[LUTE] Re: Saturday morning quotes - A HIP score

2016-10-15 Thread Roman Turovsky
   He sings duets with Putin, so..

   RT

   On 10/15/2016 4:15 PM, John Mardinly wrote:

   If so, obviously not one Trump would molest…..

   On Oct 15, 2016, at 12:47 PM, Matthew Daillie
   <[1]dail...@club-internet.fr> wrote:

   Did she have a moustache?
   On 15/10/2016 21:46, Roman Turovsky wrote:

 the one I worked with - was happy in D.
 RT
 On 10/15/2016 3:40 PM, Matthew Daillie wrote:

 On 15/10/2016 21:38, Roman Turovsky wrote:

 I've been asked the "couldn't we do it lower in E?" question too
 many times.
 RT

 You should try sopranos. The question is always: 'don't you have a
 lute with a higher pitch?'
 Matthew

   To get on or off this list see list information at
   [2]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmouth
   .edu_-7Ewbc_lute-2Dadmin_index.html&d=CwIC-g&c=AGbYxfJbXK67KfXyGqyv2Eji
   z41FqQuZFk4A-1IxfAU&r=MAuGvnWTcVQkxORgQD0QS50ZicPM3Nw-61ygSK-LNEQ&m=Jb0
   N2NvWndrnnn4LpJesKB8pJYHhHIz_1rmUEyR-kpU&s=AWMcDkzFL2_TUNmlKFw_62NOYPQp
   IyrRStqg_s42gjg&e=

   A. John Mardinly, Ph.D., P.E.
   Retired Principal Materials Nanoanalysis Engineer
   EMail: [3]john.mardi...@asu.edu
   Cell: [4]408-921-3253 (does not work in TEM labs)
   But don’t call the lab….I won’t be there!

   --

References

   1. mailto:dail...@club-internet.fr
   2. 
https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmouth.edu_-7Ewbc_lute-2Dadmin_index.html&d=CwIC-g&c=AGbYxfJbXK67KfXyGqyv2Ejiz41FqQuZFk4A-1IxfAU&r=MAuGvnWTcVQkxORgQD0QS50ZicPM3Nw-61ygSK-LNEQ&m=Jb0N2NvWndrnnn4LpJesKB8pJYHhHIz_1rmUEyR-kpU&s=AWMcDkzFL2_TUNmlKFw_62NOYPQpIyrRStqg_s42gjg&e=
   3. mailto:john.mardi...@asu.edu
   4. tel:408-921-3253



[LUTE] Re: Saturday morning quotes - A HIP score

2016-10-15 Thread Roman Turovsky

what are you implyin'?
RT


On 10/15/2016 3:47 PM, Matthew Daillie wrote:

Did she have a moustache?

On 15/10/2016 21:46, Roman Turovsky wrote:

the one I worked with - was happy in D.
RT


On 10/15/2016 3:40 PM, Matthew Daillie wrote:

On 15/10/2016 21:38, Roman Turovsky wrote:
I've been asked the "couldn't we do it lower in E?" question too 
many times.


RT


You should try sopranos. The question is always: 'don't you have a 
lute with a higher pitch?'


Matthew





To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html





[LUTE] Re: Saturday morning quotes - A HIP score

2016-10-15 Thread John Mardinly
   If so, obviously not one Trump would molest…..

   On Oct 15, 2016, at 12:47 PM, Matthew Daillie
   <[1]dail...@club-internet.fr> wrote:

   Did she have a moustache?
   On 15/10/2016 21:46, Roman Turovsky wrote:

 the one I worked with - was happy in D.
 RT
 On 10/15/2016 3:40 PM, Matthew Daillie wrote:

 On 15/10/2016 21:38, Roman Turovsky wrote:

 I've been asked the "couldn't we do it lower in E?" question too
 many times.
 RT

 You should try sopranos. The question is always: 'don't you have a
 lute with a higher pitch?'
 Matthew

   To get on or off this list see list information at
   [2]https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmouth
   .edu_-7Ewbc_lute-2Dadmin_index.html&d=CwIC-g&c=AGbYxfJbXK67KfXyGqyv2Eji
   z41FqQuZFk4A-1IxfAU&r=MAuGvnWTcVQkxORgQD0QS50ZicPM3Nw-61ygSK-LNEQ&m=Jb0
   N2NvWndrnnn4LpJesKB8pJYHhHIz_1rmUEyR-kpU&s=AWMcDkzFL2_TUNmlKFw_62NOYPQp
   IyrRStqg_s42gjg&e=

   A. John Mardinly, Ph.D., P.E.
   Retired Principal Materials Nanoanalysis Engineer
   EMail: [3]john.mardi...@asu.edu
   Cell: [4]408-921-3253 (does not work in TEM labs)
   But don’t call the lab….I won’t be there!

   --

References

   1. mailto:dail...@club-internet.fr
   2. 
https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cs.dartmouth.edu_-7Ewbc_lute-2Dadmin_index.html&d=CwIC-g&c=AGbYxfJbXK67KfXyGqyv2Ejiz41FqQuZFk4A-1IxfAU&r=MAuGvnWTcVQkxORgQD0QS50ZicPM3Nw-61ygSK-LNEQ&m=Jb0N2NvWndrnnn4LpJesKB8pJYHhHIz_1rmUEyR-kpU&s=AWMcDkzFL2_TUNmlKFw_62NOYPQpIyrRStqg_s42gjg&e=
   3. mailto:john.mardi...@asu.edu
   4. tel:408-921-3253



[LUTE] Re: Saturday morning quotes - A HIP score

2016-10-15 Thread Matthew Daillie

Did she have a moustache?

On 15/10/2016 21:46, Roman Turovsky wrote:

the one I worked with - was happy in D.
RT


On 10/15/2016 3:40 PM, Matthew Daillie wrote:

On 15/10/2016 21:38, Roman Turovsky wrote:
I've been asked the "couldn't we do it lower in E?" question too 
many times.


RT


You should try sopranos. The question is always: 'don't you have a 
lute with a higher pitch?'


Matthew





To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: Saturday morning quotes - A HIP score

2016-10-15 Thread Roman Turovsky

the one I worked with - was happy in D.
RT


On 10/15/2016 3:40 PM, Matthew Daillie wrote:

On 15/10/2016 21:38, Roman Turovsky wrote:
I've been asked the "couldn't we do it lower in E?" question too many 
times.


RT


You should try sopranos. The question is always: 'don't you have a 
lute with a higher pitch?'


Matthew





To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: Saturday morning quotes - A HIP score

2016-10-15 Thread Matthew Daillie

On 15/10/2016 21:38, Roman Turovsky wrote:
I've been asked the "couldn't we do it lower in E?" question too many 
times.


RT


You should try sopranos. The question is always: 'don't you have a lute 
with a higher pitch?'


Matthew



To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html


[LUTE] Re: Saturday morning quotes - A HIP score

2016-10-15 Thread Roman Turovsky

I've been asked the "couldn't we do it lower in E?" question too many times.

RT


On 10/15/2016 3:10 PM, Matthew Daillie wrote:

On 15/10/2016 21:05, Roman Turovsky wrote:
little squeaky lutes in A are very likely a modern anachronism, 
considering that the majority of voices work much better with larger 
lutes tuned a whole 3rd lower - to E, or even D.
RT 


One does not need to use a 'little squeaky lute in a' to accompany 
these airs de cour (although I have had the pleasure of playing two 
10-courses in a'415 that were anything but squeaky). One should 
obviously use whatever lute suits the singer.






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[LUTE] Re: Saturday morning quotes - A HIP score

2016-10-15 Thread Matthew Daillie

On 15/10/2016 21:05, Roman Turovsky wrote:
little squeaky lutes in A are very likely a modern anachronism, 
considering that the majority of voices work much better with larger 
lutes tuned a whole 3rd lower - to E, or even D.
RT 


One does not need to use a 'little squeaky lute in a' to accompany these 
airs de cour (although I have had the pleasure of playing two 10-courses 
in a'415 that were anything but squeaky). One should obviously use 
whatever lute suits the singer.




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[LUTE] Re: Saturday morning quotes - A HIP score

2016-10-15 Thread Roman Turovsky
little squeaky lutes in A are very likely a modern anachronism, 
considering that the majority of voices work much better with larger 
lutes tuned a whole 3rd lower - to E, or even D.

RT


On 10/15/2016 2:55 PM, Matthew Daillie wrote:

On 15/10/2016 19:23, Ron Andrico wrote:

Matthew:

It's nice to know you keep up with our blog, although I expect 
that you

would direct your commentary there instead of this forum. We always
appreciate thoughtful and respectful commentary.

In your comment, you skew the point to support the idea that the 
lute
was presumed to be tuned in A.  Granted, historical reference 
pitches

have never been hard and fast, and there is absolutely no reason to
presume that A=440 or A=415 had anything to do with historical 
pitch,

particularly on lutes and other fretted or unfretted stringed
instruments.

Perhaps an excess of bile prompts your other commentary, which 
again is

a stretch just to make your points.  While it is a matter of taste,
high G is not a particularly pleasant sound to hear, particularly in
music meant for the chamber.   Read some of the source material on
vocal range and production from the era and get back to me on this
after you have informed yourself.

We chose the title "Airs de Court" for our 2005 CD, Divine Amarillis
because that is the term Besard used in his 1603 print, which 
preceded
Bataille's versions published by Ballard.  True, the term was 
applied

earlier in LeRoy's book, but Besard was a pioneer in the genre.

Now, if you have anything else you'd like to get off your chest, you
are welcome to comment on our blog rather than this forum.

RA

Ron,
As you publicise your blog entry every single Saturday on this forum, 
it only seems logical to respond on the forum.
I can assure you that I know numerous singers who can easily render G 
with ease, elegance and no shortage of emotion, all the more so if the 
instrument is in G and at a'415.
My 'court' comment was tongue in cheek but thank you for the erudite 
response.
Maybe if you spent less time criticising others and setting yourself 
up as an example to follow, I would be less keen to set the record 
straight.

Matthew



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[LUTE] Re: Saturday morning quotes - A HIP score

2016-10-15 Thread Matthew Daillie

On 15/10/2016 19:23, Ron Andrico wrote:

Matthew:

It's nice to know you keep up with our blog, although I expect that you
would direct your commentary there instead of this forum.  We always
appreciate thoughtful and respectful commentary.

In your comment, you skew the point to support the idea that the lute
was presumed to be tuned in A.  Granted, historical reference pitches
have never been hard and fast, and there is absolutely no reason to
presume that A=440 or A=415 had anything to do with historical pitch,
particularly on lutes and other fretted or unfretted stringed
instruments.

Perhaps an excess of bile prompts your other commentary, which again is
a stretch just to make your points.  While it is a matter of taste,
high G is not a particularly pleasant sound to hear, particularly in
music meant for the chamber.   Read some of the source material on
vocal range and production from the era and get back to me on this
after you have informed yourself.

We chose the title "Airs de Court" for our 2005 CD, Divine Amarillis
because that is the term Besard used in his 1603 print, which preceded
Bataille's versions published by Ballard.  True, the term was applied
earlier in LeRoy's book, but Besard was a pioneer in the genre.

Now, if you have anything else you'd like to get off your chest, you
are welcome to comment on our blog rather than this forum.

RA
  

Ron,
As you publicise your blog entry every single Saturday on this forum, it 
only seems logical to respond on the forum.
I can assure you that I know numerous singers who can easily render G 
with ease, elegance and no shortage of emotion, all the more so if the 
instrument is in G and at a'415.
My 'court' comment was tongue in cheek but thank you for the erudite 
response.
Maybe if you spent less time criticising others and setting yourself up 
as an example to follow, I would be less keen to set the record straight.

Matthew



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[LUTE] Re: Saturday morning quotes - A HIP score

2016-10-15 Thread Matthew Daillie
   Ron,

   In the 'Saturday morning quote' you put on line today and publicised
   (as usual) on this forum, you speak of historically informed
   performance in relation to an Air de cour by Guédron entitled 'Bien
   qu'un cruel martire'. You claim that 'When the modern editor André
   Verchaly published his collection of airs, he transposed the keyboard
   transcription of the lute part to fit the key of the voice part in
   Bataille’s original print.' This is not true at all. The rendition in
   staff notation (why do you automatically think 'keyboard' when you see
   real notes rather than tablature?) is exactly what Bataille published
   in his 'Airs de differents autheurs'. If you look closely at the
   tablature, the first note for the singer is given before the time
   signature. In the piece you refer to, the note indicated is an open
   fourth course. If one assumes a lute at the nominal pitch of a', then
   the first note for the singer is a G, which is exactly what Verchaly
   has indicated, identical to Bataille's printed Air and lute. Your
   assumption of 'a lute tuned in our modern standard of “G”' is
   fallacious. These airs would have been accompanied by lutes of various
   pitches to fit the singing voice.

   The top note in the piece is a G5, hardly 'stratospheric' or
   'dog-whistle range' as you call it. We do not know what the accepted
   pitch was at the time (if indeed there was a standard pitch) but it is
   very likely that it would have been lower than modern pitch of a' at
   440. This music is commonly played at a' 415 today.

   Why do you refer to 'Airs de Court' on your CD rather than 'Airs de
   cour' ? Is there some kind of connection with a tennis match ?
   Matthew
   On 15/10/2016 16:26, Ron Andrico wrote:

   We have posted our Saturday morning quote and offer a HIP score.

   [1][1]http://wp.me/p15OyV-3wS

   Ron & Donna

   --

References

   1. [2]http://wp.me/p15OyV-3wS


   --

References

   1. http://wp.me/p15OyV-3wS
   2. http://wp.me/p15OyV-3wS


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