refrain lyrics
How can I print refrain lyric centered between stanza 1 and 2? ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: How do you tell tempo for indications in English
Hello, -Original Message- From: lilypond-user-bounces+james.lowe=datacore@gnu.org [mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On Behalf Of Patrick Horgan Sent: 02 February 2011 04:05 To: Mailinglist lilypond-user Subject: How do you tell tempo for indications in English I'm setting some of O'Neill's Irish tunes, and the tempo indications are (a selection): Animated, Boldly, Cheerful, Cheerfully, Gaily, Gracefully, Moderate, Plaintive, Plaintively, Playful, Playfully, Rather slow, Slow, Slow and distinctly, Slow and mournful, Slow and tenderly, Slow and with feeling, Slow with expression, Slow and feeling, Spirited, Tenderly, Very slow, With animation, With expression, With feeling, With spirit What do you do with that? I can find tables of usual tempo ranges for italian tempo indications, but I have no idea what to do with these. I'd like them to be authentic, in that the midi file would be about as fast as the tune would usually be played in an Irish pub. Does anyone have any ideas? --- I don’t think there is such a thing a 'authentic' tempo range if you are referring to setting crotchet/quaver/minim tempo speeds. What you are asking, it seems is, 'what speed is 'cheerful''? Which doesn't makes much sense. I expect it was simply played 'cheerfully' and that would depend on who was doing the playing. Also can you be sure that the same tune played in one 'Irish pub' is any different from a 'non-Irish pub' or that other 'Irish pub' down the road? The music is probably played as fast or slow as the musicians play it and that can depend on how many times they have played together, the smell of the crowd or simply the number of pints of the 'black stuff' they have put away before/during the gig. ;) 110201-63 Sorry if that sounds a bit flippant, but I am not sure what kind of answer you are going to get other than someone else's guestimation of which you could do yourself. Tempo in terms of words (rather than beat numbers) is more about feeling than speed. James ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
ly:font-config-add-directory and ly:font-config-add-font
Hello, Yesterday James Lowe mentioned drew attention to Issue 1204 at: http://code.google.com/p/lilypond/issues/detail?id=1204 Yet again, an excellent idea from LilyPond's developers. Could someone please give a brief example of how to use ly:font-config-add-directory and ly:font-config-add-font Thanks, Gerard ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How do you tell tempo for indications in English
On Tue, Feb 1, 2011 at 11:05 PM, Patrick Horgan phorg...@yahoo.com wrote: I'm setting some of O'Neill's Irish tunes, and the tempo indications are (a selection): Animated, Boldly, Cheerful, Cheerfully, Gaily, Gracefully, Moderate, Plaintive, Plaintively, Playful, Playfully, Rather slow, Slow, Slow and distinctly, Slow and mournful, Slow and tenderly, Slow and with feeling, Slow with expression, Slow and feeling, Spirited, Tenderly, Very slow, With animation, With expression, With feeling, With spirit What do you do with that? I can find tables of usual tempo ranges for italian tempo indications, but I have no idea what to do with these. I'd like them to be authentic, in that the midi file would be about as fast as the tune would usually be played in an Irish pub. Does anyone have any ideas? Patrick Greetings, Patrick - The tempo indications are just what they say. There's a lot of variation in tempo for the same tune at various sessions.This may not be a lot of help, but I would suggest three possibilities: 1) play the midi at a default or provisional tempo, decide whether it sounds right to you, then modify the tempo accordingly; 2) get a metronome with a beat input button, play or hum the tune the way you think it should go, then tap the metronome button at that pace to find the tempo; or 3) find a recording or an Irish session musician who will play the tune for you, and determine that tempo. No hard and fast rules, I'm afraid. I'd like to see the results when you're done. Incidentally, if you didn't know, all the O'Neill's tunes have been transcribed using ABC format and are freely available. Some of them may give tempos; I don't know. If you want to check them out, go to http://trillian.mit.edu/~jc/cgi/abc/tunefind enter the tune name, and you can check out the ABC source file, a .jpg, a .png, and other formats. There will be *multiple* hits for each tune. If you want the O'Neill's, it will be identified by a number (I can't remember what the number is) all the way to the left of the entry. Good luck, Ralph -- Ralph Palmer Montague City, MA USA palmer.r.vio...@gmail.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Arpeggios with arrows across voices
In the section of the NR dealing with arpeggios, there is nothing under known issues and warnings regarding arpeggioArrowUp and arpeggioArrowDown not working to get arrowed arpeggios across voices. The arpeggio doesn't get an arrow unless it is explicitly overridden in the Staff context, as can be seen in this example: % \version 2.13.47 \score { \new Staff { \set Staff.connectArpeggios = ##t \new Voice { \relative c'' { { \arpeggioArrowUp b e g4\arpeggio } \\ { e,\arpeggio } \revert Staff.Arpeggio #'stencil \revert Staff.Arpeggio #'X-extent \override Staff.Arpeggio #'arpeggio-direction = #UP { b' e g4\arpeggio } \\ { e,\arpeggio } } } } \layout { \context { \Staff \consists Span_arpeggio_engraver } } } % Nick attachment: test.preview.png___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: alternative music font
Thank you very much. Gerard ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ANN: J. S. Bach - 371 Chorals à 4 voix + Etudes d'anamorphoses: les différentes versions d'un choral.
If you open the PDF in Adobe Reader, you will find a small attachment icon at the lower left corner. If you click that, a list of attachments will open and you can save the tar.bz2 file. 2011/2/1 Jan Warchoł lemniskata.bernoulli...@gmail.com 2011/2/1 Phil Hézaine philippe.heza...@free.fr Hi, You'll find these 2 publications at: http://superbonus.project.free.fr/spip.php?article48 Thanks! Discussing about the license on the Free Art mailing list I was forgetting to write the copyright header inside all my files! Ough! Fortunately Valentin was not far. His well-meaning has saved me. He has also given me the tip about how to include the source files inside the pdfs. That's great! I didn't know it was possible. How can i extract it? I have arichve manager called 7-zip, that handles tar.bz2, but it doesn't want to do anything with this pdf... cheers, Janek Many thanks again, Valentin. Talking of which, the included source files are tar.bz2. Whether it's a problem for you (Windows or Mac users) to extract the archive from the pdf you'll find a zip archive on the site. The next step of this project is for GNU Solfege. to Michael: I plan an update when the 2.14 is out. Perhaps the midi files will be renewed at this time (see the Edition's Notes). Be aware of that if you still want to use the source. Have fun. Phil. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: refrain lyrics
Yes, but it took me awhile to figure how to code. Thank you. From: Marek Klein ma...@gregoriana.sk To: MING TSANG tsan...@rogers.com Cc: lilypond-user@gnu.org Sent: Wed, February 2, 2011 11:33:54 AM Subject: Re: refrain lyrics Hi, 2011/2/2 MING TSANG tsan...@rogers.com How can I print refrain lyric centered between stanza 1 and 2? Is this what you are looking for? http://lsr.dsi.unimi.it/LSR/Item?id=503 HTH. Marek -- Marek Klein http://gregoriana.sk___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How do you tell tempo for indications in English
Hi Patrick, Short of conducting extensive field research in Ireland's pubs, you might try asking the question here. http://www.thesession.org/discussions/ Cheers, Mike On Wed, Feb 2, 2011 at 6:59 AM, James Lowe james.l...@datacore.com wrote: Hello, -Original Message- From: lilypond-user-bounces+james.lowe=datacore@gnu.org [mailto: lilypond-user-bounces+james.lowe lilypond-user-bounces%2Bjames.lowe= datacore@gnu.org] On Behalf Of Patrick Horgan Sent: 02 February 2011 04:05 To: Mailinglist lilypond-user Subject: How do you tell tempo for indications in English I'm setting some of O'Neill's Irish tunes, and the tempo indications are (a selection): Animated, Boldly, Cheerful, Cheerfully, Gaily, Gracefully, Moderate, Plaintive, Plaintively, Playful, Playfully, Rather slow, Slow, Slow and distinctly, Slow and mournful, Slow and tenderly, Slow and with feeling, Slow with expression, Slow and feeling, Spirited, Tenderly, Very slow, With animation, With expression, With feeling, With spirit What do you do with that? I can find tables of usual tempo ranges for italian tempo indications, but I have no idea what to do with these. I'd like them to be authentic, in that the midi file would be about as fast as the tune would usually be played in an Irish pub. Does anyone have any ideas? --- I don’t think there is such a thing a 'authentic' tempo range if you are referring to setting crotchet/quaver/minim tempo speeds. What you are asking, it seems is, 'what speed is 'cheerful''? Which doesn't makes much sense. I expect it was simply played 'cheerfully' and that would depend on who was doing the playing. Also can you be sure that the same tune played in one 'Irish pub' is any different from a 'non-Irish pub' or that other 'Irish pub' down the road? The music is probably played as fast or slow as the musicians play it and that can depend on how many times they have played together, the smell of the crowd or simply the number of pints of the 'black stuff' they have put away before/during the gig. ;) 110201-63 Sorry if that sounds a bit flippant, but I am not sure what kind of answer you are going to get other than someone else's guestimation of which you could do yourself. Tempo in terms of words (rather than beat numbers) is more about feeling than speed. James ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ANN: J. S. Bach - 371 Chorals à 4 voix + Etudes d'anamorphoses: les différentes versions d'un choral.
Le 02/02/2011 08:41, Helge Kruse a écrit : Original-Nachricht Datum: Tue, 1 Feb 2011 22:13:55 +0100 Von: Jan Warchoł lemniskata.bernoulli...@gmail.com An: Phil Hézaine philippe.heza...@free.fr CC: lilypond-user lilypond-user@gnu.org Betreff: Re: ANN: J. S. Bach - 371 Chorals à 4 voix + Etudes d\'anamorphoses: les différentes versions d\'un choral. That's great! I didn't know it was possible. How can i extract it? I have arichve manager called 7-zip, that handles tar.bz2, but it doesn't want to do anything with this pdf... cheers, Janek When I open the file in Acrobat Reader 9 and click on the .tar.bz2 file, I get the message You have selected a file that cannotbe exported from Acrobat. What's wrong? Also, I am interested in including the source in the PDF. Where can I read how to do this. I hope should be possible, even if i just had some trouble with it. Regards, Helge Hi, I guess you have not the tools to uncompress the tar.bz2 archive. However Windows is totally out of my world here. With pdftk you can include the source in the pdf: pdftk your_input.pdf attach_files your_archive.tar.bz2 output out.pdf Have fun. Phil. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ANN: J. S. Bach - 371 Chorals à 4 voix + Etudes d'anamorphoses: les différentes versions d'un choral.
Le 02/02/2011 10:05, Phil Hézaine a écrit : With pdftk you can include the source in the pdf: pdftk your_input.pdf attach_files your_archive.tar.bz2 output out.pdf ... and you'll extract the archive with: pdftk in.pdf unpack_files output /home/.../blabla/ Cheers. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
RE: Problem with repetition
Martin, -Original Message- From: lilypond-user-bounces+james.lowe=datacore@gnu.org [mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On Behalf Of Nick Payne Sent: 01 February 2011 20:32 To: lilypond-user@gnu.org Subject: Re: Problem with repetition On 02/02/11 04:30, Martin Chicoine wrote: \version 2.12.3 \score { \new Staff { \new Voice { \relative c'' { \repeat volta 2 { a4 b d f | c a c d | c d e a | } \alternative { {a c e d} | {a d c e} | } } } } \layout {} } You need to get rid of the barcheck between the first and second alternatives. You can't have anything between the closing brace of one and the opening brace of another. Move the barchecks inside the braces. -- Nick is correct, and we have updated the newer version of the documentation explaining this so hopefully other users won't make the same mistake. James ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ANN: J. S. Bach - 371 Chorals à 4 voix + Etudes d'anamorphoses: les différentes versions d'un choral.
Original-Nachricht Datum: Tue, 1 Feb 2011 22:13:55 +0100 Von: Jan Warchoł lemniskata.bernoulli...@gmail.com An: Phil Hézaine philippe.heza...@free.fr CC: lilypond-user lilypond-user@gnu.org Betreff: Re: ANN: J. S. Bach - 371 Chorals à 4 voix + Etudes d\'anamorphoses: les différentes versions d\'un choral. That's great! I didn't know it was possible. How can i extract it? I have arichve manager called 7-zip, that handles tar.bz2, but it doesn't want to do anything with this pdf... cheers, Janek When I open the file in Acrobat Reader 9 and click on the .tar.bz2 file, I get the message You have selected a file that cannotbe exported from Acrobat. What's wrong? Also, I am interested in including the source in the PDF. Where can I read how to do this. I hope should be possible, even if i just had some trouble with it. Regards, Helge -- NEU: FreePhone - kostenlos mobil telefonieren und surfen! Jetzt informieren: http://www.gmx.net/de/go/freephone ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Problem with repetition
On 1 February 2011 21:32, Nick Payne nick.pa...@internode.on.net wrote: You need to get rid of the barcheck between the first and second alternatives. You can't have anything between the closing brace of one and the opening brace of another. Move the barchecks inside the braces. Yes, a big NOTE has been added to the documentation about this, further to people doing exactly your mistake. See NR 1.4.1 Long repeats, last version http://lilypond.org/doc/v2.13/Documentation/notation/long-repeats.html Cordialement, Xavier -- Xavier Scheuer x.sche...@gmail.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ANN: J. S. Bach - 371 Chorals à 4 voix + Etudes d'anamorphoses: les différentes versions d'un choral.
On 02/02/11 20:05, Phil Hézaine wrote: Le 02/02/2011 08:41, Helge Kruse a écrit : Original-Nachricht Datum: Tue, 1 Feb 2011 22:13:55 +0100 Von: Jan Warchołlemniskata.bernoulli...@gmail.com An: Phil Hézainephilippe.heza...@free.fr CC: lilypond-userlilypond-user@gnu.org Betreff: Re: ANN: J. S. Bach - 371 Chorals à 4 voix + Etudes d\'anamorphoses: les différentes versions d\'un choral. That's great! I didn't know it was possible. How can i extract it? I have arichve manager called 7-zip, that handles tar.bz2, but it doesn't want to do anything with this pdf... cheers, Janek When I open the file in Acrobat Reader 9 and click on the .tar.bz2 file, I get the message You have selected a file that cannotbe exported from Acrobat. What's wrong? Also, I am interested in including the source in the PDF. Where can I read how to do this. I hope should be possible, even if i just had some trouble with it. Regards, Helge Hi, I guess you have not the tools to uncompress the tar.bz2 archive. However Windows is totally out of my world here. With pdftk you can include the source in the pdf: pdftk your_input.pdf attach_files your_archive.tar.bz2 output out.pdf No, the problem is that Acrobat has some security settings that don't allow some file tyres, such as ZIP, EXE, BZ2 etc, to be opened/saved. From the Adobe web site on Trust Manager settings in Acrobat: To open the Trust Manager preferences, open the Preferences dialog box, and select Trust Manager on the left. Allow Opening Of Non-PDF File Attachments With External Applications When selected, allows file attachments to start external applications when you open the files. You must have the external applications to open the files. Note: For security reasons, certain file types (such as .zip and .exe files) cannot be saved or opened with Acrobat. Acrobat products maintain a registry/plist-level black and white list of file types that can be saved and opened with Acrobat. You cannot change this list by using the Acrobat interface. The only way to change the list is by manually editing the registry, which is not recommended. Acrobat allows you to attach files that cannot be saved or opened from the application. However, this practice is not recommended. On Windows, you can edit the registry to gain access to the attachment (HKEY_LOCAL_MACHINE\SOFTWARE\Policies\Adobe\Adobe Acrobat\9.0\FeatureLockDown\cDefaultLaunchAttachmentPerms. tBuiltInPermList is the REG_SZ value to change.), but on Linux, which is I what I'm using, I believe that the attachment is completely inaccessible. If you want the attachment to be accessible, you can change the file extension to something allowed before attaching it - eg make it file.tar.bz2.txt - but the user then needs to be savvy enough to rename the file after saving it. Nick ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: refrain lyrics
Hi, 2011/2/2 MING TSANG tsan...@rogers.com How can I print refrain lyric centered between stanza 1 and 2? Is this what you are looking for? http://lsr.dsi.unimi.it/LSR/Item?id=503 HTH. Marek -- Marek Klein http://gregoriana.sk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How do you tell tempo for indications in English (music question, not Lilypond question)
What you are asking, it seems is, 'what speed is 'cheerful''? Which doesn't makes much sense. I disagree... at least in part. I think that there is a range of speeds that most musicians would say Yes, that is cheerful. when they hear it. In other words it requires some musicality, some judgment, since it is less prescriptive than the Beethoven score where he writes half-note = 72. There are certainly tempos which are not cheerful (e.g. quarter-note = 52). If you get it wrong in the MIDI file, don't feel bad. I've heard, for example, performances of Tchaikovsky's Fifth by professional orchestras (I know, it's the conductors fault, not the orchestra's) where the second movement was painfully slow - just WRONG to my ears (...and it's much harder to play the horn solo well ;-) I'm sure there's more variability (of performance tempi) in Irish folk tunes than in Tchaikovsky symphonies, so it is to be expected. Besides, I don't think anyone will confuse a MIDI performance with a live performance, and place too high an expectation on authenticity. Tim Reeves ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ANN: J. S. Bach - 371 Chorals ... extracting tar.bz2 files
7-Zip (which will extract tar and tar.bz2 files) is available for Windows and should solve this problem. I use it with Windows XP. It's much better than WinZip. from www.7-zip.org : The main features of 7-Zip High compression ratio in 7z format with LZMA and LZMA2 compression Supported formats: Packing / unpacking: 7z, XZ, BZIP2, GZIP, TAR, ZIP and WIM Unpacking only: ARJ, CAB, CHM, CPIO, CramFS, DEB, DMG, FAT, HFS, ISO, LZH, LZMA, MBR, MSI, NSIS, NTFS, RAR, RPM, SquashFS, UDF, VHD, WIM, XAR and Z. For ZIP and GZIP formats, 7-Zip provides a compression ratio that is 2-10 % better than the ratio provided by PKZip and WinZip Strong AES-256 encryption in 7z and ZIP formats Self-extracting capability for 7z format Integration with Windows Shell Powerful File Manager Powerful command line version Plugin for FAR Manager Localizations for 79 languages Tim Reeves Message: 6 Date: Wed, 02 Feb 2011 10:05:47 +0100 From: Phil H?zaine philippe.heza...@free.fr Subject: Re: ANN: J. S. Bach - 371 Chorals ? 4 voix + Etudes d'anamorphoses: les diff?rentes versions d'un choral. To: lilypond-user lilypond-user@gnu.org Message-ID: 4d491e6b.3030...@free.fr Content-Type: text/plain; charset=UTF-8 Le 02/02/2011 08:41, Helge Kruse a écrit : Original-Nachricht Datum: Tue, 1 Feb 2011 22:13:55 +0100 Von: Jan Warchoł lemniskata.bernoulli...@gmail.com An: Phil Hézaine philippe.heza...@free.fr CC: lilypond-user lilypond-user@gnu.org Betreff: Re: ANN: J. S. Bach - 371 Chorals à 4 voix + Etudes d \'anamorphoses: les différentes versions d\'un choral. That's great! I didn't know it was possible. How can i extract it? I have arichve manager called 7-zip, that handles tar.bz2, but it doesn't want to do anything with this pdf... cheers, Janek When I open the file in Acrobat Reader 9 and click on the .tar.bz2 file, I get the message You have selected a file that cannotbe exported from Acrobat. What's wrong? Also, I am interested in including the source in the PDF. Where can I read how to do this. I hope should be possible, even if i just had some trouble with it. Regards, Helge Hi, I guess you have not the tools to uncompress the tar.bz2 archive. However Windows is totally out of my world here. With pdftk you can include the source in the pdf: pdftk your_input.pdf attach_files your_archive.tar.bz2 output out.pdf Have fun. Phil. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How do you tell tempo for indications in English
On 02/02/2011 03:59 AM, James Lowe wrote: ... elision by patrick ... I don’t think there is such a thing a 'authentic' tempo range if you are referring to setting crotchet/quaver/minim tempo speeds. What you are asking, it seems is, 'what speed is 'cheerful''? Which doesn't makes much sense. I expect it was simply played 'cheerfully' and that would depend on who was doing the playing. Also can you be sure that the same tune played in one 'Irish pub' is any different from a 'non-Irish pub' or that other 'Irish pub' down the road? The music is probably played as fast or slow as the musicians play it and that can depend on how many times they have played together, the smell of the crowd or simply the number of pints of the 'black stuff' they have put away before/during the gig. ;) 110201-63 Sorry if that sounds a bit flippant, but I am not sure what kind of answer you are going to get other than someone else's guestimation of which you could do yourself. Tempo in terms of words (rather than beat numbers) is more about feeling than speed. So what you're saying is that you really don't know. Still, there must be a normal range for a fast jig for example. If you don't know it's ok, but hopefully someone will know. I don't know the repertoire, but I want to, (on guitar), and it would be helpful to know if I'm learning something at half the speed most would play it, or conversely at twice the speed. I'm not looking for anything exact, but it would be nice to be in the ballpark rather than down the street. Patrick ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How do you tell tempo for indications in English
On 02/02/2011 06:43 AM, Michael Ellis wrote: Hi Patrick, Short of conducting extensive field research in Ireland's pubs, you might try asking the question here. http://www.thesession.org/discussions/ Cheers, Mike What a treasure. Thank you mike. It lead me to http://www.itma.ie/English/Introduction.html. Patrick ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: How do you tell tempo for indications in English
On 02/02/2011 03:30 AM, Ralph Palmer wrote: On Tue, Feb 1, 2011 at 11:05 PM, Patrick Horgan phorg...@yahoo.com mailto:phorg...@yahoo.com wrote: I'm setting some of O'Neill's Irish tunes, and the tempo indications are (a selection): Animated, Boldly, Cheerful, Cheerfully, Gaily, Gracefully, Moderate, Plaintive, Plaintively, Playful, Playfully, Rather slow, Slow, Slow and distinctly, Slow and mournful, Slow and tenderly, Slow and with feeling, Slow with expression, Slow and feeling, Spirited, Tenderly, Very slow, With animation, With expression, With feeling, With spirit What do you do with that? I can find tables of usual tempo ranges for italian tempo indications, but I have no idea what to do with these. I'd like them to be authentic, in that the midi file would be about as fast as the tune would usually be played in an Irish pub. Does anyone have any ideas? Patrick Greetings, Patrick - The tempo indications are just what they say. There's a lot of variation in tempo for the same tune at various sessions.This may not be a lot of help, but I would suggest three possibilities: 1) play the midi at a default or provisional tempo, decide whether it sounds right to you, then modify the tempo accordingly; But I don't know the repertoire so I don't know what sounds right. 2) get a metronome with a beat input button, play or hum the tune the way you think it should go, then tap the metronome button at that pace to find the tempo; or Again, I don't know the repertoire. 3) find a recording or an Irish session musician who will play the tune for you, and determine that tempo. I've tried with some of that with youtube. Still not helpful for most, cause I can't find them. No hard and fast rules, I'm afraid. I'd like to see the results when you're done. Incidentally, if you didn't know, all the O'Neill's tunes have been transcribed using ABC format and are freely available. Some of them may give tempos; I don't know. If you want to check them out, go to http://trillian.mit.edu/~jc/cgi/abc/tunefind http://trillian.mit.edu/%7Ejc/cgi/abc/tunefind enter the tune name, and you can check out the ABC source file, a .jpg, a .png, and other formats. Yeah, I know that site. They mention the same problem and that most of the files don't have any real tempo indications so the midi files are often at weird speeds. There will be *multiple* hits for each tune. If you want the O'Neill's, it will be identified by a number (I can't remember what the number is) all the way to the left of the entry. Thank you, Patrick ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: guitarist: how write chord names like Gadd5
On Tuesday 01 February 2011 09:13:44 Jürgen Ibelgaufts wrote: Hello, I want to write down guitar chords and frets with extra voicings, say a G chord with an extra Fifth on the B string, 3rd fret, or Em chord with an extra G on the treble e string. The whole idea of chord names is that one G is the same as another. A few extensions have come in over the years, the most important being the slash bass. Either populate your score with diagrams or tab or write out what you want. There is no need to mess with the regular chord names. You will find that useless innovations which are doomed to obsolescence are not appreciated, and even less appreciated if they require explanation. Regards, daveA -- For beginners: very easy guitar music, solos, duets, exercises. Early intermediate guitar solos. One best scale set for all guitarists. http://www.openguitar.com/scalescomparison.html ::: plus new and better chord and arpeggio exercises. http://www.openguitar.com ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: [tablatures] Re: error in predefined chord diagram?
On 2/2/11 11:10 AM, Ronald Hochreiter ron...@subjectmusic.com wrote: Dear Carl, Bart, David, don't know if my input is of any use, however - without fingering: Ddim xx0131 Edim 0120x0 Starting from the Fdim it get's a bit more complicated in standard tuning, see e.g. Fdim, where you'd have three possibilities: a) 1231xx or 1231x1 This is just Edim above up one fret, right? This could be useful for higher chords: f:dim 1231x1 fis:dim 2342x2 g:dim 3453x3 gis:dim 4564x4 a:dim 5675x5 bes:dim 6786x6 b:dim 7897x7 b) xx6464 or 4x6464 This fingering for the Fdim seems to be a very versatile fingering that I'd expect to see used a lot. I know that I'd personaly like it, because it's relatively easy and consistent: cis:dim xx2020 d:dim xx3131 ees:dim xx4242 e:dim xx5353 f:dim xx6464 c) x89A9x (A = 10) This one is also useful a:dim x0121x bes:dim x1232x b:dim x2343x c:dim x3454x cis:dim x4565x d:dim x5676x ees:dim x6787x e:dim x7898x f:dim x89a9x This gives lots of opportunities for the table below. I tend to favor diagrams with low fret numbers and muted strings at either the top or the bottom, rather than in the middle. Any recommendations? Thanks, Carl c:dim x;3-4;1-1;o;1-2;o; c:dim7 x;x;1-1;2-3;1-2;2-4; cis:dim x;4-4;2-3;1-1;2-2;1-1; cis:dim7 offset c:dim7 one fret d:dim d:dim7 x;x;o;1-1;o;1-2; dis:dim 2-2;o;1-1;2-3;x;2-4; dis:dim7 x;x;1-1;2-3;1-2;2-4; e:dim e:dim7 offset dis:dim7 one fret f:dim f:dim7 x;x;o;1-1;o;1-2; fis:dim fis:dim7 same as dis:dim7 g:dim g:dim7 x;x;5-2;6-4;5-3;3-1; gis:dim gis:dim7 same as f:dim7 a:dim a:dim7 same as ees:dim7 ais:dim ais:dim7 offset ees:dim7 one fret b:dim b:dim7 same as d:dim7 Thanks, Carl ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user