RE: [Hornlist] Sex, Drugs, and Polka

2009-08-26 Thread carl
Blue Diamond is evidently the name of an organization with which I don't
want my music associated. So now I need a new title. 

Carl Bangs
 Fenwick Parva Press
 http://www.fenwickparva.com

    Original Message 
 Subject: [Hornlist] Sex, Drugs, and Polka
 From: c...@fenwickparva.com
 Date: Wed, August 26, 2009 3:03 am
 To: horn@music.memphis.edu
 Cc: h...@yahoogroups.com
 
 
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Re: [Hornlist] Riedl

2009-08-26 Thread Greg Campbell

Robert Osmun wrote:
 > Is it possible that you have Stuart confused with Keith Berg?


Bob Osmun



According to Stuart's own web site, he studied horn making with Dan 
Rauch and Rick Seraphinoff.


http://www.deharohorns.com/about_me.htm

Keith Berg studied with Rauch too.

http://www.berghorns.com/keith.htm

Greg

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RE: [Hornlist] Using a Mirror

2009-08-26 Thread Jeremy Cucco
Donald - 
As someone who went through some brutal embouchure issues over the past 2
and a half years (focal dystonia), I can tell you that using the mirror did
help me.  I did have many people advise the use of a mirror, but no one
advised me to use it for the purposes of matching another person's
embouchure.  The primary reasons were to make sure:
1 - That my corners were working correctly (not too tight, not too loose,
not moving all over the place) 
2 - That my chin was working correctly (staying put for the most part with
the obvious exceptions of significant range changes)
3 - That the overall placement was in the ball park.  

I've definitely found that I can make my embouchure look identical 3 times
in a row in the mirror but all 3 times it feels dramatically different (both
vertical and horizontal placement, pressure, corners, etc.)  The mirror
doesn't solve these issues, it only gives visual feedback to make sure that
you're on the right track.

I will tell you one giant piece of the puzzle that helped for me.  A LOT of
people advised me to either place the mouthpiece as high on the top lip as
possible or showed me places to put it that were simply too high.  In the
mouthpiece visualizer and in the mirror, it looked "correct."  However,
ultimately, it was way too high.  I found getting the mouthpiece lower (at
the advice of Marty Hackleman) made all of my problems nearly disappear!  I
still keep my upper lip out of the red, but now much more bottom lip is
engaged.  In the mouthpiece visualizer, I still get a majority of top lip.
Is it 2/3-1/3?  Maybe, maybe not.  It's close.  But a combination of extreme
relaxation techniques (in my case, hypnosis and acupuncture), proper
placement and extreme patience are ultimately what did the job.  The mirror
was just one of the tools to keep me on track.

I hope this helps.
Cheers- 
Jeremy

-Original Message-
From: Donald Huang [mailto:don@gmail.com] 
Sent: Wednesday, August 26, 2009 5:59 PM
To: horn@music.memphis.edu
Subject: [Hornlist] Using a Mirror

Hello all,
Over the past two years, I've been plagued with some embouchure issues and
I've read and heard a lot of different view points on lip placement and
everything. I'm not asking for any suggestions right now, but I was
wondering about one thing that somebody told me. Out of all of the
suggestions I've gotten, the most unhelpful was simply to "look in the
mirror and fix what's wrong" and to try to copy the embouchures of Stefan
Dohr and the Berlin Phil's horns. Now I've used the mirror before just to
try to keep the top of the mouthpiece out of the red of my lip and to try to
center the mouthpiece, but I don't think that's what the well-wishing
suggester meant. Also, I don't see how anybody can copy anything more than
mouthpiece placement and possibly which muscles to use from seeing some
clips on YouTube. Has anybody here actually benefited from this kind of
advice?

Donald Huang
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[Hornlist] Using a Mirror

2009-08-26 Thread Donald Huang
Hello all,
Over the past two years, I've been plagued with some embouchure issues and
I've read and heard a lot of different view points on lip placement and
everything. I'm not asking for any suggestions right now, but I was
wondering about one thing that somebody told me. Out of all of the
suggestions I've gotten, the most unhelpful was simply to "look in the
mirror and fix what's wrong" and to try to copy the embouchures of Stefan
Dohr and the Berlin Phil's horns. Now I've used the mirror before just to
try to keep the top of the mouthpiece out of the red of my lip and to try to
center the mouthpiece, but I don't think that's what the well-wishing
suggester meant. Also, I don't see how anybody can copy anything more than
mouthpiece placement and possibly which muscles to use from seeing some
clips on YouTube. Has anybody here actually benefited from this kind of
advice?

Donald Huang
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Re: [Hornlist] Le Chasseur Maudit

2009-08-26 Thread Ralph Hall

Hi Rick,

There are two good US recordings; the immortal Charles Munch with the  
Boston on RCA (I cannot give you the number as my copy is Japanese &  
bought in Germany); more recently, Muti and the Philadelphia on EMI  
Classics Red Line 7243 5 73235 2 9 - how about that for an  
incomprehensible number? And my favourite, on Supraphon 11 0613 -  
2011, The Czech Phil under Jean Fournet.


The problem in this piece is an acoustic one. Its OK for 1st & 3rd but  
2nd and particularly 4th have answering phrases at a lower pitch,  
below the stave, which must sound as loud. See Farkas on how to  
develop the sound in the nether regions!


Ralph R. Hall (brasshausmusic.com)

On 25 Aug 2009, at 20:38, bspence2 wrote:

The Oklahoma Community Orchestra is performing Le Chasseur Maudit on  
our October concert. Anyone have experience with this piece? Advise,  
suggestions, hints?


Who has a good recording out?

Rick Spence
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Re: [Hornlist] Riedl

2009-08-26 Thread Robert Osmun

Hi Greg,

Is it possible that you have Stuart confused with Keith Berg?

Bob Osmun

Greg Campbell wrote:

Eric Egle wrote:

Mr. Osmun,

After I provided the serial number of my horn I was told by it's
maker, Dan Rauch, that the ring was made by Riedl of Germany.  That's
all know!  I'm awaiting a response from Mr. Rauch on possible contact
information for Riedl, but in the meantime I thought I'd try the
list.


You might try to contact Stuart de Haro. He apprenticed with Rauch, 
but I don't know if that means he has any more knowledge of the maker 
of this ring than anyone else. http://www.deharohorns.com/


He might be able to copy the ring, though I imagine it would require 
taking it off the bell. It might be easier just to replace it with a 
more "standard" ring if you are interested in experimenting with bell 
flares.


Greg

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[Hornlist] Horn Choir Pieces

2009-08-26 Thread William VerMeulen
Hi Travis - I have better part of 100 horn fabulous octets available  
on my website:


http://www.vermeulenmusic.com/index.html

Go to the sales section and have fun.

They are the amazing arrangements of Dick Meyer and there are a bunch  
of them that would be perfect for the ensemble you describe. They are  
written to sound even more impressive than their difficulty level.  
Lots of holiday tunes as well.


Enjoy. The PayPal shopping cart is easy to manage as well.

All the best,

Bill

William VerMeulen
International Soloist and Recording Artist
Professor of Horn - Rice University Shepherd School of Music
Principal Horn  - Houston Symphony
President - VerMeulen Music, L.L.C.

5327 Dora St.
Houston, TX 77005-1817

(713) 520-7234
(713) 818-4459 Cellular
vermeu...@rice.edu

Check out vermeulenmusic.com for great products and services for horn  
players!




--

message: 3
date: Wed, 26 Aug 2009 12:26:08 -0400
from: Travis Bennett 
subject: [Hornlist] Horn choir pieces?

Dear Listers,

I was greatly surprised to find that I have 18 eager students in my  
Horn Ch=
oir this year!  Only 11 of them are music majors, so there is a wide  
range =
of abilities in the group.  I'd love to get some recommendations for  
pieces=
that might work well, with some doubling of parts while not getting  
too mu=

ddy - and nothing too terribly difficult.  Any ideas?

Thanks for your help!
Travis

Dr. Travis Bennett
Assistant Professor of Horn
Western Carolina University
Cullowhee, NC  28723
(828) 227-3957
tbenn...@email.wcu.edu
http://bennettstenets.blogspot.com
http://paws.wcu.edu/tbennett
http://www.smbq.com




--

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End of Horn Digest, Vol 80, Issue 27




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Re: [Hornlist] Semi-HR

2009-08-26 Thread lewhorn9
Probably the Principal horn, John...

Walt
Sent from my Verizon Wireless BlackBerry

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Re: [Hornlist] Riedl

2009-08-26 Thread Greg Campbell

Eric Egle wrote:

Mr. Osmun,

After I provided the serial number of my horn I was told by it's
maker, Dan Rauch, that the ring was made by Riedl of Germany.  That's
all know!  I'm awaiting a response from Mr. Rauch on possible contact
information for Riedl, but in the meantime I thought I'd try the
list.


You might try to contact Stuart de Haro. He apprenticed with Rauch, but 
I don't know if that means he has any more knowledge of the maker of 
this ring than anyone else. http://www.deharohorns.com/


He might be able to copy the ring, though I imagine it would require 
taking it off the bell. It might be easier just to replace it with a 
more "standard" ring if you are interested in experimenting with bell 
flares.


Greg

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[Hornlist] Horn choir pieces?

2009-08-26 Thread Travis Bennett
Dear Listers,

I was greatly surprised to find that I have 18 eager students in my Horn Choir 
this year!  Only 11 of them are music majors, so there is a wide range of 
abilities in the group.  I'd love to get some recommendations for pieces that 
might work well, with some doubling of parts while not getting too muddy - and 
nothing too terribly difficult.  Any ideas?

Thanks for your help!
Travis

Dr. Travis Bennett
Assistant Professor of Horn
Western Carolina University
Cullowhee, NC  28723
(828) 227-3957
tbenn...@email.wcu.edu
http://bennettstenets.blogspot.com
http://paws.wcu.edu/tbennett
http://www.smbq.com


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[Hornlist] Le Chasseur Maudit

2009-08-26 Thread Sean Kirkpatrick

Gotta love YouTube!

http://www.youtube.com/watch?v=sPlmh8joOOw

   Sean
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Re: [Hornlist] Semi-HR

2009-08-26 Thread John Baumgart


So which band member was shooting at him? 



John Baumgart 


- Original Message - 
From: "William.S.Gross"  
To: "The Horn List"  
Sent: Wednesday, August 26, 2009 9:48:58 AM GMT -06:00 US/Canada Central 
Subject: [Hornlist] Semi-HR 

On this day in 1917, Arturo Toscanini, 53, conducts an Italian army   
band under fire to celebrate the capture of Monte Santo on the   
Bainsizza Plateau. 

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Re: [Hornlist] Semi-HR

2009-08-26 Thread Anne Megenity

Gotta love those Italians!  I  may be a wee bit prejudiced here  : )


- Original Message - 
From: "William.S.Gross" 

To: "The Horn List" 
Sent: Wednesday, August 26, 2009 10:48 AM
Subject: [Hornlist] Semi-HR


On this day in 1917, Arturo Toscanini, 53, conducts an Italian army  band 
under fire to celebrate the capture of Monte Santo on the  Bainsizza 
Plateau.


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[Hornlist] Semi-HR

2009-08-26 Thread William.S.Gross
On this day in 1917, Arturo Toscanini, 53, conducts an Italian army  
band under fire to celebrate the capture of Monte Santo on the  
Bainsizza Plateau.


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RE: [Hornlist] Sex, Drugs, and Polka

2009-08-26 Thread Bill Gross
Boy talk about a bad time to get a blank message.  Just look at that subject
line.  At least it's not from Prof. Pizka at this time.  

-Original Message-
From: horn-bounces+bgross=airmail@music.memphis.edu
[mailto:horn-bounces+bgross=airmail@music.memphis.edu] On Behalf Of
c...@fenwickparva.com
Sent: Wednesday, August 26, 2009 5:04 AM
To: horn@music.memphis.edu
Cc: h...@yahoogroups.com
Subject: [Hornlist] Sex, Drugs, and Polka
Importance: High


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