TrillSpanners not lining up
Hello,
I'm having some trouble with TrillSpanners not lining up correctly. The
manuals seem to indicate that two successive TrillSpanners should be able
to line up vertically without any explicit \stopTrillSpan, but in the
following example the second trill is printed higher than the first, as if
avoiding a collision. Any ideas?
Best, David
http://www.lilypond.org/doc/v2.19/Documentation/notation/expressive-marks-as-lines#trills
\version 2.19.8
{
d''1\startTrillSpan |
d''1\startTrillSpan |
R1\stopTrillSpan |
}
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Re: Changing Tuning
Hi Omer
you forgot to reply to the list.
No, we've never received your file. Please send us a minimal example (if
possible) and we'll try to help you.
Anyway, is this the 10 string lute tuning?
http://en.wikipedia.org/wiki/Lute#mediaviewer/File:Tuning-ren.png
It should be something like this:
\version 2.18.2
music = {
c,16 d, e, f, g, c f a d' g'
}
\score {
\new StaffGroup
\new Staff { \clef treble_8 \music }
\new TabStaff \with {
stringTunings = \stringTuning c, d, e, f, g, c f a d' g'
} \music
}
2014-06-16 19:35 GMT+02:00 Omer Katzir kome...@gmail.com:
well, yes, not sure why, but now it works (my file was corrupted I'm not
even sure I sent you guys the working version)
Now there's two things I need if possible.
1. Is it possible to fine tune it, like removing the extra tab lines? lute
tabalture has 6 like just like guitar, the 7th string is written below the
lowest bass, the 8th is a\ (the \ is above the note, don't have it on this
keyboard) 9th is b\\ (two lines) and 10th is a\\\ (three lines)
2. is it possible to fine tune the strings using Hz (assuming equal
temperament)?
Thank You again,
Omer Katzir
The Silent Troubadour - http://omerkatzir.com
On Mon, Jun 16, 2014 at 8:13 PM, Federico Bruni fedel...@gmail.com
wrote:
Have you tried \stringTuning?
http://lilypond.org/doc/v2.18/Documentation/notation/common-notation-for-fretted-strings#custom-tablatures
Il 16/giu/2014 19:01 Omer Katzir kome...@gmail.com ha scritto:
I still couldn't really find how to change tuning, I did managed to
change for french lute tabs, but it's in guitar tuning and six strings.
works great but I need 10 strings, or at least 7)
this is my code so far, I will be happy to get help.
Thank You,
Omer Katzir
The Silent Troubadour - Http://omerkatzir.com
\version 2.18.2
\header {
...
}
global = {
\key f \major
\time 4/4
}
upper = \relative c'{
\global
\voiceOne
notes
}
lower = \relative c {
\global
\voiceTwo
notes
}
\score {
\new StaffGroup = tab with traditional
\new Staff = guitar traditional
\clef treble_8
\context Voice = upper \upper
\context Voice = lower \lower
\new TabStaff = guitar tab
\set TabStaff.tablatureFormat = #fret-letter-tablature-format
\context TabVoice = upper \upper
\context TabVoice = lower \lower
}
\layout { }
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--
Thank You,
Lumikor of the Catshire
aka Omer Katzir
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Re: Custom accidental style (for cadenza)?
Hi, On Mon, Jun 16, 2014 at 8:33 PM, James Harkins jamshar...@gmail.com wrote: On Tuesday, June 17, 2014 8:21:10 AM HKT, David Nalesnik wrote: Here's a variation which incorporates my little discovery :) Oops--there's an error. In the function unnecessary-acc?, it should be ((forced? me) #f) Thanks again -- I owe you a beer, or some snippets of SuperCollider code, or something. (This exchange, incidentally, is one of the reasons why I prefer free-as-in-freedom software whenever possible.) I'm glad to help! Best, David ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: TrillSpanners not lining up
Hi David,
2014-06-17 13:01 GMT+02:00 David Stephen Grant da...@davidgrant.no:
in the following example the second trill is printed higher than the
first, as if avoiding a collision. Any ideas?
This should do the job :
%
\version 2.19.8
{
\once\override TrillSpanner.bound-details.right.attach-dir = #-1
d''1\startTrillSpan |
d''1\startTrillSpan |
R1\stopTrillSpan |
}
%
Cheers,
Pierre
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Re: TrillSpanners not lining up
Thanks Pierre, that works perfectly!
Best,
David
On 17 June 2014 13:56, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Hi David,
2014-06-17 13:01 GMT+02:00 David Stephen Grant da...@davidgrant.no:
in the following example the second trill is printed higher than the
first, as if avoiding a collision. Any ideas?
This should do the job :
%
\version 2.19.8
{
\once\override TrillSpanner.bound-details.right.attach-dir = #-1
d''1\startTrillSpan |
d''1\startTrillSpan |
R1\stopTrillSpan |
}
%
Cheers,
Pierre
--
David Stephen Grant
da...@davidgrant.no
www.davidgrant.no
Phone: (+47) 918 14 276
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Re: Changing Tuning
Hi Federico, Hi Omer,
I'd suggest to change Federico's code into a more lute like formulation :
%%
\version 2.18.2
global = {
\time 3/4
\cadenzaOn
\omit Stem
}
high = {
\global
s1 g,4 c f a d' g'
\cadenzaOff
\undo\omit Stem
\bar |
% mes.1
f'8 e' d' c' b a
% fin.
\bar |.
}
medium = {
\global
s1 g,4 c f a d' g'
}
low = {
\global
c,4 d, e, f,
}
\score {
\new StaffGroup
\new TabStaff = High
\with {
stringTunings = \stringTuning g, c f a d' g'
\override VerticalAxisGroup.staff-staff-spacing = #'((padding . 1))
\override TimeSignature.style = #'single-digit
\revert TimeSignature.stencil
}
{ \high \\ \medium }
\new TabStaff = Low
\with {
\omit Clef
\override StaffSymbol.stencil = ##f
stringTunings = \stringTuning c,
fretLabels = \markuplist {
///a \null
//a \null
/a
\column { \vspace #.15 a }
}
}
{ \low }
\new Staff {
\clef treble_8
\high \\ \medium \\ \low
}
\layout {
\context {
\TabStaff
tablatureFormat = #fret-letter-tablature-format
}
}
}
HTH,
Pierre
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Re: Changing Tuning
2014-06-17 15:41 GMT+02:00 Pierre Perol-Schneider pierre.schneider.pa...@gmail.com: I'd suggest to change Federico's code into a more lute like formulation : Thank you: obviously, I know nothing about lute tablature :) You guys may be interested in this issue: https://code.google.com/p/lilypond/issues/detail?id=3065 ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Changing Tuning
Thank, That’s what I needed
so many options!
On Jun 17, 2014, at 4:41 PM, Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com wrote:
Hi Federico, Hi Omer,
I'd suggest to change Federico's code into a more lute like formulation :
%%
\version 2.18.2
global = {
\time 3/4
\cadenzaOn
\omit Stem
}
high = {
\global
s1 g,4 c f a d' g'
\cadenzaOff
\undo\omit Stem
\bar |
% mes.1
f'8 e' d' c' b a
% fin.
\bar |.
}
medium = {
\global
s1 g,4 c f a d' g'
}
low = {
\global
c,4 d, e, f,
}
\score {
\new StaffGroup
\new TabStaff = High
\with {
stringTunings = \stringTuning g, c f a d' g'
\override VerticalAxisGroup.staff-staff-spacing = #'((padding . 1))
\override TimeSignature.style = #'single-digit
\revert TimeSignature.stencil
}
{ \high \\ \medium }
\new TabStaff = Low
\with {
\omit Clef
\override StaffSymbol.stencil = ##f
stringTunings = \stringTuning c,
fretLabels = \markuplist {
///a \null
//a \null
/a
\column { \vspace #.15 a }
}
}
{ \low }
\new Staff {
\clef treble_8
\high \\ \medium \\ \low
}
\layout {
\context {
\TabStaff
tablatureFormat = #fret-letter-tablature-format
}
}
}
HTH,
Pierre
lute.jpg
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Mac testers needed for Frescobaldi! (again)
Dear FrescobaldiLilyPondMac users, some months ago I published a DMG disk image containing an experimental Frescobaldi.app bundle. Some packaging problems were reported ([1]): - lack of MIDI support (PortMIDI was not included), - impossibility to run convert-ly and musicxml2ly (the wrong Python interpreter was used for the scripts bundled in LilyPond.app). During the last days I was able to fix these problems (at least on my machine). I uploaded a new version of Frescobaldi.app, based on the newly released 2.0.16, at https://www.dropbox.com/s/whu5qnn5pys81ix/Frescobaldi-2.0.16-devapp-20140616.dmg The application contains some 64 bit code, so it won't run on machines with 32 bit CPU (I'll try to solve this in the next iteration). I would be very grateful if you could download the application, test it and report any issues. In particular you should test if MIDI output is working [2] and if you are able to update a file with convert-ly and to import a MusicXML file (example MusicXML files at [3]). The test should be harmless: the only collateral effect is that any change you'll make to the settings inside this application bundle will be picked up by your usual installation of Frescobaldi, since they'll share the same preferences file. [4] The previous tests revealed only the mentioned problems, so the application should be quite stable. However this application bundle is still considered experimental, so I don't recommend it for everyday use (although I really appreciate people testing it in everyday use cases). After the tests I advise you to delete the application bundle and wait for the official release. [5] Last but not least, I would like to thank once again the users who tested the previous version of the application. Best wishes. Davide [1] The splash screen bug (https://github.com/wbsoft/frescobaldi/issues/428) and some very critical usability problems (in particular compatibility with screen readers) were also reported, but they are certainly unrelated to the installation method, so I didn't address them. [2] I remind you that in order to have MIDI support FluidSynth/qsynth/SimpleSynth must be running and Frescobaldi must recognize the MIDI ports (you should either start *synth before Frescobaldi or refresh the MIDI ports in Frescobaldi's preferences). [3] http://www.musicxml.com/wp-content/uploads/2012/11/xmlsamples.zip [4] Actually, if your usual version of Frescobaldi is older than October 2013, your settings will become inaccessible from that version, while they will still be accessible from versions of the program newer than that date. But if you're running such an old version, you should seriously consider updating to the newly released 2.0.16 (it will be available through MacPorts in a few days): Frescobaldi has improved a whole lot in the last months! [5] To avoid messing with your current setup (except for the settings changes mentioned in [4]) and forgetting to delete the application bundle after the test, you can run the application directly from the disk image, without copying it to the /Applications directory. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
\afterGrace \glissando draws incorrect line?
Howdy!
I have a problem getting lilypond to draw the correct glissando
line...
Here is a pdf and lilypond source file
http://gooeytar.com/projects/test/test.pdf
http://gooeytar.com/projects/test/test.ly
and another attempt
http://gooeytar.com/projects/test/test2.pdf
http://gooeytar.com/projects/test/test2.ly
I want the glissando line to go from fis - a and from dis - fis
but instead of dis - fis I get a- fis ???
Ideas?
here is a sample lilypond source
\version 2.18.0
global = {
\time 3/4
\key e \major
\clef G_8
}
voiceone = \relative c' {
a''4 b,, dis a dis16 a fis' dis |
a'4 dis,, a' b a'16 fis b( a) |
dis4 fis, a dis
\new Voice \voiceOne { \afterGrace fis4 \glissando a8 }
\new Voice \voiceTwo { \stemUp a4 }
\new Voice \voiceThree { \afterGrace dis4 \glissando fis8 }
a, fis' 4 gis e'
}
voicetwo = \relative c {
r4 b dis r |
r4 b b |
r4 b b |
e,2
}
guitar = \voiceone \\ \voicetwo
\score {
\new Staff { \global \guitar }
\layout { }
}
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Re: \afterGrace \glissando draws incorrect line?
On 17/06/14 19:43, st...@linuxsuite.org wrote:
Howdy!
I have a problem getting lilypond to draw the correct glissando
line...
Here is a pdf and lilypond source file
http://gooeytar.com/projects/test/test.pdf
http://gooeytar.com/projects/test/test.ly
and another attempt
http://gooeytar.com/projects/test/test2.pdf
http://gooeytar.com/projects/test/test2.ly
I want the glissando line to go from fis - a and from dis - fis
but instead of dis - fis I get a- fis ???
Ideas?
here is a sample lilypond source
\version 2.18.0
global = {
\time 3/4
\key e \major
\clef G_8
}
voiceone = \relative c' {
a''4 b,, dis a dis16 a fis' dis |
a'4 dis,, a' b a'16 fis b( a) |
dis4 fis, a dis
\new Voice \voiceOne { \afterGrace fis4 \glissando a8 }
\new Voice \voiceTwo { \stemUp a4 }
\new Voice \voiceThree { \afterGrace dis4 \glissando fis8 }
a, fis' 4 gis e'
}
voicetwo = \relative c {
r4 b dis r |
r4 b b |
r4 b b |
e,2
}
guitar = \voiceone \\ \voicetwo
\score {
\new Staff { \global \guitar }
\layout { }
}
I changed the
\new Voice \voiceOne { \afterGrace fis4 \glissando a8 }
\new Voice \voiceTwo { \stemUp a4 }
\new Voice \voiceThree { \afterGrace dis4 \glissando fis8 }
to
\afterGrace dis'4 \glissando fis8 \\ \stemUp a,4 \\ \afterGrace
fis4 \glissando a8
and I get the correct glissandoes but I also get a warning:
warning: ignoring too many clashing note columns
a, fis' 4 gis e'
new file.ly:13:21: warning: ignoring too many clashing note columns
\afterGrace
dis'4 \glissando fis8 \\ \stemUp a,4 \\ \afterGrace
fis4 \glissando a8
So it's something to do with that construction but I cannot tell you why.
If that helps?
James
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Re: \afterGrace \glissando draws incorrect line?
2014-06-17 20:43 GMT+02:00 st...@linuxsuite.org:
Howdy!
I have a problem getting lilypond to draw the correct glissando
line...
Here is a pdf and lilypond source file
http://gooeytar.com/projects/test/test.pdf
http://gooeytar.com/projects/test/test.ly
and another attempt
http://gooeytar.com/projects/test/test2.pdf
http://gooeytar.com/projects/test/test2.ly
I want the glissando line to go from fis - a and from dis - fis
but instead of dis - fis I get a- fis ???
Ideas?
here is a sample lilypond source
\version 2.18.0
global = {
\time 3/4
\key e \major
\clef G_8
}
voiceone = \relative c' {
a''4 b,, dis a dis16 a fis' dis |
a'4 dis,, a' b a'16 fis b( a) |
dis4 fis, a dis
\new Voice \voiceOne { \afterGrace fis4 \glissando a8 }
\new Voice \voiceTwo { \stemUp a4 }
\new Voice \voiceThree { \afterGrace dis4 \glissando fis8 }
a, fis' 4 gis e'
}
voicetwo = \relative c {
r4 b dis r |
r4 b b |
r4 b b |
e,2
}
guitar = \voiceone \\ \voicetwo
\score {
\new Staff { \global \guitar }
\layout { }
}
How about:
\version 2.18.0
global = {
\time 3/4
\key e \major
\clef G_8
}
voiceone = \relative c' {
a''4 b,, dis a dis16 a fis' dis |
a'4 dis,, a' b a'16 fis b( a) |
dis4 fis, a dis
%% changed input order:
fis dis' a \glissando
%% thanks to David K:
\grace { \bar a fis'8 \bar | }
a fis' 4 gis e'
}
voicetwo = \relative c {
r4 b dis r |
r4 b b |
r4 b b |
e,2
}
guitar = \voiceone \\ \voicetwo
\score {
\new Staff { \global \guitar }
\layout { }
}
HTH,
Harm
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Re: \afterGrace \glissando draws incorrect line?
voiceone = \relative c' {
a''4 b,, dis a dis16 a fis' dis |
a'4 dis,, a' b a'16 fis b( a) |
dis4 fis, a dis
%% changed input order:
fis dis' a \glissando
%% thanks to David K:
\grace { \bar a fis'8 \bar | }
a fis' 4 gis e'
}
This works!
thanx - steve
HTH,
Harm
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Re: Mac testers needed for Frescobaldi! (again)
I've tested on one of my configurations and previous issues are resolved for me. :-) Philippe -- View this message in context: http://lilypond.1069038.n5.nabble.com/Mac-testers-needed-for-Frescobaldi-again-tp163407p163412.html Sent from the User mailing list archive at Nabble.com. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \afterGrace \glissando draws incorrect line?
I changed the
\new Voice \voiceOne { \afterGrace fis4 \glissando a8 }
\new Voice \voiceTwo { \stemUp a4 }
\new Voice \voiceThree { \afterGrace dis4 \glissando fis8 }
to
\afterGrace dis'4 \glissando fis8 \\ \stemUp a,4 \\ \afterGrace
fis4 \glissando a8
and I get the correct glissandoes but I also get a warning:
warning: ignoring too many clashing note columns
a, fis' 4 gis e'
new file.ly:13:21: warning: ignoring too many clashing note columns
\afterGrace
dis'4 \glissando fis8 \\ \stemUp a,4 \\ \afterGrace
fis4 \glissando a8
So it's something to do with that construction but I cannot tell you why.
If that helps?
Thanx, the best I can get is this
http://www.gooeytar.com/projects/test/test3.pdf
http://www.gooeytar.com/projects/test/test3.ly
which has the stems wrong and using \stemUp doesn't fix it.
???
-steve
James
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music
I have dyslexia and i find it hard to read sheet music.I am starting uni in September to study music. I've been instructed to improve my reading but it seems impossible.is there any way you can help. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Changing the direction of a tuplet bracket
I want to change the direction of a tuplet bracket (up in this case). I
read the manual on tuplets and it says
Tuplet brackets may be manually placed above or below the staff; see Direction
and placement
http://lilypond.org/doc/v2.18/Documentation/notation/direction-and-placement
.
But neither the tuplet nor the direction section has an example. I figured
the syntax would be like tweaks:
\version 2.18.2
\language english
\relative c'' {
^\tuplet 3/2 2 { af ef' f4 f af ef' f f af ef' f f }
}
But this produces a syntax error. I've tried putting the caret other
places to no avail.
So what's the correct syntax? And can an example be put in either the
tuplet or the direction section of the manual?
Thanks.
Knute Snortum
(via Gmail)
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Re: Changing the direction of a tuplet bracket
override the direction property should work.
On 17. Juni 2014 23:01:53 MESZ, Knute Snortum ksnor...@gmail.com wrote:
I want to change the direction of a tuplet bracket (up in this case).
I
read the manual on tuplets and it says
Tuplet brackets may be manually placed above or below the staff; see
Direction
and placement
http://lilypond.org/doc/v2.18/Documentation/notation/direction-and-placement
.
But neither the tuplet nor the direction section has an example. I
figured
the syntax would be like tweaks:
\version 2.18.2
\language english
\relative c'' {
^\tuplet 3/2 2 { af ef' f4 f af ef' f f af ef' f f }
}
But this produces a syntax error. I've tried putting the caret other
places to no avail.
So what's the correct syntax? And can an example be put in either the
tuplet or the direction section of the manual?
Thanks.
Knute Snortum
(via Gmail)
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Re: music
Am 17.06.2014 18:12, schrieb keira mccook: I have dyslexia and i find it hard to read sheet music.I am starting uni in September to study music. I've been instructed to improve my reading but it seems impossible.is there any way you can help. Hello Keira, I don’t know if this is the right place to search for help with your problem. LilyPond is a music typesetting program, and it’s firstly intended to produce sheet music which follows usual standards, though with better typographical quality and thus also distinctly better readable than most other typesetting available. Nevertheless I don’t think it will be a substantial support in your case. The only thing which comes to my mind (and which has something to do with LilyPond) is Clairnote, an alternative notation system which claims to be easier to read in principle: http://www.clairnote.org. I’ve no idea whether this is in fact an improvement, and less so, if it comes to your case. Else I can only say: – Improvise! Improvisation is often underestimated and an extremely valuable way of making music. It does of course depend on the kind of music you’re in: it’s possible to improvise in (almost) every style, but for some it’s more common. And it’s important to have a good teacher, I think. – Or learn by heart! It’s what blind musicians do, and most certainly it’s not only a disadvantage of not being able to read sheet music, but it also allows a much deeper understanding of the music, both intellectually and emotionally, than if you only ever read the music from sheets. I hope these small thought are of some use to you. Best regards, Simon ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Changing Tuning
OK, so now that I tried it, I still need some changes to optimize it like I’m
writing on paper.
as I’m not a master in Lilypond (yet) I will have to ask the hive mind again
Basically I use two staves, one for bass one for the upper voices (usually
two). Now, I tried to add a staff in the example you sent me, both by creating
new staff group below the low tab staff and by just adding
\new staff {
\clef “bass”
\low
}
I got errors all over the place, I can paste if really needed, but it seems
like I’m just missing something, I guess I’m getting confused because i’m
pretty much a nub when it comes to advance tactics.
Thank You again for your help
Omer Katzir
The Silent Troubadour
http://omerkatir.com
On Jun 17, 2014, at 5:13 PM, Federico Bruni fedel...@gmail.com wrote:
2014-06-17 15:41 GMT+02:00 Pierre Perol-Schneider
pierre.schneider.pa...@gmail.com:
I'd suggest to change Federico's code into a more lute like formulation :
Thank you: obviously, I know nothing about lute tablature :)
You guys may be interested in this issue:
https://code.google.com/p/lilypond/issues/detail?id=3065
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Re: Changing the direction of a tuplet bracket
2014-06-17 23:11 GMT+02:00 Uns Liska u...@openlilylib.org:
override the direction property should work.
On 17. Juni 2014 23:01:53 MESZ, Knute Snortum ksnor...@gmail.com wrote:
I want to change the direction of a tuplet bracket (up in this case). I
read the manual on tuplets and it says
Tuplet brackets may be manually placed above or below the staff; see
Direction and placement.
But neither the tuplet nor the direction section has an example. I
figured the syntax would be like tweaks:
\version 2.18.2
\language english
\relative c'' {
^\tuplet 3/2 2 { af ef' f4 f af ef' f f af ef' f f }
}
But this produces a syntax error. I've tried putting the caret other
places to no avail.
So what's the correct syntax? And can an example be put in either the
tuplet or the direction section of the manual?
Thanks.
Knute Snortum
(via Gmail)
\tupletUp
Cheers,
Harm
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RE: Changing the direction of a tuplet bracket
\tupletUp, \tupletDown \tupletNeutral.
http://www.lilypond.org/doc/v2.18/Documentation/learning/within_002dstaff-objects.nl.html
--Steven
From: lilypond-user-bounces+panteck=hotmail@gnu.org
[mailto:lilypond-user-bounces+panteck=hotmail@gnu.org] On Behalf Of Knute
Snortum
Sent: Tuesday, June 17, 2014 2:02 PM
To: lilypond-user@gnu.org
Subject: Changing the direction of a tuplet bracket
I want to change the direction of a tuplet bracket (up in this case). I read
the manual on tuplets and it says
Tuplet brackets may be manually placed above or below the staff; see
http://lilypond.org/doc/v2.18/Documentation/notation/direction-and-placement
Direction and placement.
But neither the tuplet nor the direction section has an example. I figured the
syntax would be like tweaks:
\version 2.18.2
\language english
\relative c'' {
^\tuplet 3/2 2 { af ef' f4 f af ef' f f af ef' f f }
}
But this produces a syntax error. I've tried putting the caret other places to
no avail.
So what's the correct syntax? And can an example be put in either the tuplet
or the direction section of the manual?
Thanks.
Knute Snortum
(via Gmail)
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RE: Changing the direction of a tuplet bracket
I want to change the direction of a tuplet bracket (up in this case). Try \tupletUp ahead of where you wish to implement the change in direction…there’s also \tupletDown, \tupletNeutral I read the manual on tuplets and it says Tuplet brackets may be manually placed above or below the staff; see http://lilypond.org/doc/v2.18/Documentation/notation/direction-and-placement Direction and placement. But neither the tuplet nor the direction section has an example I agree, the NR section you refer to could be made clearer. You are given a link for manual placement, while the positioning commands are just a few lines down on the primary page under the heading “Predefined commands”. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Changing Tuning
Hi,
2014-06-17 23:17 GMT+02:00 Omer Katzir kome...@gmail.com:
Basically I use two staves, one for bass one for the upper voices (usually
two). Now, I tried to add a staff in the example you sent me, both by
creating new staff group below the low tab staff and by just adding
\new staff {
\clef “bass”
\low
}
I got errors all over the place, I can paste if really needed, but it
seems like I’m just missing something, I guess I’m getting confused because
i’m pretty much a nub when it comes to advance tactics.
See enclosed.
Cheers,
Pierre
\version 2.18.2
%= http://lilypond.1069038.n5.nabble.com/Changing-Tuning-td163390.html
global = {
\time 3/4
\cadenzaOn
\omit Stem
}
high = {
\global
s1 g,4 c f a d' g'
\cadenzaOff
\undo\omit Stem
\bar |
% mes.1
f'8 e' d' c' b a
% fin.
\bar |.
}
medium = {
\global
s1 g,4 c f a d' g'
}
low = {
\global
c,4 d, e, f, s1.
% mes.1
R2.
% fin.
}
\score {
\new StaffGroup
\new TabStaff = High
\with {
stringTunings = \stringTuning g, c f a d' g'
\override VerticalAxisGroup.staff-staff-spacing = #'((padding . 0))
\override TimeSignature.style = #'single-digit
\override TimeSignature.X-offset = #-2
\override TimeSignature.font-size = #3
\revert TimeSignature.stencil
}
{
\high \\ \medium
}
\new TabStaff = Low
\with {
\omit StaffSymbol
\override VerticalAxisGroup.staff-staff-spacing = #'(
(basic-distance . 2)
(padding . 2))
stringTunings = \stringTuning c,
fretLabels = \markuplist {
///a \null
//a \null
/a
\column { \vspace #.15 a }
}
}
{
\low
}
\new GrandStaff
\new Staff {
\clef treble_8
\high \\ \medium
}
\new Staff {
\clef bass
\low
}
\layout {
\context {
\TabStaff
\omit Clef
tablatureFormat = #fret-letter-tablature-format
}
}
}
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Re: music
On 17 Jun 2014, at 18:12, keira mccook keira.mcc...@gmail.com wrote: I have dyslexia and i find it hard to read sheet music.I am starting uni in September to study music. I've been instructed to improve my reading but it seems impossible.is there any way you can help. You need to figure out what you need, perhaps from forums like [1], where some give a number of helping suggestions, and LilyPond might be able to do some; others say that music reading training will be enough. Yet others point out it heavily depends on the individual. 1. http://www.violinist.com/discussion/response.cfm?ID=9023 ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Changing the direction of a tuplet bracket
On 17/06/14 22:47, Javier Ruiz-Alma wrote: /I want to change the direction of a tuplet bracket (up in this case). / Try \tupletUp ahead of where you wish to implement the change in direction...there's also \tupletDown, \tupletNeutral /I read the manual on tuplets and it says / /Tuplet brackets may be manually placed above or below the staff; see Direction and placement http://lilypond.org/doc/v2.18/Documentation/notation/direction-and-placement. But neither the tuplet nor the direction section has an example/ I agree, the NR section you refer to could be made clearer. You are given a link for manual placement, while the positioning commands are just a few lines down on the primary page under the heading Predefined commands. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user Thanks. Added as http://code.google.com/p/lilypond/issues/detail?id=3956 James ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Changing the direction of a tuplet bracket
\tupletUp Got it. Thanks to all. Knute Snortum (via Gmail) On Tue, Jun 17, 2014 at 3:56 PM, James pkx1...@gmail.com wrote: On 17/06/14 22:47, Javier Ruiz-Alma wrote: *I want to change the direction of a tuplet bracket (up in this case). * Try \tupletUp ahead of where you wish to implement the change in direction…there’s also \tupletDown, \tupletNeutral *I read the manual on tuplets and it says * *Tuplet brackets may be manually placed above or below the staff; see Direction and placement http://lilypond.org/doc/v2.18/Documentation/notation/direction-and-placement. But neither the tuplet nor the direction section has an example* I agree, the NR section you refer to could be made clearer. You are given a link for manual placement, while the positioning commands are just a few lines down on the primary page under the heading “Predefined commands”. ___ lilypond-user mailing listlilypond-user@gnu.orghttps://lists.gnu.org/mailman/listinfo/lilypond-user Thanks. Added as http://code.google.com/p/lilypond/issues/detail?id=3956 James ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: music
Message: 3 Date: Wed, 18 Jun 2014 00:39:17 +0200 From: Hans Aberg haber...@telia.com To: keira mccook keira.mcc...@gmail.com Cc: lilypond-user@gnu.org Subject: Re: music Message-ID: d07e8d51-1752-46c2-9a0d-fd262680d...@telia.com Content-Type: text/plain; charset=us-ascii On 17 Jun 2014, at 18:12, keira mccook keira.mcc...@gmail.com wrote: I have dyslexia and i find it hard to read sheet music.I am starting uni in September to study music. I've been instructed to improve my reading but it seems impossible.is there any way you can help. You need to figure out what you need, perhaps from forums like [1], where some give a number of helping suggestions, and LilyPond might be able to do some; others say that music reading training will be enough. Yet others point out it heavily depends on the individual. 1. http://www.violinist.com/discussion/response.cfm?ID=9023 Keira, Based on the discussion I perused at the link Hans provided, Lilypond might be able to help the dyslexic musician through the use of color: Check out Coloring notes depending on their pitch as a starting point at http://www.lilypond.org/doc/v2.18/Documentation/snippets/pitches Of course Lilypond is very flexible, and once you have the music entered (the hard part) you can adjust things like sizes and spacing, if that can help, too. Just my 2 cents. I am not an expert. Tim___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: music
2014-06-18 0:39 GMT+02:00 Hans Aberg haber...@telia.com: You need to figure out what you need, perhaps from forums like [1], where some give a number of helping suggestions, and LilyPond might be able to do some; others say that music reading training will be enough. Yet others point out it heavily depends on the individual. 1. http://www.violinist.com/discussion/response.cfm?ID=9023 Good idea ! http://www.classicalguitardelcamp.com/viewtopic.php?f=4t=25013 http://www.classicalguitardelcamp.com/viewtopic.php?f=4t=31063p=458630hilit=dyslexia#p318135 Cheers, Pierre ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: [Frescobaldi] Mac testers needed for Frescobaldi! (again)
Dear Davide, I am glad to report that everything has gone well so far with testing the new app bundle. I was able to successfully play midi, run convert-ly, and convert musicxml files with musicxml2ly. I will keep using it and let you know if I notice any problems. (I am running osx 10.9.3, operating system info from About Frescobaldi: Darwin-13.2.0-x86_64-i386-64bit) Thank you for all your work on this, and thanks to Wilbert and the other Frescobaldi contributors for the newest 2.0.16 version! All the best, -Paul ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Changing Tuning
Omer Katzir kome...@gmail.com writes:
OK, so now that I tried it, I still need some changes to optimize it like I’m
writing on paper.
as I’m not a master in Lilypond (yet) I will have to ask the hive mind again
Basically I use two staves, one for bass one for the upper voices (usually
two). Now, I tried to add a staff in the example you sent me, both by
creating new staff group below the low tab staff and by just adding
\new staff {
\clef “bass”
\low
}
I got errors all over the place, I can paste if really needed, but it
seems like I’m just missing something,
If you are just missing something, pointing it out when you actually
give the example that does not work instead of hinting at it would be
much easier.
However, the short quote above contains several errors. You write staff
instead of Staff, you use “” quote marks (symmetric) instead of
(straight double). And the placement of \low in a simultaneous music
construct looks somewhat fishy though it will probably work as \low is
the only simultaneous music in it.
I guess I’m getting confused because i’m pretty much a nub when it
comes to advance tactics.
Copy and paste or even just careful retyping are not all that advanced
tactics. Computers are picky.
--
David Kastrup
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