Re: variant on many syllables to one note
I'm pretty sure that adding \set melismaBusyProperties = #'() before your notes will do what you want. On Tue, Jan 18, 2011 at 4:09 PM, Graham King lilyp...@tremagi.org.ukwrote: In the early sixteenth century manuscript I'm working on, the scribe has set the first three syllables of angelorum to a single note that I'm transcribing as a1. ~ a1. ~ a1 Is there a way, preferably compatible with \lyricmode, to tell lilypond to align the syllables under the respective semibreves? (So far, I've tried the suggestions for manual syllable durations and multiple syllables to one note in the Notation Reference manual) -- Graham King lilyp...@tremagi.org.uk ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user align.ly Description: Binary data attachment: align.png___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Spurious Repeat Symbol
How can I get rid of the extra repeat symbol in this example? I'm sure it is
caused by the rest at the beginning of the repeat. I've tried hiding an
extra note along with a skip, but I can't figure out how to do this and get
the rest back.
Ted
%%% Begin example.
\version 2.12.0
melody = \relative c' {
c4 d e f
\repeat volta 2 {
r c d e
} \alternative {
{ f1 }
{ g1 }
}
}
words = \lyricmode {
do re mi fa
\repeat volta 2
{
do re me
} \alternative {
{ fa } { sol }
}
}
\score {
\new Staff { \melody }
\addlyrics { \words }
}
%%% End example.
attachment: Volta.png___
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Re: how to get half-bar used in Bach Music?
Does this do what you want?
\version 2.12.3
\relative c' {
\override Staff.BarLine #'bar-size = #2.0
c4 c c c |
c c c c |
}
On Sat, Nov 20, 2010 at 9:00 PM, Marc Mouries m...@mouries.net wrote:
thanks Nick. A half-bar is Bach's writing was a bar containing the same
number notes but only went over the staff from the 2nd to the 4th lines.
On Nov 20, 2010, at 11:20 PM, Nick Payne wrote:
On 21/11/10 15:10, Marc Mouries wrote:
I searched and checked
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Bars
but could not find a way to print a half-bar like Bach used in some of
his music.
It is not really used often so i'd not be surprised but just wanted to
check with you guys just in case.
\version 2.13.39
\relative c'' {
c4 c c c |
\set Score.measureLength = #(ly:make-moment 2 4)
c c |
\set Score.measureLength = #(ly:make-moment 4 4)
c c c c |
}
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Acciaccatura Inside Arpeggio
I've been searching the archives and the LSR for hints on how to put an acciaccatura inside an arpeggio without success. I've attached a scan from a Chopin nocturne to show what I mean. Can someone show me how this is done? Ted attachment: arp-acc.PNG___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Re: Acciaccatura Inside Arpeggio
Thank you! That works brilliantly.
Ted
On Wed, Mar 19, 2008 at 5:03 PM, Neil Puttock [EMAIL PROTECTED] wrote:
Hi Ted,
Here's one way of doing it, using a hidden grace note:
\version 2.11.42
\paper { ragged-right = ##t }
\score {
\new Staff \relative c'' {
%a note to improve layout for this snippet
g
%polyphonic section
{
%the acciaccatura, with slur to g
\acciaccatura a8\arpeggio
%override to ignore note clashing column error
\once \override NoteColumn #'ignore-collision = ##t
%to prevent slur joining b have to remove d b
g8.
}
%a new voice for the hidden grace note
\new Voice { \voiceTwo
%an invisible gracenote with arpeggio to join up with
the acciaccatura above
\hideNotes \grace a,8\arpeggio
%the rest of the chord. By scaling a dotted crotchet,
saves having
to remove stencil for flag
%cf. \oneVoice \once \override Stem #'flag-style =
#'no-flag b d8.
\unHideNotes \oneVoice b d4.*1/2
} f'16
}
\layout {
\context {
%allow arpeggios to be connected between different
voices on a stave
\Staff
\consists Span_arpeggio_engraver
connectArpeggios = ##t
}
}
}
If it's OK for the slur to be above, it's a bit simpler:
\version 2.11.42
\paper { ragged-right = ##t }
\score {
\new Staff \relative c'' {
g
{
\slurUp
\acciaccatura a8\arpeggio
g d b8.
}
\new Voice { \voiceTwo
\hideNotes \grace a,8\arpeggio
} f'16
}
\layout {
\context {
\Staff
\consists Span_arpeggio_engraver
connectArpeggios = ##t
}
}
}
Regards,
Neil
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Re: Why Is This Merge Behavior Different?
Please note that I understand that it is LilyPond's intended behavior
to never merge a quarter note and a half note regardless of how
properties are set. I also understand why this should be the default
behavior. I guess I don't understand why setting
'merge-differently-headed should not override the default behavior for
quarter notes as well as flagged notes. I've attached a snippet of
some old sheet music which does merge a quarter note and a half note.
While in some contexts it might be ambiguous, in this case, it is not.
BTW, I have figured out how to fake the behavior that I want.
Ted
-- Forwarded message --
From: Gilles THIBAULT [EMAIL PROTECTED]
To: Ted Stanion [EMAIL PROTECTED], lilypond-user@gnu.org
Date: Fri, 8 Feb 2008 09:27:38 +0100
Subject: Re: Why Is This Merge Behavior Different?
Can someone explain to me why the eighth note and half
note have their heads merged in the first measure while the quarter
note and the half note in the second measure do not?
\relative c''
{
\new Voice {
c8 c4.
\override Staff.NoteCollision #'merge-differently-headed = ##t
c8 c4.
\override Staff.NoteCollision #'merge-differently-headed = ##f
c4 c4
\override Staff.NoteCollision #'merge-differently-headed = ##t
\override Staff.NoteCollision #'merge-differently-dotted = ##t
c4 c4 } \\
{ c2 c2 c2 c2 }
Yes it seems strange but i think it is on purpose.
With a eighth note and a half note, the little hook of the eighth note
(sorry don't remember how you call that in english) lets you to understand
the duration of each merged notes.
There is no way to distinguish a quarter note and a half note if they are
merged. It can make believe you that it is 2 half notes.
(of course reading forward in the measure let you imagine the real duration
of each note)
Gilles
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Why Is This Merge Behavior Different?
Hello All,
The following code is modified from section 6.3.5 of the LilyPond
2.10.33 manual. Can someone explain to me why the eighth note and half
note have their heads merged in the first measure while the quarter
note and the half note in the second measure do not?
Thanks,
Ted
Begin merge.ly
\paper {
#(define dump-extents #t)
indent = 0\mm
line-width = 160\mm - 2.0 * 0.4\in
ragged-right = ##t
force-assignment = #
line-width = #(- line-width (* mm 3.00))
}
\layout {
}
\relative c''
{
\new Voice {
c8 c4.
\override Staff.NoteCollision #'merge-differently-headed = ##t
c8 c4.
\override Staff.NoteCollision #'merge-differently-headed = ##f
c4 c4
\override Staff.NoteCollision #'merge-differently-headed = ##t
\override Staff.NoteCollision #'merge-differently-dotted = ##t
c4 c4 } \\
{ c2 c2 c2 c2 }
--- End merge.ly
attachment: merge.preview.png___
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Re: Still Have convert-ly Questions/Problems.
I tried this and it works for in a DOS command prompt. It failed the same way in my bash shell - it seems to want to use the python installed for Cygwin. Still, this is a better solution to what I was doing. Thanks, Ted ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Still Have convert-ly Questions/Problems.
I managed to get 'convert-ly' version 2.8.1 to run in Cygwin by doing the following: 1) I have Cygwin LilyPond 2.6.4 installed. This was installed in the default location using the 'setup' program. 2) I have Windows Lilypond 2.8.1 installed in the directory c:\nobackup\LilyPond. 3) I copied the convert-ly.py script from c:\nobackup\LilyPond\usr\bin in Windows world to /usr/bin in Cygwin world. 4) I copied c:\nobackup\LilyPond\usr\share\lilypond\current to /usr/share/lilypond/current. The script seems to run, but stops at conversion 2.7.40 and leaves the line \version 2.7.40 in the new file. (It started as 2.6.0.) Is this the expected outcome or should it have continued further? Ted ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
Problems Running convert-ly
I had been using LilyPond 2.6.4-1 under cygwin. I decided to switch to 2.8.1 under Windows XP. I am trying to run convert.ly in a cygwin bash shell. I started by adding install-dir/LilyPond/usr/bin to my PATH. When I try to run convert-ly.py, however, I am getting the following messages: Traceback (most recent call last): File /cygdrive/c/nobackup/LilyPond/usr/bin/convert-ly.py, line 39, in ? import lilylib as ly File /cygdrive/c/nobackup/LilyPond/usr/share/lilypond/current/python/lilylib.py, line 17, in ? import subprocess File /usr/lib/python2.4/subprocess.py, line 391, in ? import select ImportError: No such process What am I doing wrong? Thanks, Ted ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user
How to Get Line Breaks in the Tagline
Is there a way to get a line break to appear in the tagline? I saw an
archived message which implied that putting a \break in the string would do
this, but it did not seem to work. I am using LilyPond version 2.4.6 under
Cygwin. I've attached an example source file showing what I've tried.
Ted Stanion
\version 2.4.6
\include english.ly
#(set-global-staff-size 24)
\paper {
#(set-paper-size letter)
topmargin = 0.5\in
}
\header {
title = Twinkle, Twinkle
composer = Traditional
tagline = Typeset by Ted Stanion ([EMAIL PROTECTED]) \\break Engraved by LilyPond (ver. 2.4.6)
}
\relative c' {
\clef treble
\time 4/4
\key c \major
c4 c g' g a a g2
f4 f e e d d c2 \break
g'4 g f f e e d2
g4 g f f e e d2 \break
c4 c g' g a a g2
f4 f e e d d c2
}
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