Re: [h-cost] What periods for these fabrics? (long)

2005-12-03 Thread Catherine Olanich Raymond
On Saturday 03 December 2005 1:56 am, Heather Rose Jones wrote:
[snip]
 It also strikes me that those descriptions don't rule out the
 possibility that the linen was used as a lining for the caftan or
 hanging dress respectively.  (I keep forgetting what the current
 standard English term is for the not-an-apron dress.)


You're right, they don't rule out that possibility.  Though Hagg's analysis of 
some of the finds suggest that at least some caftans were lined with silk--a 
detail I've always found hard to accept in light of the evidence that silk 
was rare enough to be used for trim.

I'm not sure there is a standard English term for the hanging dress.  Most 
SCA types now call it an apron dress, for want of a better term.  Some 
people borrow the modern Scandanavian terms hangerrock (sorry, I can't put 
in the proper diacritical marks) or traggerock.  


-- 
Cathy Raymond [EMAIL PROTECTED]

Physics is like sex; sure, it may give some practical 
results, but that's not why we do it.--Richard Feynman
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Re: [h-cost] What periods for these fabrics? (long)

2005-12-03 Thread Sue Clemenger
The terms I hear/see most often used for that item of clothing around here
are either apron gown or apron dress.  Apron gown more commonly.
Interesting, isn't it? how some words transfer into English (like
naalbinding), and others do not
--Maire, off to knit a shawl and listen to the radio, while the snow comes
down on the dark streets outside, and the cats sleep on the hearth rug.

- Original Message -
From: Catherine Olanich Raymond [EMAIL PROTECTED]
To: Historical Costume [EMAIL PROTECTED]
Sent: Saturday, December 03, 2005 3:13 PM
Subject: Re: [h-cost] What periods for these fabrics? (long)


 On Saturday 03 December 2005 1:56 am, Heather Rose Jones wrote:
 [snip]
  It also strikes me that those descriptions don't rule out the
  possibility that the linen was used as a lining for the caftan or
  hanging dress respectively.  (I keep forgetting what the current
  standard English term is for the not-an-apron dress.)


 You're right, they don't rule out that possibility.  Though Hagg's
analysis of
 some of the finds suggest that at least some caftans were lined with
silk--a
 detail I've always found hard to accept in light of the evidence that silk
 was rare enough to be used for trim.

 I'm not sure there is a standard English term for the hanging dress.
Most
 SCA types now call it an apron dress, for want of a better term.  Some
 people borrow the modern Scandanavian terms hangerrock (sorry, I can't
put
 in the proper diacritical marks) or traggerock.


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Re: [h-cost] What periods for these fabrics? (long)

2005-12-03 Thread Catherine Olanich Raymond
On Saturday 03 December 2005 8:21 pm, Sue Clemenger wrote:
 The terms I hear/see most often used for that item of clothing around here
 are either apron gown or apron dress.  Apron gown more commonly.

I never heard apron gown before, though it makes as much sense as anything 
else.


-- 
Cathy Raymond [EMAIL PROTECTED]

Physics is like sex; sure, it may give some practical 
results, but that's not why we do it.--Richard Feynman
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Re: [h-cost] What periods for these fabrics? (long)

2005-12-02 Thread Robin Netherton

On Fri, 2 Dec 2005, E House wrote:

 Well, a quick search hasn't found that reference I was thinking of yet
 (I'm still going to look more, since this is BUGGING me), but did find
 these references to dyeing linen--that doesn't indicate what that
 linen was then used FOR, but it's a definite part of the puzzle...

Yes, there are certainly plenty of references to linen dyeing and linen
garments in the 16th c. The Plictho would be another similar source; Drea
has been collecting these for ages (and I'm guessing you picked these up
from her site? let's give her credit for her great work in webbing all
this material). 

So it sounds like I can justify most of my linen hues for 16th c.; I don't
know if I can justify the deep intensity of the shades I have on hand, or
whether they're correct for clothing :-( There are 16th c. inventories and
other documentary references to dyed linen garments, but I'm not sure
about the colors mentioned -- I haven't done any real study of this
period.

Your Italian reference is the earliest I've seen for a recipe, which
supports what I said earlier about seeing some implications that dyed
linen was in greater use in Italy earlier than points north.

I once heard a scholar refer to legal restrictions on linen dyers in
medieval Germany (something like not being allowed to dump their dyebaths
in the local river), but I'd like to get a better citation before I take
on faith that this wasn't a misreading of a restriction that mentioned
both linen processors and dyers in the same ordinance, since both
procedures do nasty things to water supplies.

Clearly there's some dyed linen floating around in medieval Western Europe
-- e.g. there's a surviving garment with black linen lining, IIRC -- and I
want to make very sure no one thinks I'm saying there was no linen dyeing
done in this period. But I don't think it's safe to assume from that that
the linen was frequently dyed, and that dyed linen was typically used for
the visible layers of clothing, which is what my focus was in my
earlier post.

Some time ago on this list, someone talked at length about evidence that
linen in, hmm, 18th c America? -- I'd have to look it up -- being used
almost exclusively in white, blue (often striped), and brown, but rarely
or never in other colors, based on inventory evidence and surviving
garments. So I wonder whether the use of more variously colored linens was
something that went in and out over time, or came later to certain
geographical regions.

--Robin

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Re: [h-cost] What periods for these fabrics? (long)

2005-12-02 Thread E House
Yes!  That was from Drea's site.  By the way, I'm not saying that colored 
linen should be used for outer layers of outer garments (but I do, because I 
can look at a picture of fire and get over-heated) but rather that colored 
linen can be reasonably documented as a _part_ of an outer garment.


A few more notes, some of which rely on translations by Katherine Barich:

There's also at least one extant blue linen lining, Queen Margareta's dress 
if I remember aright. Yep, here it is:
Blue hip-length linen torso lining dated to early 15th century: Drottning 
Margaretas gyllen kjortel i Uppsala Domkyrka (The Golden Gown of Queen 
Margareta in Uppsala Cathedral). Geijer, Agners, Anne Marie Franzen, 
Margareta Nockert. Kungl. Vitterhets Historie och Antikvitets Akademien 1994 
(1st print 1985).

and also:
Black, waxed full linen lining of a Burgundian man's coat (mid 15thc), 
Textile Conservation. Flury-Lemberg, Mechthild. Schriften Der 
Abegg-Stiftung, Bern, 1988. pp. 156-157.


The 'Textiler Hausrat'  by Jutta Zander-Seidel has inventories that 
reference (colored?) linens used in garments (sorry, my notes on this one 
aren't clear enough for me to understand them). TH certainly includes a 
reference to a black linen lining in 16thC Nuremberg, and the book includes 
a ton of excellent fabric terminology stuff, such as: 'Gugler' is a term for 
a type of linen used in clothing that could be sold either unfinished or 
dyed.  A linen version of taffeta was available in 1582, as seen in a 1582 
inventory of a newcastle merchant: viii yards lennen taffety 12/.  Damasks 
and velvets intended to imitate more expensive fabrics were also made with 
linen, and therefore would have almost certainly been dyed. TH (or possibly 
'Das Nuernberger Kunstbuch,' below--unclear notes again) also has recipes 
for dyeing linen red, green, yellow, and brown.


'Das Nuernberger Kunstbuch,' 2nd half of 15th C, has another recipe for dyed 
linen, but I don't have a word for word translation of it--the key phrase at 
the end of the recipe is vnd du mach leines oder wulleins also verben 
which, not word for word, means this is how you dye linen or wool. The 
Vision of Piers Plowman, passus 1 (B-text, written c 1376), mentions linen 
clothing: 1.003: A lovely lady of leere in lynnen yclothed but of course 
there could be symbolic reasons for that one.   According to someone who's 
read them (not me) the Rules of the Order of St. John of Jerusalem specify a 
habit of black linen for Hospitaller nuns in Jerusalem in the 12thC.


From natural dyers in general: Linen takes tannin-based dyes well, but not 
ones that require another mordant.  So, colors achievable with tannin-based 
dyes, such as yellows, browns, and almost-blacks, would all be reasonable 
colors.



I once heard a scholar refer to legal restrictions on linen dyers in
medieval Germany (something like not being allowed to dump their dyebaths
in the local river), but I'd like to get a better citation before I take
on faith that this wasn't a misreading of a restriction that mentioned
both linen processors and dyers in the same ordinance, since both
procedures do nasty things to water supplies.


Textiler Hausrat would be a good place to check for this, if you can find a 
helpful translator.


-E House



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Re: [h-cost] What periods for these fabrics? (long)

2005-12-02 Thread Catherine Olanich Raymond
On Friday 02 December 2005 3:55 pm, Robin Netherton wrote:
[snip]
 Clearly there's some dyed linen floating around in medieval Western Europe
 -- e.g. there's a surviving garment with black linen lining, IIRC -- and I
 want to make very sure no one thinks I'm saying there was no linen dyeing
 done in this period. But I don't think it's safe to assume from that that
 the linen was frequently dyed, and that dyed linen was typically used for
 the visible layers of clothing, which is what my focus was in my
 earlier post.

I know of no examples of linen outerwear from the later Middle Ages.  However, 
in an essay published in Cloth and Clothing in Medieval Europe Inga Hagg 
published the results of a stratographic analysis of grave finds at Birka, 
which indicated that some of the linen fragments found did not come from a 
shift (i.e. underwear) but from a caftan or mantle--an outer garment.  In a 
different essay (of which I've read reports but do not have a copy) she has 
posited that some of the outerwear layer linen fragments belonged to the 
so-called apron dress.  To my knowledge, however, the Birka linen fragments 
have not been exposed to the sort of analysis that would enable a determination 
of whether they had been dyed or not. 

-- 
Cathy Raymond [EMAIL PROTECTED]

Physics is like sex; sure, it may give some practical 
results, but that's not why we do it.--Richard Feynman
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Re: [h-cost] What periods for these fabrics? (long)

2005-12-02 Thread RON CARNEGIE

Of course Linen is not as durable in an extant situation as is wool.


Ron Carnegie




I know of no examples of linen outerwear from the later Middle Ages. 
However, in an essay published in Cloth and Clothing in Medieval Europe 
Inga Hagg published the results of a stratographic analysis of grave finds 
at Birka, which indicated that some of the linen fragments found did not 
come from a shift (i.e. underwear) but from a caftan or mantle--an 
outer garment.  In a different essay (of which I've read reports but do 
not have a copy) she has posited that some of the outerwear layer linen 
fragments belonged to the so-called apron dress.  To my knowledge, 
however, the Birka linen fragments have not been exposed to the sort of 
analysis that would enable a determination of whether they had been dyed 
or not.


--
Cathy Raymond [EMAIL PROTECTED]

Physics is like sex; sure, it may give some practical
results, but that's not why we do it.--Richard Feynman
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Re: [h-cost] What periods for these fabrics? (long)

2005-12-02 Thread Heather Rose Jones


On Dec 2, 2005, at 9:40 PM, Catherine Olanich Raymond wrote:


On Friday 02 December 2005 3:55 pm, Robin Netherton wrote:
[snip]

Clearly there's some dyed linen floating around in medieval  
Western Europe
-- e.g. there's a surviving garment with black linen lining, IIRC  
-- and I
want to make very sure no one thinks I'm saying there was no linen  
dyeing
done in this period. But I don't think it's safe to assume from  
that that
the linen was frequently dyed, and that dyed linen was typically  
used for

the visible layers of clothing, which is what my focus was in my
earlier post.



I know of no examples of linen outerwear from the later Middle  
Ages.  However, in an essay published in Cloth and Clothing in  
Medieval Europe Inga Hagg published the results of a stratographic  
analysis of grave finds at Birka, which indicated that some of the  
linen fragments found did not come from a shift (i.e. underwear)  
but from a caftan or mantle--an outer garment.  In a different  
essay (of which I've read reports but do not have a copy) she has  
posited that some of the outerwear layer linen fragments belonged  
to the so-called apron dress.  To my knowledge, however, the  
Birka linen fragments have not been exposed to the sort of analysis  
that would enable a determination of whether they had been dyed or  
not.


It also strikes me that those descriptions don't rule out the  
possibility that the linen was used as a lining for the caftan or  
hanging dress respectively.  (I keep forgetting what the current  
standard English term is for the not-an-apron dress.)


Heather

--
Heather Rose Jones
[EMAIL PROTECTED]
http://www.heatherrosejones.com
LJ:hrj


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