Re: completely filling a page, but not too compact, how?

2022-08-19 Thread Knute Snortum
On Fri, Aug 19, 2022 at 8:16 AM Kenneth Wolcott
 wrote:
>
> Hi Ralph, Lukas and David;
>
>   Thank you all for your responses.
>
>   I had no clue where to start on modifying the layout since there are
> so many things to examine in the documentation regarding the layout.
>
>   Now I can guess more effectively for the next one that needs to be
> expanded/contracted.

Here's a good webpage to start with concerning spacing:

https://lilypond.org/doc/v2.22/Documentation/notation/vertical-spacing

--
Knute Snortum



Re: completely filling a page, but not too compact, how?

2022-08-19 Thread Kenneth Wolcott
Hi Ralph, Lukas and David;

  Thank you all for your responses.

  I had no clue where to start on modifying the layout since there are
so many things to examine in the documentation regarding the layout.

  Now I can guess more effectively for the next one that needs to be
expanded/contracted.

Thanks,
Ken

On Fri, Aug 19, 2022 at 7:31 AM David Wright  wrote:
>
> On Fri 19 Aug 2022 at 09:32:45 (+0200), Lukas-Fabian Moser wrote:
> > What I didn't change: Classical convention would probably give the
> > final bar a length of only 4 (with fermata), not 1. But I wouldn't put
> > too much stock in this, I know that a crotchet final chord would
> > probably look strange, and there are plenty of counterexamples to that
> > convention.
>
> I'm used to seeing this air written in 8/4, which looks like this
> (the last note sung would be 1~4).
>
> Cheers,
> David.



Re: completely filling a page, but not too compact, how?

2022-08-19 Thread David Wright
On Fri 19 Aug 2022 at 09:32:45 (+0200), Lukas-Fabian Moser wrote:
> What I didn't change: Classical convention would probably give the
> final bar a length of only 4 (with fermata), not 1. But I wouldn't put
> too much stock in this, I know that a crotchet final chord would
> probably look strange, and there are plenty of counterexamples to that
> convention.

I'm used to seeing this air written in 8/4, which looks like this
(the last note sung would be 1~4).

Cheers,
David.
\version "2.22.2"

% Danny Boy (Londonderry Air)

global = {
  \language "english"
  \numericTimeSignature
  \time 8/4
  \key c \major
  \tempo "Smoothly, with expression"
  \partial 2.
}

\header {
  title = "Danny Boy"
  subtitle = "(Londonderry Air)"
}

\paper {
  ragged-last-bottom = ##f
  markup-system-spacing.padding = 3
}

\layout {
  system-count = 7
  \accidentalStyle modern
}

rh = {
  \global
  \clef treble
  b'4^2 c''^1 d''  | % m01
  e''4 a'' g'' e'' | % m02
  d''4^1 c''^3 a' c''  | % m03
  g'2  | % m04
%\break
  4\fermata b^2 c'^1 d'  | % m05
  \repeat volta 2 {
e'2. d'4| % m06
%\break
e'4 a' g' e'| % m07
%\break
d'4^1(c')^2 a2^1 ~  | % m08
a4 c' e' f' | % m09
g'2. a'4| % m10
%\break
g'4 e' c' e'^3   | % m11
%\break
d'1 ~| % m12
d'4 b^2 c'^1 d'  | % m13
%\break
e'2. d'4| % m14
%\break
e'4 a' g' e'| % m15
d'4^1(c'^2) a2^1 ~  | % m16
%\break
a4 b^2 c'^1 d'  | % m17
2. f'4   | % m18
e'4 d' c' d'| % m19
%\break
c'1 ~   | % m20
c'4 g'^2 a' b'  | % m21
2. b'4  | % m22
b'4 a' g' a'| % m23
%\break
g'4(e') c'2 ~   | % m24
c'4 g'^2 a' b'  | % m25
2. b'4  | % m26
%\break
b'4 a' g' e'| % m27
d'1 ~   | % m28
d'4 g'^2  q  | % m29
%\break
2. d''4   | % m30
4 c'' a' c''  | % m31
g'4(e') c'2   | % m32
%\break
r4 b^2 c'^1 d'  | % m33
e'4 a' g' e'^2  | % m34
d'4^1 c'^2 a b  | % m35
  }
%\break
  \alternative {
{
  c'2 | % m36
  4\fermata b^2 c' d'  | % m37
}
{
  c'1 | % m38
  4\fermata  | % m39
  \bar "|."
}
  }
}

piano_dynamics = {
  \global
  s8\mp s2 s8  | % m01
  s1   | % m02
  s1   | % m03
  s1   | % m04
%\break
  s1| % m05
  \repeat volta 2 {
s1  | % m06
%\break
s1  | % m07
%\break
s1  | % m08
s1  | % m09
s1  | % m10
%\break
s1  | % m11
%\break
s1  | % m12
s1  | % m13
%\break
s1  | % m14
%\break
s1  | % m15
s1  | % m16
%\break
s1  | % m17
s1  | % m18
s1  | % m19
%\break
s1  | % m20
s1  | % m21
s1  | % m22
s1  | % m23
%\break
s1  | % m24
s1  | % m25
s1  | % m26
%\break
s1  | % m27
s1  | % m28
s1  | % m29
%\break
c4 g c'2  | % m30
f2 c' | % m31
e2 a  | % m32
%\break
s1  | % m33
s1  | % m34
s1  | % m35
  }
%\break
  \alternative {
{
  s1  | % m36
  s1  | % m37
}
{
  s1  | % m38
  s4  | % m39
}
  }
}

lh = {
  \global
  \clef bass
  r4 r2| % m01
  c'2_1 bf | % m02
  2   | % m03
  2 fs   | % m04
%\break
  f4\fermata r r2  | % m05
  \repeat volta 2 {
c4_5 g c'2 | % m06
%\break
b2 bf  | % m07
%\break
a2 f4 e   | % m08
d2   | % m09
c2 b! | % m10
%\break
a2_1 fs_2| % m11
%\break
f4_3 d c' a  | % m12
g1   | % m13
%\break
c4 g b2  | % m14
%\break
bf1  | % m15
a2 f4 e  | % m16
%\break
d2   | % m17
g2 g,  | % m18
1 | % m19
%\break
g2 e| % m20
c2 | % m21
c4 g c'2| % m22
2   | % m23
%\break
2 b  | % m24
a2| % m25
c4 g c'2   | % m26
%\break
2   | % m27
fs4_3 d c' a| % m28
2 g,   | % m29
%\break
c4 g c'2  | % m30
f2 c' | % m31
e2 a  | % m32
%\break
1| % m33
g2 a   | % m34
2   | % m35
  }
%\break
  \alternative {
{
  2 fs| % m36
  f4\fermata r r2  | % m37
}
{
  2 g | % m38
  c4\fermata   | % m39
}
  }
}

\score {
  \new PianoStaff \with { instrumentName = "Piano" }
  <<
\new Staff \rh
\new Dynamics \piano_dynamics
\new Staff \lh
  >>
  \layout {}
}

\score {
  \unfoldRepeats {
<<
  \new Staff {
\set Staff.midiInstrument = "acoustic grand"
\rh
  }
  \new Dynamics \piano_dynamics
  \new Staff {
\set Staff.midiInstrument = "acoustic grand"
\lh
  }
>>
  }
  \midi {
\tempo 4=108
  }
}


derry.pdf
Description: Adobe PDF document


Re: completely filling a page, but not too compact, how?

2022-08-19 Thread Lukas-Fabian Moser

Hi Ken,


So I disabled all the forced line breaks.

Now it consumes less than 3/4 of one page and is a little too dense to
read on an iPad.

I'd like to fill the first and only page.

How to do this?


For filling the page, you can do

\paper {
  ragged-last-bottom = ##f
}

In your case, this spreads the systems too far apart on the page, so I 
increased the total amount of systems via


\layout {
  system-count = 7
}

where 7 was found by trial and error. This way, the bars are made wider, 
but I think they still look acceptable.


I took the liberty of making some other small adjustments; feel free to 
ignore them if you do not like them (especially since I realise that my 
changes are very much influenced by middle-European classical music 
notation conventions):


- added \accidentalStyle modern for warning accidentals
- changed the left hand rest in the beginning of the piece (r2. do not 
usually start at crotchet-valued position in a bar)
- bar 4/35a: in "classical" enharmonic spelling, this is usually written 
as f-sharp, not as g-flat (that's an instance where the usual rule of 
thumb "use flats when moving downwards" oversimplifies things)
- markup-system-spacing.padding = 3 to add some space between the title 
and the first system

- added final bar line
- paranoid warning accidentals ('!') in mm. 10 and 29

What I didn't change: Classical convention would probably give the final 
bar a length of only 4 (with fermata), not 1. But I wouldn't put too 
much stock in this, I know that a crotchet final chord would probably 
look strange, and there are plenty of counterexamples to that convention.


Lukas
\version "2.22.2"

% Danny Boy (Londonderry Air)

global = {
  \language "english"
  \numericTimeSignature
  \time 4/4
  \key c \major
  \tempo "Smoothly, with expression"
  \partial 2.
}

\header {
  title = "Danny Boy"
  subtitle = "(Londonderry Air)"
}

\paper {
  ragged-last-bottom = ##f
  markup-system-spacing.padding = 3
}

\layout {
  system-count = 7
  \accidentalStyle modern
}

rh = {
  \global
  \clef treble
  b'4^2 c''^1 d''  | % m01
  e''4 a'' g'' e'' | % m02
  d''4^1 c''^3 a' c''  | % m03
  g'2  | % m04
%\break
  4\fermata b^2 c'^1 d'  | % m05
  \repeat volta 2 {
e'2. d'4| % m06
%\break
e'4 a' g' e'| % m07
%\break
d'4^1(c')^2 a2^1 ~  | % m08
a4 c' e' f' | % m09
g'2. a'4| % m10
%\break
g'4 e' c' e'^3   | % m11
%\break
d'1 ~| % m12
d'4 b^2 c'^1 d'  | % m13
%\break
e'2. d'4| % m14
%\break
e'4 a' g' e'| % m15
d'4^1(c'^2) a2^1 ~  | % m16
%\break
a4 b^2 c'^1 d'  | % m17
2. f'4   | % m18
e'4 d' c' d'| % m19
%\break
c'1 ~   | % m20
c'4 g'^2 a' b'  | % m21
2. b'4  | % m22
b'4 a' g' a'| % m23
%\break
g'4(e') c'2 ~   | % m24
c'4 g'^2 a' b'  | % m25
2. b'4  | % m26
%\break
b'4 a' g' e'| % m27
d'1 ~   | % m28
d'4 g'^2  q  | % m29
%\break
2. d''4   | % m30
4 c'' a' c''  | % m31
g'4(e') c'2   | % m32
%\break
r4 b^2 c'^1 d'  | % m33
e'4 a' g' e'^2  | % m34
d'4^1 c'^2 a b  | % m35
  }
%\break
  \alternative {
{
  c'2 | % m36
  4\fermata b^2 c' d'  | % m37
}
{
  c'1 | % m38
  1\fermata  | % m39
  \bar "|."
}
  }
}

piano_dynamics = {
  \global
  s8\mp s2 s8  | % m01
  s1   | % m02
  s1   | % m03
  s1   | % m04
%\break
  s1| % m05
  \repeat volta 2 {
s1  | % m06
%\break
s1  | % m07
%\break
s1  | % m08
s1  | % m09
s1  | % m10
%\break
s1  | % m11
%\break
s1  | % m12
s1  | % m13
%\break
s1  | % m14
%\break
s1  | % m15
s1  | % m16
%\break
s1  | % m17
s1  | % m18
s1  | % m19
%\break
s1  | % m20
s1  | % m21
s1  | % m22
s1  | % m23
%\break
s1  | % m24
s1  | % m25
s1  | % m26
%\break
s1  | % m27
s1  | % m28
s1  | % m29
%\break
c4 g c'2  | % m30
f2 c' | % m31
e2 a  | % m32
%\break
s1  | % m33
s1  | % m34
s1  | % m35
  }
%\break
  \alternative {
{
  s1  | % m36
  s1  | % m37
}
{
  s1  | % m38
  s1  | % m39
}
  }
}

lh = {
  \global
  \clef bass
  r4 r2| % m01
  c'2_1 bf | % m02
  2   | % m03
  2 fs   | % m04
%\break
  f4\fermata r r2  | % m05
  \repeat volta 2 {
c4_5 g c'2 | % m06
%\break
b2 bf  | % m07
%\break
a2 f4 e   | % m08
d2   | % m09
c2 b! | % m10
%\break
a2_1 fs_2| % m11
%\break
f4_3 d c' a  | % m12
g1   | % m13
%\break
c4 g b2  | % m14
%\break
bf1  | % m15
a2 f4 e  | % m16
%\break
d2   | % m17
g2 g,  | % m18
1 | % m19
%\break
g2 e| % m20
c2 | % m21
c4 g c'2| % m22
2   | % m23
%\break
2 b  | % m24
a2| % 

Re: completely filling a page, but not too compact, how?

2022-08-18 Thread Ralph Palmer
On Thu, Aug 18, 2022, 7:06 PM Kenneth Wolcott 
wrote:

> Maybe this engraved pdf is a better match to the Lilypond source...
>
> On Thu, Aug 18, 2022 at 4:02 PM Kenneth Wolcott
>  wrote:
> >
> > Hi;
> >
> >   I have a piece of music that has forced line breaks that consumes
> three pages.
> >
> > I engraved the piece (without lyrics, which will come later) and it
> > looks so... sparse.
> >
> > So I disabled all the forced line breaks.
> >
> > Now it consumes less than 3/4 of one page and is a little too dense to
> > read on an iPad.
> >
> > I'd like to fill the first and only page.
> >
> > How to do this?
> >
> > I have attached the Lilypond source and my engraved pdf (the original
> > is huge as it is a three-page iPhone photo converted to pdf, so I
> > won't attach that unless it is requested).
> >
> > Lilypond 2.22.2 from homebrew, Mac M1, lilypond called without any
> > arguments/options.
> >
> > Thanks,
> > Ken Wolcott
>

> I'm away from my computer for a few weeks, so I can't be specific, but I
> use something like page-count = #1 in the /paper block, I think. Sorry I
> can't be more specific.


All the best,

Ralph

>