Re: [lace] Looking for patterns of Bobbinlacer

2004-02-01 Thread Jean Barrett
Good morning Sherry,
There is a pattern for a bobbin lace maker in the book Nyplatkaamme, 
Let's make bobbin Lace by Eeva-Liisa Kortelahti. It was published in 
1988, ISBN 951-99922-3-5. I am not sure if it is still available but 
shoulf be in the IOLI library if nowhere else. It is worked in linen 
thread and I have seen it reduced in size  and worked finer. It is 
quite straight forward to work and I think very pretty.
Jean in Cleveland U.K.
On 31 Jan 2004, at 16:34, Celtic Dream Weaver wrote:

  I was just looking at some pictures of lace displays on some website 
which right now...I don't know what the website was but I saw a lace 
picture of a bobbinlacer. Does anybody out there know where I can find 
patterns of bobbinlacers done in bobbinlace. I would love to make 
something like that. Thanks for whatever info you can give to me in 
advance.
Sherry
[EMAIL PROTECTED]
where the snow keeps piling and piling ontop of old snow...in New 
York, USA

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[lace] printing designs

2004-02-01 Thread Jean Barrett
Good morning All,
 Is there anyone out there who can help me? reply privately of course.
I am using an iMac machine, scanning prickings to prepare pattern 
sheets. If I print out direct from PhotoShop I get a clear image. If I 
put the scan into Word I get a clear image, but it is very awkward to 
add text and other images in that format. If I drop the scan into 
Appleworks it is easy to add text and move things around but the 
resulting printout is hopeless. The text is OK but the pattern is sort 
of pixillated and completely useless as far as publishing goes. Any 
ideas gratefully received before this Mac goes through the window.
Jean in Cleveland U.K.
[EMAIL PROTECTED]

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Re: [lace] Looking for patterns of Bobbinlacer

2004-02-01 Thread Carol Adkinson
Hi All,

Just to mention - the Lacemakers' Circle sells a pricking of a lacemaker at
work.  It is a Honiton pattern, but I am sure it could be enlarged so that
lacemakers can see what they are doing!   It is designed by Carol Lee, a
previous Chairman of the Circle, and if anyone wants a copy, I can tell you
where to get it!

Carol - in a milder and sunnier Suffolk (UK)

Subject: Re: [lace] Looking for patterns of Bobbinlacer

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[lace] lace display room, Ratti Center

2004-02-01 Thread Alice Howell
At 05:59 AM 1/31/2004, you wrote:
 Ratti Center is ...still providing the access to our
computer data base of 36.000 textiles, 5,000 of them laces, ...
I wonder, if we emptied the Metropolitan Museum of Art of all those other
things, ., if it would even be 
possible to
display it all in this, the largest museum in our hemisphere.


This made me think about the lace exhibit I had last year.  I filled a 
school classroom-sized room -- walls, displays, tables, etc-- with a 
bit  under 200 pieces.
The space 5000 pieces would need would be enormous.  I also can appreciate 
the time needed just to set up the displays.  I worked steadily for 3 
months to get my exhibit panels prepared for hanging.  5000 pieces -- 
wow!  But I wish I were close enough to see at least some of them.  Anyone 
in the area please make a point to view some so they will know people are 
interested.  Take a look for me while you're there, please.

Happy lacing,
Alice in Oregon -- still raining, and flooding in some area.
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Re: [lace] Communism good for lace? long

2004-02-01 Thread dora.northern
Hallo All.

In 1980 Elena Holeczyova came to England and having seen only one or two
laces of hers, I was eager to meet her and offered to translate from German
into English. We stayed with Margaret Hamer. The big day came when all the
crates were unpacked in the presence of the Authorities.
Out came one large piece of lace after another. Perhaps some of you can
remember the exhibition. Not everybody liked her laces.
I mentioned that I was going to Prague and she invited me to visit her in
Bratislava. How could I refuse ?

In Prague, the museum showed me some lovely pieces of lace, dresses, coats
and shoes. but not one piece of Elena's And then someone took me to the
College of Art in order to meet Marie Vankova. And she could speak English.
So we had a lot to talk about. From here I was send to a school in order to
buy lace pieces because I
complaint that I could not see any laces in the shops.

From Prague I went to Bad Lauterbrunnen /Switzerland on a lace course. And
on the back home I made a d-tour to Bratislava. Only 2 on the map, I
informed my husband.
So different, Elena's laces were  mainly coloured  and in Prague mostly
white.

One day we were taken into the country to visit one of the lacemakers, who
worked for her. There was a lace roll, I swear about 2 metres long. and
massive bobbins, but not as used for Beds. or Bucks lace.No ,big ones to
hold lots of thread. I had a go but found going from side to side tiring.
She was one of about 8o lacemakers working for Elena, who was employed by
the Staat and had to overlook that the laces are being delivered on time. I
asked if I could buy some of their threads or even a piece of lace, but was
told that the thread, when it is delivered is weighed, so were the finished
laces and left-over threads. If there was a shortcoming, the lacemaker had
to pay. Elena  had many pieces of her lace showing in Government places and
museums.

Another exciting day we had was going to the filmstudio. No .. nothing like
Elstree. Just a large room in a flat at the back of a house. Here they were
making a Video. When the money ran out to pay  the Lacemakers, some pieces
of lace were used to finish the picture and it worked. I was allowed to
watch. AND I HAVE THE VIDEO. And some of her lovely laces. laces.
I went once more with the head of the School in Nordhalben. Alas she was too
ill and we stayed just a short time. She died in January 1983.

I hope you found it interesting, but  apologise for it being so long.

Dora the Knotter UK

http://homepage.ntlworld.com/dora.northern

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[lace] photography

2004-02-01 Thread Needlelace
When purchasing a camera, also consider the possibility of publishing your 
pictures in a lace publication. As an example, the I.O.L.I. Bulletin (While I do 
not know, I would not think it would be that different from LACE or any other 
lace publication.) requires photos to be at least 300 ppi (pixels per inch).  
Which requires a digital camera with higher megapix and set to take less 
photos per photo card or CF card or stix or whatever your particular camera 
uses. As a point of reference: A Canon 2.1 megapix Elf set at the highest 
setting will allow a 3x5 photo to be published. A Nikon 5700  5 megapix camera set 
to the 2nd highest setting will allow an 8 x 6 photo to be published. Of 
course any cropping will influence the ppi. (If a 3 x5 size 300 ppi picture is 
cropped and published at the 3x5 size, the ppi will be too low for a clear 
published photo.) A camera with higher ppi allows for greater flexibility in photo 
usage.
(One way to check your ppi is to go into your Photoshop program and click 
image size, then change the ppi to 300 and note the size of the picture.)

I have really found it almost impossible to take high detailed digital 
pictures of lace without a tripod. 
I have read the threads, so without repeating their advice, I also:
Use a tripod with an arm which allows me to position my camera directly over 
the lace for a shot without distortion. 
For those times when a vertical shot is not possible, position my Ott light 
in such a way that the 2, 1/4 inch, white, foam poster boards (which I scored 
and folded in half like a card) are positioned around the lace to off set any 
shadows or uneven lighting.

Debra Jenny (I.O.L.I. Bulletin editor)
Green Bay, Wisconsin
25F and cloudy

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[lace] lacemaker pattern

2004-02-01 Thread Lorelei Halley
There is a pattern for a bobbin lacemaker in Annelie van Olffen-Spikerman's
GUIPURE KLOSKANT.  It is part of a larger composition.
Lorelei

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[lace] Prague

2004-02-01 Thread Janice Blair
Hi Dora,
I enjoyed reading about your trip to Prague.  I know it was a long time ago now, but 
if you could give me advice about which museums to visit I would appreciate it.  I am 
going to Prague for a few days towards the end of June with my husband who has a 
meeting there.  I will probably have one day on my own for my lace fix, might be a 
Monday, but I will not have transport as we are travelling by train to Vienna after 
his meeting.  Unfortunately it is before the OIDFA meeting which I would have liked to 
go to.
Janice Blair

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Re: [lace] Communism good for lace? long

2004-02-01 Thread Clay Blackwell
Thank you, Dora, for sharing your experience with us.  I
think it speaks volumes about the conditions for lacemakers
in a communist environment.  It may have been better than
starvation... but only just that...

Clay

- Original Message - 
From: dora.northern [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; [EMAIL PROTECTED]
Sent: Sunday, February 01, 2004 2:05 PM
Subject: Re: [lace] Communism good for lace? long


 Hallo All.

 In 1980 Elena Holeczyova came to England and having seen
only one or two
 laces of hers, I was eager to meet her and offered to
translate from German
 into English. We stayed with Margaret Hamer. The big day
came when all the
 crates were unpacked in the presence of the Authorities.
 Out came one large piece of lace after another. Perhaps
some of you can
 remember the exhibition. Not everybody liked her laces.
 I mentioned that I was going to Prague and she invited me
to visit her in
 Bratislava. How could I refuse ?

 In Prague, the museum showed me some lovely pieces of
lace, dresses, coats
 and shoes. but not one piece of Elena's And then someone
took me to the
 College of Art in order to meet Marie Vankova. And she
could speak English.
 So we had a lot to talk about. From here I was send to a
school in order to
 buy lace pieces because I
 complaint that I could not see any laces in the shops.

 From Prague I went to Bad Lauterbrunnen /Switzerland on a
lace course. And
 on the back home I made a d-tour to Bratislava. Only 2 on
the map, I
 informed my husband.
 So different, Elena's laces were  mainly coloured  and in
Prague mostly
 white.

 One day we were taken into the country to visit one of the
lacemakers, who
 worked for her. There was a lace roll, I swear about 2
metres long. and
 massive bobbins, but not as used for Beds. or Bucks
lace.No ,big ones to
 hold lots of thread. I had a go but found going from side
to side tiring.
 She was one of about 8o lacemakers working for Elena, who
was employed by
 the Staat and had to overlook that the laces are being
delivered on time. I
 asked if I could buy some of their threads or even a piece
of lace, but was
 told that the thread, when it is delivered is weighed, so
were the finished
 laces and left-over threads. If there was a shortcoming,
the lacemaker had
 to pay. Elena  had many pieces of her lace showing in
Government places and
 museums.

 Another exciting day we had was going to the filmstudio.
No .. nothing like
 Elstree. Just a large room in a flat at the back of a
house. Here they were
 making a Video. When the money ran out to pay  the
Lacemakers, some pieces
 of lace were used to finish the picture and it worked. I
was allowed to
 watch. AND I HAVE THE VIDEO. And some of her lovely laces.
laces.
 I went once more with the head of the School in
Nordhalben. Alas she was too
 ill and we stayed just a short time. She died in January
1983.

 I hope you found it interesting, but  apologise for it
being so long.

 Dora the Knotter UK

 http://homepage.ntlworld.com/dora.northern

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[lace] Lace Quarterly raffle query

2004-02-01 Thread Bev Walker
Hi everyone and the person doing the raffle for the single copy of Lace
crafts Quarterly - could you please e-mail me -
..I have a spare issue as well - if it isn't the
same as the one on raffle, and if it is in sequence, it could go to the
winner as well. I remember that the draw is on Valentine's Day.
If it's the same issue I'll do a draw for it later.
-- 
bye for now
Bev, still unearthing treasures, in Sooke, BC (west coast of Canada)

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[lace] Re: Communism good for lace?

2004-02-01 Thread Tamara P. Duvall
On Feb 1, 2004, at 18:39, Clay Blackwell wrote:

Thank you, Dora, for sharing your experience with us.  I
think it speaks volumes about the conditions for lacemakers
in a communist environment.  It may have been better than
starvation... but only just that...
Clay, you confirm my life-long belief that missionary work is a waste 
of time and money... :) We all see what we *want* to see, and will 
continue to do so, no matter how many spin doctors (of whatever 
persuasion) talk themselves blue in the face to convince us 
otherwise.

The practice of weighing the thread against the lace output goes back 
to the very beginning of lacemaking; it's not something the evil reds 
invented. The reason communist countries stuck with it past the 
dinosaur stage is that we were *poor*. We were poor as individual 
nations, and poor as a pack. And one of the reasons we were poor is 
that we were being squeezed, via economic sanctions, by other 
countries -- toe the line *or else* is *still* the political 
mainframe.

After retirement, my mother did outwork at home; she hemmed silk 
scarves for a Jewish-supported firm. She got so many scarves, with so 
many spools of thread, and both were counted on delivery. Even though 
the *silk* was imported through the firm, the *thread* was bought 
within Poland. And the thread was in short supply (as was everything 
else, except hot hair from the offficials).

To an extent, *it's no different* than your buying a *kit* (cross 
stittch, needlepoint, etc) -- the amount of thread included doesn't 
allow much room for mistakes. If you make more than one, you're on your 
own; you have to buy the extra thread. Which is OK if you're an amateur 
-- you can afford to buy a kit, you can afford to buy the replacement 
threads, and the free market structre makes sure that you *can* (buy 
the replacement thereads) -- which we couldn't, most of the time 
(buying *toilet paper* was a major achievement, usually left to the -- 
male -- hunter/gatherers)

OTOH...

The lacemaking drones may have had to account for every gram of 
thread given to them but, in return, they're likely to have had (I'm 
assuming Poland and Czechoslovakia didn't differ *all that much*, 
judging by the films I'd seen): almost free housing/utilities (to be 
sure, we were piled on top of one another. We don't even have privacy 
in our vocabulary). Free schooling *through* the PhD level (if your 
brain was up to it). Free medical service (and our doctors may not have 
had access to the latest technical wrinkles -- that's how/why I lost 
my own Mother -- but, as *diagnosticians* they were way above the 
American doctors; I had a serious problem, I saved it until I was in 
Poland). *No* un-employment was in the creed, so you had *4* 
aggressively-offensive clerks painting their nails on company time 
and totally unacquainted with the term service instead of one, but 
the rules of flying under the lines, which I'd learnt in communist 
Poland, apply -- in equal measure -- to the  current US conditions. 
Except that, in US, the flow through the cracks margin of people left 
beyond the safety net is much wider than it had been in Poland of my 
childhood/teens.

Additionally, Elena Holyeczova *herself*, as a *designer* and an 
*artist* would have had a totally different status (and pay), even if 
all she ever designed was *lace*.

Barely above starvation level is Clay's summing up of the situation. 
Yes, but 97% of us were in the same stew pot; keeping up with the 
Jones's was never an issue g. The remaining 3% who were above, were 
free game and they knew it. And we didn't have *any* who were *below* 
the starvation level -- because the system couldn't stomach the 
possibility, it made sure to take care of everyone, at least to the 
point of the roof over one's head, and bread/soup enough to survive. 
The first time, *ever* I saw (in Poland) people (mostly old ones, 
though some children, also) sleep in the streets and dig through the 
trashcans for food (*and* fight over the territory -- better pickings 
in heavily-touristed areas) was in '99 -- some years after the system 
upgrade...

Americans tend to think in black (commies) and white (US)... Most of 
the world is painted in many shades of *grey* :)

Off my soapbox, and back to lace problems in still freezing VA
-
Tamara P Duvall
Lexington, Virginia,  USA
Formerly of Warsaw, Poland
http://lorien.emufarm.org/~tpd/
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[lace-chat] Afterlife

2004-02-01 Thread Clay Blackwell
This one is too cute not to share...  apologies to S.S., who
sent it to me (and reads the list...)

~

A couple made a deal that whoever died first would come back
and inform the
other of the afterlife.
 Their biggest fear was that there was no afterlife.

 After a long life, the husband was the first to go, and
true to his word,
he made contact, Mary . .. Mary . ...

 Is that you, Fred?

 Yes, I've come back like we agreed.

 What's it like?

 Well, I get up in the morning, I have sex. I have
breakfast, off to the
golf course, I have sex. I bathe in the sun, then I have sex
twice. I have
lunch, another romp around the golf course, then sex pretty
much all
afternoon. After supper, golf course again. Then have sex
until late at
night. The next day it starts again.

 Oh, Fred you surely must be in heaven.

 Not exactly, I'm a rabbit on a golf course in Arizona.
Clay Blackwell
Lynchburg, VA

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[lace-chat] special bobbins

2004-02-01 Thread Wildgun004smate
Does anyone know if there is somewhere to order special order bobbins.  Just 
a pair.  My oldest child (a son) died, it will be two years in May, and I 
thought I'd like something special with his name or something.  I miss him 
terriblyhe was 27.

Lynn
[EMAIL PROTECTED]
Clarksburg, West Virginia

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