Re: Peer review

2015-02-18 Thread Rutger Hofman

On 02/18/2015 03:30 AM, Craig Dabelstein wrote:

Hi Lilyponders,

I'm not sure if this is an appropriate request for the group, but I was
wondering if anybody had the time to look at a sample part I have
typeset and make any comments regarding the typesetting. There may be
many things here that an experienced typesetter may see that need
improvement, but my eyes don't pick up.

Here is the link:
https://dl.dropboxusercontent.com/u/614749/Berlioz-02-piccolo.pdf

I do think the part looks a little bit compressed, but I have used the
page turn engraver (which I think is one of the greatest inventions of
the modern world!) for instrumental parts such as these.

Many thanks,

Craig


Beautiful. Some off-the-cuff remarks.

I agree with Jay Andersen about cautionary accidentals. I always use the 
modern-cautionary style -- it implies least confusion.


I do hope you intend to add cue notes to the final product!

I think the typesetting is the opposite of cramped; only 10..11 systems 
per page. I often have 13 or even 14 on an A4 page (2.19.15, the 
Lilypond version makes a difference), although with narrower margins. 
However, the first system of mvt II. is indeed cramped. You might 
consider widening the first system (e.g. by judiciously inserting a page 
break into (just) the part).


Is your part intended to start with an external blank page? Else, the 
page turns are at the wrong side of the page pairs...


Regarding page turns: for the player, it is *far* preferable to have 
easy page turns than to have few pages. I don't know about the publisher 
who must pay the printing costs...


At letter [P] in mvt III: a top c# for the piccolo: I don't remember 
ever having had to play that (and I hope it will be a long time before I 
meet it).


A matter of preference: if the movements are clearly separated by piece 
titles and ample vertical white space, I don't indent the first system 
of the movement.


In Mvt III., from [C]: I think the tuplet spanners are a bit tiring to 
the eye. How does it look without the spanner lines?


Rutger Hofman
Amsterdam


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Re: Peer review

2015-02-18 Thread Hans Aberg

 On 18 Feb 2015, at 09:18, Rutger Hofman rut...@cs.vu.nl wrote:
 
 On 02/18/2015 03:30 AM, Craig Dabelstein wrote:

 Here is the link:
 https://dl.dropboxusercontent.com/u/614749/Berlioz-02-piccolo.pdf

 At letter [P] in mvt III: a top c# for the piccolo: I don't remember ever 
 having had to play that (and I hope it will be a long time before I meet it).

There are a couple of measures missing, and it should be one octave lower [1].

1. 
http://imslp.org/wiki/Grande_symphonie_fun%C3%A8bre_et_triomphale,_H_80_%28Berlioz,_Hector%29



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Re: Peer review

2015-02-18 Thread Klaus Blum
Hi Craig, 

I've noticed that you've changed the color of the staff lines from black to
grey. I think this is a good way to increase readability. 
However, in some lines of your score, the black bar lines are printed behind
the grey staff lines. I think this is because they are located in the same
layer, thus it's not predictable in what order they will be printed.
It could be helpful to put the staff lines in a layer below zero: 

\layout {
\context { 
  \Staff 
  \override StaffSymbol.layer = #-1 
}
  }

Cheers, 
Klaus



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Re: Peer review

2015-02-18 Thread Urs Liska

Am 18.02.2015 um 03:30 schrieb Craig Dabelstein:

Hi Lilyponders,

I'm not sure if this is an appropriate request for the group, but I was
wondering if anybody had the time to look at a sample part I have
typeset and make any comments regarding the typesetting. There may be
many things here that an experienced typesetter may see that need
improvement, but my eyes don't pick up.

Here is the link:
https://dl.dropboxusercontent.com/u/614749/Berlioz-02-piccolo.pdf

I do think the part looks a little bit compressed, but I have used the
page turn engraver (which I think is one of the greatest inventions of
the modern world!) for instrumental parts such as these.

Many thanks,

Craig



Hi Craig, there's one (minor) issue for readability that I notice. It's 
not your fault but LilyPond's but you may search for a way to improve it 
nevertheless.


When tuplet number happen to fall into a staff they are not clearly 
readable. Probably it doesn't matter too much because you don't actually 
_read_ them anyway but just notice that they are there.
Especially problematic is when they fall exactly in a staff space as in 
m. 134ff. where the extenders of the number coincide with the staff lines.


I'm not sure about the best treat, however. Some ideas:

- moving the numbers
- using whiteout
- selecting a heavier font face

I don't see a real treat for it, but you may take it as some input.

HTH
Urs



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Re: Peer review

2015-02-18 Thread Craig Dabelstein
Hi all,

Thanks so much for your feedback. As I suspected there were issues you
raised that I never would have picked up on my own. I really appreciate
your time and expertise.

Craig


On Wed Feb 18 2015 at 8:45:05 PM Urs Liska u...@openlilylib.org wrote:

 Am 18.02.2015 um 03:30 schrieb Craig Dabelstein:
  Hi Lilyponders,
 
  I'm not sure if this is an appropriate request for the group, but I was
  wondering if anybody had the time to look at a sample part I have
  typeset and make any comments regarding the typesetting. There may be
  many things here that an experienced typesetter may see that need
  improvement, but my eyes don't pick up.
 
  Here is the link:
  https://dl.dropboxusercontent.com/u/614749/Berlioz-02-piccolo.pdf
 
  I do think the part looks a little bit compressed, but I have used the
  page turn engraver (which I think is one of the greatest inventions of
  the modern world!) for instrumental parts such as these.
 
  Many thanks,
 
  Craig
 

 Hi Craig, there's one (minor) issue for readability that I notice. It's
 not your fault but LilyPond's but you may search for a way to improve it
 nevertheless.

 When tuplet number happen to fall into a staff they are not clearly
 readable. Probably it doesn't matter too much because you don't actually
 _read_ them anyway but just notice that they are there.
 Especially problematic is when they fall exactly in a staff space as in
 m. 134ff. where the extenders of the number coincide with the staff lines.

 I'm not sure about the best treat, however. Some ideas:

 - moving the numbers
 - using whiteout
 - selecting a heavier font face

 I don't see a real treat for it, but you may take it as some input.

 HTH
 Urs

 
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Peer review

2015-02-17 Thread Craig Dabelstein
Hi Lilyponders,

I'm not sure if this is an appropriate request for the group, but I was
wondering if anybody had the time to look at a sample part I have typeset
and make any comments regarding the typesetting. There may be many things
here that an experienced typesetter may see that need improvement, but my
eyes don't pick up.

Here is the link:
https://dl.dropboxusercontent.com/u/614749/Berlioz-02-piccolo.pdf

I do think the part looks a little bit compressed, but I have used the page
turn engraver (which I think is one of the greatest inventions of the
modern world!) for instrumental parts such as these.

Many thanks,

Craig
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Re: Peer review

2015-02-17 Thread Jay Anderson
On Tue, Feb 17, 2015 at 7:30 PM, Craig Dabelstein
craig.dabelst...@gmail.com wrote:
 I'm not sure if this is an appropriate request for the group, but I was
 wondering if anybody had the time to look at a sample part I have typeset
 and make any comments regarding the typesetting. There may be many things
 here that an experienced typesetter may see that need improvement, but my
 eyes don't pick up.

It looks pretty clean to me. I'm not an expert either, but here are a
few things:
- 'attaca' should be placed below the staff.
- The rest at the end on page 3 looks a little short for a page turn
(maybe not). It's certainly doable, but it's worth playing around.
Moving the page turn will most likely cause it to flow onto more
pages.
- Mvt. I measure 59 has an A natural. The following measure has an
A-flat? Add the cautionary accidental. There are similar issues like
this as well (Mvt. I measures 89-90, 91-92 with f-flat, f-natural - I
didn't check further.).

 I do think the part looks a little bit compressed, but I have used the page
 turn engraver (which I think is one of the greatest inventions of the modern
 world!) for instrumental parts such as these.

A4 is fairly narrow which could be part of the problem as well.

-Jay

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