Re: Circular Staff in Inkscape [was Re: Lilypond vs Score]

2010-05-03 Thread Bertalan Fodor (LilyPondTool)

Patrick Schmidt wrote:

Dear Bertalan,

when I compile your circular-staff-code with LilyPond version 2.13.19 
I get a syntax error, unexpected STRING for each line containing an 
override-command. The compilation fails. Am I missing out on something?



\score {

\relative c' {
\override Staff.StaffSymbol #'transparent = ##t
\override Staff.KeySignature #'transparent = ##t
\override Staff.TimeSignature #'transparent = ##t
\override Staff.BarLine #'transparent = ##t
\override Staff.Clef #'transparent = ##t

I have no idea, I don't use 2.13.



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Re: Circular Staff in Inkscape [was Re: Lilypond vs Score]

2010-05-03 Thread Patrick Schmidt

Now I tested the code with 2.12.3:

With \relative c' {} the compilation fails. I get loads of syntax  
error messages (syntax error, unexpected STRING) and a complaint  
about using \relative c' {.


Without relative c' {} the syntax error messages remain. Despite of a  
failed compilation-message the following pdf is produced:




circular-staff.pdf
Description: Adobe PDF document



Any ideas?

Thanks for your help!
patrick
Am 03.05.2010 um 09:45 schrieb Bertalan Fodor (LilyPondTool):


Patrick Schmidt wrote:

Dear Bertalan,

when I compile your circular-staff-code with LilyPond version  
2.13.19 I get a syntax error, unexpected STRING for each line  
containing an override-command. The compilation fails. Am I  
missing out on something?



\score {

\relative c' {
\override Staff.StaffSymbol #'transparent = ##t
\override Staff.KeySignature #'transparent = ##t
\override Staff.TimeSignature #'transparent = ##t
\override Staff.BarLine #'transparent = ##t
\override Staff.Clef #'transparent = ##t

I have no idea, I don't use 2.13.


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Re: Circular Staff in Inkscape [was Re: Lilypond vs Score]

2010-05-03 Thread Bertalan Fodor (LilyPondTool)

Perhaps you copied some invalid character from the email?

Patrick Schmidt wrote:

Now I tested the code with 2.12.3:

With \relative c' {} the compilation fails. I get loads of syntax 
error messages (syntax error, unexpected STRING) and a complaint 
about using \relative c' {.


Without relative c' {} the syntax error messages remain. Despite of a 
failed compilation-message the following pdf is produced:




Any ideas?

Thanks for your help!
patrick
Am 03.05.2010 um 09:45 schrieb Bertalan Fodor (LilyPondTool):


Patrick Schmidt wrote:

Dear Bertalan,

when I compile your circular-staff-code with LilyPond version 
2.13.19 I get a syntax error, unexpected STRING for each line 
containing an override-command. The compilation fails. Am I missing 
out on something?



\score {

\relative c' {
\override Staff.StaffSymbol #'transparent = ##t
\override Staff.KeySignature #'transparent = ##t
\override Staff.TimeSignature #'transparent = ##t
\override Staff.BarLine #'transparent = ##t
\override Staff.Clef #'transparent = ##t

I have no idea, I don't use 2.13.







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Re: Circular Staff in Inkscape [was Re: Lilypond vs Score]

2010-05-02 Thread Patrick Schmidt

Dear Bertalan,

when I compile your circular-staff-code with LilyPond version 2.13.19  
I get a syntax error, unexpected STRING for each line containing an  
override-command. The compilation fails. Am I missing out on something?


Thanks for your help!
patrick
Am 04.02.2010 um 17:33 schrieb Bertalan Fodor (LilyPondTool):


Circular staves ARE possible with pure LilyPond, just look at this:

moz-screenshot-50.jpg

This was made using LilyPondTool's ruler feature, with the  
following score:


\score {

\relative c' {
\override Staff.StaffSymbol #'transparent = ##t
\override Staff.KeySignature #'transparent = ##t
\override Staff.TimeSignature #'transparent = ##t
\override Staff.BarLine #'transparent = ##t
\override Staff.Clef #'transparent = ##t

% The clef
\once \override Voice.TextScript #'extra-offset =  
#'(-10.6 . -11.8 )
s1^\markup { \rotate #90 \musicglyph #clefs.G }  
#'(-17.1 . -8.0 )


\once \override Voice.TextScript #'extra-offset =  
#'(-17.1 . -8.0 )

s1^\markup { \rotate #85 \note #4 #UP }

 \once \override Voice.TextScript #'extra-offset =  
#'(-22.7 . -5.0 )

s1^\markup { \rotate #60 \note #4 #UP }

\once \override Voice.TextScript #'extra-offset =  
#'(-27.9 . -2.8 )

s1^\markup { \rotate #45 \note #4 #UP }

 \once \override Voice.TextScript #'extra-offset =  
#'(-33.3 . -1.0 )

s1^\markup { \rotate #30 \note #4 #UP }

   \once \override Voice.TextScript #'extra-offset =  
#'(-43.1 . 0.2 )

s1^\markup { \rotate #40 \beam #3.2 #0 #0.5 }

  \once \override Voice.TextScript #'extra-offset =  
#'(-44.2 . 0.8 )

s1^\markup { \rotate #0 \note #4 #UP }
}
}





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Re: Lilypond vs Score

2010-02-24 Thread Helge Kruse
Reading this discussion makes me curious about SCORE. Do I have the chance to 
try SCORE somehow? 

I dont think I would switch away from Lilypond since I got experience with it. 
But I could be worth the know the other side.

Cheers,
Helge

-- 
Sicherer, schneller und einfacher. Die aktuellen Internet-Browser -
jetzt kostenlos herunterladen! http://portal.gmx.net/de/go/chbrowser


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Re: Lilypond vs Score

2010-02-24 Thread Graham Percival
On Wed, Feb 24, 2010 at 05:22:07PM +0100, Helge Kruse wrote:
 Reading this discussion makes me curious about SCORE. Do I have
 the chance to try SCORE somehow? 

Sure, for $750 or so.

I don't know where the webpage is to order it, but I'm sure it
can't be too hard to find.

Cheers,
- Graham


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Re: Lilypond vs Score

2010-02-24 Thread Martin Tarenskeen



On Wed, 24 Feb 2010, Graham Percival wrote:


On Wed, Feb 24, 2010 at 05:22:07PM +0100, Helge Kruse wrote:

Reading this discussion makes me curious about SCORE. Do I have
the chance to try SCORE somehow?


Sure, for $750 or so.


WinScore ver. 5.00 : $300
upgrade from SCORE ver.4 : $100

Lilypond 2.12.3 : $0
Upgrade from older versions: $0
Upgrade to upcoming version 2.14: $0

And our website is looking much better also !

:-)


I don't know where the webpage is to order it, but I'm sure it
can't be too hard to find.


www.scoremus.com

--

Martin


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Re: Lilypond vs Score

2010-02-24 Thread Helge Kruse

Am 24.02.2010 19:08, schrieb Graham Percival:

On Wed, Feb 24, 2010 at 05:22:07PM +0100, Helge Kruse wrote:

Reading this discussion makes me curious about SCORE. Do I have
the chance to try SCORE somehow?


Sure, for $750 or so.


Ok, I think the curiousity is not so strong.

Helge


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Re: Lilypond vs Score

2010-02-22 Thread Bertalan Fodor (LilyPondTool)
I found a page about Score at 
http://www.jeffreygrossman.com/engraving.html showing the problems with 
Sibelius and showing Score's superiority.
I created the same example using LilyPond 2.12.3 (attached) - definitely 
not perfect, but almost is - using only the default settings and the 
easiest ways, as I almost never engrave piano music. Certainly beats the 
Sibelius example (I don't know the Sibelius version, though).


Bert

Bobber wrote:
I have been having a discussion with a small publisher who uses the 
music manuscript program called Score.  He says that neither Lilypond 
or Finale can produce engraving that is comparable to Score.  And that 
most of the major music publishers in the world use Score.


Is anyone familiar with Score and what makes it superior?



% Created on Sun Feb 21 22:51:50 CET 2010
\version 2.12.3

#(set-global-staff-size 18)

\header {
	title = Score vs LilyPond vs Sibelius 
 subtitle = Example from http://www.jeffreygrossman.com/engraving.html; 

}

\include deutsch.ly


staffZongora = \new PianoStaff {
	\set PianoStaff.midiInstrument = #acoustic grand
	\set PianoStaff.instrumentName = #
		\time 12/8

		\context Staff = RH {  % Right hand
\override Staff.TimeSignature #'stencil = ##f

			\clef treble
			\key c \major
			\relative c'' {
\context Voice = 1 { b a'16.[( des f c e des f e a f b a des c e] }
 { des! f[ e a des f c e a f f b e a des f] } \\ 
{ g,8 b! des! c a e }  |
\time 4/4
\context Voice = 1 {
c' e16.[ des f c e a des f b e a des f c e] a des8[ f b]) } |
\context Voice = 2 { 
	r8\ 
\override Staff.Stem #'stemlet-length = #0.75
\times 2/3 { r16[ ais_( h] } 
\times 2/3 { eis ais[ dis' ais' cis] }
}
 { r32 fis''16.- fis1 } \\ { h,,, fis' ais his cis eis ais4\!_\ff ~
			
\times 4/5 { h fis' ais his cis eis ais8[) \ 
	cis ais' his cis g' 
h fis' his cis f
ais eis' g ais eis'!
h fis' cis' d ais' 
]
}
\oneVoice
dis! ais'! cis! eis! h'4.
h fis' cis' eis ais8\!_\p ~
h fis' cis' eis ais8.[
eis dis' ais'16] fis cis' ais'!2^\startTrillSpan fis cis' ais'2\\stopTrillSpan ais, fis' cis' eis gis8\!

} 
			}
		}
		\context Staff = LH {  % Left hand
	\override Staff.TimeSignature #'stencil = ##f
 			
			\clef bass
			\key c \major
			\relative c {		
d,,8\sustainOn des' b' f' a des s4. s | 
des8[^\ a f] e[ des c] 
\once \override Voice.TupletBracket #'transparent = ##t
\once \override Voice.TupletNumber #'extra-offset = #'( 0 . 0.5 )
\once \override Voice.TupletNumber #'text = \markup { \italic 3:2 }
\times 2/3 { b[ g\! f] } |
\time 13/8 
d,8[\sustainOn dis'16 cis'] fis cis'[ dis' h'] r4. r r2 |
\time 11/8
R8*11

			}
			
		}
	
}



\score {
	
		\staffZongora
	
	
	\midi {
	}

  \layout {
  }
}

\paper {
	#(set-paper-size a4)
	indent = 0
}


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Re: Lilypond vs Score

2010-02-22 Thread David Stocker
Odds are this was much easier to do in LilyPond than it was in SCORE (or 
Sibelius, for that matter). I think it looks better than either of the 
example on Grossman's page.


Nice job.

On 02/22/2010 08:02 AM, Bertalan Fodor (LilyPondTool) wrote:
I found a page about Score at 
http://www.jeffreygrossman.com/engraving.html showing the problems 
with Sibelius and showing Score's superiority.
I created the same example using LilyPond 2.12.3 (attached) - 
definitely not perfect, but almost is - using only the default 
settings and the easiest ways, as I almost never engrave piano music. 
Certainly beats the Sibelius example (I don't know the Sibelius 
version, though).


Bert

Bobber wrote:
I have been having a discussion with a small publisher who uses the 
music manuscript program called Score.  He says that neither Lilypond 
or Finale can produce engraving that is comparable to Score.  And 
that most of the major music publishers in the world use Score.


Is anyone familiar with Score and what makes it superior?




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Re: Lilypond vs Score

2010-02-22 Thread Bertalan Fodor (LilyPondTool)



David Stocker wrote:
Odds are this was much easier to do in LilyPond than it was in SCORE 
(or Sibelius, for that matter). I think it looks better than either of 
the example on Grossman's page.

There are some issues with the LilyPond output:
- the most severe is 16th beam-accidental collision in measure 3
- the hairpin alignment (can be easily fixed though)
- the  hairpin start position in measure 3
- the ties in measure 3 (though I think that would need tweaking in all 
softwares)


Bert

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Re: Circular Staff in Inkscape [was Re: Lilypond vs Score]

2010-02-05 Thread Francisco Vila
2010/2/4 Francisco Vila paconet@gmail.com:
 2010/2/4 Bertalan Fodor (LilyPondTool) lilypondt...@organum.hu

 Circular staves ARE possible with pure LilyPond, just look at this:


 Great and almost perfect, except for the six-line staff

What version did you use? I can not reproduce the example either in
2.13.12 nor 2.13.13, see attached PNG

360 is better than 361 for the arc. PNG result gives no difference,
but gedit shows the overlap.



-- 
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com
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Re: Circular Staff in Inkscape[was Re: Lilypond vs Score]

2010-02-05 Thread Bertalan Fodor
2.12 i suppose that the difference in the default spacing or margins causing 
this


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Circular Staff in Inkscape [was Re: Lilypond vs Score]

2010-02-04 Thread M Watts



I have to admit - I tried it and it's not easy to get a staff to conform
to a circle, for example. Maybe someone else can. My Inkscape skills are
weak, though I love the software.




Not sure how to wrap the entire staff in a circle, but you can easily 
draw a circular staff in Inkscape:-


Draw a circle (F5) with Ctrl held down, 115 px in size;

Get outline only by Ctrl+Shift+F, click the X under Fill, and flat color 
(2nd left) under Stroke paint (or click the X near bottom left of 
window, and Shift-click a coler for line color);


Clone it 4 times (Alt + D);

Hit F1 and make sure the circle and all clones are selected by drawing a 
selection box around the circle (the status bar will tell you if they're 
all selected; you anly see the top one);


Open the Transform dialog (Shift+Ctrl+M), go Scale, width  height both 
110%, and make sure 'Scale proportionally' and 'Apply to each object 
separately' are both checked.


Click Apply :)

Btw, Inkscape has layers -- use them if you don't want to be constantly 
dragging the wrong notes and whatnot around.




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Re: Circular Staff in Inkscape [was Re: Lilypond vs Score]

2010-02-04 Thread Bertalan Fodor (LilyPondTool)




Circular staves ARE possible with pure LilyPond, just look at this:



This was made using LilyPondTool's ruler feature, with the following
score:

\score {
 
 \relative c' {
 \override Staff.StaffSymbol #'transparent = ##t
 \override Staff.KeySignature #'transparent = ##t
 \override Staff.TimeSignature #'transparent = ##t
 \override Staff.BarLine #'transparent = ##t
 \override Staff.Clef #'transparent = ##t
 
 % The clef 
 \once \override Voice.TextScript #'extra-offset = #'(-10.6 .
-11.8 )
 s1^\markup { \rotate #90 \musicglyph #"clefs.G" } #'(-17.1 .
-8.0 ) 
 
 \once \override Voice.TextScript #'extra-offset = #'(-17.1 .
-8.0 )
 s1^\markup { \rotate #85 \note #"4" #UP } 
 
 \once \override Voice.TextScript #'extra-offset = #'(-22.7 .
-5.0 )
 s1^\markup { \rotate #60 \note #"4" #UP } 
 
 \once \override Voice.TextScript #'extra-offset = #'(-27.9 .
-2.8 )
 s1^\markup { \rotate #45 \note #"4" #UP } 
 
 \once \override Voice.TextScript #'extra-offset = #'(-33.3 .
-1.0 )
 s1^\markup { \rotate #30 \note #"4" #UP } 
 
 \once \override Voice.TextScript #'extra-offset = #'(-43.1 .
0.2 )
 s1^\markup { \rotate #40 \beam #3.2 #0 #0.5 } 
 
 \once \override Voice.TextScript #'extra-offset = #'(-44.2 .
0.8 )
 s1^\markup { \rotate #0 \note #"4" #UP }
 }
}

eyeglassesps = #"
0.15 setlinewidth
30 0 moveto
20 0 10 0 361 arc
31 0 moveto
20 0 11 0 361 arc
32 0 moveto
20 0 12 0 361 arc
33 0 moveto
20 0 13 0 361 arc
34 0 moveto
20 0 14 0 361 arc
35 0 moveto
20 0 15 0 361 arc
stroke
"

eyeglasses = \markup { \postscript #eyeglassesps }

\eyeglasses

M Watts wrote:

  I have to admit - I tried it and it's not
easy to get a staff to conform

to a circle, for example. Maybe someone else can. My Inkscape skills
are

weak, though I love the software.


  
  
  
Not sure how to wrap the entire staff in a circle, but you can easily
draw a circular staff in Inkscape:-
  
  
Draw a circle (F5) with Ctrl held down, 115 px in size;
  
  
Get outline only by Ctrl+Shift+F, click the X under Fill, and flat
color (2nd left) under Stroke paint (or click the X near bottom left of
window, and Shift-click a coler for line color);
  
  
Clone it 4 times (Alt + D);
  
  
Hit F1 and make sure the circle and all clones are selected by drawing
a selection box around the circle (the status bar will tell you if
they're all selected; you anly see the top one);
  
  
Open the Transform dialog (Shift+Ctrl+M), go Scale, width  height
both 110%, and make sure 'Scale proportionally' and 'Apply to each
object separately' are both checked.
  
  
Click Apply :)
  
  
Btw, Inkscape has layers -- use them if you don't want to be constantly
dragging the wrong notes and whatnot around.
  
  
  
  
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Re: Circular Staff in Inkscape [was Re: Lilypond vs Score]

2010-02-04 Thread Dmytro O. Redchuk
У чт, 2010-02-04 у 17:33 +0100, Bertalan Fodor (LilyPondTool) пише:
 Circular staves ARE possible with pure LilyPond, just look at this:
Bgha-gha-gha!.. Hm.. Sorry :-)

Great!-)

Great demonstration, indeed :-)

ps. 2LSR?..

-- 
  Dmytro O. Redchuk



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Re: Circular Staff in Inkscape [was Re: Lilypond vs Score]

2010-02-04 Thread Francisco Vila
2010/2/4 Bertalan Fodor (LilyPondTool) lilypondt...@organum.hu

 Circular staves ARE possible with pure LilyPond, just look at this:


Great and almost perfect, except for the six-line staff
--
Francisco Vila. Badajoz (Spain)
www.paconet.org , www.csmbadajoz.com


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Re: Circular Staff in Inkscape [was Re: Lilypond vs Score]

2010-02-04 Thread M Watts

On 02/05/2010 02:33 AM, Bertalan Fodor (LilyPondTool) wrote:

  Circular staves ARE possible with pure LilyPond, just look at this:



Impressive!



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Re: Circular Staff in Inkscape [was Re: Lilypond vs Score]

2010-02-04 Thread Tim Reeves
M Watts zwy648...@gmail.com wrote on 02/04/2010 05:18:40 AM:

 
  I have to admit - I tried it and it's not easy to get a staff to 
conform
  to a circle, for example. Maybe someone else can. My Inkscape skills 
are
  weak, though I love the software.
 
 
 
 Not sure how to wrap the entire staff in a circle, but you can easily 
 draw a circular staff in Inkscape:-
 
 Draw a circle (F5) with Ctrl held down, 115 px in size;
 
 Get outline only by Ctrl+Shift+F, click the X under Fill, and flat color 

 (2nd left) under Stroke paint (or click the X near bottom left of 
 window, and Shift-click a coler for line color);
 
 Clone it 4 times (Alt + D);
 
 Hit F1 and make sure the circle and all clones are selected by drawing a 

 selection box around the circle (the status bar will tell you if they're 

 all selected; you anly see the top one);
 
 Open the Transform dialog (Shift+Ctrl+M), go Scale, width  height both 
 110%, and make sure 'Scale proportionally' and 'Apply to each object 
 separately' are both checked.
 
 Click Apply :)
 
 Btw, Inkscape has layers -- use them if you don't want to be constantly 
 dragging the wrong notes and whatnot around.
 


Thanks, but this I could do, if I wanted to.
What I'd rather do is typeset the piece entirely in Lilypond, *then* warp 
and twist it, clone it, shade it, blur it, etc. with Inkscape. I know it 
can be done, I just lack the Inkscape-fu to do some of those things, 
specifically the first one.
Bertalan's trick is also very cool, but requires a lot of tweaking to get 
the stems at the correct angles, etc., and isn't very flexible.

Tim Reeves


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Re: Circular Staff in Inkscape [was Re: Lilypond vs Score]

2010-02-04 Thread Colin Campbell




Bertalan Fodor (LilyPondTool) wrote:

  
Circular staves ARE possible with pure LilyPond, just look at this:
  
  
  
This was made using LilyPondTool's ruler feature, with the following
score:
  
\score {
    
    \relative c' {
    \override Staff.StaffSymbol #'transparent = ##t
    \override Staff.KeySignature #'transparent = ##t
    \override Staff.TimeSignature #'transparent = ##t
    \override Staff.BarLine #'transparent = ##t
    \override Staff.Clef #'transparent = ##t
    
    % The clef 
    \once \override Voice.TextScript #'extra-offset = #'(-10.6 .
-11.8 )
    s1^\markup { \rotate #90 \musicglyph #"clefs.G" } #'(-17.1 .
-8.0 ) 
    
    \once \override Voice.TextScript #'extra-offset = #'(-17.1 .
-8.0 )
    s1^\markup { \rotate #85 \note #"4" #UP } 
    
 \once \override Voice.TextScript #'extra-offset = #'(-22.7 .
-5.0 )
    s1^\markup { \rotate #60 \note #"4" #UP } 
    
    \once \override Voice.TextScript #'extra-offset = #'(-27.9 .
-2.8 )
    s1^\markup { \rotate #45 \note #"4" #UP } 
    
 \once \override Voice.TextScript #'extra-offset = #'(-33.3 .
-1.0 )
    s1^\markup { \rotate #30 \note #"4" #UP } 
    
   \once \override Voice.TextScript #'extra-offset = #'(-43.1 .
0.2 )
    s1^\markup { \rotate #40 \beam #3.2 #0 #0.5 } 
    
  \once \override Voice.TextScript #'extra-offset = #'(-44.2 .
0.8 )
    s1^\markup { \rotate #0 \note #"4" #UP }
    }
}
  
eyeglassesps = #"
0.15 setlinewidth
30 0 moveto
20 0 10 0 361 arc
31 0 moveto
20 0 11 0 361 arc
32 0 moveto
20 0 12 0 361 arc
33 0 moveto
20 0 13 0 361 arc
34 0 moveto
20 0 14 0 361 arc
35 0 moveto
20 0 15 0 361 arc
stroke
"
  
eyeglasses =  \markup { \postscript #eyeglassesps }
  
\eyeglasses
  
  


You, sir, are a genius! Demented, certainly, but a genius!


my congratulations,

Colin
-- 
When you find a big kettle of crazy, it's best not to stir it.
 - Scott Adams, "Dilbert" Sept 22,'09



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Re: Lilypond vs Score

2010-02-03 Thread Gerard McConnell
After seeing that output, I'm curious: has anybody 
played around in Lilypond with making the staff curve 
around (like forming a circle, or 
just bending down the page or something)?  I'd like to 
be able to do that.



Best,
Jonathan



This is exactly why I 'm so glad that Lilypond can
produce SVG output.  Import the SVG into
Inkscape 0.47 and you can do 
ABSOLUTELY ANYTHING with your score.  
I've said it before - SVG output from Lilypond can 
be imported into Inkscape, where the graphical elements 
can be manipulated in any way you want.  
No restrictions on placement of notes, spacing, 
text, pictures, grob sizes, bend staves, stems, etc.  
The LilyPond/LilyPondTool/Inkscape 
combination is OUTSTANDING. 


Gerard


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Re: Lilypond vs Score

2010-02-02 Thread Bertalan Fodor (LilyPondTool)

No, that's not true.

Score is like a notation drawing program, so you have very precise 
control over the musical elements' positions.

If you create a simple score, LilyPond's output is clearly superior.
If you are creating a complicated one, than Score becomes a 
hand-engraving tool. In that case YOU must produce the superior 
engraving. Which is surely possible with LilyPond - with less effort I 
think.


Bert

Bobber wrote:
I have been having a discussion with a small publisher who uses the 
music manuscript program called Score.  He says that neither Lilypond 
or Finale can produce engraving that is comparable to Score.  And that 
most of the major music publishers in the world use Score.


Is anyone familiar with Score and what makes it superior?






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Re: Lilypond vs Score

2010-02-02 Thread Werner LEMBERG

 I'm not saying it is inconceivable that a DOS-based relic of a
 program would be considered superior to any open source or
 commercially developed notation software over the last twenty years,
 but claims like this set my bullshit detector clanging like a
 chinese fire drill.

:-) Anyway, there is TeX: This is more than 30 years old and still
superior to many, many programs which aim to produce similar output.

 Think of it this way- if you were a major publisher and were
 dependent upon trained professional engravers to provide you with a
 massive variety of material, would it make good business sense at
 all to insist that all these engravers, many graduating from Berklee
 or some other school where Finale or Sibelius is the standard, learn
 another format?

Well, in case Score would be the superior program, I would insist on
that.  A comparable situation arises if e.g. people trained to MS Word
have to learn Adobe Publisher...  You can't argue that `MS Word is the
standard'...


Werner


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Re: Lilypond vs Score

2010-02-02 Thread Valentin Villenave
On Mon, Feb 1, 2010 at 11:10 PM, Brett McCoy idragos...@gmail.com wrote:
 From http://www.scoremus.com/score.html

Aarg. Please add a warning before posting such links :)

As far as I'm concerned: LilyPond is Free Software, Score is not. Period.

Isn't life simple after all? :-)

Cheers,
Valentin


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Re: Lilypond vs Score

2010-02-02 Thread James Lowe
Ahh this is like the old arguments I used to hear when I worked for a 
small Typesetting/reprographics house at the end of the 1980's to the 
end of the 1990's.


We would get a 'new' designer turn up and he would then proceed to tell 
us that all the 'real' typesetters/repro houses were using XYZ.app and 
that new fangled stuff we used (Aldus Pagemaker - remember that?) was 
never going to be as good. Then Quark Xpress came along and then 
Indesign and then and then...each new hire we got would tell us that 
'the industry' used something that we weren't and how much better it was 
etc etc. I won't even begin to tell you about the CMYK pre-process 
technology arguments (I do remember though being told that this silly 
PDF technology was useless).


Fortunately we had a tight fisted boss, as heaven knows how much wasted 
money we would have spent on all this different software. We actually 
used whatever tool was easiest and quickest for the specific job in 
hand. We had some really skilled designers who could produce lovely work 
with any of the tools or even a combination of them.


As a case in point, I remember one of our designers cutting and pasting 
(albeit using Aldus Freehand - remember that?) two or three pages of 
music for a local carol concert to hand out to the public, it was two 
staves and she literally would take whatever font it was that showed all 
the music glyphs, outline them in Freehand and then manually drag/drop 
them in place over a tiff file that has been a photocopy of an original. 
Then once it was all in place removed the tiff file and tweaked it by eye.


Took her a day but it looked lovely. I didn't know anything about music 
at all back then (not even sure she did either), and thought that was 
how all music was typeset.


James



Bertalan Fodor (LilyPondTool) wrote:

No, that's not true.

Score is like a notation drawing program, so you have very precise 
control over the musical elements' positions.

If you create a simple score, LilyPond's output is clearly superior.
If you are creating a complicated one, than Score becomes a 
hand-engraving tool. In that case YOU must produce the superior 
engraving. Which is surely possible with LilyPond - with less effort I 
think.


Bert

Bobber wrote:
I have been having a discussion with a small publisher who uses the 
music manuscript program called Score.  He says that neither Lilypond 
or Finale can produce engraving that is comparable to Score.  And that 
most of the major music publishers in the world use Score.


Is anyone familiar with Score and what makes it superior?






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Re: Lilypond vs Score

2010-02-02 Thread Tim Slattery
Carl Sorensen c_soren...@byu.edu wrote:




On 2/1/10 3:08 PM, David Bobroff bobr...@centrum.is wrote:

 On 2/1/2010 9:57 PM, Bobber wrote:
 
 Is anyone familiar with Score and what makes it superior?
 
 
 to use Finale, but haven't in several years) and he is also probably
 correct when he says that most major publishing houses use Score.  Then
 again, most large businesses use Windows, too.
 

SCORE is currently available for Windows systems that can run DOS (so it may
not work under Windows 7 -- I don't know one way or another).

If it can't run in the command console of Win7 or Vista, you could set
up a virtual machine and run DOS on that. Or you could use Dosbox
(www.dosbox.com). Dosbox is primarily aimed at allowing newer OSs to
run older games, but it should work here. I've heard many good things
about it.

HOWEVER - the Score website says that their newest version is called
WinScore 5.00. That sounds like it's engineered for Windows, not DOS.

-- 
Tim Slattery
slatter...@bls.gov
http://members.cox.net/slatteryt



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Re: Lilypond vs Score

2010-02-02 Thread Jonathan Wilkes
 Message: 9
 Date: Tue, 2 Feb 2010 11:15:37 +0100
 From: Valentin Villenave v.villen...@gmail.com
 Subject: Re: Lilypond vs Score
 To: Brett McCoy idragos...@gmail.com
 Cc: lilypond-user@gnu.org
 Message-ID:
     eefe316d1002020215q31a6d677pf2e1959189448...@mail.gmail.com
 Content-Type: text/plain; charset=UTF-8
 
 On Mon, Feb 1, 2010 at 11:10 PM, Brett McCoy idragos...@gmail.com
 wrote:
  From http://www.scoremus.com/score.html
 
 Aarg. Please add a warning before posting such links
 :)

What kind of warning?  I don't understand.

 
 As far as I'm concerned: LilyPond is Free Software, Score
 is not. Period.
 
 Isn't life simple after all? :-)

It's as simple as looking at the output examples on that website and 
saying, Oh, it'd be neat to have a way to do curvy staff lines in 
Lilypond, or whatever your particular impression is.

-Jonathan

 
 Cheers,
 Valentin
 
 
 
 
 --
 
 ___
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 lilypond-user@gnu.org
 http://lists.gnu.org/mailman/listinfo/lilypond-user
 
 
 End of lilypond-user Digest, Vol 87, Issue 10
 *
 






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Re: Lilypond vs Score

2010-02-02 Thread Bobber

On 02/02/2010 04:15 AM, Valentin Villenave wrote:

As far as I'm concerned: LilyPond is Free Software, Score is not. Period.

  

Yes, I agree.   However, one of the claims made in the discussion was
that publishers can work with a Finale file and convert it to work with
Score but this is not possible with Lilypond.  So the issue is that if
you create your own music and submit a Lilypond file to a potential
publisher,  they may not want to work with it.  I have no experience
with this so I really don't know.  I guess the question is how many
publishers are still using Score?

--
Bob Wooldridge
bob...@kc0dxf.net
blog: http://kc0dxf.net/blog/




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Re: Lilypond vs Score

2010-02-02 Thread Tim Reeves
 
 Message: 1
 Date: Tue, 2 Feb 2010 10:33:07 -0800 (PST)
 From: Jonathan Wilkes jancs...@yahoo.com
 Subject: Re: Lilypond vs Score
 To: lilypond-user@gnu.org
 Message-ID: 225545.87662...@web65612.mail.ac4.yahoo.com
 Content-Type: text/plain; charset=iso-8859-1
 
  Message: 9
  Date: Tue, 2 Feb 2010 11:15:37 +0100
  From: Valentin Villenave v.villen...@gmail.com
  Subject: Re: Lilypond vs Score
  To: Brett McCoy idragos...@gmail.com
  Cc: lilypond-user@gnu.org
  Message-ID:
  eefe316d1002020215q31a6d677pf2e1959189448...@mail.gmail.com
  Content-Type: text/plain; charset=UTF-8
  
  On Mon, Feb 1, 2010 at 11:10 PM, Brett McCoy idragos...@gmail.com
  wrote:
   From http://www.scoremus.com/score.html
  
  Aarg. Please add a warning before posting such links
  :)
 
 What kind of warning?  I don't understand.
 
  
  As far as I'm concerned: LilyPond is Free Software, Score
  is not. Period.
  
  Isn't life simple after all? :-)
 
 It's as simple as looking at the output examples on that website and 
 saying, Oh, it'd be neat to have a way to do curvy staff lines in 
 Lilypond, or whatever your particular impression is.
 
 -Jonathan
 



If recent reports are true, that svg output from Lilypond is working well 
now, then this kind of thing should be no problem. Generate the svg from 
LP, then open it with Inkscape and sculpt away.
I found this - http://freesvg.texterity.com:90/  - to convert a pdf to svg 
which can then be manipulated in Inkscape also.
I have to admit - I tried it and it's not easy to get a staff to conform 
to a circle, for example. Maybe someone else can. My Inkscape skills are 
weak, though I love the software.


Tim Reeves


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Lilypond vs Score

2010-02-01 Thread Bobber
I have been having a discussion with a small publisher who uses the 
music manuscript program called Score.  He says that neither Lilypond or 
Finale can produce engraving that is comparable to Score.  And that most 
of the major music publishers in the world use Score.


Is anyone familiar with Score and what makes it superior?

--
Bob Wooldridge
bob...@kc0dxf.net
blog: http://kc0dxf.net/blog/



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Re: Lilypond vs Score

2010-02-01 Thread David Bobroff

On 2/1/2010 9:57 PM, Bobber wrote:
I have been having a discussion with a small publisher who uses the 
music manuscript program called Score.  He says that neither Lilypond 
or Finale can produce engraving that is comparable to Score.  And that 
most of the major music publishers in the world use Score.


Is anyone familiar with Score and what makes it superior?



I have never used Score myself.  I recall that, quite a few years ago, 
when I was first looking for a music printing program I was advised by 
the guy behind the counter that Score was The One. I suspect that this 
was true at the time.  I recall reading somewhere that Score was the 
first software to meet the music publishing industry's standard.  Up to 
that time, published music was either engraved, or manuscript.  I have 
some music in my personal library that was published using Score.  I 
know this because I know the publisher and he told me that he uses 
Score.  When I compare Score output to LilyPond output I would agree 
that it is not comparable.  I think LilyPond looks better.  Perhaps I'm 
a bit biased, but I don't think a strong argument can be put forward 
that Score is obviously superior.  This publisher you've been talking to 
is likely somewhat biased in favor of Score since he uses/understands 
it.  He's probably right when he says that Finale can't compare (I used 
to use Finale, but haven't in several years) and he is also probably 
correct when he says that most major publishing houses use Score.  Then 
again, most large businesses use Windows, too.


-David


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Re: Lilypond vs Score

2010-02-01 Thread Brett McCoy
On Mon, Feb 1, 2010 at 4:57 PM, Bobber bob...@kc0dxf.net wrote:

 I have been having a discussion with a small publisher who uses the music
 manuscript program called Score.  He says that neither Lilypond or Finale
 can produce engraving that is comparable to Score.  And that most of the
 major music publishers in the world use Score.

 Is anyone familiar with Score and what makes it superior?

Never heard of it either. I wonder how old this site is:

From http://www.scoremus.com/score.html

The ideal system for running SCORE consists of a Pentium or 486DX
computer with as little as 4 to 8 megabytes of memory. SCORE runs in
the MS-DOS mode under Windows 95/98/XP or directly in MS-DOS. A
600/1200 dpi PostScript laser printer is required for quality output.
(Printing of SCORE output can also be done on most ink-jet printers
and the lowest priced laser printers by means of a Windows 95/98
shareware program called Ghostscript. This program may be downloaded
from the internet.) SCORE's current MIDI connections require a MPU401
board or a compatible 16-bit ISA sound board. SCORE can run on a
Macintosh computer with a DOS simulator - but very slowly; it is not
recommended. An adequate 486/Pentium PC system may be had in many
areas for only a couple of hundred dollars or less. SCORE's
performance under a LINUX system is unknown.

MPU401? 16-bit ISA Sound card? How antiquated!

I know Berklee doesn't use it -- they are pretty standardized on
Sibelius and Finale.

-- Brett

In the rhythm of music a secret is hidden;
If I were to divulge it, it would overturn the world.
   -- Jelaleddin Rumi


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Re: Lilypond vs Score

2010-02-01 Thread Jonathan Kulp
On Mon, Feb 1, 2010 at 4:10 PM, Brett McCoy idragos...@gmail.com wrote:

 On Mon, Feb 1, 2010 at 4:57 PM, Bobber bob...@kc0dxf.net wrote:

  I have been having a discussion with a small publisher who uses the music
  manuscript program called Score.  He says that neither Lilypond or Finale
  can produce engraving that is comparable to Score.  And that most of the
  major music publishers in the world use Score.
 
  Is anyone familiar with Score and what makes it superior?


One of my songs is published by G. Schirmer, and the songbook containing it
was done in Score. This was in 1996. I'm not sure if Schirmer is still using
it or not. It looks very good, though. From what I've heard it also costs
quite a lot of money (or used to).

Jon
-- 
Jonathan Kulp
http://www.jonathankulp.com
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Lilypond vs Score

2010-02-01 Thread Jonathan Wilkes
 --
 
 Message: 8
 Date: Mon, 01 Feb 2010 15:57:49 -0600
 From: Bobber bob...@kc0dxf.net
 Subject: Lilypond vs Score
 To: lilypond-user@gnu.org
 Message-ID: 4b674e5d.3030...@kc0dxf.net
 Content-Type: text/plain; charset=ISO-8859-1;
 format=flowed
 
 I have been having a discussion with a small publisher who
 uses the 
 music manuscript program called Score.  He says that
 neither Lilypond or 
 Finale can produce engraving that is comparable to
 Score.  And that most 
 of the major music publishers in the world use Score.
 
 Is anyone familiar with Score and what makes it superior?
 
 -- 
 Bob Wooldridge
 bob...@kc0dxf.net
 blog: http://kc0dxf.net/blog/

 I'm also curious to hear from anyone who has had experience using 
Score, and comparing to Lilypond output.  There are some wacky
examples of Score output at:
http://www.scoremus.com/

(especially that deer standing on the staff!  There needs to be an
Animal_engraver in lilypond!)

After seeing that output, I'm curious: has anybody played around in Lilypond 
with making the staff curve around (like forming a circle, or 
just bending down the page or something)?  I'd like to be able to do that.

Best,
Jonathan






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Re: Lilypond vs Score

2010-02-01 Thread Patrick McCarty
On 2010-02-01, Jonathan Wilkes wrote:
 
 I'm also curious to hear from anyone who has had experience using
 Score, and comparing to Lilypond output.  There are some wacky
 examples of Score output at:
 http://www.scoremus.com/
 
 (especially that deer standing on the staff!  There needs to be an
 Animal_engraver in lilypond!)
 
 After seeing that output, I'm curious: has anybody played around in
 Lilypond with making the staff curve around (like forming a circle,
 or just bending down the page or something)?  I'd like to be able to
 do that.

I've contemplated the possibility, and Jan apparently has too:

http://lists.gnu.org/archive/html/lilypond-devel/2009-09/msg00505.html

It would be quite awesome if LilyPond could do this.

Here's another example:

http://en.wikipedia.org/wiki/File:CordierColor.jpg

We should probably add a feature request to the tracker.

Thanks,
Patrick


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Re: Lilypond vs Score

2010-02-01 Thread Graham Percival
On Mon, Feb 01, 2010 at 03:57:49PM -0600, Bobber wrote:
 I have been having a discussion with a small publisher who uses the  
 music manuscript program called Score.  He says that neither Lilypond or  
 Finale can produce engraving that is comparable to Score.  And that most  
 of the major music publishers in the world use Score.

Score can do stuff like having the staves in a spiral.  Think of
George Crumb -- if he used any computer engraver, it would be
score.  Score is also not free: it's not open source, and IIRC it
costs $500 or more.

I only saw it briefly a few years ago.  I think our fonts are
better, but score could clearly do more wacky things.  I believe
our input format is much easier, though.

I can't speak to what major music publishers use.

Cheers,
- Graham


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Re: Lilypond vs Score

2010-02-01 Thread David Stocker

Hi Bob,

SCORE is an old program and, while I think it is still being supported, 
I don't think it's under active development. It's a DOS program and 
there have been rumors for years of a Windows port, but no one seems to 
know whether it's happening or not.


While a small number of publishers and engravers still use SCORE, most 
publishers (and almost all Major Publishers) are now using Finale or 
Sibelius.


SCORE is notoriously difficult to use (if you believe the people who use 
it or used to use it) and even now is quite pricey, at US$750.00 It has 
a reputation for fine control over placement of score elements and can 
certainly produce some astonishing output configurations (most of which 
no one would ever need), but I find the look of its output cold and 
mechanical, even compared with Finale or Sibelius (and certainly when 
compared to LilyPond).


David

Bobber wrote:
I have been having a discussion with a small publisher who uses the 
music manuscript program called Score.  He says that neither Lilypond 
or Finale can produce engraving that is comparable to Score.  And that 
most of the major music publishers in the world use Score.


Is anyone familiar with Score and what makes it superior?




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Re: Lilypond vs Score

2010-02-01 Thread David Nalesnik
I'll now post this to the entire list!

It's been a long time since I've used Score (late 90s), but one of the great
things about the program was the precise control it allowed of all elements
in a score.  For example, it allowed you to specify the exact horizontal and
vertical positions of all objects -- notes, beams, etc. -- if you so chose.
 It allowed me to create scores in proportional notation by placing the
notes exactly where I chose.  Another nice feature -- if very specific! --
was the ability to space cross-staff beamed notes so that the stems, not the
noteheads, were evenly spaced, which really improves the appearance of
complex keyboard music.

I liked the program a lot because it seemed to take nothing for granted.
 Unlike other programs, you did not have to trick it to do anything
unconventional.

On Mon, Feb 1, 2010 at 5:20 PM, Graham Percival gra...@percival-music.cawrote:

 On Mon, Feb 01, 2010 at 03:57:49PM -0600, Bobber wrote:
  I have been having a discussion with a small publisher who uses the
  music manuscript program called Score.  He says that neither Lilypond or
  Finale can produce engraving that is comparable to Score.  And that most
  of the major music publishers in the world use Score.

 Score can do stuff like having the staves in a spiral.  Think of
 George Crumb -- if he used any computer engraver, it would be
 score.  Score is also not free: it's not open source, and IIRC it
 costs $500 or more.

 I only saw it briefly a few years ago.  I think our fonts are
 better, but score could clearly do more wacky things.  I believe
 our input format is much easier, though.

 I can't speak to what major music publishers use.

 Cheers,
 - Graham


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Re: Lilypond vs Score

2010-02-01 Thread Bobber

Graham Percival wrote:

Score can do stuff like having the staves in a spiral.  Think of
George Crumb -- if he used any computer engraver, it would be
score.  Score is also not free: it's not open source, and IIRC it
costs $500 or more.

I only saw it briefly a few years ago.  I think our fonts are
better, but score could clearly do more wacky things.  I believe
our input format is much easier, though.
  

That ability would seem to indicate more possibilities. The person I
spoke to who is one of the publishers listed on the Wikipedia page, said
that the output of both Finale and Lilypond was unacceptable for a
professional publisher. But he did say that the output of Finale could
somehow be manipulated by Score. I don't quite understand how that could
be done but this is what he said.

I can't speak to what major music publishers use.

Cheers,
- Graham
  


--
Bob Wooldridge
Blog: http://kc0dxf.net/blog/




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Re: Lilypond vs Score

2010-02-01 Thread Carl Sorensen



On 2/1/10 3:08 PM, David Bobroff bobr...@centrum.is wrote:

 On 2/1/2010 9:57 PM, Bobber wrote:
 
 Is anyone familiar with Score and what makes it superior?
 
 
 to use Finale, but haven't in several years) and he is also probably
 correct when he says that most major publishing houses use Score.  Then
 again, most large businesses use Windows, too.
 

SCORE is currently available for Windows systems that can run DOS (so it may
not work under Windows 7 -- I don't know one way or another).

You can get SCORE here:

 http://www.scoremus.com/

Check out Products.  Current cost is $300.

You can find some samples of SCORE usage here:

https://ccrma.stanford.edu/~craig/score/

Based on what I've read, the nicest thing about SCORE is that one can have
infinite control over spacing of particular objects.

Based on what I've seen, I couldn't stand to use the SCORE input format --
LilyPond is vastly superior.

I guess there are still a few places where we can't make LilyPond do the
right thing; as far as I'm concerned that's the only place where it would be
superior to use SCORE.

But I find LilyPond to be far superior.

HTH,

Carl




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Re: Lilypond vs Score

2010-02-01 Thread Bernhard Ott

On 02/02/2010 01:24 AM, Bobber wrote:

That ability would seem to indicate more possibilities. The person I
spoke to who is one of the publishers listed on the Wikipedia page, said
that the output of both Finale and Lilypond was unacceptable for a
professional publisher.

IMHO it's not only the software that matters:
I saw some really good scores done with Finale, and some dreadful 
examples of composers just printing their midi-stuff (Finale, Sibelius, 
...).
Have a look at (for example) Baerenreiter piano-reductions (Bach 
Johannespassion, Mozart operas) - they are a nightmare to read, so even 
with Score you can produce some questionable output.


Don't get me wrong, I'm pretty sure that Score used to be state of the 
art for a decade, but IMO it's not only a question of features but a 
question of knowing how you want your score to look.



somehow be manipulated by Score. I don't quite understand how that could
be done but this is what he said.


There seem to be a lot of third-party programms out there - see 
http://www.scoremus.com/links.html



Regards,
Bernhard


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Re: Lilypond vs Score

2010-02-01 Thread Jack Cooper
I'm not saying it is inconceivable that a DOS-based relic of a program would be 
considered
superior to any open source or commercially developed notation software over 
the last twenty
years, but claims like this set my bullshit detector clanging like a chinese 
fire drill.

Think of it this way- if you were a major publisher and were dependent upon 
trained professional
engravers to provide you with a massive variety of material, would it make good 
business sense
at all to insist that all these engravers, many graduating from Berklee or some 
other school
where Finale or Sibelius is the standard, learn another format?

Or pay someone to translate output from other formats into the *DOS-based* 
score?

Just sayin'...

  Jack

 
--
Jack Cooper, BerLen Music
www.berlenmusic.com
www.jack-cooper.com


 That ability would seem to indicate more possibilities. The person I
 spoke to who is one of the publishers listed on the Wikipedia page, said
 that the output of both Finale and Lilypond was unacceptable for a
 professional publisher. But he did say that the output of Finale could
 somehow be manipulated by Score. I don't quite understand how that could
 be done but this is what he said.
  I can't speak to what major music publishers use.
 
  Cheers,
  - Graham
   
 
 -- 
 Bob Wooldridge
 Blog: http://kc0dxf.net/blog/
 
 
 
 
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