wanted, maybe they'd stop trying to get 
everyone else to conform and lead more productive lives themselves.


Fran
Lavolta Press
http://www.lavoltapress.com


Sue Clemenger wrote:


??insert Vulcan eyebrow raise here
Fran, I don't know you in person, but the tone of your notes does sometimes
come across as, well, touchy.  Don't know if you care or not, but the
original poster's not the only one to think that
--Sue


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Re: [h-cost] books

2006-03-19 Thread Beth and Bob Matney

Thanks Fran. I'll give them a try.

Beth



Date: Sun, 19 Mar 2006 12:10:00 -0800

Fred Struthers of R. L. Shep gets in a lot of foreign publications and
is usually interested in hearing about new ones of interest to
costumers.  In other words, if he thinks some other customers will want
it, in addition to you, he may well stock it. Fred's email address is
[EMAIL PROTECTED]

Fran
Lavolta Press


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Re: [h-cost] books

2006-03-19 Thread Beth and Bob Matney
Thanks, Bjarne. I would really appreciate any information that you could 
find on this book! As the book is not out yet, I tried to find a 
forthcoming publications for Univ. of Oslo, but was not successful.


Beth


Date: Sun, 19 Mar 2006 21:29:22 +0100
From: Bjarne og Leif Drews [EMAIL PROTECTED]

Hi,
I could perhaps try to find the ISBN number for you, i could search for it
in an online library.

Bjarne


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Re: [h-cost] Daughter of Charity cornette

2006-03-19 Thread Land of Oz

I saw a request on another list for instructions on how to make a Daughter
of Charity cornette--sometimes called a butterfly headdress or 
sailboat
headdress. Some folks call it the Flying Nun headdress even though it's 
not

the same as used in the TV series.
I know I tried finding instructions a few years ago but came up empty. 
There
isn't a motherhouse here in Atlanta either to contact. I emailed someone 
in

Emmitsburg but they didn't have instructions either at the time.
I am looking to recreate a DC habit for a reenactment group here as a
Civil-War era nurse but the cornette is the only thing I haven't figured 
out
how to do yet. I do imagine it would require very starched linen over a 
cap.


Trying spelling it coronet.   :-)   I found a resource that might get you 
started. There is an article here 
http://www.staugcatholic.org/archives/May-June2004.pdf  and a photograph 
starting on 16. They mention a book title that you might get from an 
interlibrary loan service. Might try contacting the magazine and/or the 
author as well.


looking through this catalog is fun, http://www.blessings-catalog.com/ but I 
don't know how much help it will be. Also, they are quitting business, so if 
you need a Nun doll, hurry!


Denise
Iowa 


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RE: [h-cost] painting references needed

2006-03-19 Thread Wanda Pease
Lonnie,

Have you gotten the Summer 2005 Complete Anachronist #128 - A Polish
Miscellany?  Of course that assumes that you are a member of the SCA, and
get CA's.  If you aren't/don't, it is available from the Stock Clerk
https://secure.sca.org/cgi-bin/stockclerk/ca.html  Go to page 13 for this
particular one.  It has a decent Bibliography.

I'm cataloguing my books with LibraryThing.com and just put in a little
volume I got from Krems in Austria titled:
_Tender Meat Under Saddle: Customs of Eating, Drinking and Hospitality among
Conquering Hungarians and Nomadic Peoples_ (Available from Poison pen Press
at http://www.poisonpenpress.com/cookery.html (not affiliated).  Part of a
conference organized by the College of Commerce, Catering and Tourism, The
Society of Old-Hungarian Culture, and the Department of Medieval and
Postmedieval Archeology, Eotvos Lorand University, Budapest (October 10-11,
1996) Those titles might give you places to look.  The front cover has an
illustration of:  The seven chiefs of the Hungarians (detail) J. Thuroczi,
Chronica Hungarorum, Burnn 1486.

Regina

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
 Behalf Of Suzi Clarke
 Sent: Sunday, March 19, 2006 12:21 PM
 To: Historical Costume
 Subject: Re: [h-cost] painting references needed


 At 20:03 19/03/2006, you wrote:

 Greetings!
 
 I am looking for pointers to online paintings (or woodcuts, etc.) of
 Polish, Russian, and Eastern European clothing from 13th century
 through the 16th century.  References to books would be OK as well,
 I can check to see if the library has them or can borrow them.
 



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Re: [h-cost] semi-OT: waiting for books

2006-03-19 Thread Susan Carroll-Clark

Greetings--


I don't believe in the traditional (and outmoded) female role model of 
constantly saying, of course, it's only my opinion, it's just my 
two cents, your mileage may vary, what does the rest of the group 
think? ad nauseum.


That's all about conformity.  It has nothing to do with kindness, 
helpfulness, informativeness, or any positive virtue.  Those are just 
continual statements that a woman is not supposed to think 
independently and that she should always be ready to back down the 
instant someone disagrees with her or says she's rude.
I can't say I agree with you that it's about conformity or being 
female.  It *can* be about conformity, but it also can be about 
leadership.  I am a project manager by profession, and I absolutely have 
to say in team meetings what does the rest of the group think?  My job 
is to lead the project--but I'll be the first to admit that I don't know 
much about software programming, and I'm going to rely on the experts to 
tell me if that schedule I'm expecting them to follow is unreasonable.  
If I don't do that, project fails, no matter how strong I am.  
Sometimes I have to turn around and then say to that expert who told me 
they could get something done in ten days, OK, it's the seventh day and 
you're only 50% done.  What's with that? and hold them to their 
commitment.  

I'll agree that women should not just back down because someone 
disagrees with them or calls them rude.  However, I can't agree that 
being honest about one's opinions or asking for input from others is 
necessarily a bad trait.  It all depends on the way it's done and how.


Susan




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Re: [h-cost] semi-OT: waiting for books

2006-03-19 Thread Lavolta Press


I can't say I agree with you that it's about conformity or being 
female.  It *can* be about conformity, but it also can be about 
leadership.  I am a project manager by profession, and I absolutely have 
to say in team meetings what does the rest of the group think? 


A recreational e-group is not a job/work team meeting. Nor, unlike a 
work meeting, does it usually exist to perform any specific task or 
solve any specific problem.  Nor do most social situations exist for 
work purposes.


What I am driving at is that women traditionally--though not, BTW, by 
most employees in any company I've ever worked for, and not nearly as 
much in the San Francisco area as with people from some other geographic 
areas I encounter on the net--are expected to express themselves 
differently from men. Some women seem to feel expected to say almost 
everything with an implicit apology built in, a continual deference to 
everyone else, a continual wariness as to whether they're agreeing or 
disagreeing with anyone whatever about anything whatever.  The attitude 
is that people are always important than facts, ideas, analysis, and any 
and every criteria above or outside of belonging to the group.


I find it puzzling, because as I said, real friendship is very seldom 
involved.  It's not like most people women are expected to defer to 
would do anything whatever for them in any time of trouble. Often the 
relationships they work so hard to maintain have a constant hostile 
undercurrent. It seems like a useless endeavor.


And, most men get through life just fine saying what they think and 
standing by it. There is no reason why women should have to behave 
differently.


I'll agree that women should not just back down because someone 
disagrees with them or calls them rude.  However, I can't agree that 
being honest about one's opinions or asking for input from others is 
necessarily a bad trait.


I think being honest about one's opinions--rather than constantly 
deferring to others regarding said opinions--is a very positive trait.


As for asking for input from others--asking someone who has, or who you 
believe to have expertise, is not the same thing as constantly making 
sure you don't ever disagree with anyone about anything, or apologizing 
every time you do. Most of what I'm talking about has nothing to do with 
anyone's expertise.


Also, the business of a social group allotting people specific slots as 
anoited experts who are assumed to be _always_ right about their topic, 
and whom no one ever disagrees with, and some of them even expect 
everyone to apologize for offering any information about their topic 
even if it is in agreement with them: This is just a facet of what I was 
talking about above, assuming that the group is always more important 
than ideas, facts, analysis, and everything outside the group.


In other words, it is sensible to ask your plumber for her or his expert 
opinion on whether all your pipes really need to be replaced. Even 
though you may or may not follow that advice, because it is also 
sensible to get estimates from other plumbers and read up on the subject 
before hiring anyone.  Just because an expert says something does not 
mean they are always correct or unbiased.


Going through social or work life saying, I don't want to step on 
anyone's toes by even discussing this subject, and I don't want to upset 
anyone by disagreeing, but I think thus and so, but of course your 
mileage may vary and I'm perfectly willing to retract everything I just 
said if even a single person disagrees, and if I did happen to disagree 
with anyone I'm really sorry because I must have hurt their feelings 
yadda, yadda, yadda, yadda, is just female conformity that achieves no 
productive end whatever.



  It all depends on the way it's done and how.




It also depends on where it's done, and for what purpose.  Again, a 
meeting of project members on a work team is not a social e-group.  Nor 
do I usually hear people constantly apologizing for their opinions or 
stated facts in work situations.


Fran
Lavolta Press
http://www.lavoltapress.com
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[h-cost] corded/trapunto doublet question

2006-03-19 Thread A. Thurman
I'm the one who about a month ago asked about possible shrinkage of
corded corsets and bodices. Based on answers here I've decided to cut
my fencing doublet pieces with an extra 1 all around, just in case.

I'm debating whether to assemble the interlining and outerlining
pieces separately before cording, or after - given that this is a
garment with armholes, I'm leaning towards cord pieces separately and
then assemble, but If anyone has any solid arguments for the other way
around I'd love to hear them!

Thanks in advance,

Allison T.

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Re: [h-cost] semi-OT: waiting for books

2006-03-19 Thread Carol Kocian


I don't believe in the traditional (and outmoded) female role model 
of constantly saying, of course, it's only my opinion, it's just 
my two cents, your mileage may vary, what does the rest of the 
group think? ad nauseum.


 Tone is not apparent on a list like this one, so I think it's 
important to spell out one's opinions and offer citations. 
Statements like those Fran mentions are sometimes used to emphasize 
that the writer is not saying always or never.


 There are plenty of topics in costume research where we can 
state a general trend, which may have rare exceptions.  Or the 
observation is different in another culture or a few decades 
earlier/later.


 It's a soft area of research in many ways, with new information 
found or new experiments attempted.  Some of the statements are a 
shorthand way of saying This is my own research/experience and 
others may find something different.  I would be very interested to 
hear about any examples in XYZ culture for the years __ to __.


 YMMV (Your Mileage May Vary) covers differences in body size, 
price ranges, etc.  As long as people don't get too much into obscure 
acronyms, or too use many assumptions so that their meaning is not 
clear.

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Re: [h-cost] semi-OT: waiting for books

2006-03-19 Thread LuAnn Mason

  - Original Message - 
  From: Lavolta Pressmailto:[EMAIL PROTECTED] 
  To: Historical Costumemailto:[EMAIL PROTECTED] 
  Sent: Sunday, March 19, 2006 2:21 PM
  Subject: Re: [h-cost] semi-OT: waiting for books



  If more women felt OK about saying what 
  they thought and doing what they wanted, maybe they'd stop trying to get 
  everyone else to conform and lead more productive lives themselves.

  **
  You're wrong--it's nothing whatsoever to do with someone's sex.  
Pontificating boors are pontificating boors regardless of whether they are male 
or female.

  LuAnn


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Re: [h-cost] semi-OT: waiting for books

2006-03-19 Thread Lavolta Press




 Tone is not apparent on a list like this one, so I think it's 
important to spell out one's opinions and offer citations.


You're talking about several different things here.

Some people spend way too much effort worrying about tone.  Rational 
dispute--giving a different opinion, and backing it up with facts and/or 
analysis--is sensible. It often leads to interesting discussions, sheds 
new light on many things, etc. Emotionally based dispute--complaining 
that you just don't like the way someone phrased something, or that you 
just don't like them personally, is not rational dispute. It does not 
offer any information, or shed any new light on whatever subject is at 
hand, or give any real reason why someone disagrees with something.


As for citations--Yes, they're a good thing, but an email list is not an 
academic article or dissertation. This is a recreational list. Not 
everyone has the time to write a detailed essay every time they want to 
discuss a topic, nor are their reference works always directly at hand.


I'd say if and when people can and want to offer citations, great. But I 
don't think you can reasonably obligate people to provide them all the 
time in this context.


 Statements
like those Fran mentions are sometimes used to emphasize that the writer 
is not saying always or never.


I don't think  statements like it's just my opinion etc., are a good 
way to convey that. There are many other, shorter, and more precise ways 
to do it.  For example:


By XXX date, most American families owned a sewing machine.

versus:

By XXX date, families had a sewing machine, at least that's my opinion, 
of course you may disagree.





 It's a soft area of research in many ways, with new information 
found or new experiments attempted. 


History is a soft enough science that some data will never be available, 
and what there is can be interpreted in many different and equally 
plausible ways. But this is a given.



 Some of the statements are a
shorthand way of saying This is my own research/experience and others 
may find something different.  I would be very interested to hear about 
any examples in XYZ culture for the years __ to __.


If someone makes a statement of opinion, who else's would it be but 
their own?  If they make a statement of fact, of course it's their own 
research, either from primary sources or from reading other people's 
research/secondary sources. And of course someone else may have found 
out some different facts or give a different opinion; maybe many people. 
 This is a given, and constantly saying so is meaningless. If you have 
a definite area you're not sure about, or you want to solicit 
information on a certain topic, it's more meaningful to say, for example:


I got this information from my research on the clothing of middle-class 
families in New York City, but it is not necessarily true for all areas 
and social classes. I'm also interested in working-class families in New 
England, has anyone done any research on them?


Rather than:

Of course this is just my research, someone else may have found out 
something different, there are always exceptions, I always say never say 
never.





 YMMV (Your Mileage May Vary) covers differences in body size, 
price ranges, etc.  As long as people don't get too much into obscure 
acronyms, or too use many assumptions so that their meaning is not clear.


I think it's better to define what's being qualified:

These corset instructions work best for large busts

rather than:

These corset instructions work great for me, YMMV.

Having said all that--I only write to spec if you pay me. And you 
couldn't possibly pay me enough to use any emoticon, or to say never 
say never or some of the other pat phrases I see.  I suppose I can't 
expect anyone else to write to my specs (as above). But I also have the 
right to say things the way I think is best.


Best,

Fran
Lavolta Press
http://www.lavoltapress.com
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Re: [h-cost] New Topic: drawstring necklines on chemises

2006-03-19 Thread Jennifer Geard
On Sun, 19 Mar 2006 13:28, Melody Watts wrote:
  When you say the 4 laces make stop points, do you
 mean there are 4 laces total involved or 4 ends,2
 tying ends for each  bows ?

I made mine with four laces -- front, back and two sides. The stop points are 
at the 'corners' where the laces meet.

However, Adele pointed out 
http://gallery.euroweb.hu/art/p/palma/vecchio/blonde.jpg, which frankly looks 
like a more plausible explanation. I'll quietly regret the 26,000 (!) 
messages from this list that I deleted -- mostly unread -- in a recent 
clean-up, and leave you to your regular discussions. wry grin - that's a few 
years' worth of failing to keep up

Cheers,
  Jennifer
-- 
Jennifer Geard
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Re: [h-cost] Re:Glove pic

2006-03-19 Thread Joannah Hansen
Whoops, sorry, my dumb... I missed somehow that you already have garment 
leather. I really shouldn't try to answer emails on my tea break.

Joannah

~*~ Practice random acts of kindness, and senseless acts of beauty. ~*~

 --- [EMAIL PROTECTED] wrote:

 That is exactly what I plan on using. I purchased some
 white vintage kid gloves and will tack on the wrist
 decoration with russet and olive ribbons. I currently
 have it in a garment weight leather, butit's
 coming off rather heavy looking and totally
 overpowering the delicacy of the kid and the silk
 ribbons. 

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