Flute fingering chart
Hi, I'm looking for a flute fingering chart which is more akin to the style used by the likes of Robert Dick (see attached). I can't make head nor tail of the default lilypond chart and a professional flutist I'm working with also finds it very idiosyncratic. Is there an alternative? Failing that, might a workable option be for me to simply to reference an external image in the ly file? Is it possible to include an external image and control its XY placement on the stave? Many thanks, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: User-defined function in lilypond-book
Ah, thanks for that. I thought the fragment argument was compulsory.
Working now.
Peter
On 29/05/18 21:57, David Kastrup wrote:
Peter O'Doherty writes:
Hi,
Is it possible to use a user-defined function in lilypond-book? When I
include one such function as below, I get this error:
error: unrecognized string, not in text script or \lyricmode
This is the start of the code block:
begin [fragment,staffsize=16,notime,noindent]{lilypond}
userdefinedfunction =
#(define-music-function (parser location music) (ly:music?)
...
...
\end {lilypond}
Why would you use the "fragment" option when not just writing a music
fragment but essentially a full LilyPond source?
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User-defined function in lilypond-book
Hi,
Is it possible to use a user-defined function in lilypond-book? When I
include one such function as below, I get this error:
error: unrecognized string, not in text script or \lyricmode
This is the start of the code block:
begin [fragment,staffsize=16,notime,noindent]{lilypond}
userdefinedfunction =
#(define-music-function (parser location music) (ly:music?)
...
...
\end {lilypond}
Thanks,
Peter
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Re: Slashed grace notes
On 26-03-16 14:16, Malte Meyn wrote: Am 26.03.2016 um 14:03 schrieb Peter O'Doherty: Hi, Is it possible to notate a grace note group, with both a slash and a slur? Thanks, Peter Yes, see http://lsr.di.unimi.it/LSR/Item?id=721 P.S.: This was your third email with this content. Thank you for the link. And apologies for the repetitions. These were (clearly?) accidental. Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Slashed grace notes
Hi, Is it possible to notate a grace note group, with both a slash and a slur? Thanks, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Fonts
Hi all, What is the current situation with alternative fonts in lilypond? By which I mean the font for all notational elements, not just text. I notice that Abraham Lee did work on this but the site is currently down: https://fonts.openlilylib.org/ Many thanks, Peter //= // Peter O'Doherty // http://www.peterodoherty.net // m...@peterodoherty.net // skype: peter_o_doherty //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Slashed grace notes
Hi, Is it possible to notate a grace note group, with a slash and a slur? Thanks, Peter //= // Peter O'Doherty // http://www.peterodoherty.net // m...@peterodoherty.net // skype: peter_o_doherty //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Slashed grace notes
Hi, Is it possible to notate a grace note group, with both a slash and a slur? Thanks, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Fonts
Hi all, What is the current situation with alternative fonts in lilypond? By which I mean the font for all notational elements, not just text. I notice that Abraham Lee did work on this but the site is currently down: https://fonts.openlilylib.org/ Many thanks, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Install on linux
On 22-02-16 04:05, David Wright wrote: On Sun 21 Feb 2016 at 22:12:51 (+0100), Malte Meyn wrote: Am 21.02.2016 um 22:02 schrieb David Wright: On Sun 21 Feb 2016 at 19:10:29 (+0100), Peter O'Doherty wrote: Thanks a lot. Sorted now using sudo sh lilypond... I can't help wondering what the ... stands for. It’s the install script, something like lilypond-2.18.2-1.linux-64.sh I was interested whether anything followed that, both arguments and subsequent commands (if any). Your advice was good, but his second posting was a reply to his own OP, not to yours. (Not all the advice in the thread was good.) I was just abbreviating the install script. The full command I used was sudo sh lilypond-2.18.2-1.linux-x86.sh Best, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Install on linux
Thanks a lot. Sorted now using sudo sh lilypond... On 21-02-16 13:13, Peter O'Doherty wrote: Hi, When I install lilypond on Ubuntu (following the instructions on the website i.e. cd PATH-TO-DOWNLOAD-DIRECTORY sh lilypond-2.18.2-OS-TYPE.sh ) it installs two folders in my home directory, lilypond and bin. What's the best way to organise these? Should I just put the bin in the lilypond folder and move that to .local/share or /usr/share? Thanks, Peter //= // Peter O'Doherty // http://www.peterodoherty.net // m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user //= // Peter O'Doherty // http://www.peterodoherty.net // m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Install on linux
Hi, When I install lilypond on Ubuntu (following the instructions on the website i.e. cd PATH-TO-DOWNLOAD-DIRECTORY sh lilypond-2.18.2-OS-TYPE.sh ) it installs two folders in my home directory, lilypond and bin. What's the best way to organise these? Should I just put the bin in the lilypond folder and move that to .local/share or /usr/share? Thanks, Peter //= // Peter O'Doherty // http://www.peterodoherty.net // m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Spanner
On 08/19/2014 07:22 PM, Peter Bjuhr wrote: On 2014-08-19 17:15, Peter Bjuhr wrote: If you change the glyph names I think you'll be able to get what you want. Here is the full list of glyphs to choose between: http://www.smufl.org/version/latest/range/multiSegmentLines/ Best Peter Thanks a lot. I'll take a look. Regards, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Spanner
Hi, I'm looking for something similar to the notation used in contemporary scores to indicate things like wide vibrato, microtonal undulations, indeterminate glissando - it closely resembles a trill spanner (without the tr) but is more rounded and with thinner lines. Is something similar to this available in lilypond? Many thanks. Peter -- Peter O'Doherty //= // http://www.peterodoherty.net // m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Spanner
On 08/19/2014 03:01 PM, Peter Bjuhr wrote: On 2014-08-19 13:52, Peter O'Doherty wrote: Hi, I'm looking for something similar to the notation used in contemporary scores to indicate things like wide vibrato, microtonal undulations, indeterminate glissando - it closely resembles a trill spanner (without the tr) but is more rounded and with thinner lines. Is something similar to this available in lilypond? Many thanks. Peter Hi Peter, Joram Berger and myself wrote a couple of posts about using SMuFL fonts in LilyPond in the LilyPond-blog (Scores of Beauty). Especially take a look at no 5 in Joram's list in this post: http://lilypondblog.org/2014/02/feta-and-bravura/ If that looks interesting I could contribute with a code example. Best Peter es, that's exactly what I'm looking for, particularly the four wiggles above the staff to the right of this example. If you could share the code (if it's already available and doesn't entail any extra work for you) that would be great. Thanks, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
set-accidental-style
Hi list, Where should the line #(set-accidental-style 'dodecaphonic) be added in a multi-part score to get it to apply to all parts? Adding it to the \Score block doesn't seem to work. Many thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Grace notes at end of measure
Hi list, I know this has been asked before but I still haven't managed to find a suitable solution. How to end a measure with a grace note (group), without causing this error: programming error: bounds of this piece aren't breakable.? Many thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Grace notes at end of measure
That's exactly what I was looking for.
Thanks a lot!
On 07/10/2013 05:02 PM, Eluze wrote:
Am 10.07.2013 16:07, schrieb Peter O'Doherty:
Hi list,
I know this has been asked before but I still haven't managed to find
a suitable solution.
How to end a measure with a grace note (group), without causing this
error: programming error: bounds of this piece aren't breakable.?
sorry, Peter, I don't understand your question exactly - without your
code causing this error and the version used.
with the risk of not answering your question I'd suggest something like
\relative c' {
c d e \afterGrace f {g16[ f g f]}
}
Eluze
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Re: Problem with encoding unicode
Thanks. Is there a solution to the problem? It's happening in about 30%
of the unicode.
On 05/05/2013 11:15 PM, Nick Payne wrote:
On 06/05/13 00:46, Peter O'Doherty wrote:
\mark \markup { \char ##x1080B }
error:
programming error: FT_Get_Glyph_Name () error: invalid argument
continuing, cross fingers
programming error: Glyph has no name, but font supports glyph naming.
Skipping glyph U+1001080B, file
/home/peter/lilypond/usr/share/lilypond/current/fonts/otf/CenturySchL-Roma.otf
This means there is no such glyph in the corresponding font - and the
error message incorrectly pads the unicode value out to eight digits.
The current development version gives a much better warning in the log:
warning: no glyph for character U+1080B in font
`/usr/local/lilypond/usr/share/lilypond/current/fonts/otf/CenturySchL-Roma.otf'
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Remove flag
Hi list, At certain points in a score I want to remove stem, beam and flags from notes, leaving only the note heads. Two questions: is there an easier way to do it than using these three \overides and why does the third override on the flags throw an error on version 2.16.0: warning: cannot find property type-check for `flag-style' (backend-type?). perhaps a typing error? \override Voice.Stem #'transparent = ##t \override Voice.Beam #'transparent = ##t \override Voice.Stem #'flag-style = #'no-flag Many thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Remove flag
Thanks a lot, Federico and Robert.
On 05/05/2013 12:49 PM, Robert Schmaus wrote:
Hi Peter,
Something *yet* easier than three overrides? Wow ...
I guess, you could pack them into a variable, like
AllOff = { \override ... }
and use the variable instead.
For yet easier solutions known to me, you'd have to use a
computer-brain-interface ... but maybe, someone else has a better idea.
As for the error message, it seems that there is no property
flag-style for the Stem object.
You can make the flags invisible by using
\override Flag #'transparent = ##t
Note that this will not make the beams invisible - that's a separate
object to make transparent.
Note also that all those overrides will simply make the objects
invisible, but the overall spacing will not change. I.e. there's space
reserved for the flags c. that one doesn't see ...
Best,
Robert
On 5 May 2013, at 11:32, Peter O'Doherty m...@peterodoherty.net
mailto:m...@peterodoherty.net wrote:
Hi list,
At certain points in a score I want to remove stem, beam and flags
from notes, leaving only the note heads. Two questions: is there an
easier way to do it than using these three \overides and why does the
third override on the flags throw an error on version 2.16.0:
warning: cannot find property type-check for `flag-style'
(backend-type?). perhaps a typing error?
\override Voice.Stem #'transparent = ##t
\override Voice.Beam #'transparent = ##t
\override Voice.Stem #'flag-style = #'no-flag
Many thanks,
Peter
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Problem with encoding unicode
Hi,
Not all unicode characters are being correctly realised in my score.
Something like \mark \markup { \char ##x03EE } will work but this throws
an error:
\mark \markup { \char ##x1080B }
error:
programming error: FT_Get_Glyph_Name () error: invalid argument
continuing, cross fingers
programming error: Glyph has no name, but font supports glyph naming.
Skipping glyph U+1001080B, file
/home/peter/lilypond/usr/share/lilypond/current/fonts/otf/CenturySchL-Roma.otf
Does anyone have any idea what the problem is?
Many thanks,
Peter
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Re: \RemoveEmptyStaves
On 11/14/2012 07:51 PM, Thomas Morley wrote:
2012/11/14 Peter O'Doherty m...@peterodoherty.net:
Yes, great. It works perfectly.
Thanks,
Peter
Hi Peter,
would be nice, if you could tell us which kind of solution worked for
you and how.
Adapting the LSR-snippet? Then I would be highly interested. I didn't manage.
Cheers,
Harm
Harm, I'm very sorry for not replying sooner - I must have missed your
email, am just seeing it now.
This is what I used:
showMultiRests = {
\set Staff.keepAliveInterfaces = #'(
rhythmic-grob-interface
multi-measure-rest-interface
lyric-interface
stanza-number-interface
percent-repeat-interface)
}
hideMultiRests = \unset Staff.keepAliveInterfaces
And then simply:
\hideMultiRests
s8 s8 s8
Hope this helps.
Best,
Peter
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Re: \RemoveEmptyStaves
Yes, great. It works perfectly. Thanks, Peter On 11/06/2012 11:38 PM, Kieren MacMillan wrote: Hi Peter, Have you looked at this hint? http://lsr.dsi.unimi.it/LSR/Item?id=312 Hope this helps! Kieren. On 2012-Nov-6, at 10:36, Phil Holmes m...@philholmes.net wrote: - Original Message - From: Peter O'Doherty m...@peterodoherty.net To: lilypond-user lilypond-user@gnu.org Sent: Tuesday, November 06, 2012 1:46 PM Subject: \RemoveEmptyStaves Hi, I have a score with a system where some staves have measures which are filled with rests and others with spacer rests (I need these to enable \change Staff elements). I would like to remove the staves with have rests only but as far as I can see \RemoveEmptyStaves will remove those with spacers rests as well. Is there a way round this? Many thanks, Peter A solution (there may be others) would be to use some hidden notes as well as spacer rests. -- Phil Holmes ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
unmetered time signature
Hi, In unmetered/ cadenza-style passages one often finds a time signature in the form of an 'X'. I'm sure I've seen this in the lilypond documentation but don't seem to be able to find it. Can anyone point me to the relevant page? Many thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
\RemoveEmptyStaves
Hi, I have a score with a system where some staves have measures which are filled with rests and others with spacer rests (I need these to enable \change Staff elements). I would like to remove the staves with have rests only but as far as I can see \RemoveEmptyStaves will remove those with spacers rests as well. Is there a way round this? Many thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: increase vertical space
On 10/30/2012 11:43 PM, Thomas Morley wrote: or if you want to affect only a single line of the score, use \overrideProperty #Score.NonMusicalPaperColumn #'line-break-system-details #'((alignment-distances . (30))) Thanks. This works but it effects all the staves from this point onwards not just the one immediately below - I have a score with 6 staves per system and the clashing only occurs between two specific staves. Is this doable? Best, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: increase vertical space
On 10/31/2012 12:57 PM, Eluze wrote: Peter O'Doherty-2 wrote On 10/30/2012 11:43 PM, Thomas Morley wrote: or if you want to affect only a single line of the score, use \overrideProperty #Score.NonMusicalPaperColumn #'line-break-system-details #'((alignment-distances . (30))) Thanks. This works but it effects all the staves from this point onwards not just the one immediately below - I have a score with 6 staves per system and the clashing only occurs between two specific staves. Is this doable? this function takes a list as argument, so you can enter \overrideProperty #Score.NonMusicalPaperColumn #'line-break-system-details #'((alignment-distances . (30 12 ))) where 12 is the default vertical spacing between staves (I believe) - in this example the 2nd staff will have a distance of 30 spaces and the following ones 12 again. Eluze Oh, that's lovely! Thanks a lot. Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: dynamics positioning
On 10/29/2012 04:52 PM, m...@mikesolomon.org wrote: I had to take a break from LilyPond development for a couple months but I hope to be back on board in a month or so. This was the exact problem that I was working on. The long and short of it is that LilyPond does not know how to handle cross-staff objects in vertical spacing. As a result, there are collisions. There is no good way to get around this save manually overriding things like Y-offset or, if necessary, extra-Y-offset. Cheers, MS Okay. Thanks everyone for your help. Best, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
increase vertical space
Hi, Is it possible to increase the space between staves, to avoid clashing, for specific systems, i.e. not the whole piece? If so could you please point me in the direction of the help page? Many thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: dynamics positioning
Sorry for the oversight. The attached code is as minimal as I can get it.
Thanks,
Peter
On 10/29/2012 02:48 PM, Daniel Rosen wrote:
Can't really tell from the attachment. As a rule, tiny excerpts of code (which
other users can compile themselves) are more useful for debugging than PDFs.
Check out: http://www.lilypond.org/tiny-examples.html
DR
From: Peter O'Doherty [mailto:m...@peterodoherty.net]
Sent: Monday, October 29, 2012 9:45 AM
To: Daniel Rosen
Cc: lilypond-user
Subject: Re: dynamics positioning
Thanks.
My logic suggests it should be enough to add this line above the cymbals part,
but it doesn't seems to work (see attached file).
\new Dynamics {
\time 3/8
\times 2/3 { s8\mf s32 s32 s8.\pp \times 8/13 { s64 s16 s16 s16\pp } s64. s64
s64.] } |
}
What am I doing wrong?
Thanks,
Peter
On 10/29/2012 02:19 PM, Daniel Rosen wrote:
Try using two Dynamics contexts, one above and one below.
DR
-Original Message-
From: Peter O'Doherty [mailto:m...@peterodoherty.net]
Sent: Monday, October 29, 2012 9:14 AM
To: lilypond-user
Subject: dynamics positioning
Hi,
Could someone please take a look at the attached file and help with the
placement of dynamics + hairpins? (I also attach an example output.) Ideally
they would be grouped together above the top stave for the upper notes and
below the lower stave for the lower notes. ^ and _ have little effect.
Many thanks,
Peter
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\version 2.16.0
\language english
\header {
tagline = ##f
}
#(set-default-paper-size a4 'portrait)
\paper{
top-margin = 2.0\cm
}
\new Dynamics {
\time 3/8
\times 2/3 { s8\mf s32 s32 s8.\pp \times 8/13 { s64 s16 s16 s16\pp } s64. s64 s64.] } |
}
cymbals = {
\clef percussion
\stemUp
\time 3/8
\change Staff = conga \times 2/3 { d'8[\mf \change Staff = cymbals a32 e'32 \change Staff = temple d'8.\pp \change Staff = cymbals \times 8/13 { r64 c'16^\mp^\ a16 \change Staff = temple b16 } \change Staff = cymbals e'64. \change Staff = temple g64^\f \change Staff = cymbals c'64.] }|
}
temple = {
\clef percussion
s8 s8 s8 |
}
toms = {
\clef percussion
s8 s8 s8 |
}
conga = {
\clef percussion
s8 s8 s8 |
}
snare = {
\clef percussion
\stemDown
r8 \change Staff = temple g8[\pp \change Staff = conga d'32\mf\ b32 \change Staff = snare c'16]\mp |
}
{
\new StaffGroup
\new Staff = cymbals \cymbals
\new Staff = temple \temple
\new Staff = toms \toms
\new Staff = conga \conga
\new Staff = snare \snare
}
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Re: Cross-staff stems
Thanks a lot. Eventually I decided to opt for \change Staff = other_instrument. Best, Peter On 10/16/2012 05:45 PM, Phil Holmes wrote: - Original Message - From: Peter O'Doherty m...@peterodoherty.net To: lilypond-user lilypond-user@gnu.org Sent: Tuesday, October 16, 2012 4:13 PM Subject: Cross-staff stems Hi list, Is there an effective (and relatively straightforward) way (is there perhaps a template?) to notate percussion scores where each instrument has its own staff and the stems cross the staffs where necessary to link notes on different instruments in one rhythmic group? Many thanks, Peter You should be able to adapt: http://lilypond.org/doc/v2.16/Documentation/notation/common-notation-for-keyboards#cross_002dstaff-stems -- Phil Holmes -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Cross-staff stems
Hi list, Is there an effective (and relatively straightforward) way (is there perhaps a template?) to notate percussion scores where each instrument has its own staff and the stems cross the staffs where necessary to link notes on different instruments in one rhythmic group? Many thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: \bar :
Thanks a lot. I have a related question which was raised by one of your
suggestions but I've put it in a new message.
Regards,
Peter
On 09/17/2012 01:16 AM, Thomas Morley wrote:
2012/9/16 Peter O'Doherty m...@peterodoherty.net:
Hi list,
Is it possible to force an extra bar line in the form
\bar :
when inserted into a multi-stave score to only apply to one staff instead of
the default where the dots are added to all staves?
Many thanks,
Peter
Hi Peter,
two possible methods:
(1) overriding BarLine glyph-name:
%% one %%%
musA = \relative c'' {
c1
\once \override Staff.BarLine #'glyph-name = #:
d
\break
e f
}
musB = \relative c' {
c1 d
e
\once \override Score.SpanBar #'glyph-name = #|
\once \override Staff.BarLine #'glyph-name = #:
f
}
\score {
\new StaffGroup
\new Staff
\musA
\new Staff
\musB
}
%%% end of one %%
(2) moving Timing_translator and Default_bar_line_engraver from
Score- to Staff-level:
two %
musI = \relative c'' {
c1
\bar :
d
\break
e f
\break
g a
\bar :|
}
musII = \relative c' {
c1 d
e
\bar :
f
g a
\once \override Score.SpanBar #'glyph-name = #|. \bar :|
}
\score {
\new StaffGroup
\new Staff
\musI
\new Staff
\musII
\layout {
\context {
\Score
\remove Timing_translator
\remove Default_bar_line_engraver
\override SpanBar #'glyph-name = #|
}
\context {
\Staff
\consists Timing_translator
\consists Default_bar_line_engraver
}
}
}
%%% end of two %%
Sometimes you have to
\override Score.SpanBar #'glyph-name = ...
in both cases.
See also:
http://lilypond.org/doc/v2.17/Documentation/internals-big-page#default_005fbar_005fline_005fengraver
http://lsr.dsi.unimi.it/LSR/Item?id=344
HTH,
Harm
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polymeters and linebreaks
Hi list,
Can someone please help me with this piece of code? I'm trying to create
measures with polymeters but the line breaking isn't working, and
generally the result is a complete mess. The full code is in the attachment.
Many thanks,
Peter
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\version 2.14.2
\language english
\header {
tagline = ##f
}
indent = #0
#(set-global-staff-size 24)
#(set-default-paper-size a4 'landscape)
trumpetC = {
\clef treble
#(set-accidental-style 'dodecaphonic)
\tempo 8=60
\time 2/8
\times 4/6 { \times 8/11 { f'16[\ppp f'32.\p fqs'16\pp } eqf'32\mf \times 2/3 { r64 fqs'32\pp } dqs'16\mf eqs'8\fff] } |
\time 4/8
\times 4/7 { fs'8[\mp eqf'16\mf e'16\mp e'8.\f } \times 4/5 { e'16\mf fqs'16\mp e'8.\fff] } | \break
\time 3/8
\times 3/4 { \times 6/7 { fqs'32.[\mf ftqs'16\mp ftqs'16 fs'32.\mf } fqs'16 fqs'16\mp ds'8.\fff] }|
\time 2/8
\times 2/3 { eqf'16[\mf e'32\p } f'8\fff fs'64\ppp e'64\pp fqs'32\mf] |
\time 2/8
\times 4/7 { f'8.[\ff f'8\mf eqf'8] } |
\time 1/8
\times 16/19 { \times 2/3 { r128[ f'64.\p eqs'32\ppp eqs'32\p } r64 r64 ftqs'128\pp \times 4/5 { r64 ftqs'64.\pp } r64] }|
\time 7/16
c''32[\mp eqs'32. c'32. eqs'16.\fff \times 3/5 { eqs'32\p e'8\mf } ctqs'8\ff] |
%}
}
trombone = {
\clef bass
#(set-accidental-style 'dodecaphonic)
\time 2/8
\times 8/13 { eqf'16[\mf eqf'32\mp \times 2/3 { r32 r64 ftqs'32.\pp } \times 4/5 { r16 ftqs'32\p ctqs'16\ppp } ctqs'8\fff] }|
\time 4/8
dqs'4\fff dqs'4\ff |
\time 3/8
\times 3/4 { dqs'8.[\fff f'16\mf cs'16 ds'16 cqs'16 r32. ds'64\p] }|
\time 2/8
\times 8/9 { cqs'16[\mp r8 \times 4/5 { d'32\ppp c'64\pp dtqs'32\ppp } r32] } |
r4 |
\time 1/8
\times 8/9 { r32[ \times 4/7 { aqs'64\ppp r64. r64 } r128 \times 8/13 { r64. f'64.\ppp c''32 ctqs'64.\pp } dtqs'128]\ppp }|
\time 7/16
cs'32[\mp dqs'16.\f \times 3/4 { dtqs'8\fff } dtqs'16. r8] |
}
drum = {
\time 3/16
c'16[ c'16 \times 2/3 { r64. r32 r128 r32] } |
\time 2/8
c'16[ \times 8/9 { r64. r128 r128 c'32 } \times 3/4 { c'32 c'32 } c'64 \times 8/9 {r64 r64 r128 r32]} |
\time 3/16
\times 6/11 { c'16.[ c'16 c'8 c'16] } |
\time 5/16
c'32[ c'16 c'16 \times 8/11 { c'32 c'32 c'16 c'32. } \times 1/2 { c'16]} |
\time 3/8
c'16[ \times 2/3 { c'16. } c'16. c'16 \times 6/11 { c'16 c'16 r32 r64] } |
\time 4/8
\times 8/13 { \times 8/11 { c'16[ c'16 c'8 c'16.} c'8 \times 2/3 { c'8 c'16 c'8. } c'8.] } |
\time 3/8
\times 6/11 {\times 4/7 { c'8. c'4} \times 2/3 { r32[ r32 c'16. c'8 } \times 2/3 { c'16 c'8 c'16. c'16.] } } |
}
trumpetCPart = \new Staff \with {
midiInstrument = trumpet
} \trumpetC
trombonePart = \new Staff \with {
midiInstrument = trombone
} \trombone
drumsPart = \new Staff \with {
} \drum
\score {
\trumpetCPart
\trombonePart
\drumsPart
}
\layout {
\context {
\Score
\remove Timing_translator
\remove Default_bar_line_engraver
\remove Bar_number_engraver
\override SpacingSpanner #'uniform-stretching = ##t
\override SpacingSpanner #'strict-note-spacing = ##t
proportionalNotationDuration = #(ly:make-moment 1 64)
}
\context {
\Staff
\consists Timing_translator
\consists Default_bar_line_engraver
}
\context {
\Voice
\remove Forbid_line_break_engraver
tupletFullLength = ##t
}
}
\midi {
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\bar :
Hi list, Is it possible to force an extra bar line in the form \bar : when inserted into a multi-stave score to only apply to one staff instead of the default where the dots are added to all staves? Many thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: #'hide-tied-accidental-after-break
On 07/05/2012 09:06 AM, David Kastrup wrote:
Peter O'Doherty m...@peterodoherty.net writes:
Hi list,
When using these two lines together
#(set-accidental-style 'dodecaphonic)
\override Accidental #'hide-tied-accidental-after-break = ##t
\override Accidental... cancels out the dodecaphonic command
everywhere in the score.
If you are using a somewhat recent version of LilyPond, the problem more
likely is that you accidentally did not set the accidental style in the
first place. Note that #(set-accidental-style 'dodecaphonic) written in
music does nothing: it calculates music expressions that set the
accidental style, then returns them as a Scheme value, and LilyPond
ignores Scheme in music by default (not so as an argument of a music
function, however).
You have to write $(set-accidental-style 'dodecaphonic) instead, or more
simply,
\accidentalStyle dodecaphonic
Is there another way to avoid repeated accidentals on new staves but
still keep the accidental style 'dodecaphonic?
I find that
{
\accidentalStyle dodecaphonic
\override Accidental #'hide-tied-accidental-after-break = ##t
cis~ cis cis~ cis~ \break cis~ cis cis~ cis
}
works just like I would expect.
Thanks for your help.
The accidental override doesn't work when the tied notes are contained
within a | \\ |construct. Is there a way to deal with these?
Regards,
Peter
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#'hide-tied-accidental-after-break
Hi list, When using these two lines together #(set-accidental-style 'dodecaphonic) \override Accidental #'hide-tied-accidental-after-break = ##t \override Accidental... cancels out the dodecaphonic command everywhere in the score. Is there another way to avoid repeated accidentals on new staves but still keep the accidental style 'dodecaphonic? Many thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: tupletFullLength clashes with barline
On 06/30/2012 02:27 AM, Colin Campbell wrote: On 12-06-29 06:34 AM, Peter O'Doherty wrote: Thanks. Do you know how I can run the development version in combination with Frescobaldi (which uses version 2.14.2 at present)? Thanks again, Peter In Frescobaldi, one of the many options is to configure a list of lilypond versions. If you have the stable version installed as well as the development version, just use the setup to point Frescobaldi to each, as well as to designate the default. HTH, Colin Will the development version not replace the stable on my system? Is it safe to have them both installed side by side? Thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: tupletFullLength clashes with barline
Thanks a lot to those who assisted. It's working just nicely now. Best wishes, Peter On 06/30/2012 02:27 AM, Colin Campbell wrote: On 12-06-29 06:34 AM, Peter O'Doherty wrote: Thanks. Do you know how I can run the development version in combination with Frescobaldi (which uses version 2.14.2 at present)? Thanks again, Peter In Frescobaldi, one of the many options is to configure a list of lilypond versions. If you have the stable version installed as well as the development version, just use the setup to point Frescobaldi to each, as well as to designate the default. HTH, Colin -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: tupletFullLength clashes with barline
On 06/25/2012 10:50 AM, m...@apollinemike.com wrote:
On 25 juin 2012, at 10:37, Peter O'Doherty wrote:
On Sun, Mar 11, 2012 at 09:25:55AM +0100, Peter O'Doherty wrote:
On 03/10/2012 09:55 PM, Patrick Karl wrote:
On Mar 10, 2012, at 1:35 PM, Jamespkx1...@gmail.comwrote:
Message: 6
Date: Sat, 10 Mar 2012 19:34:40 +
From: Jamespkx1...@gmail.com
To: Peter O'Dohertym...@peterodoherty.net
Cc: lilypond-user@gnu.org
Subject: Re: tupletFullLength clashes with barline
Message-ID:
CA+T3wFkZtC-A0k6W1zjy3q2U=dtu8+qP+AWSf9rf=7orexq...@mail.gmail.com
Content-Type: text/plain; charset=ISO-8859-1
Hello,
On 10 March 2012 08:18, Peter O'Dohertym...@peterodoherty.netwrote:
Hi list,
tupletFullLength = ##t
causes the right hand part of the tuplet bracket to clash with the barline.
This only happens with a barline at the end of a line.
Is there a way to avoid this?
Tiny example and the version you are using might help us.
Here's one that illustrates what he's talking about:
\version 2.14.2
music = \relative g' {
\repeat unfold 3 { \times 2/3 { f8 g a f g a f g a f g a} }
\break
\set tupletFullLength = ##t
\repeat unfold 3 { \times 2/3 { g8 a b g a b g a b g a b} }
}
\score { \new Staff { \music } }
Note that in the 1st two measures of the 2nd system the tuple bracket extends
slightly past the last note, but in the last measure in the 2nd system the
tuple bracket extends all the way to the bar line.
Regards,
Pat Karl
Thanks for the example Pat. That illustrates it well. This examples
shows how bad it looks in a piano stave:
\version 2.12.3
\include english.ly
upper = {
\clef treble
\time 4/8
\times 4/6 { c'8 c'8 c'8 c'8 c'8 c'8 } |
\times 4/6 { c'8 c'8 c'8 c'8 c'8 c'8 } |
\times 4/6 { c'8 c'8 c'8 c'8 c'8 c'8 } |
\break
\times 4/6 { c'8 c'8 c'8 c'8 c'8 c'8 } |
}
lower = {
\clef bass
\times 4/6 { c8 c8 c8 c8 c8 c8 } |
\times 4/6 { c8 c8 c8 c8 c8 c8 } |
\times 4/6 { c8 c8 c8 c8 c8 c8 } |
\times 4/6 { c8 c8 c8 c8 c8 c8 } |
}
\score {
\new PianoStaff
\new Staff = upper \upper
\new Staff = lower \lower
\layout {
\context {
\Score
tupletFullLength = ##t
\override TupletBracket #'bracket-visibility = ##t
\override TupletNumber #'text = #tuplet-number::calc-fraction-text
}
}
}
Sorry to reopen this but I still haven't been able to solve the problem of the
tuplet bracket colliding with the barline at the end of a line.
Any help would be greatly appreciated!
Many thanks,
Peter
With the development version, you can do:
\override TupletBracket #'X-positions =
#(lambda (grob)
(let* ((right (ly:spanner-bound grob RIGHT))
(bd (ly:item-break-dir right))
(xshift (if (= bd -1) -0.5 0.0)))
(coord-translate (ly:tuplet-bracket::calc-x-positions grob)
`(0 . ,xshift
Cheers,
MS
Thanks.
Do you know how I can run the development version in combination with
Frescobaldi (which uses version 2.14.2 at present)?
Thanks again,
Peter
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Re: suppress warnings
On 05/29/2012 04:22 PM, Reinhold Kainhofer wrote:
The real issue is: Why is that warning supposed to be there in the first
place? Shouldn't you be looking for a way to fix the underlying problem
instead?
Cheers,
Reinhold
Good point. The situation is this: the \sustainOn command is often
included in a 2-voice texture but the allied command \sustainOff in a
1-voice measure or vice-versa (simple example below). The pedal marking
is generally correctly printed but lilypond complains (warning: cannot
find start of piano pedal: 'Sustain' ).
{ g4 fis8( g) a4 g }\\ { d4\sustainOn d d d } |
a,4 b,\sustainOff c d |
I could make a fake second voice in the second measure here which I
could hide using s but the stem direction would have to be manually
adjusted too. This seems like a lot of extra work just to avoid a warning.
(Unless there is a better way I'm not seeing.)
Best wishes,
Peter
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Re: suppress warnings
On 05/31/2012 12:17 PM, David Kastrup wrote:
Eluzeelu...@gmail.com writes:
Am 31.05.2012 11:19, schrieb Peter O'Doherty:
I could make a fake second voice in the second measure here which I
could hide using s but the stem direction would have to be
manually adjusted too. This seems like a lot of extra work just to
avoid a warning.
(Unless there is a better way I'm not seeing.)
Best wishes,
Peter
what's wrong with this code - I don't get any warnings!
{ \clef bass
{ g4 fis8( g) a4 g }
\\
{ d4 \sustainOn d d d }
|
a,4 b,\sustainOff c d |
}
do I miss something?
Don't see why. The Piano_pedal_engraver works at Staff level by
default. Voice switches should not faze it.
Okay, I'll take another good look at the score. Perhaps I'm missing
other factors which are causing this, although it always occurs at
across voice switches.
Thanks,
Peter
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mysterious error
Using lilypond version 2.14.2 I'm getting the following error. Drawing systems...lilypond: ../flower/include/drul-array.hh:35: T Drul_arrayT::at(Direction) [with T = double]: Assertion `d == 1 || d == -1' failed. ^CAborted (core dumped) It's caused by a piece of code in a big score and the error disappears when I test the offending code separately. (I don't wish to post the code here publicly.) Can someone please help? Many thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: mysterious error
On 05/08/2012 12:08 PM, David Kastrup wrote: Peter O'Dohertym...@peterodoherty.net writes: Using lilypond version 2.14.2 I'm getting the following error. Drawing systems...lilypond: ../flower/include/drul-array.hh:35: T Drul_arrayT::at(Direction) [with T = double]: Assertion `d == 1 || d == -1' failed. ^CAborted (core dumped) It's caused by a piece of code in a big score and the error disappears when I test the offending code separately. (I don't wish to post the code here publicly.) Can someone please help? Operating system, compiler, compiled from source or installed from binaries? Ubuntu 12.04 (the error above is one which has started appearing after upgrading from 11.04, lilypond version has not changed), installed from binary. -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: programming error: cyclic dependency
On 04/28/2012 07:51 PM, m...@apollinemike.com wrote: On 28 avr. 2012, at 19:48, Peter O'Doherty wrote: Hi list, After updating my system to Ubuntu 11.10 (although I can't see why this is relevant but this is the only change I've made to the system recently), code which previously output no error is full of these errors: warning: programming error: cyclic dependency: calculation-in-progress encountered for #'positions (Beam) I don't see anything strange in the final pdf file so is this warning to be ignored? Many thanks, Peter Lots of work was done in beams in 2.13 and 2.15. If you could send a minimal example (of one beam, say) and the version number, it'll be easy to ID if the problem has been fixed in more recent versions. But this is a problem - it means that beam positions are being calculated to early in the LilyPond compilation process. I just upgraded to Ubuntu 12.04 and the error messages are gone. Don't quite understand that one. Thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
programming error: cyclic dependency
Hi list, After updating my system to Ubuntu 11.10 (although I can't see why this is relevant but this is the only change I've made to the system recently), code which previously output no error is full of these errors: warning: programming error: cyclic dependency: calculation-in-progress encountered for #'positions (Beam) I don't see anything strange in the final pdf file so is this warning to be ignored? Many thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: line breaks within beamed tuplets
So this does this what you want:
\version 2.15.34
upper = {
\clef treble
\time 4/8
c'8 c'8 c'8 c'8
c'8 c'8 c'8 c'8
c'8 c'8 c'8 c'8
c'8 c'8 c'8 c'8
}
lower = {
\clef bass
\times 4/5 { c8[ c8 c8 c8 c8] }
\times 5/6 { c8[ c8 c8 c8 c8 \bar \break c8] }
\times 3/4 { c8[ c8 c8 c8] }
\times 4/5 { c8 c8 c8 c8 c8 }
}
\score {
\new PianoStaff
\new Staff = upper \upper
\new Staff = upper \lower
\layout {
\context {
\Score
\override Beam #'breakable = ##t
}
\context {
\Voice
\remove Forbid_line_break_engraver
}
}
}
HTH,
Yes it does. Tremendously. Many thanks!
Peter
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Re: tupletFullLength clashes with barline
On 03/10/2012 09:55 PM, Patrick Karl wrote:
On Mar 10, 2012, at 1:35 PM, Jamespkx1...@gmail.com wrote:
Message: 6
Date: Sat, 10 Mar 2012 19:34:40 +
From: Jamespkx1...@gmail.com
To: Peter O'Dohertym...@peterodoherty.net
Cc: lilypond-user@gnu.org
Subject: Re: tupletFullLength clashes with barline
Message-ID:
CA+T3wFkZtC-A0k6W1zjy3q2U=dtu8+qP+AWSf9rf=7orexq...@mail.gmail.com
Content-Type: text/plain; charset=ISO-8859-1
Hello,
On 10 March 2012 08:18, Peter O'Dohertym...@peterodoherty.net wrote:
Hi list,
tupletFullLength = ##t
causes the right hand part of the tuplet bracket to clash with the barline.
This only happens with a barline at the end of a line.
Is there a way to avoid this?
Tiny example and the version you are using might help us.
Here's one that illustrates what he's talking about:
\version 2.14.2
music = \relative g' {
\repeat unfold 3 { \times 2/3 { f8 g a f g a f g a f g a} }
\break
\set tupletFullLength = ##t
\repeat unfold 3 { \times 2/3 { g8 a b g a b g a b g a b} }
}
\score { \new Staff { \music } }
Note that in the 1st two measures of the 2nd system the tuple bracket extends
slightly past the last note, but in the last measure in the 2nd system the
tuple bracket extends all the way to the bar line.
Regards,
Pat Karl
Thanks for the example Pat. That illustrates it well. This examples
shows how bad it looks in a piano stave:
\version 2.12.3
\include english.ly
upper = {
\clef treble
\time 4/8
\times 4/6 { c'8 c'8 c'8 c'8 c'8 c'8 } |
\times 4/6 { c'8 c'8 c'8 c'8 c'8 c'8 } |
\times 4/6 { c'8 c'8 c'8 c'8 c'8 c'8 } |
\break
\times 4/6 { c'8 c'8 c'8 c'8 c'8 c'8 } |
}
lower = {
\clef bass
\times 4/6 { c8 c8 c8 c8 c8 c8 } |
\times 4/6 { c8 c8 c8 c8 c8 c8 } |
\times 4/6 { c8 c8 c8 c8 c8 c8 } |
\times 4/6 { c8 c8 c8 c8 c8 c8 } |
}
\score {
\new PianoStaff
\new Staff = upper \upper
\new Staff = lower \lower
\layout {
\context {
\Score
tupletFullLength = ##t
\override TupletBracket #'bracket-visibility = ##t
\override TupletNumber #'text = #tuplet-number::calc-fraction-text
}
}
}
Best wishes,
Peter
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line breaks within beamed tuplets
Hi,
Another question concerning tuplets:
\remove Forbid_line_break_engraver
\override Beam #'breakable = ##t
only seem to work with a single stave.
The code below causes a warning:
warning: forced break was overridden by some other event, should you be
using bar checks?
Is there an alternative?
Many thanks,
Peter
=
\version 2.12.3
upper = {
\clef treble
\time 4/8
c'8 c'8 c'8 c'8
c'8 c'8 c'8 c'8
c'8 c'8 c'8 c'8
c'8 c'8 c'8 c'8
}
lower = {
\clef bass
\times 4/5 { c8[ c8 c8 c8 c8] }
\times 5/6 { c8[ c8 c8 c8 c8 \bar \break c8] }
\times 3/4 { c8[ c8 c8 c8] }
\times 4/5 { c8 c8 c8 c8 c8 }
}
\score {
\new PianoStaff
\new Staff = upper \upper
\new Staff = upper \lower
\layout {
\context {
\Score
\remove Forbid_line_break_engraver
\override Beam #'breakable = ##t
}
}
}
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Re: line breaks within beamed tuplets
On 03/11/2012 11:42 AM, m...@apollinemike.com wrote: On Mar 11, 2012, at 11:40 AM, Peter O'Doherty wrote: Hi, Another question concerning tuplets: \remove Forbid_line_break_engraver \override Beam #'breakable = ##t Try adding: \override TupletBracket #'breakable = ##t Cheers, MS Sorry, that doesn't work. Still getting warning: forced break was overridden by some other event, should you be using bar checks? Best, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
tupletFullLength clashes with barline
Hi list, tupletFullLength = ##t causes the right hand part of the tuplet bracket to clash with the barline. This only happens with a barline at the end of a line. Is there a way to avoid this? Many thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: ANN: Frescobaldi 2.0.2 is available
Hi Wilbert, Thanks for all your work on this. It looks great. Sorry if this has been asked before, I couldn't find anything in the archives. I installed all the dependencies (including libpoppler-qt4-dev) but when I start frescobaldi the message Could not load the popplerqt4 module appears in the right pane. Can you help? (I'm on linux.) Thanks, Peter On 01/16/2012 11:24 AM, Wilbert Berendsen wrote: Hi all, 2.0.2 is released which mainly fixes some Windows bugs: - snippet import/export now works in installer version - convert-ly works - stopping LilyPond now works other improvements: - the PDF and MIDI now always update correctly, also when 'save doc on compile' is checked. - manage templates in file-new from template menu (templates are simply snippets that define the 'template' variable) - lilypond can be run untranslated (in the C locale) - file entry fields in prefs are not slow anymore - more hyphen dictionaries bundled by default Note: for Windows users there is now a well-tested full installer that includes Python, PyQt4, poppler, portmidi and everything! Download: http://frescobaldi.org/download Enjoy! -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - https://joindiaspora.com/people/70716 //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
time signature between staves
Hi, I have a system with 4 staves and instead of each stave having a time signature (which changes regularly) I would like to place the time signature between the second and third stave only. Is this possible? And if so, how? Many thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: svg output
Sorry for the noise. I was using the wrong version of lilypond. Many thanks, Peter On 09/19/2011 10:44 PM, Gerard McConnell wrote: I don't know if this is any help, but with JEdit %lilypond -dbackend=svg %buffer works fine. That is, whatever is in the buffer gets output as an SVG file. Gerard On Mon, Sep 19, 2011 at 9:42 AM, Peter O'Doherty m...@peterodoherty.net mailto:m...@peterodoherty.net wrote: Hi, When I run this on terminal lilypond -dbackend=svg finalscore.ly http://finalscore.ly instead of each page of the score as seperate svg files I get one, empty, file named finalscore.svg. Any idea where it might be going wrong? (There is no error message.) Thanks, Peter ___ lilypond-user mailing list lilypond-user@gnu.org mailto:lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
svg output
Hi, When I run this on terminal lilypond -dbackend=svg finalscore.ly instead of each page of the score as seperate svg files I get one, empty, file named finalscore.svg. Any idea where it might be going wrong? (There is no error message.) Thanks, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Lyrics in StaffGroup
Hi,
Can someone please advise me where \addlyrics { \text } should go in the
code below? I'm using a StaffGroup so it's not straightforward.
Many thanks,
Peter
\version 2.13.61
\include english.ly
mezzoSopranoVoice = \new Voice {
\set Staff.instrumentName = #Mezzo-soprano
}
cello = \new Voice {
\set Staff.instrumentName = #Cello
\clef bass_8
}
\score {
\new StaffGroup
\new Staff \mezzoSopranoVoice
\new Staff \cello
\layout {
\context {
} }
}
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Re: Lyrics in StaffGroup
Thanks. That seems to work just fine.
Best,
Peter
On 09/02/2011 12:51 PM, Peter Chubb wrote:
Peter == Peter O'Dohertyk.p.odohe...@gmail.com writes:
Peter Hi, Can someone please advise me where \addlyrics { \text }
Peter should go in the code below? I'm using a StaffGroup so it's not
Peter straightforward. Many thanks, Peter
Name the mezzoSopVoice then use \lyricsto:
Peter mezzoSopranoVoice = \new Voice { \set Staff.instrumentName =
Peter #Mezzo-soprano }
mezzoSopranoVoice = \context Voice = tune { \set Staff.instrumentName =
#Mezzo-soprano }
Peter cello = \new Voice { \set Staff.instrumentName = #Cello \clef
Peter bass_8 }
Peter \score {
Peter\new StaffGroup
Peter\new Staff \mezzoSopranoVoice
\lyricsto tune \new Lyrics \lyricmode{ words }
Peter\new Staff \cello
Peter
Peter \layout { \context { }
Peter}
Peter }
--
Dr Peter Chubb http://www.gelato.unsw.edu.au peterc AT gelato.unsw.edu.au
http://www.ertos.nicta.com.au ERTOS within National ICT Australia
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viola midi instrument
Hi list,
Although it is listed here
http://kainhofer.com/~lilypond/Documentation/notation/midi-instruments.html
I'm not hearing the viola part when I use the code below to produce a
midi file. Am I missing something?
Many thanks,
Peter
\version 2.13.16
\include english.ly
violinI = { c' }
violinII = { g' }
viola = { \clef alto e }
cello = { \clef bass c }
violinIPart = \new Staff \with {
instrumentName = Violin I
midiInstrument = violin
} \violinI
violinIIPart = \new Staff \with {
instrumentName = Violin II
midiInstrument = violin
} \violinII
violaPart = \new Staff \with {
instrumentName = Viola
midiInstrument = viola
} \viola
celloPart = \new Staff \with {
instrumentName = Cello
midiInstrument = cello
} \cello
\score {
\violinIPart
\violinIIPart
\violaPart
\celloPart
\layout { }
\midi { }
}
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Re: viola midi instrument
Sorry, for the noise. The problem isn't LP but timidity. Apparently, it
doesn't have a viola option.
Peter
On 07/15/2011 02:56 PM, Peter O'Doherty wrote:
Hi list,
Although it is listed here
http://kainhofer.com/~lilypond/Documentation/notation/midi-instruments.html
I'm not hearing the viola part when I use the code below to produce a
midi file. Am I missing something?
Many thanks,
Peter
\version 2.13.16
\include english.ly
violinI = { c' }
violinII = { g' }
viola = { \clef alto e }
cello = { \clef bass c }
violinIPart = \new Staff \with {
instrumentName = Violin I
midiInstrument = violin
} \violinI
violinIIPart = \new Staff \with {
instrumentName = Violin II
midiInstrument = violin
} \violinII
violaPart = \new Staff \with {
instrumentName = Viola
midiInstrument = viola
} \viola
celloPart = \new Staff \with {
instrumentName = Cello
midiInstrument = cello
} \cello
\score {
\violinIPart
\violinIIPart
\violaPart
\celloPart
\layout { }
\midi { }
}
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Re: viola midi instrument
On 07/15/2011 03:48 PM, Brett McCoy wrote: On Fri, Jul 15, 2011 at 8:56 AM, Peter O'Dohertyk.p.odohe...@gmail.com wrote: Although it is listed here http://kainhofer.com/~lilypond/Documentation/notation/midi-instruments.html I'm not hearing the viola part when I use the code below to produce a midi file. Am I missing something? If you are using the default soundfont (freepats) with Timidity, it doesn't have a viola patch for whatever reason. Use the fluidGM set, it's much better! Thanks. That does the job! -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
transpose
Hi,
Can someone please help me adjust this example so it's transposed
correctly for Bb clarinet? Where should I put the
\transpose c' d' \clarinet ?
Thanks,
Peter
\version 2.12.3
\include english.ly
\paper {
#(set-paper-size a4 'landscape)
}
clarinet = {
c'4 d' e' f' |
}
\score {
\new Staff \with {
midiInstrument = clarinet
}
\clarinet
\layout {
\context {
\Score
\override TupletBracket #'bracket-visibility = ##t
\override TupletNumber #'text = #tuplet-number::calc-fraction-text
\override Stem #'stemlet-length = #0.7
\override DynamicText #'font-size = #-2
}
}
}
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Re: transpose
Thank you all for your help. David's solution was just the one I needed.
Best wishes,
Peter
On 06/02/2011 05:48 PM, Ole Schmidt wrote:
I would do it like this (not sure if the indention is correct...)
hth ole
%
\version 2.12.3
\include english.ly
\header {
}
clari = \new Staff {
% \time 3/4
\set Staff.instrumentName = Clarinet in Bb
\set Staff.midiInstrument = clarinet
% \key d \major
% \clef treble
\transpose c' d' {
c'4 d' e' f' |
}
}
\score {
\clari
\midi {
}
\layout {
}
}
\paper {
}
%%
Am 02.06.2011 um 17:00 schrieb Peter O'Doherty:
Hi,
Can someone please help me adjust this example so it's transposed correctly for
Bb clarinet? Where should I put the
\transpose c' d' \clarinet ?
Thanks,
Peter
\version 2.12.3
\include english.ly
\paper {
#(set-paper-size a4 'landscape)
}
clarinet = {
c'4 d' e' f' |
}
\score {
\new Staff \with {
midiInstrument = clarinet
}
\clarinet
\layout {
\context {
\Score
\override TupletBracket #'bracket-visibility = ##t
\override TupletNumber #'text = #tuplet-number::calc-fraction-text
\override Stem #'stemlet-length = #0.7
\override DynamicText #'font-size = #-2
}
}
}
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Re: transpose
On 06/03/2011 12:45 AM, Francisco Vila wrote: 2011/6/2 Peter O'Dohertyk.p.odohe...@gmail.com: Thank you all for your help. David's solution was just the one I needed. Best wishes, Peter Here is a beautiful example of something I've been suspecting for months. No matter how fast I reply to a question in this list, my reply only reaches other recipients's mailboxes after several hours. :-( I'm not sure if that's correct. I sent my original message at 17:00 but didn't reply until 20:38. The delay was therefore mine. (I'm also replying to this message at 07:48 after receiving it at 12:45!) Anyway, I am sincerely glad that you received one or more helpful answers, be mine or from others. Thanks for your suggestion. Best, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
quarter tones
Hi, Is it only possible to use the quarter tone suffixes (ih and eh) with the Dutch version of note names, i.e. deseh? dflateh or dfeh would be nice too. Thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
quarter tones
Sorry for the noise. Just found this: http://lists.gnu.org/archive/html/lilypond-devel/2006-08/msg00088.html Regards, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
piano score
Hi, I have a few questions concerning piano scores. Is it possible to: adjust things like ottava brackets and pedal brackets vertically to avoid clashes? adjust between system space/padding for a specific page, note the whole score? Many thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
DynamicText offset
Hi, Is there a way to offset dynamic text vertically? I though this might work but it doesn't \once \override DynamicText #'Y-offset = #0.2 Regards, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: DynamicText offset
On 05/14/2011 11:38 AM, -Eluze wrote: Peter O'Doherty-3 wrote: Hi, Is there a way to offset dynamic text vertically? I though this might work but it doesn't \once \override DynamicText #'Y-offset = #0.2 Regards, Peter \override DynamicText #'extra-offset = #'(0 . -5) should work! Great thanks. So \override DynamicText #'X-offset = #0.2 isn't necessary either. Best, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: tuplet brackets force print
On 05/03/2011 03:14 PM, Colin Campbell wrote: On 11-05-03 02:26 AM, Peter O'Doherty wrote: On 05/03/2011 07:46 AM, Nick Payne wrote: On 03/05/11 15:13, Peter O'Doherty wrote: re. my previous post concerning tuplet brackets not bing printed. Apparently this is a known bug for which a patch has been made. http://code.google.com/p/lilypond/issues/detail?id=405 Can anyone advise how I can implement this patch? According to the link above, the fix was implemented in 2.13.14, so run the current development version to get it. Nick Thanks. Is it possible to have two versions alongside each other? Yes. Give us a clue about operating system, etc. Linux (Ubuntu 10.4). Is it best to download the binary or via git? Here is a link to the Contributor's Guide (CG), Peter, describing how to manage stable and development versions on the same machine. Another choice, as you are running Ubuntu, is to use Frescobaldi as your editor, and use the feature in the setup, which allows you to set paths to multiple versions of lilypond, choosing one as a default. Frescobaldi then honours the \version statement at the head of your .ly file, making switching versions trivial. HTH Colin Campbell http://lilypond.org/doc/v2.13/Documentation/contributor/concurrent-stable-and-development-versions Great, thanks. I'll have a look at that. Best, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: tuplet brackets force print
On 05/03/2011 07:46 AM, Nick Payne wrote: On 03/05/11 15:13, Peter O'Doherty wrote: re. my previous post concerning tuplet brackets not bing printed. Apparently this is a known bug for which a patch has been made. http://code.google.com/p/lilypond/issues/detail?id=405 Can anyone advise how I can implement this patch? According to the link above, the fix was implemented in 2.13.14, so run the current development version to get it. Nick Thanks. Is it possible to have two versions alongside each other? -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: tuplet brackets force print
On 05/03/2011 07:46 AM, Nick Payne wrote: On 03/05/11 15:13, Peter O'Doherty wrote: re. my previous post concerning tuplet brackets not bing printed. Apparently this is a known bug for which a patch has been made. http://code.google.com/p/lilypond/issues/detail?id=405 Can anyone advise how I can implement this patch? According to the link above, the fix was implemented in 2.13.14, so run the current development version to get it. Nick Thanks. Is it possible to have two versions alongside each other? Yes. Give us a clue about operating system, etc. Linux (Ubuntu 10.4). Is it best to download the binary or via git? -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
tuplet brackets force print
re. my previous post concerning tuplet brackets not bing printed. Apparently this is a known bug for which a patch has been made. http://code.google.com/p/lilypond/issues/detail?id=405 Can anyone advise how I can implement this patch? Thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
tuplet brackets
Hi, Can someone tell me if there is a way to force triplet bracket visibility in conjunction with a tuplet number in fraction form, i.e. using the following two overrides? \override TupletBracket #'bracket-visibility = ##t \override TupletNumber #'text = #tuplet-number::calc-fraction-text At the moment the bracket behaviour is unpredictable, sometimes printed, sometimes not. Many thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net //= ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user
Re: grace note without slurred but needs a slashed stem
Hi,
Can someone advise how to adjust this identifier to deal with a group of beamed
grace notes?
Many thanks
Peter
Mark Polesky wrote:
... with an identifier:
.. which can be adapted to cope with a group of grace notes:
mygrace = #(define-music-function (parser location music) (ly:music?)
#{ \override Stem #'stroke-style = #grace \grace $music \revert Stem
#'stroke-style #})
N.B. - any beaming suppresses such grace slashes.
Cheers,
Robin
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Re: ottavation
Thanks a lot Mike and Nick. Your suggestions have been very helpful.
Regards,
Peter
On 04/07/2011 01:37 AM, Nick Payne wrote:
On 06/04/11 23:26, Peter O'Doherty wrote:
Thanks.
The code you sent applies \ottava #1 to the whole score, whereas I
also have instances of |8vb and 15va etc|. All I need is a way to
change the property to print only 8 or 15 without va, vb etc. to save
me typing \set Staff.ottavation = #8 each time.
Thanks,
Peter
\score { \new Staff {
{
{
\ottava #1
%\set Staff.ottavation = #8
c''1
\ottava #-1
%\set Staff.ottavation = #8
c,1
}
}}
\layout {
\context {
% \Score ottavation=#8 % this does not work
} }}
Why not just define something like
eightU = { \ottava #1 \set Staff.ottavation = #8 }
eightD = { \ottava #-1 \set Staff.ottavation = #8 }
{
\eightU
c''1
\eightD
c,1
}
Nick
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Re: programming error: Going back in MIDI time
On 04/06/2011 07:53 AM, Janek Warchoł wrote:
\acciaccatura { \scaleDurations #' (1 . 2) { c'8[ d' e' f' g'] } }
That works. Thanks a lot.
Regards,
Peter
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ottavation
Hi,
How can I adjust \set Staff.ottavation = #8 to include it in the
layout section so it applies to the whole score?
\layout {
\context {
\Score
%\set Staff.ottavation = #8
}
}
Many thanks,
Peter
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Tuplet bracket visibility
Hi,
Lilypond seems to be selective in applying the \override command to
allow bracket visibility (which I have in the layout section as below).
Is there another way to force it to always do so?
Thanks again,
Peter
\layout {
\context {
\Score
\override TupletBracket #'bracket-visibility = ##t
\override TupletNumber #'text = #tuplet-number::calc-fraction-text
}
}
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Re: ottavation
Thanks.
The code you sent applies \ottava #1 to the whole score, whereas I also
have instances of |8vb and 15va etc|. All I need is a way to change the
property to print only 8 or 15 without va, vb etc. to save me typing
\set Staff.ottavation = #8 each time.
Thanks,
Peter
\score { \new Staff {
{
{
\ottava #1
%\set Staff.ottavation = #8
c''1
\ottava #-1
%\set Staff.ottavation = #8
c,1
}
}}
\layout {
\context {
% \Score ottavation=#8 % this does not work
} }}
On 04/06/2011 01:51 PM, m...@apollinemike.com wrote:
On Apr 6, 2011, at 7:22 AM, James Lowe wrote:
From: Peter O'Doherty [mailto:k.p.odohe...@gmail.com]
Sent: 06 April 2011 12:21
To: James Lowe
Subject: Re: ottavation
Thanks for your reply, James. My question wasn't very clear - there are numerous instances of ottava passages
in the score, but not the whole score so \clef treble_8 is not suitable. It's not the ottava
instruction as such I want to use in the \layout { } but the format, i.e. just an 8 instead of
8va.
Regards,
Peter
On Wed, Apr 6, 2011 at 12:27 PM, James Lowejames.l...@datacore.com wrote:
Hello,
)-Original Message-
)From: lilypond-user-bounces+james.lowe=datacore@gnu.org
)[mailto:lilypond-user-bounces+james.lowe=datacore@gnu.org] On
)Behalf Of Peter O'Doherty
)Sent: 06 April 2011 09:51
)To: lilypond-user
)Subject: ottavation
)
)Hi,
)
)How can I adjust \set Staff.ottavation = #8 to include it in the layout
)section so it applies to the whole score?
Can't you just use
\clef treble_8 in your score
http://lilypond.org/doc/v2.13/Documentation/notation/displaying-pitches#clef
Instead of using a \layout { } construct?
james
\score { \new Staff {
\relative c'' {
a b c d
}}
\layout { \context { \Score ottavation=#8 } }}
Cheers,
MS
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programming error: Going back in MIDI time
Hi,
I know this has been asked before but I haven't been able to resolve it
satisfactorily. Can anyone suggest a solution to this error?
It occurs in the example below, i.e. when the grace note has more than 4
members.
Many thanks,
Peter
##
\version 2.12.3
\include english.ly
upper = {
\clef treble
\time 4/4
%a'8[ a' a' a'] \acciaccatura { c'8[ d' e' f' g'] } a'8[ a'8 a'8 a'8
] %doesn't work
a'8[ a' a' a'] \appoggiatura { c'8[ d' e' f'] } a'8[ a'8 a'8 a'8 ] %works
}
lower = {
\clef bass
f4 f f f
}
\score {
\new PianoStaff
\set PianoStaff.instrumentName = #Piano
\new Staff = upper { \upper
}
\new Staff = lower {\lower
}
\layout {
\context {
}
}
\midi { }
}
##
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Grace notes at end of bar
Hi, Is there a way to enable grace notes to be positioned at ends of bars? Many thanks, Peter ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Piano score and kneed beams
On 03/15/2011 09:54 PM, Phil Holmes wrote: That's a bit weird. The noteheads on the lower staff are the wrong way round! Yes, it does look strange. It's the published score of Xenakis' Herma. Guess their typesetters couldn't deal with those stems either! Anyway, if I was trying to set this within my knowledge of the limitations of LilyPond, I'd set the upper stave as it is, then use the instructions for Cross-staff stems in the Notation Reference to join the lower notes to the upper beams. The problem is that the stems on the upper stave need to go down and those on the lower, up. Because of the alignment of the note heads the stems will not meet. I've also tried tweaking the code for the snippet of /Goyescas/ by Enrique Granados but to no avail. Best, Peter ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Piano score and kneed beams
Hi, Can someone please point me in the direction of info on kneed beams in piano scores. The only snippet I can find is this http://lsr.dsi.unimi.it/LSR/Item?id=646 and it deals with tweaking tuplet numbers in conjunction with kneed beams. I just need to know how to create kneed beams (including simultaneous chords in both hands). Many thanks, Peter ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Piano score and kneed beams
Thanks James and Phil. The examples you give are not quite what I'm looking for (at least I can't tweak them to get what I need). The closest is a simple \change Staff command but this only allows notes on one stave at a time. This (http://www.peterodoherty.net/screenshot.png) is what I would like but this isn't perfect either as the notes on the lower stave are on the wrong side of the stems. Is this possible? Many thanks again, Peter On 03/15/2011 07:28 PM, Phil Holmes wrote: - Original Message - From: Peter O'Doherty k.p.odohe...@gmail.com To: lilypond-user lilypond-user@gnu.org Sent: Tuesday, March 15, 2011 6:19 PM Subject: Piano score and kneed beams Hi, Can someone please point me in the direction of info on kneed beams in piano scores. The only snippet I can find is this http://lsr.dsi.unimi.it/LSR/Item?id=646 and it deals with tweaking tuplet numbers in conjunction with kneed beams. I just need to know how to create kneed beams (including simultaneous chords in both hands). Many thanks, Peter Have you looked at: http://lilypond.org/doc/v2.13/Documentation/notation/beams -- Phil Holmes ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: lilypond-book unwanted space
Thanks Graham and Federico.
I actually took another route, cheating I suppose, which suits my
requirements just as well. I created two pdfs, one from a .lytex file
which includes introductory text and music snippets and one from a .ly
file containing the main score and then combined them into one pdf using
the pdftk utility.
Regards,
Peter
On 01/13/2011 07:05 PM, Federico Bruni wrote:
2011/1/13 Peter O'Doherty m...@peterodoherty.net
mailto:m...@peterodoherty.net
On 01/13/2011 02:46 PM, Graham Percival wrote:
On Thu, Jan 13, 2011 at 02:12:30PM +0100, Peter O'Doherty wrote:
\paper {
paper-width = 210\mm
left-margin = 20\mm
right-margin = 30\mm
line-width = 100\mm
}
try:
indent = 0\mm
as long as you have no instrument names, it should be fine.
Cheers,
- Graham
Thanks but adding indent = 0\mm to the list above does not change
anything. Or should it be added somewhere else?
you've already removed the indent when you included the file:
\lilypondfile[quote,noindent]{file.ly http://file.ly/}
in a .lytex file the page layout is defined by LaTeX
you should change margins using the geometry package (I think)
post the header of your .lytex file and someone will give you some
feedback,
even though it's a LaTeX question
or better: search the archives, it's been asked before
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lilypond-book unwanted space
Hi,
I am using the command \lilypondfile[quote,noindent]{file.ly} to import
a large file into a lilypond-book document and invoking using
lilypond-book --output=out --pdf --left-padding=0 lilybook.lytex
pdflatex lilybook.tex
However, the music is shifted to the right such that it runs off the
page and reduced in size with too much blank space on all sides.
As you can see, I tried adding --left-padding=0 while invoking lilypond
but that does not help. I also added the lines
\paper {
paper-width = 210\mm
left-margin = 20\mm
right-margin = 30\mm
line-width = 100\mm
}
to my lilypond doc but also to no avail.
Can someone assist?
Many thanks,
Peter
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Re: lilypond-book unwanted space
On 01/13/2011 02:46 PM, Graham Percival wrote:
On Thu, Jan 13, 2011 at 02:12:30PM +0100, Peter O'Doherty wrote:
\paper {
paper-width = 210\mm
left-margin = 20\mm
right-margin = 30\mm
line-width = 100\mm
}
try:
indent = 0\mm
as long as you have no instrument names, it should be fine.
Cheers,
- Graham
Thanks but adding indent = 0\mm to the list above does not change
anything. Or should it be added somewhere else?
Thanks,
Peter
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Note head clashes
Hi, How can I notate the (piano) chord e' f'! fsharp'4 without a clash between e' and f' and change the order of accidentals to the more logical f-natural, f-sharp? Many thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - facebook: Peter-ODoherty //= ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Note head clashes
How can I notate the (piano) chord e' f'! fsharp'4 without a clash between e' and f' and change the order of accidentals to the more logical f-natural, f-sharp? Many thanks, Peter Try having a look at the thread entitled odd output - we've been discussing something similar for the last day or 2 and you _may_ find some tips. Note, though, that Lily is documented as not supporting 2 different accidentals on the same note within a single chord. Okay thanks. Didn't notice that thread but it did help. Thanks, Peter -- //= - Peter O'Doherty - http://www.peterodoherty.net - m...@peterodoherty.net - facebook: Peter-ODoherty //= ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Pitch/ octave notation
Yes, I'm familiar with relative music input. However, in my case it won't work as I'm typesettling music which leaps around an awful lot. I'm suggesting something more along the lines of \include english.ly, whereby you can enter fsharp instead of fis. So instead of c', you can enter c4, c5 instead of c''. By the sound of it, something like this isn't possible. Is this a potential area for future development? On 15-nov-2006, at 0:16, Geoff Horton wrote: Is it possible to indicate pitches in the format c4 instead of c'? And if not, does anybody know of any plans to create this possibility? I'm wondering if this might not be something that relative music input could help with. Are you familiar with it? Geoff ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Pitch/ octave notation
Then he could use 4c8 instead, or does lilypond have any special meaning for prepended digits? hm, then maybe 8c4 is an even better choice (8th of pitch c4). I guessed that the request for c4 syntax for pitches is related to some musicological convention where c4 is the actual pitch name. Yes, this is precisely the idea. I'm typesetting music which jumps around a lot and instead of a,,, and a,, and c' and c which becomes very confusing, the convention I am using (simply because I am most familiar with it) is c-1, c0, c6, c7 and so forth. It is simply easier to see at a glance which octave it is. But of course I do see where the problem lies as duration are also digits. Never mind, it was worth trying! ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Pitch/ octave notation
Hello, Is it possible to indicate pitches in the format c4 instead of c'? And if not, does anybody know of any plans to create this possibility? Many thanks, Peter ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
question about midi2ly (mac osx)
Hello, I would be very grateful if some one could give me some pointers on using midi2ly; I keep getting an error message in terminal. Here is what I do: The first command I enter is: /Applications/LilyPond.app/Contents/Resources/bin/midi2ly That seems to work okay and I get a list of instructions for using midi2ly. But at the end of this list there appears this message: /Applications/LilyPond.app/Contents/Resources/bin/midi2ly: error: no files specified on command line. From then on if I try to used midi2ly, for example by entering: midi2ly -e test.midi I receive only error messages like this (even if I only look for help by entering midi2ly -h): -bash: midi2ly: command not found Can someone please tell me what I'm doing wrong? Many thanks, Peter ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond + LaTex (on Mac)
I'm not quite sure what I did wrong but I tried this a few times and it still doesn't want to work. I am able to run steps 1 - 4 but at step 5, the line already reads export PATH=$PATH:/Applications/LilyPond.app/Contents/Resources/bin so it doesn't seem to make sense to add :/Applications/LilyPond.app/ Contents/Resources/bin as stated in step 5. What am I doing wrong? Thanks again, Peter Thanks, Graham. So here's what Peter (and I) need to do, assuming that you moved the LilyPond app off your desktop and into the Applications folder: 1) Open a new terminal window. 2) Type: nano 3) In the program that opens, type CtrlR. Type .profile and hit Enter. You'll probably get a message: .profile not found, which is fine. If that's what happened, skip to step (6) 4) Look in the file that loaded and see if it has a line that begins: export PATH= If it doesn't, then go on to step (6). 5) Move the cursor to the end of line that begins: export PATH= and add this to the end of it: :/Applications/LilyPond.app/Contents/Resources/bin Make sure to hit Return at the end of that line, and make sure not to add any spaces before the colon, which has to be there. My line looks like this: export PATH=/opt/local/bin:/opt/local/sbin:/Applications/ LilyPond.app/Contents/Resources/bin (It's all on one line, with a space between export and PATH, like this: export PATH Upper and lower case makes a difference! Now skip to step (7) 6) Type: export PATH=$PATH:/Applications/LilyPond.app/Contents/Resources/bin 7) Type CtrlO (that's a letter o, not a numeral 0). When it prompts with File to save, type: .profile and hit Enter. If it asks if it's OK to overwrite, you should be able to say Yes safely if you followed the instructions above. Note that I am NOT responsible if, instead of doing anything useful, your computer does something catastrophic, or just quits working the way you want it to. It shouldn't happen, but I make no guarantees. 8) Type CtrlX, which closes the editor. 9) Type: exit and hit Enter 10) Close the terminal window. 11) Open a new terminal window and see if lilypond-book works now. ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond + LaTex (on Mac)
Thanks for this Graham (and your patience!). I think I messed it up somewhere. Here's what I have: 1) lilypond.app is in /applications folder 2) I call up a terminal and see this: ip5455a71f:~ peter$ cd '/Applications/' ip5455a71f:/Applications peter$ 3) Then I type: nano 4) next: I hit CtrlR. Type .profile and hit Enter. I get : File to insert [from ./] : 5) I type .profile and hit Enter 6) This is what I now get: export PATH=/opt/local/bin:/opt/local/sbin:/Applications/LilyPond.app/ Contents/Resources/bin export PATH=$PATH:$HOME/Apps/LilyPond.app/Contents/Resources/bin So for some reason I get a combination of Geoff's suggestion and your suggestion. What should I do here? Geoff Horton wrote: Thanks, Graham. So here's what Peter (and I) need to do, assuming that you moved the LilyPond app off your desktop and into the Applications folder: Werner mentioned altering the documentation. Just in case you don't have it handy, here's the link: http://lilypond.org/web/devel/participating/documentation-adding 1) Open a new terminal window. Make sure to hit Return at the end of that line, and make sure not to add any spaces before the colon, which has to be there. My line looks like this: export PATH=/opt/local/bin:/opt/local/sbin:/Applications/ LilyPond.app/Contents/Resources/bin IMO, it's better to do this: export PATH=$PATH:$HOME/Apps/LilyPond.app/Contents/Resources/bin That way the existing path is still used, even if it's set somewhere else (say, /etc/profile). 8) Type CtrlX, which closes the editor. All of these can be condensed to $ cat export PATH=$PATH:$HOME/Apps/LilyPond.app/Contents/Resources/ bin ~/.profile (or something like that; please test it before suggesting a doc change) 11) Open a new terminal window and see if lilypond-book works now. Peter, did you do this? After making the change, you _must_ quite terminal and then re-start it. In addition, are you sure you have the right directory? Where did you put lilypond? Cheers, - Graham ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond + LaTex (on Mac)
Thanks for all your help.I eventually got it to work using Nicola Vitacolonna's Lilypond engine for TeXShop which can be found here: http://www.dimi.uniud.it/vitacolo/freesoftware.htmlI would definately recommend it - it works beautifully.Regards,Peter___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Lilypond + LaTex (on Mac)
I have been using lilypond for some time now, much to my satisfaction and without problems.Recently, I have also started using LaTex (on TeXShop) and have been trying to use lilypond-book, without succes.My problem is really a beginner's one I guess as my experience with LaTex is limited. If I use the example given here:http://lilypond.org/doc/v2.6/Documentation/user/lilypond/An-example-of-a-musicological-document.html#An-example-of-a-musicological-documentand simply paste the following into an new empty LaTex document\documentclass[a4paper]{article} \usepackage{graphics} \begin{document} Documents for @command{lilypond-book} may freely mix music and text. For example, \begin{lilypond} \relative c' { c2 g'2 \times 2/3 { f8 e d } c'2 g4 } \end{lilypond} Options are put in brackets. \begin[fragment,quote,staffsize=26,verbatim]{lilypond} c'4 f16 \end{lilypond} \end{document}and click "Typeset LaTex", I get the following error:--This is pdfeTeX, Version 3.141592-1.30.4-2.2 (Web2C 7.5.5) \write18 enabled.entering extended mode(./Untitled-2.texLaTeX2e 2003/12/01Babel v3.8d and hyphenation patterns for american, french, german, ngerman, dutch, italian, norsk, portuges, spanish, swedish, nohyphenation, loaded.(/usr/local/teTeX/share/texmf.tetex/tex/latex/base/article.clsDocument Class: article 2004/02/16 v1.4f Standard LaTeX document class(/usr/local/teTeX/share/texmf.tetex/tex/latex/base/size10.clo))(/usr/local/teTeX/share/texmf.tetex/tex/latex/graphics/graphics.sty(/usr/local/teTeX/share/texmf.tetex/tex/latex/graphics/trig.sty)(/usr/local/teTeX/share/texmf.tetex/tex/latex/graphics/graphics.cfg)(/usr/local/teTeX/share/texmf.tetex/tex/latex/graphics/pdftex.def))(./Untitled-2.aux)(/usr/local/teTeX/share/texmf.tetex/tex/context/base/supp-pdf.tex! Undefined control sequence.l.9 \relative c' {? loading : Context Support Macros / PDF (2004.03.26))! LaTeX Error: Environment lilypond undefined.See the LaTeX manual or LaTeX Companion for explanation.Type H return for immediate help. ... l.8 \begin{lilypond} ? --Therefore, it's telling me that the lilypond environment is undefined. Can someone help me here? Secondly, I happend upon Nicola Vitacolonna's site where she provided the following information:Lilypond is a very good music notation software, which can also be used with LaTeX. Put Lilypond.engine, Lilypond-LaTeX.engine and convert-ly.engine into your Library/TeXShop/Engines folder to run lilypond, lilypond-book and convert-ly, respectively, within TeXShop (you need to remove the .txt suffix, to make the scripts executable and to customize the LILYPONDFOLDER variable in the above files to match your Lilypond installation path). Unfortunately, pointing-and-clicking on a note will open your source file in the Lilypond application (point-and-click is not compatible with TeXShop).However, this does not work, as I get the error:"/Users/peter/Library/TeXShop/Engines/Lilypond-LaTeX.engine does not have the executable bit set."Does anyone have experience with the method?Many thanks,Peter___
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Re: Lilypond + LaTex (on Mac)
Thanks for this. This is what I suspected.However, and my apologies for being so dim, how do I run it throught lilypond-book? In the section "Invoking lilypond-book" it also states in the first line "lilypond-book produces a file with one of the following extensions: .tex, .texi, or .html, depending on the output format. ". But this still does not make it clear HOW one gets it to produce these files. In short, it seems to be a few steps ahead of where I need to be. I simply don't know (and it is also not explained) where I access lilypond-book.Thanks again,PeterI think you missed a significant step. That file can't run straightthrough LaTex. You need to run it through lilypond-book first, asdescribed in section 12.6 of the Lilypond 2.6 manual. (Look for"Invoking lilypond-book" in the table of contents.)Geoff ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Lilypond + LaTex (on Mac)
I use Mac OS X. Lilypond version 2.8.5-1 Peter However, and my apologies for being so dim, how do I run it throught lilypond-book? Are you using Windows, Max OSX, Linux, or what? Also (though it shouldn't matter), what version of Lilypond are you using? Geoff ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
