Re: How to stop Lily spreading systems over 2 pages?

2009-07-30 Thread Richard Sabey

Just to update you on the problem I'd reported earlier, regarding trying to get 
Lilypond to lay a song out on 3 pages, I found a workaround:

In the Lilypond source where this song failed to lay out on 3 pages, that 
song's staff size (16) was smaller than that of the other songs in the cycle. 
Therefore I'd used

#(layout-set-staff-size 16)

in a \layout block of the \score block for that song, together with

\override StaffSymbol #'staff-space = #0.8

for each stave in that song. This produced staves and symbols of the correct 
size (16), though the song failed to fit into 3 pages.

I tried a second method: I separated that song and the title page into a 
separate document. I was therefore able to set the staff size globally, using 

#(set-global-staff-size 16)

in a \paper block at top level. Lilypond then successfully laid the song out on 
3 pages.

It seems to me that the former method resizes the symbols and the stave line 
spacing, but not certain parameters that influence the spacing between symbols.


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Re: Help needed in implementing patches

2009-07-30 Thread grisu_76



Reinhold Kainhofer wrote:
 
 -BEGIN PGP SIGNED MESSAGE-
 Hash: SHA1
 
 Am Mittwoch, 29. Juli 2009 21:08:15 schrieb grisu_76:
 Dear Members,

 could someone give me a brief introduction (or where to look it up) how
 to
 implement patches such as:

 page-layout-problem.cc -- space systems nicely on a page. If systems can
 be stretched, do that too.

 That's a patch written by Joe Neeman, taken from his git-branch;
 
 Are you on windows or on Linux?
 
 I'm running Windows XP... 
 
 Basically, you'll have to checkout the dev/jneeman branch from git, and
 then 
 compile all of lilypond yourself. 
 I don't know how long it will take until a version is released that
 containing 
 Joe's development, but if it's not urgent, I would advise you to wait for 
 such a version.
 
 If you are adventurous (and have enough time at your hands), you can 
 follow the instructions:
 - -) Working with git (downloading the source code and checking out the 
 dev/jneeman branch), described in our Contributor's guide (CG): 
 http://kainhofer.com/~lilypond/Documentation/contributor/Starting-with-git.html
 
 - -) Compiling LilyPond, currently described in the Application Usage
 (AU):
 http://kainhofer.com/~lilypond/Documentation/application/Compiling-from-source.html
 
 
 Thanks for the hints, I'll try to get along; 
 
 
 
 If you have any comments / suggestions / problems with these instructions,
 I'm 
 sure Graham Percival (our grumpy build/release/documentation master) will
 be happy to get feedback on the lilypond-devel list. Just don't be
 frustrated if his response is not too
 sensitive...
 
 Cheers,
 Reinhold
 
 - -- 
 - --
 Reinhold Kainhofer, reinh...@kainhofer.com, http://reinhold.kainhofer.com/
  * Financial  Actuarial Math., Vienna Univ. of Technology, Austria
  * http://www.fam.tuwien.ac.at/, DVR: 0005886
  * LilyPond, Music typesetting, http://www.lilypond.org
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Re: How to stop Lily spreading systems over 2 pages?

2009-07-30 Thread Francisco Vila
2009/7/30 Richard Sabey richardsa...@hotmail.co.uk:
 I tried a second method: I separated that song and the title page into a
 separate document. I was therefore able to set the staff size globally,
 using

 #(set-global-staff-size 16)

 in a \paper block at top level. Lilypond then successfully laid the song out
 on 3 pages.

Just to be precise, that command could be at top level itself, outside
of the paper block.

-- 
Francisco Vila. Badajoz (Spain)
www.paconet.org
www.csmbadajoz.com


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Re: Best name for function to create cross-style noteheads

2009-07-30 Thread Trevor Daniels


Carl Sorensen wrote Friday, July 24, 2009 2:07 PM

On 7/24/09 6:16 AM, Trevor Daniels t.dani...@treda.co.uk 
wrote:


The structure of the Notation Reference is designed
to accommodate documenting this.  The specialist
sections in NR 2 would contain an indexed description
of all the uses of crossed note heads.  For example,
under Common notation for wind instruments would
appear key-slap and sub-tone, with a pointer to the
description of crossed note heads, which is already
described in NR 1.1.4 Note heads (#'style=#'cross).
Other uses of crossed note heads should be documented
similarly in the appropriate specialist sections.


Recognizing that we may want to change noteheads to
various styles, and that we may want to mix styles in a chord, it
might be a good idea to define a function \changeNoteHead that 
accepts
a style parameter, and then define \xHead as \changeNoteHead 
#'cross.


I'm confused or missing something.  What's wrong
with

xHeadOn  = \override NoteHead #'style = #'cross
xHeadOff = \override NoteHead #'style = #'()

which works now?

I haven't tried this, and there may be some problems in making it 
work in a

chord, but I think it's worth a try.


This works

e \tweak #'style #'cross a c

but I don't know a way to invoke it with a
\xHead shortcut.


Carl


Trevor




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Re: Best name for function to create cross-style noteheads

2009-07-30 Thread Trevor Daniels


Carl Sorensen wrote Tuesday, July 21, 2009 10:13 PM


On 7/21/09 3:00 PM, Trevor Daniels t.dani...@treda.co.uk 
wrote:


Given the wide variation in the use of the
x-shaped note head I think the only possible
name to use is one that reflects the shape of
the note head - crossNote, crossNoteHead or
similar - rather than trying to find a suitable
generic name which adequately covers all these
disparate uses.


So, if we follow this advice (which I think is good), I'd propose 
the

following:

\crossHeadsOn : turns on cross noteheads for all notes
\crossHeadsOff : reverts cross noteheads for all notes
\crossHead : makes the notes in the music expression following the
occurrence have cross heads.

If we define those functions, they'll be generic, and apply to 
music of

whatever sort.

If necessary, syntactic sugar could be used to define (for the 
convenience

of tablature users)

\deadNotesOn -- set equal to \crossHeadsOn
\deadNotesOff -- set equal to \crossHeadsOff
\deadNote -- set equal to \crossHead

How does this seem?


Seems fine.  I have a slight preference for the
later suggestion of \xHeadsOn etc, just because
they are shorter.


Carl


Trevor





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Re: Best name for function to create cross-style noteheads

2009-07-30 Thread Graham Percival
On Thu, Jul 30, 2009 at 11:18:42AM +0100, Trevor Daniels wrote:

 Carl Sorensen wrote Tuesday, July 21, 2009 10:13 PM

 On 7/21/09 3:00 PM, Trevor Daniels t.dani...@treda.co.uk wrote:

 So, if we follow this advice (which I think is good), I'd propose the
 following:

 \crossHeadsOn : turns on cross noteheads for all notes
 \crossHeadsOff : reverts cross noteheads for all notes
 \crossHead : makes the notes in the music expression following the
 occurrence have cross heads.


 Seems fine.  I have a slight preference for the
 later suggestion of \xHeadsOn etc, just because
 they are shorter.

I'd rather go for \crossHeadsOn, since it's less ambiguous.  I
mean, yes, a cross is an X shape, but it still doesn't feel as
clear as \cross.


One caution I'll throw in: the name may well change during GLISS
(Grand Lilypond Input Syntax Standardization).  In particular, one
discussion we'll have is whether we should standardize on
  \notationElementModificationOn
or
  \modificationNotationElementOn

That said, we're not going to have this discussion right now, so
there's basically a 50% chance that whatever you pick, it'll be
changed next year anyway.  Hate to be so pessimistic, but I think
it's better for people to be aware of upcoming potential problems.

Cheers,
- Graham


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new website, draft 7

2009-07-30 Thread Graham Percival
Hi all,

http://lilypond.org/~graham/index.html

We have a few experiments with the design, such as a condensed
2nd-layer TOC.  This allows all the Manuals to fit onto my
800-pixel wide screen, but the text _is_ smaller.  Let us know
what you think.

We've also moved to a gradient color scheme, sliding from algae
green to decaying-leaves tan.  (I say this because I have the
greatest of respect for Patrick McCarty)
These colors certainly match the lilypond name, but it is what
you want on your website?  If not, send us an alternate style
sheet!  It's very easy to add alternate sheets to the build
process, so I'd love it if draft 8 had half a dozen different
style sheets.  Even if you just change the colors, it would still
help foster discussion.
RULE: you can't modify the html at all.  You can ONLY send a new
.css file.  Current css file:
http://lilypond.org/~graham/lilypond-general.css


On the content side, Introduction seems to have stalled.  I'd
really like to get this going, since the translation
infrastructure will be ready for people to work on translating the
website soon.  It would suck if the translators were left
twiddling their thumbs because the English version of the web site
was still in flux.

Cheers,
- Graham


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last line does not break

2009-07-30 Thread Federico Bruni
I know many people have asked about the same issue (more or less), but 
I could not find any solution in the archive or doc.

Before getting crazy, I ask for your help :-)

I have six systems with two staves (normal staff and tab staff) and I 
want to place three systems in the first page and three in the last page.


The 1st page is ok, but the second has just one system (so many bars 
are not visible).

While processing, I get this error message:

warning: cannot find line breaking that satisfies constraints


I've tried many different combinations with ragged-... but it never works.
It's the first time I really deal with \paper staff, so I'm missing 
something for sure..


I need a custom paper size, because the score will be included in a 
magazine which requires that space.


Below there is my current \paper block.
system-count = #3 worked fine to set the first page, but the second 
page is just on a single line yet.


I think and hope it's enough for you to help me, but if you need the 
.ly file please let me know).


Thanks!

Federico


\paper {
  paper-height = 218\mm
  paper-width = 164\mm
  line-width = 144\mm
  indent = 0
  print-page-number = false
  system-count = #3
  % annotate-spacing = ##t
  after-title-space = 7\cm
  between-system-padding = #0.1
  between-system-space = #0.1
}


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Re: last line does not break

2009-07-30 Thread Graham Percival
Have you tried adding barline checks |   ? This really sounds like
you have a messed up rhythm somewhere, which will throw the line
breaking out the window.

Cheers,
- Graham

On Thu, Jul 30, 2009 at 01:08:24PM +0200, Federico Bruni wrote:
 I know many people have asked about the same issue (more or less), but I 
 could not find any solution in the archive or doc.
 Before getting crazy, I ask for your help :-)

 I have six systems with two staves (normal staff and tab staff) and I  
 want to place three systems in the first page and three in the last page.

 The 1st page is ok, but the second has just one system (so many bars are 
 not visible).
 While processing, I get this error message:

 warning: cannot find line breaking that satisfies constraints


 I've tried many different combinations with ragged-... but it never works.
 It's the first time I really deal with \paper staff, so I'm missing  
 something for sure..

 I need a custom paper size, because the score will be included in a  
 magazine which requires that space.

 Below there is my current \paper block.
 system-count = #3 worked fine to set the first page, but the second page 
 is just on a single line yet.

 I think and hope it's enough for you to help me, but if you need the .ly 
 file please let me know).

 Thanks!

 Federico


 \paper {
   paper-height = 218\mm
   paper-width = 164\mm
   line-width = 144\mm
   indent = 0
   print-page-number = false
   system-count = #3
   % annotate-spacing = ##t
   after-title-space = 7\cm
   between-system-padding = #0.1
   between-system-space = #0.1
 }


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RE: last line does not break

2009-07-30 Thread j.w.vandijk
I get this error when there are problems with the bars accross different voices 
or staffs. There might be one bar where the total duration exceeds those in the 
other voices.
 
Jan van Dijk.
 
warning: cannot find line breaking that satisfies constraints

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Re: new website, draft 7

2009-07-30 Thread Dmytro O. Redchuk
2009/7/30 Graham Percival gra...@percival-music.ca:
 RULE: you can't modify the html at all.  You can ONLY send a new
 .css file.  Current css file:
 http://lilypond.org/~graham/lilypond-general.css

Well... Please :-)

-  background: url(background-image.png) no-repeat 0 0;
+  background: white url(background-image.png) no-repeat 0 0;

Or shall i simply send a new css?-)

ps. I wrote about this --- background-image.png supposes
that the background colour is white; so why not to set it to white.

Thank you.

 Cheers,
 - Graham

-- 
Dmytro O. Redchuk


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markup and bar number

2009-07-30 Thread Alexandros Droseltis
Hello!

If I use markup at the last note of a bar and the next bar has a bar
number appearing, then the bar number appears above the text of markup.
If I raise the text in markup, then the bar number is raised
automatically too. How could I put the markup text above the bar number?

Here is a minimal example:

%%
\version 2.13.1

\score{

\new Staff \relative c''{
\override Score.BarNumber #'break-visibility = #'#(#f #t #t)
\set Score.currentBarNumber = #66
\bar 
\partial 8 f8^\markup{Text} |
f f f f c c c c
\bar ||
}

}
%%

Using GNU LilyPond 2.13.1.

Thanks for any help!

Alexandros


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Re: markup and bar number

2009-07-30 Thread Alexander Kobel

Alexandros Droseltis wrote:

Hello!

If I use markup at the last note of a bar and the next bar has a bar
number appearing, then the bar number appears above the text of markup.
If I raise the text in markup, then the bar number is raised
automatically too. How could I put the markup text above the bar number?


Hi, Alexandros.

Bar numbers are created at score level, so usually everything's above 
all staff-level stuff.
But you can remove the Bar_number_engraver from the score, add it to the 
topmost staff, and fiddle around with the 'outside-staff-priority of the 
markups:


\new Score \with {
  \remove Bar_number_engraver
}{
  
\new Staff \with {
  \consists Bar_number_engraver
} \relative c''{
  \override Score.BarNumber #'break-visibility = #'#(#f #t #t)
  \set Score.currentBarNumber = #66
  \bar 
  \partial 8 f8-\tweak #'outside-staff-priority #1000 ^\markup{Text} |
  f f f f c c c c
  \bar ||
}
  
}


HTH,
Alexander


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Re: markup and bar number

2009-07-30 Thread Kieren MacMillan

Hi Alexandros,


If I use markup at the last note of a bar and the next bar has a bar
number appearing, then the bar number appears above the text of  
markup.

If I raise the text in markup, then the bar number is raised
automatically too. How could I put the markup text above the bar  
number?


Read the docs regarding #'outside-staff-priority.

Hope this helps!
Kieren.


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Re: new website, draft 7

2009-07-30 Thread Mark Polesky

Graham Percival wrote:

 We've also moved to a gradient color scheme, sliding from algae
 green to decaying-leaves tan.  (I say this because I have the
 greatest of respect for Patrick McCarty)

When I'm on this page,
http://lilypond.org/~graham/Text-input.html#Text-input
It doesn't look like Text input is highlighted because the
highlight-color fits right into the gradient effect. Also, why
is it that Features Examples Freedom are in the same color,
and Productions Testimonials are in the same color? Oh, I see.
It's easier to understand when I look at the other pages; the
coloring matches the associated box below. Interesting. It makes
sense, but it looks like a mistake until you figure it out.

- Mark



  


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Re: last line does not break

2009-07-30 Thread Federico Bruni

I've removed system-count and now it works.
I don't know why I thought that system-count allowed to set the number 
of systems for each page..


Instead, it sets the number of systems for the entire score. Right?


But I still have the error message:
warning: cannot find line breaking that satisfies constraints


Graham Percival wrote:

Have you tried adding barline checks |   ? This really sounds like
you have a messed up rhythm somewhere, which will throw the line
breaking out the window.



yes, I have the bar line checks
but...
now I've checked with my eyes and I noticed an error in the low voice

the time is 4/4 and I had:  g2  a  e1 |
so why lilypond did not tell me about this error?

also, is this line correct? (I'm not sure about the brackets)
it is displayed correctly anyway..

 g  d'\2  g 2  \times 2/3 { \context TabVoice \once \override Slur 
#'control-points = #'((1 . 4.8) (2.6 . 5.8) (4.2 . 5.8) (5.8 . 4.8)) { 
fs'8(  g  fs) } e8  d \break |


Anyway, I think the bars are correct.
There's another possible reason for the error message above?

-- Federico


P.S.
Does anybody know if Frescobaldi supports bar checking?
(I guess not, but I ask)

I used to use jEdit - which has bar checking for sure - but since some 
weeks I can't launch it anymore. When I see run local script on the 
splash icon, it keeps on loading forever.

And I have to stop java in my system monitor.

I use Ubuntu Jaunty..


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Re: markup and bar number

2009-07-30 Thread Alexandros Droseltis
Hello!

Thank you both for the answer! The tip for outside-staff-priority and
the very nice example was a rescue!

HAND!

Alexandros


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Re: last line does not break

2009-07-30 Thread Kieren MacMillan

Hi Federico:


I've removed system-count and now it works.
I don't know why I thought that system-count allowed to set the  
number of systems for each page..

Instead, it sets the number of systems for the entire score. Right?


Correct. You're probably looking for systems-per-page — see
http://lilypond.org/doc/v2.13/Documentation/user/lilypond/Page- 
formatting#Other-layout-variables


Hope this helps!
Kieren.

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Re: new website, draft 7

2009-07-30 Thread Joe Neeman
On Thu, 2009-07-30 at 03:42 -0700, Graham Percival wrote:
 Hi all,
 
 http://lilypond.org/~graham/index.html
 
 We have a few experiments with the design, such as a condensed
 2nd-layer TOC.  This allows all the Manuals to fit onto my
 800-pixel wide screen, but the text _is_ smaller.  Let us know
 what you think.

Is it possible to use License instead of FDL on the documentation page?
Or would that be too many pixels?

Joe



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Re: Best name for function to create cross-style noteheads

2009-07-30 Thread Trevor Daniels


Graham Percival wrote Thursday, July 30, 2009 11:41 AM
Subject: Re: Best name for function to create cross-style noteheads



On Thu, Jul 30, 2009 at 11:18:42AM +0100, Trevor Daniels wrote:


Carl Sorensen wrote Tuesday, July 21, 2009 10:13 PM


\crossHeadsOn : turns on cross noteheads for all notes
\crossHeadsOff : reverts cross noteheads for all notes
\crossHead : makes the notes in the music expression following 
the

occurrence have cross heads.



Seems fine.  I have a slight preference for the
later suggestion of \xHeadsOn etc, just because
they are shorter.


I'd rather go for \crossHeadsOn, since it's less ambiguous.  I
mean, yes, a cross is an X shape, but it still doesn't feel as
clear as \cross.


I'm not so sure.  Earlier Carl had to point out
that cross meant an x, not +.

Trevor



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Re: last line does not break

2009-07-30 Thread Federico Bruni

Kieren MacMillan wrote:

Hi Federico:


I've removed system-count and now it works.
I don't know why I thought that system-count allowed to set the number 
of systems for each page..

Instead, it sets the number of systems for the entire score. Right?


Correct. You're probably looking for systems-per-page � see
http://lilypond.org/doc/v2.13/Documentation/user/lilypond/Page-formatting#Other-layout-variables 






Thanks Kieren,

that variable works just on version 2.13
(in fact I was reading the 2.12 doc and it is not mentioned)

But I'll upgrade to 2.13.x as soon as tablature patches are applied, 
so it will be useful in the future.


Cheers,
Federico


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Re: Best name for function to create cross-style noteheads

2009-07-30 Thread Marc Hohl

Trevor Daniels schrieb:


Carl Sorensen wrote Friday, July 24, 2009 2:07 PM


On 7/24/09 6:16 AM, Trevor Daniels t.dani...@treda.co.uk wrote:


The structure of the Notation Reference is designed
to accommodate documenting this.  The specialist
sections in NR 2 would contain an indexed description
of all the uses of crossed note heads.  For example,
under Common notation for wind instruments would
appear key-slap and sub-tone, with a pointer to the
description of crossed note heads, which is already
described in NR 1.1.4 Note heads (#'style=#'cross).
Other uses of crossed note heads should be documented
similarly in the appropriate specialist sections.


Recognizing that we may want to change noteheads to
various styles, and that we may want to mix styles in a chord, it
might be a good idea to define a function \changeNoteHead that accepts
a style parameter, and then define \xHead as \changeNoteHead #'cross.


I'm confused or missing something.  What's wrong
with

xHeadOn  = \override NoteHead #'style = #'cross
xHeadOff = \override NoteHead #'style = #'()

which works now?

The discussion led aside from the initial idea for \deadNote.
This is a command that works in every situation and is therefor
more user-friendly *and* it works with tablature, and this was the starting
point of it all.

When tablature features will be part of lilypond, I can just say

c4 \deadNote d e f |  c \deadNote e g4

and the cross will be visible in normal and in tablature staves.
Of course this can be done with tweaking and overriding, but as Graham
pointed out in a message some months ago, it would be the best if no scheme
hacks will be necessary for standard notation (and dead notes are
kind of standard in pop and rock music on guitar and bass).

It is not that long ago that \override and \tweak were the reason for me
not to use lilypond for my projects (ok, now I'm a bit more scheme-savvy,
but this is another story).

Marc


I haven't tried this, and there may be some problems in making it 
work in a

chord, but I think it's worth a try.


This works

e \tweak #'style #'cross a c

but I don't know a way to invoke it with a
\xHead shortcut.

e \xHead a c

:-)



Carl


Trevor







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Re: new website, draft 7

2009-07-30 Thread Patrick McCarty
On Thu, Jul 30, 2009 at 03:49:14PM +0300, Dmytro O. Redchuk wrote:
 2009/7/30 Graham Percival gra...@percival-music.ca:
  RULE: you can't modify the html at all.  You can ONLY send a new
  .css file.  Current css file:
  http://lilypond.org/~graham/lilypond-general.css
 
 Well... Please :-)
 
 -  background: url(background-image.png) no-repeat 0 0;
 +  background: white url(background-image.png) no-repeat 0 0;

Thanks for the reminder!

I added #fff instead so that we'll save one byte.  :-)

-Patrick


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Re: new website, draft 7

2009-07-30 Thread Graham Percival
On Thu, Jul 30, 2009 at 09:04:00AM -0700, Joe Neeman wrote:
 On Thu, 2009-07-30 at 03:42 -0700, Graham Percival wrote:
  We have a few experiments with the design, such as a condensed
  2nd-layer TOC.  This allows all the Manuals to fit onto my
  800-pixel wide screen, but the text _is_ smaller.  Let us know
  what you think.
 
 Is it possible to use License instead of FDL on the documentation page?
 Or would that be too many pixels?

Too many pixels, as well as potentially being confusing with GPL.
I mean, the url will be license.html; we don't want people to
think that lilypond's license is the FDL.

I wish there was some way we could eliminate the last three
sections from the Manuals page, but it really doesn't make sense
to put them anywhere else (Community? Download?)

Cheers,
- Graham


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Re: new website, draft 7

2009-07-30 Thread Graham Percival
On Thu, Jul 30, 2009 at 07:52:46AM -0700, Mark Polesky wrote:
 
 When I'm on this page,
 http://lilypond.org/~graham/Text-input.html#Text-input
 It doesn't look like Text input is highlighted because the
 highlight-color fits right into the gradient effect.

Hmm.  Would you suggest a lighter/darker color for the highlight,
or just a completely separate set of colors to gradify between?

Cheers,
- Graham  


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