[LUTE] Re: Things to play in quarantine

2020-03-24 Thread Bill Eisele
   Unfortunately, the problem you're describing is caused by latency over
   the internet.  So, teleconferencing apps like FaceTime, Zoom, and Skype
   won't allow you to play with other musicians.  It will definitely sound
   like cacophony as you described.  Here's a good article describing the
   problem:
   [1]https://www.sweetwater.com/insync/online-band-practices-possible/.

   There are some workarounds for this in the form of certain apps and
   devices.  The problem is that if the app or device is intended to
   minimize latency and the further you are away from the other musicians
   and the slower your connection speeds, the more latency you will
   experience.  But it may be worth a try in these difficult times to
   connect with others to play duets and beyond.  Here are the apps listed
   in the article above:

   [2]https://www.jamkazam.com (a separate desktop device is recommended)

   [3]https://www.cockos.com/ninjam/ (this app doesn't appear to deal
   directly with latency)

   [4]http://llcon.sourceforge.net (this app appears to upload individual
   musician tracks, mixes them and then downloads the mixed result as a
   single track to each collaborator)

   [5]https://www.facebook.com/eJamming-368668856036/ (their website
   doesn't seem to be active)

   I have only had limited experience with JamKazam without the
   recommended device trying to play duets with a friend in our town and I
   quickly gave up on it.  My internet speed is relatively slow so without
   the device I was probably hindered in my ability to use the app.  It
   would be a good idea to search on the internet to see how successful
   these apps are before spending much time with any one of them.

   Hope this helps,

   Bill Eisele
 __

   From: lute-...@new-old-mail.cs.dartmouth.edu
on behalf of howard posner
   
   Sent: Monday, March 23, 2020 4:30 PM
   To: lute@cs.dartmouth.edu 
   Subject: [LUTE] Re: Things to play in quarantine

   > On Mar 23, 2020, at 8:12 AM, Diego Cantalupi 
   wrote:
   >
   > Each one with his/her phone.
   >
   > Il 23/03/2020 16:11, Dr. Henner Kahlert ha scritto:
   >> Wonderful! With which device did you manage to play and record this?
   Could you share how you did it?
   Two days ago I tried to lead our small congregation in a virtual
   service using Zoom, and it was impossible to synchronize it. Even if
   our mouths were moving in unison, it was cacophony.
   To get on or off this list see list information at
   [6]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. https://www.sweetwater.com/insync/online-band-practices-possible/
   2. https://www.jamkazam.com/
   3. https://www.cockos.com/ninjam/
   4. http://llcon.sourceforge.net/
   5. https://www.facebook.com/eJamming-368668856036/
   6. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: Plucking Room

2019-06-30 Thread Bill Polhemus
One word: e-bow. 

> On Jun 30, 2019, at 4:26 PM, Sean Smith  wrote:
> 
>   There's:
>   Szz [not worthy of the word]
>   Sstain [not quite enough]
>   Sustain [just right]
>   Sustaaayayayayannn [too much]
>   Sustain-Z [electric guitar].
>   My understanding is that it's a spectrum and we're a picky, fickle
>   bunch.
> 
>   On Sun, Jun 30, 2019 at 1:57 PM Roman Turovsky
>   <[1]r.turov...@gmail.com> wrote:
> 
> aren't lutenists switching to gut out of sustainophobia?
> RT
>> On 6/30/2019 3:46 PM, Matthew Daillie wrote:
>> I find that sustain is a major factor in the choice of a lute.
> Obviously we are not talking grand piano sustain, but an instrument
> with good sustain makes all the difference, especially for playing
> polyphonic music.
>> Clearly appropriate acoustics can make or break a lute, (however
> good the instrument and the player) but in the right environment the
> sound can also carry astonishingly well.
>> 
>> There might actually be a correlation between sustain and the
> amount of dishing. A well respected lutenist, with vast experience
> of teaching internationally, observed that lutes with inordinate
> dishing (a practice which is apparently common in some parts), and
> so with the strings at a significant height above the soundboard,
> frequently lacked sustain.
>> 
>> Best,
>> Matthew
>> 
>> 
>> 
>>> On Jun 30, 2019, at 19:51, Ron Andrico <[2]praelu...@hotmail.com>
> wrote:
>>> Sustain does not and probably never did factor into the plucked
> string sound of the lute.   The sound is immediate and rich in
> overtones, but ephemeral and does not travel well.
>>>RA
>>> 
> __
>> 
>> 
>> To get on or off this list see list information at
>> [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 
>   --
> 
> References
> 
>   1. mailto:r.turov...@gmail.com
>   2. mailto:praelu...@hotmail.com
>   3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 




[LUTE] Re: Paul O'Dette's M. Neusidler CD

2017-10-12 Thread Bill
   Steve,

   If you don't mind the mp3 sound quality the album is available on
   iTunes as a download for $9.99.  Harmonia Mundi has re-released a
   handful of Paul's CDs with generic album covers, but I wouldn't count
   on this one being re-released anytime soon, if at all.

   Best regards,

   Bill Eisele
   Sent from my iPhone
   On Oct 11, 2017, at 4:56 PM, Steve Acklin <[1]sack...@comcast.net>
   wrote:

   Hello.
   I went to purchase the above CD and find that it's out of print,
   and not a remainder in sight.
   Seems like just a couple of years ago I was reading the reviews...
   So that came and went pretty fast, especially for such a great CD,
   on an established label.
   Streaming on Spotify is a possibility, but does anyone here think
   that this might be re-released at all, or is the only choice
   paying $49 for a copy on Amazon? Hard to see that happening.
   What a bummer that things like this come and go so quickly,
   I certainly won't wait next time.
   Steve A.
   To get on or off this list see list information at
   [2]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

References

   1. mailto:sack...@comcast.net
   2. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



[LUTE] Re: Theorbo pieces

2015-06-16 Thread Bill
   Dear Bruno,
   Although I do not play the theorbo, I am aware of a theorbo tutor by
   Francesca Torelli, aptly named A Tutor for the Theorbo.  It is
   published by Ut Orpheus Edizioni:
   [1]http://www.utorpheus.com/product_info.php?cPath5products_id50.  It
   is available in English and Italian.  From what I can tell, it contains
   basic exercises and musical pieces.  Hope this helps.
   Best regards,
   Bill Eisele
Date: Tue, 16 Jun 2015 11:21:33 -0300
To: lute@cs.dartmouth.edu
From: bruno.l...@gmail.com
Subject: [LUTE] Theorbo pieces
   
Dear lute folks, can anyone point out any publication on the market
afor those who are starting on the theorboa? I mean simple and
progressive pieces for those with no experience at all. Everything I
have is for intermediate and advanced players (Kapsperger, Piccinini,
Hurel, Pitoni, VisA(c)e, etc...). I never bothered about this until
some students started to come in.
--
Bruno Figueiredo
A
Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o
historicamente informada no alaA-ode e teorba.
Doutor em PrA!ticas InterpretativasA pela
Universidade Federal do Estado do Rio de Janeiro.
   
--
   
   
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --

References

   1. http://www.utorpheus.com/product_info.php?cPath5products_id50



[LUTE] Re: Theorbo pieces

2015-06-16 Thread Bill
   Thanks for the additional information and correction, Anthony!
   Bill
 __

   Date: Tue, 16 Jun 2015 20:12:39 +0200
   Subject: Re: [LUTE] Theorbo pieces
   From: anthony.hart1...@gmail.com
   To: wfeis...@msn.com
   CC: bruno.l...@gmail.com; lute@cs.dartmouth.edu
   I was dissociated in the Torelli Tutor. It does have a few exercises
   but as for actual pieces it is a bit lacking. For pieces I found the
   two volumes of a Easy Theorbo pieces published by Seicento useful.
   These are not actual theorbo works but lute and baroque guitar
   transcriptions. Quite nice pieces and playable as a beginner.
   On Tuesday, June 16, 2015, Bill [1]wfeis...@msn.com wrote:

Dear Bruno,
Although I do not play the theorbo, I am aware of a theorbo tutor
 by
Francesca Torelli, aptly named A Tutor for the Theorbo.  It is
published by Ut Orpheus Edizioni:

 [1][2]http://www.utorpheus.com/product_info.php?cPath5products_id50
 .  It
is available in English and Italian.  From what I can tell, it
 contains
basic exercises and musical pieces.  Hope this helps.
Best regards,
Bill Eisele
 Date: Tue, 16 Jun 2015 11:21:33 -0300
 To: lute@cs.dartmouth.edu
 From: bruno.l...@gmail.com
 Subject: [LUTE] Theorbo pieces

 Dear lute folks, can anyone point out any publication on the
 market
 afor those who are starting on the theorboa? I mean simple and
 progressive pieces for those with no experience at all.
 Everything I
 have is for intermediate and advanced players (Kapsperger,
 Piccinini,
 Hurel, Pitoni, VisA(c)e, etc...). I never bothered about this
 until
 some students started to come in.
 --
 Bruno Figueiredo
 A
 Pesquisador autA'nomo da prA!tica e interpretaAS:A-L-o
 historicamente informada no alaA-ode e teorba.
 Doutor em PrA!ticas InterpretativasA pela
 Universidade Federal do Estado do Rio de Janeiro.

 --


 To get on or off this list see list information at
 [3]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
--
 References
1.
 [4]http://www.utorpheus.com/product_info.php?cPath5products_id50

   --
   __
   Anthony Hart MSc, LLCM,ALCM.
   Musicologist and Independent Researcher
   Highrise Court 'B', Apt 2, Tigne' Street, Sliema, SLM3174, MALTA
   Tel: +356 27014791; Mob: +356 9944 9552.
   e-mail: [5]resea...@antoninoreggio.com;
   web: [6]www.monsignor-reggio.com
   NEW Publications: EDIZIONE ANTONINO REGGIO
   - [7]www.edizionear.com
   for information and special offer

   --

References

   1. mailto:wfeis...@msn.com
   2. http://www.utorpheus.com/product_info.php?cPath5products_id50
   3. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   4. http://www.utorpheus.com/product_info.php?cPath5products_id50
   5. mailto:resea...@antoninoreggio.com
   6. http://www.monsignor-reggio.com/
   7. http://www.edizionear.com/



[LUTE] Re: Lute and guitar

2012-08-28 Thread Bill Eisele
   Dear Franz,
   I went back to the classical guitar after many years, but also wanted
   to continue to play the lute.  I grew my nails out, but found that it
   was too difficult to play the lute with nails from a tone perspective
   as well as concern about damaging the soundboard.
   So, I filed my nails back and adopted a system used by my guitar
   teacher when he breaks a nail.  I buy a pack of false glue on-type
   plastic nails from either the drugstore or beauty supply store and file
   and polish a set to the preferred shape for the p, i, m, a fingernails
   and attach them to my real nails when playing guitar using 0.5 inch
   round permanent glue dots that can be found in stationary supply
   stores.  It helps to wash your hands before attaching them to remove
   natural skin oils so they won't peel off easily during playing.
   Tonally, the sound using the plastic nail is, in my opinion, just as
   good as with the real nail.  Also, they won't come off unless you are
   playing rasgueado with your thumb nail (then just use a piece of first
   aid tape for the thumb nail).  I can tug on the plastic nail and it
   actually feels like my real nail when it's attached with a fresh glue
   dot
   When you're ready to remove them, just rotate them gently away from the
   real nail.  Running your hand under warm water helps to soften the glue
   dot and remove the plastic nails easily - the glue dot will stay on the
   back of the plastic nail.  Because the plastic nails last basically
   forever, I find it much easier to play classical guitar with these
   nails than having to continually shape and polish my real nails.  I
   also never have to worry about breaking a real nail.  The glue dots
   last a couple of weeks before they dry out and need to be replaced.
   That is easily done by using a large diameter needle (I use something
   called a bodkin used in fly tying) to skewer the glue dot and rotate it
   around the needle until it is removed from the back of the fake nail.
   While not in use, I keep them stored in a seven-day pill box with the
   lids labeled p, i, m, and a, along with extra nails and glue dots.
   This system was actually invented by Rico Stover and if you don't want
   to pull the supplies together individually, everything can be ordered
   as a package via Rico's web site:  www.ricoguitarnails.com.  He calls
   it the Emergency Nail Kit.  I don't know Rico, but I believe my
   teacher got the idea from him.  Hope this helps.
   Best regards,
   Bill Eisele
Date: Tue, 28 Aug 2012 13:13:56 +0100
To: chriswi...@yahoo.com; lute@cs.dartmouth.edu
From: franz.mechs...@northumbria.ac.uk
Subject: [LUTE] Lute and guitar
   
Dear Christopher,
(and dear lute wisdom),
   
I just see that you are playing and teaching the guitar as well as
   the
lute. How do you manage to play both instruments regarding nails (and
maybe other problems)? I am juggling between having the nails long
   when
focusing on the guitar, thereby neglecting the lute, having
intermediate nails while playing both instruments and short nails
while playing the lute and vihuela, thereby now and then playing my
guitar with finger tips.
   
I would be interested how other people manage the problem(s) of
   loving
instruments of both types.
   
Best
Franz
   
   
   
--
   
   
To get on or off this list see list information at
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

   --



[LUTE] Re: Lute and guitar

2012-08-28 Thread Bill Eisele
   Dear All,
   One thing I forgot to mention.  If the plastic nail has too much of an
   arch in it compared to your natural nail, heat the plastic nail up in a
   water bath in a microwave for 30 seconds or so, remove it quickly, and
   push down on it with a fork against a flat surface.  It might take a
   couple of tries, but you will get it into the desired arch without a
   large gap between your nail and the plastic nail.  A small gap will be
   filled with the glue dot.
   Best,
   Bill Eisele
Date: Wed, 29 Aug 2012 13:36:29 +0900
To: lute@cs.dartmouth.edu
From: edurb...@sea.plala.or.jp
Subject: [LUTE] Re: Lute and guitar
   
I don't know if this helps Franz, but it helps me. I'm going to look
   for Qwick Nail adhesive dots here in Japan. I never heard of such a
   thing.
   
On Aug 29, 2012, at 1:11 PM, Bill Eisele wrote:
   
 Dear Franz,
 I went back to the classical guitar after many years, but also
   wanted
 to continue to play the lute. I grew my nails out, but found that
   it
 was too difficult to play the lute with nails from a tone
   perspective
 as well as concern about damaging the soundboard.
 So, I filed my nails back and adopted a system used by my guitar
 teacher when he breaks a nail. I buy a pack of false glue on-type
 plastic nails from either the drugstore or beauty supply store and
   file
 and polish a set to the preferred shape for the p, i, m, a
   fingernails
 and attach them to my real nails when playing guitar using 0.5 inch
 round permanent glue dots that can be found in stationary supply
 stores. It helps to wash your hands before attaching them to remove
 natural skin oils so they won't peel off easily during playing.
 Tonally, the sound using the plastic nail is, in my opinion, just
   as
 good as with the real nail. Also, they won't come off unless you
   are
 playing rasgueado with your thumb nail (then just use a piece of
   first
 aid tape for the thumb nail). I can tug on the plastic nail and it
 actually feels like my real nail when it's attached with a fresh
   glue
 dot
 When you're ready to remove them, just rotate them gently away from
   the
 real nail. Running your hand under warm water helps to soften the
   glue
 dot and remove the plastic nails easily - the glue dot will stay on
   the
 back of the plastic nail. Because the plastic nails last basically
 forever, I find it much easier to play classical guitar with these
 nails than having to continually shape and polish my real nails. I
 also never have to worry about breaking a real nail. The glue dots
 last a couple of weeks before they dry out and need to be replaced.
 That is easily done by using a large diameter needle (I use
   something
 called a bodkin used in fly tying) to skewer the glue dot and
   rotate it
 around the needle until it is removed from the back of the fake
   nail.
 While not in use, I keep them stored in a seven-day pill box with
   the
 lids labeled p, i, m, and a, along with extra nails and glue dots.
 This system was actually invented by Rico Stover and if you don't
   want
 to pull the supplies together individually, everything can be
   ordered
 as a package via Rico's web site: www.ricoguitarnails.com. He calls
 it the Emergency Nail Kit. I don't know Rico, but I believe my
 teacher got the idea from him. Hope this helps.
 Best regards,
 Bill Eisele
 Date: Tue, 28 Aug 2012 13:13:56 +0100
 To: chriswi...@yahoo.com; lute@cs.dartmouth.edu
 From: franz.mechs...@northumbria.ac.uk
 Subject: [LUTE] Lute and guitar

 Dear Christopher,
 (and dear lute wisdom),

 I just see that you are playing and teaching the guitar as well as
 the
 lute. How do you manage to play both instruments regarding nails
   (and
 maybe other problems)? I am juggling between having the nails long
 when
 focusing on the guitar, thereby neglecting the lute, having
 intermediate nails while playing both instruments and short
   nails
 while playing the lute and vihuela, thereby now and then playing
   my
 guitar with finger tips.

 I would be interested how other people manage the problem(s) of
 loving
 instruments of both types.

 Best
 Franz



 --


 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html

 --

   
Ed Durbrow
Saitama, Japan
http://www.youtube.com/user/edurbrow?feature=watch
http://www9.plala.or.jp/edurbrow/
edurb...@sea.plala.or.jp
   
   
   
   
   

   --



[LUTE] Re: extreme theorbo case

2012-06-19 Thread Bill Eisele
   John,
   I have one for a Ren. lute in the case and really like it.  Two trips
   from New Mexico to Vancouver and back as checked baggage with no
   problems.  I would recommend the optional reflective white color
   instead of the standard black.
   Best regards,
   Bill Eisele
Date: Tue, 19 Jun 2012 00:23:07 +
To: lute@cs.dartmouth.edu
From: johnle...@hotmail.com
Subject: [LUTE] extreme theorbo case
   
Dear all,
Has anybody got one of these?
http://www.casextreme.com/prod_details.php?pid'
If so, is it any good? Certainly cheaper than the next few options I
can think of, like my IKA case which has begun to show some
   significant
wear including some rather worrying stress fractures (just dropped
   off
at the surfboard shop for repair), and my Kingham cases, which have
been reduced to little theorbo-case molecules.
All best,
John
   
--
   
   
To get on or off this list see list information at
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[LUTE] Re: Protecting top of instrument

2010-03-10 Thread Bill Eisele
   Hello Ned,
   If you've already gone through the original finish, the best thing to
   use is Renaissance Wax Polish.  I believe it was Kenneth Be, a museum
   conservator and lutenist, who recommended using this polish for just
   the sort of thing you're concerned about.  I'm also aware of one
   luthier who applies it to his lutes before turning them over to his
   clients.  You can't really tell that it's there, but it leaves a very
   thin layer of protection.  It obviously won't prevent scratches and
   gouges to the wood, but will prevent the bare wood from discoloring.
   You can find some information about it at:
   http://en.wikipedia.org/wiki/Renaissance_Wax.  It's available for sale
   through amazon.com and other on line retailers.
   As far as preventing scratches and gouges to the wood, the Kling-ons
   that others have recommended are probably the best, but I've tried them
   and they were always falling off the soundboard.
   Best regards,
   Bill Eisele
Date: Wed, 10 Mar 2010 11:01:41 -0500
To: lute@cs.dartmouth.edu
From: nedma...@aol.com
Subject: [LUTE] Protecting top of instrument
   
Aside from the precaution of keeping one's fingernails trimmed to
minimize wear on a lute top, is there anything to do if a top already
has substantial wear, to protect against further wear? I'm thinking
   in
terms of something like a clear varnish over the worn area. Has
   anyone
found something that works without negatively effecting the sound?
   And
also doesn't look bad?
   
   
   
Ned
   
--
   
   
To get on or off this list see list information at
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[LUTE] Re: Flying with a lute - CaseXtreme Flight Case

2010-02-08 Thread Bill Eisele
   Hello All,
   I believe I'm the one that Dan refers to below about the link to the
   guitar case being thrown off a building and the guitar (actually an
   acoustic, non-solid body guitar) surviving intact.  Below is my
   original post from last August.  The name of the company is CaseXtreme
   and the video may be seen at
   http://www.casextreme.com/newest_video.html.  I believe prices have
   risen since my original post, but the company now makes a special
   edition case in heat reflective white which would be better than the
   standard black.
   Again, I hope this information is helpful.
   Bill Eisele

Just before the LSA workshop at the Vancouver Early Music Festival I
   had a custom flight case made for my Kingham lute case by CaseXtreme in
   San Diego:  [1]http://www.casextreme.com/.  It's made with some kind of
   corrugated plastic and uses foam pads as cushioning on the sides and
   the bottom of the flight case.  The Kingham case is held in place
   against the pads with a strap and there's about an inch of space
   between the lid of the flight case and the Kingham case.  The case has
   two carrying handles and comes with detachable wheels.  All sides of
   the case are extremely rigid once the lid is closed and you can stand
   on the top without damaging the case.  The cost of the flight case with
   shipping was about $320.

   I checked the flight case through from Albuquerque to Vancouver
   (connection in Denver) and return (connection in San Francisco) with no
   problems  - four separate flights.  The lute inside was unscathed.  I'm
   not sure if it will fit through an x-ray machine, but if it does fit, a
   gate check would probably be the best way to go.  I just didn't want to
   haul it all over the airports before boarding.

   The flight case weighs about 12 pounds and it is oversized (37 L x 20
   W x 15 D), but no one at check in required that I pay the oversize
   baggage fee.  It doesn't look as big as it actually is because of the
   trapezoidal shape rather than a rectangular shape.

   I have posted some photos of the flight case at Flickr:
   [2]http://www.flickr.com/photos/41330...@n03/.

   The owner of CaseXtreme, Bruce Lamb, is very helpful and he can be
   reached at 800-495-8444.

   FYI, I have no business interest in CaseXtreme.

   Hope this helps,

   Bill Eisele

Date: Sun, 7 Feb 2010 17:24:45 -0800
To: lute@cs.dartmouth.edu
From: dwinh...@comcast.net
Subject: [LUTE] Re: Flying with a lute
   
Thank you, Nancy. Excellent, relevant recent information. Important
that it is post Christmas. Seems to be a don't ask, don't tell
Least said, soonest mended etc. type of modus operandi. That's how
it worked with my old, small vihuela in about 2005 going to the
Amherst event from S.F. Bay area also. For a Cleveland adventure I
was afraid to risk being turned away at the gate with no alternatives
(as Ned is afraid of) with the 13 course Baroque lute so I reinforced
the old case with 4 more sturdy latches- but no extra padding
measures except for lots of socks and underwear inside the case
around the neck and pegbox, and some music pages between the strings
and the soundboard. Totally detuned, of course. It came and went both
directions unscathed, I think by sheer good luck. United hadn't yet
learned how to break guitars, I guess. Hasn't someone this list given
a link to a promo for a new guitar case that was thrown off a
building, and the (but solid body) guitar survived intact? Still an
accomplishment, I would like to see that ad again- couldn't google it
up.
   
Dan
   --

References

   1. http://www.casextreme.com/
   2. http://www.flickr.com/photos/41330...@n03/


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[LUTE] Re: String equivalents

2009-09-01 Thread Bill Eisele
   Leonard,

   I'm not sure if this chart
   (http://www.ianwatchorn.com.au/String%20Conversion%20Table.pdf) is what
   you are looking for, but please check it out.  It does cover a number
   of string makers.

   Best regards,

   Bill Eisele
Date: Tue, 1 Sep 2009 21:41:25 -0400
To: lute@cs.dartmouth.edu
From: arc...@verizon.net
Subject: [LUTE] String equivalents
   
Does anyone know of a chart that compares various manufacturers
   strings with
plain gut (equivalent diameters)? I found a chart with some of this
information, but it is not complete--there are some metal wound
   strings I
own that are not listed at all for their maker. The on-line
   calculators are
great for finding a string in a solid material like gut or nylon, but
   don't
work for mixed-media strings. I'm not finding much on line.
   
Thanks,
Leonard Williams
   
   
   
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[LUTE] Re: Traveling with lute

2009-08-10 Thread Bill Eisele
   Hello Ned,

   Just before the LSA workshop at the Vancouver Early Music Festival I
   had a custom flight case made for my Kingham lute case by CaseXtreme in
   San Diego:  http://www.casextreme.com/.  It's made with some kind of
   corrugated plastic and uses foam pads as cushioning on the sides and
   the bottom of the flight case.  The Kingham case is held in place
   against the pads with a strap and there's about an inch of space
   between the lid of the flight case and the Kingham case.  The case has
   two carrying handles and comes with detachable wheels.  All sides of
   the case are extremely rigid once the lid is closed and you can stand
   on the top without damaging the case.  The cost of the flight case with
   shipping was about $320.

   I checked the flight case through from Albuquerque to Vancouver
   (connection in Denver) and return (connection in San Francisco) with no
   problems  - four separate flights.  The lute inside was unscathed.  I'm
   not sure if it will fit through an x-ray machine, but if it does fit, a
   gate check would probably be the best way to go.  I just didn't want to
   haul it all over the airports before boarding.

   The flight case weighs about 12 pounds and it is oversized (37 L x 20
   W x 15 D), but no one at check in required that I pay the oversize
   baggage fee.  It doesn't look as big as it actually is because of the
   trapezoidal shape rather than a rectangular shape.

   I have posted some photos of the flight case at Flickr:
   http://www.flickr.com/photos/41330...@n03/.

   The owner of CaseXtreme, Bruce Lamb, is very helpful and he can be
   reached at 800-495-8444.

   FYI, I have no business interest in CaseXtreme.

   Hope this helps,

   Bill Eisele
Date: Mon, 10 Aug 2009 11:27:16 -0400
To: lute@cs.dartmouth.edu
From: nedma...@aol.com
Subject: [LUTE] Traveling with lute
   
It's been several years since I've flown, and I'm wondering if
   there's
a safe way to travel with a lute by air. Do any airlines still sell a
seat for a musical instrument? Or is there a lute case available
that's designed to withstand the abuse flight baggage may encounter?
(Having an extra instrument and shipping it ahead is one idea that's
occured to me, but someone willing to accept it is needed).
   
   
   
Ned
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[LUTE] Re: Savarez, Aquila Pyramid equivalencies

2009-08-04 Thread Bill Eisele
   Richard,

   I believe this is the chart that you are looking for:
   http://www.ianwatchorn.com.au/String%20Conversion%20Table.pdf.  I
   haven't used it so I can't vouch for its accuracy.

   Best regards,

   Bill Eisele
Date: Tue, 4 Aug 2009 11:55:48 -0400
To: lute@cs.dartmouth.edu
From: grobe...@sas.upenn.edu
Subject: [LUTE] Savarez, Aquila  Pyramid equivalencies
   
Dear Lute-Netters,
I hear that there's a chart that lines up the equivalent guages of
Aquila, Savarez and Pyramid strings. Can anybody tell me where I can
find this chart? Thanks!
Richard Stone
   
--
   
Instructor of Baroque Lute and Theorbo
Peabody Conservatory
1 East Mt Vernon Place
Baltimore MD 21202
[1]rston...@jhmi.edu
[2]www.peabody.jhu.edu
Artistic Co-Director
Tempesta di Mare
Philadelphia Baroque Orchestra  Chamber Players
1034 Carpenter St
Philadelphia PA 19147
215-755-8776 office  fax
215-339-4067 home
215-868-5068 cell (when away from home)
[3]i...@tempestadimare.org
[4]www.tempestadimare.org
   
References
   
1. mailto:rston...@jhmi.edu
2. http://www.peabody.jhu.edu/index.php?pageID=3044
3. mailto:i...@tempestadimare.org
4. http://www.tempestadimare.org/
   
   
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[LUTE] de los alamos vengo madre

2008-10-21 Thread bill kilpatrick
by juan vasquez (1500-60).  played on a mandolin ... but i hope it's
   acceptable as i treat the instrument as a plectrum lute:
   http://uk.youtube.com/watch?v=TWRghdXyBKc
   http://www.youtube.com/profile?user=billkilpatrick

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[LUTE] la folia witchcraft

2008-10-17 Thread bill kilpatrick
been la-la-la-la-ling it in mandolin land these days - hope you won't
   mind the following.
   there's a video on youtube in which a minister in gov. palin's church
   blesses her with protection against witchcraft - absolutely beggars
   belief ... prompted me to write the following - using the traditional
   la folia progression:
   http://uk.youtube.com/watch?v=9HIQhsY4F-0
   collusion with a priest
   in protection from the witch
   presupposes belief that they exist
   if we all give the power to palin
   will we get the horror of salem?
   http://www.youtube.com/profile?user=billkilpatrick

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[LUTE] Re: medieval plectrum, how to make?

2008-06-28 Thread bill kilpatrick
why go to strangers? ...

everything you need to know is located here:

http://www.mikeouds.com/messageboard/

oudists call the plectrum a risha - put that in the site's search engine.

raptor feathers are preferred to the domestic variety (tougher) but the best, 
imho, comes from horn.-! you can find cow horn on ebay at wildly varying prices.

the other ESSENTIAL ingredient is olive oil - a good soak in olive oil will 
keep anything cuticular in good condition.

- bill

http://www.youtube.com/profile?user=billkilpatrick

--- On Sat, 28/6/08, Ed Durbrow [EMAIL PROTECTED] wrote:
From: Ed Durbrow [EMAIL PROTECTED]
Subject: [LUTE] Re: medieval plectrum, how to make?
To: Stuart Walsh [EMAIL PROTECTED], LuteNet list lute@cs.dartmouth.edu
Date: Saturday, 28 June, 2008, 8:59 AM

On Jun 8, 2008, at 7:01 AM, Stuart Walsh wrote:

 Ed Durbrow wrote:
 Crawford Young uses a guitar string as a plectrum.
 Any more details on this?
 Stuart

Not too much to add. You just take the feathers off of the part on  
the end that hits the strings. He leaves a little bit of feather on  
the other end so that he can find it if it drops on the floor. The  
important point is that he uses the opposite end of the feather from  
what most folks do and he doesn't split it. I forget if he sands it  
or not to make it perfectly round.

I tried gluing or taping a bit of guitar G string to the side of a  
guitar pick so it protudes past the tip. This works well. It gives  
you a round bit that sounds well from any angle and something to hold  
on to that is wider than a string. You can adjust the flexibility by  
how close to the end you hold it.



Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
http://www9.plala.or.jp/edurbrow/




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[LUTE] Re: medieval plectrum, how to make? baldasarre article

2008-06-28 Thread bill kilpatrick
lute pickers:-! joseph baldassare wrote a two part article in lute news 
(april/july - 2004) called playing the lute in medieval europe - filled with 
information and iconography.

- bill 

http://www.youtube.com/profile?user=billkilpatrick

--- On Sat, 28/6/08, bill kilpatrick [EMAIL PROTECTED] wrote:
From: bill kilpatrick [EMAIL PROTECTED]
Subject: [LUTE] Re: medieval plectrum, how to make?
To: LuteNet list lute@cs.dartmouth.edu
Date: Saturday, 28 June, 2008, 9:26 AM

why go to strangers? ...

everything you need to know is located here:

http://www.mikeouds.com/messageboard/

oudists call the plectrum a risha - put that in the site's
search engine.

raptor feathers are preferred to the domestic variety (tougher) but the best,
imho, comes from horn.-! you can find cow horn on ebay at wildly varying
prices.

the other ESSENTIAL ingredient is olive oil - a good soak in olive oil will
keep anything cuticular in good condition.

- bill

http://www.youtube.com/profile?user=billkilpatrick

--- On Sat, 28/6/08, Ed Durbrow [EMAIL PROTECTED] wrote:
From: Ed Durbrow [EMAIL PROTECTED]
Subject: [LUTE] Re: medieval plectrum, how to make?
To: Stuart Walsh [EMAIL PROTECTED], LuteNet
list lute@cs.dartmouth.edu
Date: Saturday, 28 June, 2008, 8:59 AM

On Jun 8, 2008, at 7:01 AM, Stuart Walsh wrote:

 Ed Durbrow wrote:
 Crawford Young uses a guitar string as a plectrum.
 Any more details on this?
 Stuart

Not too much to add. You just take the feathers off of the part on  
the end that hits the strings. He leaves a little bit of feather on  
the other end so that he can find it if it drops on the floor. The  
important point is that he uses the opposite end of the feather from  
what most folks do and he doesn't split it. I forget if he sands it  
or not to make it perfectly round.

I tried gluing or taping a bit of guitar G string to the side of a  
guitar pick so it protudes past the tip. This works well. It gives  
you a round bit that sounds well from any angle and something to hold  
on to that is wider than a string. You can adjust the flexibility by  
how close to the end you hold it.



Ed Durbrow
Saitama, Japan
[EMAIL PROTECTED]
http://www9.plala.or.jp/edurbrow/




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[LUTE] reply from SCHOTT MUSIC GmbH

2008-06-26 Thread bill kilpatrick
just received a reply from the legal and copyright department of 
 SCHOTT MUSIC GmbH that states the music in some tempus est iocundum 
 videos on youtube - mine included - was composed by carl orff and is 
 copyright protected. 
 how they came to this conclusion eludes me. -!i do not read music - i 
 play by ear. -!in some degree it's flattering that my warbling and 
 wizardry on the oud should conform to a composer of orff's renown. 
 as stated previously, i learned the tune from someone who learned it 
 from the ex-director of our group ... who subsequently writes that he 
 transcribed the music from the codex catalog buranus CB 179, using 
 modern notation. 
 i've subsequently learned that in the original manuscript, the tunes - 
 as such - were indicated by neumes or breaths - with the melody 
 being merely suggested. i don't know if neumes are present for the 
 tempus folio but i understand that orff is believed to have composed 
 the music for his carmina burana all by himself - without any 
 reference (i would assume) to these original neumes. 
 you've no-doubt played this piece a thousand times. i've not been able 
 to hear any other transcription of the piece (binkley's in particular) 
 but i wonder how different these versions can be? 
 whether the melody i used is accidentally orff's or not is beside the 
 point (imho) as the copyright will expire in 30-something years and as 
 a 60-something optimist ... i WILL be there! 
 more than anything else i think it's sad that SCHOTT has stooped to 
 snooping on the amateurs of youtube for big league copyright 
 infringement. 

 - bill 

http://www.youtube.com/profile?user=billkilpatrick


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[LUTE] tempus est iocundum - original melody

2008-06-24 Thread bill kilpatrick
here's mine:

http://earlymusicmandolin.ning.com/video/video/show?id=2167739%3AVideo%3A22

.. where's yours?

- bill

http://www.youtube.com/profile?user=billkilpatrick


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[LUTE] Re: Tempus est iocundum - original melody

2008-06-24 Thread bill kilpatrick
on the right hand of my page - here in italy - the adverts are as follows: 

free sms messages

loose belly fat

download microsoft's messenger

high school musical

free music, photos and videos

.. mammon up north seems much more beguiling.
-!
http://www.youtube.com/profile?user=billkilpatrick

--- On Tue, 24/6/08, LGS-Europe [EMAIL PROTECTED] wrote:
From: LGS-Europe [EMAIL PROTECTED]
Subject: [LUTE] Re: Tempus est iocundum - original melody
To: Lute Net lute@cs.dartmouth.edu
Date: Tuesday, 24 June, 2008, 11:09 PM

Jolly, indeed.

Btw, what's all the advertisement on the right hand got to do with it, who 
thinks these companies, or what they sell, have anything to do with 
mandolins?

Trendy tankini of bikini

Extreme Micro Bikinis

Hot Celeb Girl Pics

Badkleding Salty Dog

Free Weekly Horoscope

David - bemused



David van Ooijen
[EMAIL PROTECTED]
www.davidvanooijen.nl


- Original Message - 
From: Stewart McCoy [EMAIL PROTECTED]
To: Lute Net lute@cs.dartmouth.edu
Sent: Tuesday, June 24, 2008 9:29 PM
Subject: [LUTE] Tempus est iocundum - original melody


 Thanks, Bill. That's very jolly, and much appreciated.

 Stewart McCoy.

 -Original Message-
 From: bill kilpatrick [mailto:[EMAIL PROTECTED]
 Sent: 24 June 2008 16:04
 To: lute list


 Subject: [LUTE] tempus est iocundum - original melody

 here's mine:

 http://earlymusicmandolin.ning.com/video/video/show?id=2167739%3AVideo%3
 A22

 . where's yours?

 - bill

 http://www.youtube.com/profile?user=billkilpatrick




 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



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[LUTE] Re: Tempus est iocundum - original melody

2008-06-24 Thread bill kilpatrick
i could do with - Pounds 14,756 a week ... what's the deal?

you'll find the plectrum on ebay - seen here:

http://cgi.ebay.de/Original-Pyramid-Oud-Plektren-Ud-Laute-Saz_W0QQitemZ230263910016QQihZ013

.. but you can easily make your own (laundry detergent containers; cow's horn 
... a tusk, perhaps?)

- bill

http://www.youtube.com/profile?user=billkilpatrick

--- On Tue, 24/6/08, Stuart Walsh [EMAIL PROTECTED] wrote:
From: Stuart Walsh [EMAIL PROTECTED]
Subject: [LUTE] Re: Tempus est iocundum - original melody
To: LGS-Europe [EMAIL PROTECTED]
Cc: Lute Net lute@cs.dartmouth.edu
Date: Tuesday, 24 June, 2008, 11:30 PM

LGS-Europe wrote:
 Jolly, indeed.

 Btw, what's all the advertisement on the right hand got to do with it,

 who thinks these companies, or what they sell, have anything to do 
 with mandolins?

 Trendy tankini of bikini

 Extreme Micro Bikinis

 Hot Celeb Girl Pics

 Badkleding Salty Dog

 Free Weekly Horoscope

 David - bemused



Is this the Youtube or the Ning (via Youtube) ? It's the ads that pay 
for it all. On Ning I get ads  for:

10 rules for a fat stomach
Smartphones
How to earn - Pounds 14,756 a week
and hot singles!

Nice tune, Bill. What's the plectrum thing you are using?


Stuart

 
 David van Ooijen
 [EMAIL PROTECTED]
 www.davidvanooijen.nl
 

 - Original Message - From: Stewart McCoy
[EMAIL PROTECTED]
 To: Lute Net lute@cs.dartmouth.edu
 Sent: Tuesday, June 24, 2008 9:29 PM
 Subject: [LUTE] Tempus est iocundum - original melody


 Thanks, Bill. That's very jolly, and much appreciated.

 Stewart McCoy.

 -Original Message-
 From: bill kilpatrick [mailto:[EMAIL PROTECTED]
 Sent: 24 June 2008 16:04
 To: lute list


 Subject: [LUTE] tempus est iocundum - original melody

 here's mine:


http://earlymusicmandolin.ning.com/video/video/show?id=2167739%3AVideo%3
 A22

 . where's yours?

 - bill

 http://www.youtube.com/profile?user=billkilpatrick




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 No virus found in this incoming message.
 Checked by AVG. 
 Version: 8.0.100 / Virus Database: 270.4.1/1515 - Release Date: 23/06/2008
19:16



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[LUTE] Re: Luciano Faria

2008-06-24 Thread Bill Wall
Davide

I notice in an advertisement in the latest Guild of American Luthiers
journal that Luciano Faria is working with a Company named HanoverBrazil (
www.hanoverbrazil.com) importing CITES certified Brazilian Rosewood to the
US. Perhaps you may be able to contact him through that company.

Regards

William

2008/6/25 Davide Bioccoli [EMAIL PROTECTED]:

 Hi all,
 does anyone know anything about Luciano Faria? is he still in activity?
 I've ordered in October 2006,and it would have been ready for October
 2007,but I don't have any contact from him since months.
 Thank you for help
 Regards
 Davide



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[LUTE] Re: dun bin orff-ed - the end

2008-06-23 Thread bill kilpatrick
screw 'em ... haven't heard from SCHOTT or youtube with an explanation and i 
don't expect i will.-! i dislike the idea of repetitive covers in any case. 
not everyone agrees, but to me - this is early folk music and i qualify! i'm 
working on a variation of the melody - a process i'm sure my early music 
predecessors engaged in with copyrightless abandon.

not that i'll use any of them ... but tempus est iocundum can be sung to old 
macdonald had a farm ... 100 bottles of beer on the wall ... fr=C3=A8re 
jacques ... and at a pinch, the star spangled banner ...

.. cd available soon.


http://www.youtube.com/profile?user=billkilpatrick





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[LUTE] dun bin orff-ed - reading neumes

2008-06-22 Thread bill kilpatrick
in relation to a possible copyright infringement on tempus est iocundum 
performances - past and future - is anyone in a position to compare the orff 
composition with any other treatment of the original manuscript?-! ... are 
there neumes in the collection that relate specifically to this song?

any help would be greatly appreciated - bill
-!  
http://www.youtube.com/profile?user=billkilpatrick


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[LUTE] copyright infringement for tempus est iocundum

2008-06-20 Thread bill kilpatrick
greetings -



i recorded a video on youtube of my performance of tempus est iocundum from 
the 13th
cent. carmina burana collection of songs.-! as i understand it, all songs in the
collection are anonymous - some of which were used by carl orff for his
orchestration.-! 





the video has been removed at the request of SCHOTT MUSIC GmbH  Co. for an 
infringement of copyright.




i've written to youtube questioning whether SCHOTT MUSIC GmbH  Co.
has genuine copyrights on an anonymously composed 13th cent. tune.



has anyone here been similarly censored?




shocked and more than a little pissed-off - bill

http://www.youtube.com/profile?user=billkilpatrick


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[LUTE] Re: Silk strings / address

2008-06-18 Thread Bill Wall
-- Forwarded message --
From: Bill Wall [EMAIL PROTECTED]
Date: 2008/6/19
Subject: Re: [LUTE] Silk strings / address
To: Andreas Schlegel [EMAIL PROTECTED]


Dear Andreas

Here is the listing for Peter from the Music Council of Australia. I don't
know how current this information is and I have not tried to make contact
with Peter at the address stated, however it's worth a try.
Peter Rea (Instrument Maker)

*Address:* 24 Masuda St, Annandale, Townsville Qld, 4814, Australia

*Telephone*: 07 4775 7958 *Mobile:* 0437 700 088 *Fax:* 07 4775 7958
*Email Address:* [EMAIL PROTECTED] [EMAIL PROTECTED]

Cheers

William



2008/6/17 Andreas Schlegel [EMAIL PROTECTED]:

Dear collected wisdom

 I'm looking for the address (mail or electronic) of Peter Rea and Margret
 Caley. They live somewhere in Australia and made experiments with silk
 strings with great success (citation from a mail of Ian Watchorn). I can't
 find more informations on an actual address and hope on the help of our
 discussion group. Thanks a lot!

 Andreas Schlegel



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[LUTE-BUILDER] Re: Lute construction

2007-12-08 Thread Bill Wall
Hello Everyone

It's nice to see so much activity lately on the lute builder list. As a
fairly geographically isolated luthier the internet is where I get a lot of
my information.

WRT tools - no one so far has spoken about hide glue cookers/heaters. I
would be interested in what everyone uses to keep their glue at a correct
temperature while they are doing glue tasks. At the moment I usually prepare
a small quantity of glue (just enough for the job) in a glass jar which I
heat in a few centimeters of water in a rice cooker. This works OK as far as
it goes but as the cooker does not have a thermostat occasionally I end up
with overheated glue when I become absorbed in what I am doing. I'm torn
between gluing as a critical task and not spending money on unnecessary
tools

I build mostly renaissance lutes and classical guitars and I agree with most
of what has been said in this conversation. Drill press, band saw, small
mechanics lathe (good for making ad hoc tools as well as pegs), draw full of
hand planes (fore, jack, small bench plane, various angle block planes,
bullnose/chisel [homemade], shoulder planes), chisels and gouges and plenty
of good scrapers. Measuring stuff - good squares, good angle gauge, vernier,
profile gauge etc. DUST EXTRACTOR.

Look forward to your advice.

Cheers

Bill

On 09/12/2007, Timothy Motz [EMAIL PROTECTED] wrote:

 Hi all,
 Although I am not nearly in Rob's class as a builder, I too build in
 a small workshop (9X9 feet) next to the laundry area in my basement.
 I've accumulated power tools mainly for renovating my house, but they
 are mostly benchtop sized.  I have a cheap Taiwanese 14 inch bandsaw
 that I bought used in the garage with a 3/4 inch blade on it for
 resawing.  It doesn't have a dust port on it, so it stays out in the
 garage where the dust won't get on the clothes in the laundry area.
 I built myself a thickness sander capable of handling soundboards up
 to 15 inches wide.  It too lives in the garage, as does a cheapie
 Delta benchtop table saw.  That doesn't get used much in lutherie,
 but I found that blade stabilizers made a big difference in its
 performance.  The Taiwanese saw also started performing better once I
 put a Timber Wolf blade on it.  It now cuts much more efficiently; it
 was like increasing the size of the motor.

 Indoors I have a 9 inch Delta bandsaw, a tabletop drill press and a
 tabletop mini lathe that is sold for hobbyists making wooden pens.  I
 used to use it to make pegs, but I've found an Indian company that
 sells them at a reasonable price.  I may still make pegs for my own
 lutes; I have certainly accumulated enough apple wood for that.  I
 have a Luthier's Friend that goes on the drill press; I use that for
 thicknessing ribs and for a lot of other things.  I usually prep the
 soundboards out in the garage on the bigger thickness sander in
 batches and work on the ribs on the Luthier's Friend in the basement
 as I have time.  There is an old radial arm saw in the basement that
 I bought used for work on the house; it doesn't get used much in
 lutherie, though.

 Like Rob, I look for old hand tools.  I use a block plane that
 belonged to my grandfather that passed to me when my father died.  I
 like to remember him when I use it.  You can find nice planes in
 antique stores for about $25 or $30 (but check the blades for deep
 nicks).  I have a nice fore plane that cost me $30 that I use all the
 time.  Many of the old hand tools were given up when power tool
 equivalents became common for cabinetmakers and finish carpenters, so
 the old ones go pretty cheap.  You can make jigs and things like
 shooting boards yourself as you need them.  Good scrapers are a must;
 the ones I can get in local hardware stores don't have hard enough
 steel, so I buy from either Woodcraft or lutherie supply stores.  I
 broke down and bought a violin maker's thumb plane when I had to do
 some remedial work to lower the action on a lute; it's also great for
 shaving down bracing.  I have a set of small mushroom-handled chisels
 sold for woodblock printmakers which  are perfect for fine work.

 If you are starting out, you can often get things done for you by the
 lutherie supply houses.  LMI will glue up a soundboard and thickness
 sand it for you for a reasonable charge.  The first lutes I built had
 ribs made from thin wood from a hobby supply store.  At 24 inches, it
 was just barely long enough for a G lute.  And you can get creative.
 Rather than invest in a luthier's bending iron at first, I made a
 bending form and used a steam iron to bend the wood to conform to the
 form.  Don't plan on using the steam iron for clothes again; I had an
 old one.  You can find old irons in thrift shops.

 If you have a Craig's List web page for your area, you can watch it
 for used tools.  Often people will sell an entire workshop of tools
 that belonged to a deceased parent which they have no use for.  The
 tools might be 50 years old, but if they are in good

[LUTE] Re: Hopkinson Smith on silence and lute playing

2007-11-06 Thread bill kilpatrick
http://www.hopkinsonsmith.com/

--- vance wood [EMAIL PROTECTED] wrote:

 How about a link?
 - Original Message - 
 From: Tobias Neumann [EMAIL PROTECTED]
 To: lute@cs.dartmouth.edu
 Sent: Tuesday, November 06, 2007 4:12 AM
 Subject: [LUTE] Hopkinson Smith on silence and lute
 playing
 
 
  Dear Sirs,
 
  I got a newsletter (#3) from the homepage of
 Hopkinson Smith the other
  day. He has writtern such a beautiful text on
 silence and lute
  playing. Please take your time and read it.
 
  All the best
 
 
  Tobias Neumann
 
 
 
  To get on or off this list see list information at
 

http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 
 
 
  -- 
  No virus found in this incoming message.
  Checked by AVG Free Edition.
  Version: 7.5.503 / Virus Database: 269.15.22/
 - Release Date: 
  11/5/2007 4:36 AM
 
  
 
 
 


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[LUTE] Re: Xmas ensemble

2007-11-05 Thread bill kilpatrick
will there be two of you, swopping instruments or are
there four of you?

shame about the costume - what's that wire running up
your arm for?!?

- bill
 
--- Ed Durbrow [EMAIL PROTECTED] wrote:

 Any recommendations for Xmas music for violin/ viola
 da gamba and Ren  
 lute/B. guit? Gig coming up in a department store in
 December that  
 calls for a few Christmas tunes.
 
 Ed Durbrow
 Saitama, Japan
 [EMAIL PROTECTED]
 http://www9.plala.or.jp/edurbrow/
 
 
 
 
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[LUTE] Re: Tweaking youtube video sound

2007-10-20 Thread bill kilpatrick
as one not-much-enamored with the technique of sound,
i appreciated your playing in every case ... but of
the three, i liked the sound quality of the 3rd piece
(the bourree) best.

garage band on my mac has a facility for bagpipe ...
the mind boggles - if ever there was instrument less
suited for recording, the pipe - any pipe - is it.

long live alan lomax and whatever it was he used to
make his wonderful recordings - bill 
 
--- Daniel Shoskes [EMAIL PROTECTED] wrote:

 For streaming video on the net, there are usually
 sacrifices in video  
 and sound quality, esp on Youtube. I've posted 3
 videos today (A  
 major Weiss pieces). For the first 2 (prelude and
 Allemande) I used  
 my video camera for the video but used my linear PCM
 recorder for the  
 sound. Then imported sound into iTunes, applied
 graphic equalizer to  
 reduce highest treble channel, then re-recorded
 using Audio Hijack  
 (because I'm too cheap to buy a fancy remixing
 software package) then  
 sent audio and video to Garageband (there IS a Mac
 theme here) then  
 played around with both tracks to get them
 synchronized, then  
 exported as a .mov file.
 
 For the last piece (Bourree) I just used the video
 camera and applied  
 a bit of noise reduction in iMovie (reduces the
 camera's rumble).
 
 The extra audio quality did take a lot of time and
 work. For most  
 people's viewing on the web, does it make much of a
 difference?
 
 Thanks
 
 DS
 
 http://www.youtube.com/watch?v=ut9rHOpiht8
 
 http://www.youtube.com/watch?v=wrv30NuZgH0
 
 http://www.youtube.com/watch?v=bChdtcVnyx4
 
 
 
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[LUTE] Re: pictures

2007-09-21 Thread bill kilpatrick
is that you in the mrs. twiggy-winkle outfit? ... do
you - you know - want to talk about it? ... 

--- LGS-Europe [EMAIL PROTECTED] wrote:

 Way off topic, but some people know what I've been
 up to last weekend and 
 have been nagging me for pictures. Understandably,
 once you see've seen 
 them. I like the Vermeer guitar player, couldn't
 quite match the curly hair, 
 though. ;-)
 
 
 http://home.planet.nl/~d.v.ooijen/david/pics_f.html
 
 David - safely back in jeans
 
 
 David van Ooijen
 [EMAIL PROTECTED]
 www.davidvanooijen.nl
  
 
 
 
 
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[LUTE] Re: humidifier+hang 'em high

2007-09-17 Thread bill kilpatrick
if, on that great day of reckoning and final
judgement, god turns out to be arboreal in nature, i,
for one, am in a lot of trouble.  driving a tractor
has been a learning experience ... the brunt of which,
alas, has been borne by the lower branches of our
bruised and addled olive trees.

dryads don't exist ... right? (knock wood)

- bill (ex-owner of an arthur godfrey, plastic
ukulele) 
 
--- Ron Fletcher [EMAIL PROTECTED] wrote:

 There is a professional tree-torturer on this list.
 I'm sure he will appear
 
 soon.
 RT
 
 Does this count as 'appearing out of the woodwork'?
 
 In the 30 years, where I have lived at my present
 address, I have cut down
 and removed from my garden...
 
 6 x Lombardy Poplar trees
 1 x Willow Tree
 1 x Weeping Willow
 2 x Flowering Cherry trees
 4 x Leylandii conifer trees
 1 x Pear tree
 1 x Apple tree
 1 x Sycamore tree
 Several bushes...etc.
 
 All of these were mature and in good health and have
 now been replaced with
 other, more sensibly sized, indigenous species.  -
 We now have half-hour
 extra daylight!
 
 I may even glean some home-grown material for
 lute-building.
 
 I plan to remove a big Bramley apple-tree soon, as I
 have saplings to set.
 
 But hey, I'm no professional woodsman...and they
 didn't suffer...much.
 
 
 Best Wishes
 
 Ron (UK)
 
 
 
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[LUTE] Re: humidifier+hang 'em high

2007-09-16 Thread bill kilpatrick

--- Roman Turovsky [EMAIL PROTECTED] wrote:

 There is a professional tree-torturer on this list.
 I'm sure he will appear 
 soon.
 RT


.. you mean as in chop-chop?

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[LUTE] Re: hang 'em high

2007-09-09 Thread bill kilpatrick
every now and then you see an oud up for auction on
ebay with holes in the back which indicate that it had
been screwed to the wall of some resturant with a
middle-eastern theme - (gasp) - what a horrible thing
to do to an instrument.

i know people sometimes hang their guitars on the wall
with purpose-built, prong-like things but ...

.. please don't do it to your lute: it will absorb
more dust; be more susceptable to changes in heat and
humidity and ... assuming you've spent some money on
the gorgeous thing ... be a highly visable object of
desire to a whole host of mainly invisable and highly
undesireable people of a less than honest disposition.



--- Stephen W. Gibson [EMAIL PROTECTED] wrote:

 Does anyone suspend his or her lute from a wall?  Is
 there a good, safe way
 to do this?
 
  
 
 Thanks.
 
  
 
 Stephen
 
  
 
  
 
 
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[LUTE] Re: [AMS-announce] CFP: Harmonia mundi: Musical instruments in Latin America, Guadalajara, Mar 2008

2007-09-07 Thread bill kilpatrick
yes ...

arthur - if you do go or are in the loop for any
publications relating to the findings of the
conference, please let us know - should be
interesting.

how about vihuelas are everywhere for a conference
button?

- bill

--- Arthur Ness [EMAIL PROTECTED] wrote:

 This may be of interest to several of you onthese
 lists.
 - Original Message - 
 From: [EMAIL PROTECTED]
 To: [EMAIL PROTECTED]
 Sent: Friday, September 07, 2007 9:54 AM
 Subject: [AMS-announce] CFP: Harmonia mundi: Musical
 instruments in Latin America, Guadalajara, Mar 2008
 
 
  Dear Colleagues:
 
  I am pleased to announce the 4th annual
  interdisciplinary conference of the Seminario
 Nacional
  de
  Musica en la Nueva Espana y el Mexico
 Independiente
  [National Seminar on Music in New Spain and
  Independent Mexico], which will take place in
  Guadalajara, Jalisco, Mexico, on March 10-13,
 2008.
 
  The theme of the conference is Harmonia mundi:
  Musical instruments in Latin America,
  16th--mid-19th centuries.  As you will see in the
  guidelines below, the three areas targeted at
  the conference will be 1) Iconographic and
 metaphoric
  representation of musical instruments; 2)
  Traditions in playing, teaching, and learning
 musical
  instruments; 3) Survival, construction and
  conservation of musical instruments.
 
  The language of the conference is Spanish.
 Exception
  may be made for especially qualified and
  relevant participations in English. 500-word
 abstracts
  with short bibliography are due October 31,
  2007. The Selection Committee will inform
 applicants
  on November 14th, 2007 if their abstracts have
  been accepted. Please see the more detailed
 guidelines
  below.
 
  Inquiries in English (o espanol) should be
 directed to
  me at dedavies at northwestern.edu. Abstracts
  should be sent to musicat_web at yahoo.com.mx,
 and
  in the case of an English-language submission, it
  should be CCd to me as well.
 
  Drew Edward Davies, PhD
  Assistant Professor, Musicology
  School of Music
  Northwestern University
  711 Elgin Road
  Evanston, IL 60208
 
  Coordinador Regional de Durango
  Seminario Nacional de Musica en la Nueva Espana y
 el
  Mexico Independiente
  Instituto de Investigaciones Esteticas
  Universidad Nacional Autonoma de Mexico
  Mexico, DF 04510
 
  ___
 
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  [EMAIL PROTECTED]
 

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[LUTE] basso continuo rustico

2007-08-29 Thread bill kilpatrick
.. of a sort - como poden - from the cantigas di
santa maria:

http://www.youtube.com/watch?v=4AfykqGFrYc

http://billkilpatrickhaiku.blogspot.com/


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[LUTE] Re: Import duty for instrument shipped to US

2007-07-20 Thread bill kilpatrick
eugene's baroque mandolino came from luciano faria but
(i think) he's gone fishin' up in ontario.
 
--- Kevin Kishimoto [EMAIL PROTECTED] wrote:

 Check out the US trade commission website:
 
 http://www.usitc.gov/tata/hts/bychapter/index.htm
 
 It's got most info you need, although digging
 through everything to find what's applicable can
 take a little time.  Anyway, if I'm reading this
 correctly, you will have to pay 4.6% on the declared
 value.  (Hopefully the maker didn't describe it on
 the paperwork as a guitar because that would make
 it 8.7%.)  I'm not sure what kind of duty there is
 on a case, but if you bought it as a package deal,
 then I think it's all included.  Here's a link for
 the chapter on musical instruments.
 

http://hotdocs.usitc.gov/docs/tata/hts/bychapter/0702c92.pdf
 
 You can also read the general notes section for
 more info on how to read this chart:
 

http://hotdocs.usitc.gov/docs/tata/hts/bychapter/0702gn.pdf
 
 Good luck.
 Kevin
 
 
 - Original Message 
 From: Jim Abraham [EMAIL PROTECTED]
 To: LUTE-LIST lute@cs.dartmouth.edu
 Sent: Thursday, July 19, 2007 11:06:27 AM
 Subject: [LUTE] Import duty for instrument shipped
 to US
 
 Hi All,
 
 I have been informed by Luciano Faria, my luthier in
 Brazil, that my lute
 shipped yesterday. Does anyone know if I will have
 to pay import duty? Does
 it just show up on my doorstep?
 
 Jim
 
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[LUTE] Re: Import duty for instrument shipped to US

2007-07-19 Thread bill kilpatrick

--- Robert Clair [EMAIL PROTECTED] wrote:

 There are weirdnesses - bagpipes are free (or double

really?  so far, the pipes i've been getting from
bulgaria are delivered here in europe w/o duty but
anything from the US (including xmas presents from my
dear old mum') are absolutely hammered with duty.

if italian customs practices are anything to go by
(imh-experience) the left hand doesn't even know it
has a right. 

http://earlymusiccharango.blogspot.com/


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[LUTE] Re: lute song sighting, almost

2007-07-13 Thread bill kilpatrick
what's it say on the packet of cheese spread? ...


--- LGS-Europe [EMAIL PROTECTED] wrote:

 Familiar with Dowland's My thoughts are wing'd with
 hopes, my hopes with 
 love?
 
 This is what's printed on the package of Japanese
 rice crackers in front of 
 me (spelling and interpunction original):
 
 My thoughts is wings of hope, My wish is wings of
 love, Flying away into the 
 azure sky. Talking to the sun, The sunlight shining
 on all over the ground, 
 That is just love ...
 
 Food for thought.
 
 David
 
 
 
 David van Ooijen
 [EMAIL PROTECTED]
 www.davidvanooijen.nl
  
 
 
 
 
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[LUTE] Re: lute song sighting, almost

2007-07-13 Thread bill kilpatrick
here in italy too - i was once startled (frankly) to
see an illustrated t-shirt on very young girl - 10 or
12 years old maybe - that had the coquettish image of
a female dog, tail up, wiggling her rear-end around
while disappearing under the right arm and the image
of an aroused male dog, thundering after her in hot
pursuit from under the left arm, saying sniff!
sniff!

my favorite was a toddler's baseball hat i saw once
with a typical baseball and cross bats motif along
with the words (in english) ball buster!

- bill

  
--- LGS-Europe [EMAIL PROTECTED] wrote:

 Bill
 
  what's it say on the packet of cheese spread? ...
 
 In Japan you'll have many close encounters with what
 I'd like to call 'mood 
 poetry'. It doesn't have to make sense, so any
 combination of 
 emotion-evoking words in a foreign language will do.
 In advertisements, on 
 packaging and on clothes, T-shirts as well as
 underwear. On the latter 
 you'll find some philosopically bewildering
 statements that will shed a 
 whole new light on the relation between packaging
 and content. Can't think 
 of any off-hand, but I have been shocked, once or
 twice, in rather intimate 
 situations.
 
 David
 
 
 
  --- LGS-Europe [EMAIL PROTECTED] wrote:
 
  Familiar with Dowland's My thoughts are wing'd
 with
  hopes, my hopes with
  love?
 
  This is what's printed on the package of Japanese
  rice crackers in front of
  me (spelling and interpunction original):
 
  My thoughts is wings of hope, My wish is wings of
  love, Flying away into the
  azure sky. Talking to the sun, The sunlight
 shining
  on all over the ground,
  That is just love ...
 
  Food for thought.
 
  David
 
 
  
  David van Ooijen
  [EMAIL PROTECTED]
  www.davidvanooijen.nl
  
 
 
 
 
  To get on or off this list see list information
 at
 
 

http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 
 
 
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[LUTE] Re: richard III and the charango

2007-07-09 Thread bill kilpatrick
late at night ... the sandman is insistent ... but the
short answer to your question is:

.. not a lot - they're all (i maintain) in the
vihuela family - jaranas, medianas, charangos, vihuela
de golpe, tiple, timple etc., etc..

zzz - bill
 
--- David [EMAIL PROTECTED] wrote:

 On Jul 9, 2007, at 6:33 PM, bill kilpatrick wrote:
 
  if kinship is acknowledged between a vihuela and
 a
  charango - at what point in history did one
 become
  the other? ... and why?
 
 Bill, as long as we're distinguishing instruments,
 clearly in an  
 effort to eschew obfuscation :-), what about the
 tiple?  I understand  
 that is also a descencent of the vihuela.  How is it
 different to a  
 charango?
 
 David R
 
 
 


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[LUTE] cobza

2007-07-05 Thread bill kilpatrick
a million miles from what you're probably into but
very close to what lute-related folks were into, not
that long ago:

http://www.youtube.com/watch?v=vkUOvsy2L6Y

http://earlymusiccharango.blogspot.com/


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[LUTE] Re: Baroque lute request warning!

2007-06-30 Thread bill kilpatrick
.. could it have been your wake-up call?

goodtothelastdrop - bill

--- Anthony Hind [EMAIL PROTECTED] wrote:

 Dear all
   I just received a garbled mail tittled
 Baroque-lute-request anthony- 
 hind and
 with some references to nescafé that I can see.
 I knowingly sent no such mail. I don't know what the
 origin of this  
 might be.
 I can only think that you should not click on any
 links in that message
 Regards
 Anthony
 
 
 
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[LUTE] Re: carbon strings

2007-06-27 Thread bill kilpatrick
chat concerning carbon strings does nothing to
diminish our carbon foot ... er ... finger print(s) -
cooking oil strings?

just found out that one of the lunatics in our village
(lunatic in the genuine sense of the word) caused some
concern with the local health officials some time ago
when it was discovered she was cooking cats -
alternate string users take note.

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[LUTE] Re: cedric, and mercy and pity

2007-06-22 Thread bill kilpatrick
my dear friend - please excuse me.  you have expressed
yourself so well and so clearly in the past - i never
suspected that anyone's use of english here would
present problems.

simply put, i think the early music we enjoy today had
a more varied audience centuries ago.  i think part of
that audience would have had opinions similar to my
own regarding the formal vs. informal appreciation of
it and would have let their feelings be known from
time to time.

these opinions are expressed in good humour - i hope
they are received in same - and do nothing to diminish
my respect for you all.

try reading henry james - bill  


--- Manolo Laguillo [EMAIL PROTECTED] wrote:

 I really would like to have a deeper knowledge of
 the english language 
 when one of your messages arrive, dear Bill, because
 sometimes (for 
 instance in the thread 'vihuela black swan') I only
 understand about 30% 
 of them: they are filled with difficult words,
 slang, and so on, and for 
 me it's terribly difficult, so that, finally, I give
 up.
 
 That does not happen to me with other messages
 written by english, 
 american, australian, etc, people in this list, it
 happens to me only 
 with your messages.
 
 So this is a message in which I beg for mercy and
 pity, dear Bill: I do 
 really have interest in what you say.
 
 I am perfectly aware that what you say is deeply
 connected with how you 
 say it, and that it is perhaps impossible to
 simplify the how, but, 
 anyway, I wanted to express my frustration...
 
 Saludos from Barcelona,
 Manolo Laguillo
 
 bill kilpatrick wrote:
 
 i know you'll say it's none of my business - and
 quite
 right too - but i can't help feeling just that
 little
 bit anxious for the welfare of your poor little,
 etiolated vihuelas and baroque guitars and their
 future development as well rounded chordaphones in
 an
 ever diversifying contemporary music scene.
 
 i mean ... it's a wuff' life.  
 
 instead of being zipped-up in the cheap n' cheerful
 confines of a chinese-made, nylon gig bag and
 whisked round - simply as one of the gang - to a
 wide variety of light-hearted venues ... road
 houses;
 smoke-filled taverns; rowdy bar-b-ques; raucous
 clam
 bakes; hale n' hearty sing-a-longs, etc., etc. (as
 their progenitors were, lo' those many, many years
 ago) ... cedric - as i learn lord fauntleroy's
 american christian name to have been - is usually
 cosseted in a purpose built case, costing many
 hundreds of dollars and carried forth to an
 oak-paneled, university chamber, of an evening, to
 perform before a select circle of stern-faced
 HIP-ese.
 
 .. pop open a brew! ... show him how to walk the
 dog!
 
 to this end, i've been thinking of a suitable
 composition for the boy, to increase the chances of
 his being accepted by all the other cheeky little
 chappies on the block ...
 
 how about goodbye ruby tuesday by the railing
 staines?
 
 .. a little bossa nova might not be a'miss, either.
 
 dreadfully concerned - bill
 
 http://earlymusiccharango.blogspot.com/
 
 
  
  
  

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[LUTE] Re: cedric, and mercy and pity

2007-06-22 Thread bill kilpatrick
manolo - far-far from music but interesting from the
point of view of an american living in europe, is the
europeans.  it's a short novel, less dense than some
of his monster novels - the best of which (imho) is
the portrait of a lady.

david - i've read most of his novels but the
ambassadors (about a quarter way though) represents
my high water mark ... i simply could not go on -
ditto the golden bowl.

i have a book of his plays that i can recommend to
anyone suffering from insomnia.
 
- bill

--- LGS-Europe [EMAIL PROTECTED] wrote:

  mmhh, reading Henry James: in spanish yes, I did
 it many years ago. What
  (short) story would you advice to me?
 
 I'm enjoying The Ambassadors at the moment. It's at
 a different pace than my 
 life, which is perfect to slow me down from time to
 time.
 
 David 
 
 
 


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[LUTE] Re: Carbon strings

2007-06-18 Thread bill kilpatrick
it's a recurring nighmare/fantasy of mine that i
stumble into a huntin'fishin'-type shop with only a
few pennies in my pocket, trying to replace a busted
string on my charango - my only means of support.

i don't know what sort of lute you have or if the
following has any relevance ... but in the treble
range of the charango (apropos fishing line) here are
the diameters listed:

E 0.4 mm 0.016 inch 
A 0.6mm 0.024 inch 
E 0.7 mm 0.028 inch
e 0.4 mm 
C 0.5 mm 0.02 inch
G 0.7 mm

E 0.4mm
A 1st string of a guitar
E 2nd string of a guitar
e 0.4 mm
C 0.5mm
G 1st string of a guitar

ping - bill

--- Charles Browne [EMAIL PROTECTED]
wrote:

 Dear colleagues,
 I have three carbon strings, at least I had three,
 marked No.6, No.8 and No,
 10. Presumably these were from reels of fishing
 line. Is there a standard
 relationship between this type of numbering and
 string diameter?
 thanks
 Charles
 
 
 
 
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[LUTE] Re: awad ahmodi

2007-06-11 Thread bill kilpatrick
according to what i read at mike's ... he's playing in
the khomasi scale.  google didn't provide an
explanation for this but yes, i agree, whatever he's
playing is very accessible to my western ears.  it's
difficult to imagine a more unfomfortable position for
holding the risha, however.

- bill
  
--- [EMAIL PROTECTED] wrote:

 
  At 06:22 PM 6/8/2007, bill kilpatrick wrote:
  toe tapping stuff from this blind sudanese oud
  player
  - interesting way of holding a risha:
  
  http://www.youtube.com/watch?v=OjgozomLcLs
  
  (from mike's ouds)
  
 
 Good stuff.  There's a lot of Western influence
 there,
 though.  Chords aren't a traditional part of Arabic
 music.  Are they typical of modern oud playing?  
 (Maybe just in Sudan?)
 
 Chris
 
 



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[LUTE] Re: Women in Art

2007-06-09 Thread bill kilpatrick
you're already loaded with options ... but uploading
the video to your blog site (if you have one) is also
an option.

- bill

--- Leonard Williams [EMAIL PROTECTED] wrote:

 Does anyone know how to save a YouTube
 video? Women in Art (not to
 mention the many lute videos) is great, but my slow
 internet connection
 makes later repeat viewings a time consuming chore. 
 Any way to get them to
 my hard drive permanently?
 Thanks!
 
 Leonard Williams
 
 On 6/7/07 5:08 PM, Tony Chalkley
 [EMAIL PROTECTED] wrote:
 
  If the music were entitled Morpheus... but then it
 would make you fall
  asleep.
  
  
  - Original Message -
  From: Edward Martin [EMAIL PROTECTED]
  To: lute@cs.dartmouth.edu
  Sent: Thursday, June 07, 2007 2:34 AM
  Subject: [LUTE] Women in Art
  
  
  This is slightly off topic, but a friend sent
 this to me today, and it
  really left me with a placid, satisfying feeling:
  
   http://www.youtube.com/watch?v=nUDIoN-_Hxs
  
  Turn on the volume, and take time to observe the
 beauty,  relax.
  
  ed
  
  
  
  
  
  
  Edward Martin
  2817 East 2nd Street
  Duluth, Minnesota  55812
  e-mail:  [EMAIL PROTECTED]
  voice:  (218) 728-1202
  
  
  
  
  To get on or off this list see list information
 at
 

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[LUTE] Re: Et tu, Edo?

2007-06-06 Thread bill kilpatrick
ed - 

i can't say i was actually looking forward to seeing
you in your smalls ... but i was just that little bit
curious.  alas, all that was revealed from your lute
posting on my computer was an enormous q for
quicktime and nothing else.  

go-on ... post your video to youtube and let's 'ave
you ...

mega respect - bill
 
--- Ed Durbrow [EMAIL PROTECTED] wrote:

 That's right, I too have added my cyberspace debut
 lute video - in  
 casual dress (very).
 http://www9.plala.or.jp/edurbrow/2007message.html
 Just click Fantasia in underwear.
 
 Ed Durbrow
 Saitama, Japan
 [EMAIL PROTECTED]
 http://www9.plala.or.jp/edurbrow/
 
 
 
 
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[LUTE] modern troubadour II

2007-05-26 Thread bill kilpatrick
reluctance - by robert frost - from a boy's will
collection of poems(1913):

http://www.youtube.com/watch?v=0WdWO_4af1I

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[LUTE] Re: who invented the guitar

2007-05-23 Thread bill kilpatrick

--- Alexander Batov [EMAIL PROTECTED] wrote:
 
 I would be tempted to use it as a racket though ...

batter-up batov  
badminton bean-boppin' 
bowl-back berater

(charangosmiley symbol ... huge one) - bill



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[LUTE] Re: who invented the guitar

2007-05-22 Thread bill kilpatrick
a simple experiment, to prove that a combined,
two-bout, figure 8-style sound chamber is better -
more resonate ... different (at any rate) - than one
is to drop a ping-pong ball into the sound chamber of
your instrument.  i realize that for those with fixed
roses this is an impossibility but it's easy enough
for those with an open sound hole.

the ping-pong ball forms a mini-sound chamber within a
larger sound chamber.  it's why people wearing cowboy
boots and improbable stetsons drop rattlesnake rattles
into their instruments.   

bet you'awl wish you had a friendly little charango
'bout now so as to perform this-here ex-pear-i-ment.

plucky - bill
 


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[LUTE] Re: Workshop video

2007-05-20 Thread bill kilpatrick
fabulous - thank you. 

- bill
 
--- Stephan Olbertz [EMAIL PROTECTED] wrote:

 Hi folks,
 
 yesterday I spoke with Knud Sindt, a german
 lutemaker in Spain and a very nice guy. 
 I just looked at his web page which surprisingly has
 a video of his workshop:
 http://www.knud.es/
 What a nice idea!
 
 Regards,
 
 Stephan
 
 
 
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[LUTE] Re: vertical dyslexia?

2007-05-16 Thread bill kilpatrick
you'awl may laugh and joke but i've got dyslexia big
time and i simply can not - not WILL not - but CAN not
.. read music - in both tabs and notation.  i can
forge through a melody, note by note but it's a long
and painful process.  i only really know a piece
when i hear it.  (godbless midi and mp3.)

i happened to hear an interview once with joanna
lumley (http://en.wikipedia.org/wiki/Joanna_Lumley) in
which she said she'd tried many times to do it but
simply couldn't - even with encouragement from her
conductor husband, stephen barlow
(http://en.wikipedia.org/wiki/Stephen_Barlow).

i play better now, aged 60, than i ever did when i was
kid but i still can't read a note.

- bill



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[LUTE] Re: vertical dyslexia?

2007-05-16 Thread bill kilpatrick
absolutely -

to those who can look at a manuscript and read it
effortlessly w/o strum und drum, this inability to
read music must seem like someone who is incapable of
tieing his own shoe laces ... but i assure you - five
lines and wildly wiggly dots have little to do with
what me and my charango can produce.

- bill
 


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[LUTE] Re: vertical dyslexia?

2007-05-16 Thread bill kilpatrick
absolutely -

to those who can look at a manuscript and read it
effortlessly w/o strum und drum, this inability to
read music must seem like someone who is incapable of
tieing his own shoe laces ... but i assure you - five
wavering
lines and wildly wiggly dots have little to do with
what me and my charango can produce.

- bill


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[LUTE] youtubeouddebuttwo

2007-05-07 Thread bill kilpatrick
how's'zat for alliteration! ...

http://www.youtube.com/watch?v=ldTqGMvPTig

- bill

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[LUTE] yootube deboo two

2007-05-04 Thread bill kilpatrick
http://www.youtube.com/watch?v=3gnMR0ZZbH0#GU5U2spHI_4

- bill

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[LUTE] youtube debut

2007-05-02 Thread bill kilpatrick
http://www.youtube.com/watch?v=mFyvrCMmt8k

- bill

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[LUTE] Re: food drink songs?

2007-04-28 Thread bill kilpatrick
vinum bonum et suave

bache bene venies

tourdion

make it one for my baby and one more for the road

copper kettle  

cigarettes and whiskey and wild-wild women

.. and who could forget:

what made milwaukee famous has made a fool out of me

um-umm!

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[LUTE] pc early music pin-up (cont.)

2007-04-22 Thread bill kilpatrick
bella fancuilla with lute has been brought to my
attention:

http://www.luteduo.com/gallery.htm

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[LUTE] Re: pc early music pin-up (cont.)

2007-04-22 Thread bill kilpatrick
another timid soul has brought his pin-up to my
attention:

http://www.hillenet.net/downloads/default.shtml

do orchestral musicians have lockers?


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[LUTE] Re: pc early music pin-up (cont.)

2007-04-22 Thread bill kilpatrick
http://www.newscientist.com/article.ns?id=dn940

long of tooth - bill

--- Roman Turovsky [EMAIL PROTECTED] wrote:

  another timid soul has brought his pin-up to my
  attention:
 
  http://www.hillenet.net/downloads/default.shtml
 She is a grandmother!
 RT
 
 
 
 
 
  do orchestral musicians have lockers?
 
 
  http://earlymusiccharango.blogspot.com/
 
 
  

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[LUTE] pc early music pin-up

2007-04-20 Thread bill kilpatrick
pc for all the right reasons, rest assured ... but
gracing the inside of my locker would be a photo of
lucie skeaping:  

http://www.lucieskeaping.co.uk/  

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[LUTE] Re: pc early music pin-up

2007-04-20 Thread bill kilpatrick
bo' ... she and catherine bott take turns hosting a
wonderful early music program on the bbc: 

http://www.bbc.co.uk/radio3/presenters/lucie_skeaping.shtml

- bill



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[LUTE] the sun's music

2007-04-19 Thread bill kilpatrick
arto!  nothing new under the sun ... or so they say:

http://news.yahoo.com/s/space/20070419/sc_space/sunsatmospheresings


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[LUTE] Re: Contemporary Music and the Lute

2007-04-11 Thread bill kilpatrick
odd you should say that as i'm on the case for
anything classic - contemporary or other wise - that's
been written for - or adaptable to - the charango. 
contemporary music for the lute might present problems
as the instrument is largely considered to be a period
instrument, associated almost exclusively with the
early music repertoire.

i think it has a special dynamic; calm, reflective,
very low-key - don't know if those qualities carry
much truck with melodophobic bang contemporary crash
classic wallop composers.

'umble opinion - bill
 


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[LUTE] Re: An interesting article in the Washington post.

2007-04-09 Thread bill kilpatrick
20-plus years ago i saw nigel kennedy do the same
thing in a pedestrian passageway under hammersmith
circle in london.  he was dressed up to look like the
character on the cover of the aqualung album by
jethro tull.  i put some money in his hat and listened
for while but i'm sure very few others did.

reading a book about pius II (piccolomini) which
states that as a student in rome, the 15th cent.
humanist antonio beccadelli (1394—1471) called il
panormita, used to busk with his lyre while his
boyfriend, ergotele, sang.

i always give money to buskers - especially those
reserved enough to play on a take-it or leave-it
basis.

thanks for that - great article.

--- Chris Bolton [EMAIL PROTECTED] wrote:

 I had to admit to myself that I've been guilty of
 the same phenomenon as
 described in the following article, but I've decided
 to keep listening and
 plucking away in spite of the somewhat depressing
 state of affairs.
 Is it just a romantic notion that life as a lute
 player would have been
 easier under the patronage of the Medici?
 

http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html
 
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[LUTE] happy easter

2007-04-08 Thread bill kilpatrick
old hobb is dead as well.

darwin wins ... a double header! - bill

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[LUTE] Re: No Humour please, were (at the) BRITish (awards)

2007-04-08 Thread bill kilpatrick
mark ... what are you on about? - even in 15-whatever,
it was still rock n' roll.

respectfully (but at a distance) - bill

--- [EMAIL PROTECTED] wrote:

 Dear Lutenetters
 
 maybe of interest
 
 Classical Brits Old Man Face-Off: Sting Vs Paul
 McCartney
 
 

http://www.hecklerspray.com/classical-brits-old-man-face-off-sting-vs-paul-mccartney-2/20067748.php/
 
 All the best
 Mark
 
 
 
 
 
 

 
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[LUTE] Re: Stung again

2007-03-30 Thread bill kilpatrick
empress of all flowers ...

i fear david may be right in that the preconcieved
notions people carry with them can sometimes make it
.. the thing itself - seem unrecognizable.

can too much information be just as dangerous (in a
tree for the forest situation) as too little?  

--- David Rastall [EMAIL PROTECTED] wrote:

 On Mar 30, 2007, at 3:57 PM, Roman Turovsky wrote:
 
  Which empress???
 
 You mean there's more than one?
 
  Yesterday I taught 2 classes of 19-year olds at
 NYU, invited by a
  poet-friend who teaches a History of Culture
 course which touches  
  on the
  mystification as a literary vehicle.
 
 Interesting.  When I was in graduate school it was
 de-mystification.   
 Still, that was a long time ago...
 
  So I was asked to do a presentation
  on Sautscheckerei, my humble self in the context
 of literary  
  mystification
  from Descartes, Chatterton, Macpherson, Merimee,
 Musin-Pushkin and  
  other
  fine individuals
  Dan Swenberg (of the Rebel Baroque Orchestra et
 al.) helped out  
  with a dozen
  and a half Sarmaticae et Ruthenicae on the
 Renaissance lute. I  
  played the
  sautscheckerei myself in the second half- baroque
 lute settings of and
  variations on Ukrainian songs, with some originals
 interspersed, nach
  Haydnisches Manier, naturlich, as a musical
 equivalent of Merimee's  
  GUZLA.
  The picaresque aspect of the event also was
 certainly useful.
 
 Very impressive!
 
  But before
  Sting came along we would drawn blank stares.
 These kids were  
  genuinely
  interested.
 
 Because you play that thing that Sting plays.  Ho!
  Ho!  Just  
 kidding.  Seriously, we're all mystified by
 Sting's success.
 
 David Rastall
 [EMAIL PROTECTED]
 www.rastallmusic.com
 
 
 
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[LUTE] Re: Stung again

2007-03-30 Thread bill kilpatrick
empress of all flowers ...
 
i fear david may be right in that the preconcieved
notions people carry with them can sometimes make it
.. the thing itself - seem unrecognizable.
 
can too much information be just as dangerous (in a
tree for the forest situation) as too little?  
 
 --- David Rastall [EMAIL PROTECTED] wrote:
 
  On Mar 30, 2007, at 3:57 PM, Roman Turovsky wrote:
  
   Which empress???
  
  You mean there's more than one?
  
   Yesterday I taught 2 classes of 19-year olds at
  NYU, invited by a
   poet-friend who teaches a History of Culture
  course which touches  
   on the
   mystification as a literary vehicle.
  
  Interesting.  When I was in graduate school it was
  de-mystification.   
  Still, that was a long time ago...
  
   So I was asked to do a presentation
   on Sautscheckerei, my humble self in the context
  of literary  
   mystification
   from Descartes, Chatterton, Macpherson, Merimee,
  Musin-Pushkin and  
   other
   fine individuals
   Dan Swenberg (of the Rebel Baroque Orchestra et
  al.) helped out  
   with a dozen
   and a half Sarmaticae et Ruthenicae on the
  Renaissance lute. I  
   played the
   sautscheckerei myself in the second half-
 baroque
  lute settings of and
   variations on Ukrainian songs, with some
 originals
  interspersed, nach
   Haydnisches Manier, naturlich, as a musical
  equivalent of Merimee's  
   GUZLA.
   The picaresque aspect of the event also was
  certainly useful.
  
  Very impressive!
  
   But before
   Sting came along we would drawn blank stares.
  These kids were  
   genuinely
   interested.
  
  Because you play that thing that Sting plays. 
 Ho!
   Ho!  Just  
  kidding.  Seriously, we're all mystified by
  Sting's success.
  
  David Rastall
  [EMAIL PROTECTED]
  www.rastallmusic.com
  
  
  
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[LUTE] Re: Stung again

2007-03-30 Thread bill kilpatrick

--- David Rastall [EMAIL PROTECTED] wrote:
 
 Because you play that thing that Sting plays.  Ho!
  Ho!  Just  
 kidding.  Seriously, we're all mystified by
 Sting's success.

i'm mystified as well but more for the baggage that
a talented, soulful, so-called pop artist is obliged
to carry with him from one venue to another.

if those who berate sting for singing and playing
early music were to be suddenly transported back in
time to elizabethian london and hear, per chance,
someone other than dowland performing one of his
compositions in any way different from what we now -
in our time - perceive to be pukkah ... i wonder
what would they say say?

i'm sure - absolutely, positively sure - that hank
williams purists would consider anything i might do
to his compositions to be nothing less than a complete
travesty.  but there are nights - even here in tuscany
- when content surpasses any and all concept of form.  





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[LUTE] been there

2007-03-19 Thread bill kilpatrick
'yep:

http://www.youtube.com/watch?v=ByB9H1ZiuYc

.. followed by:

http://www.youtube.com/watch?v=-ZLIjujIUU0



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[LUTE] Re: been there

2007-03-19 Thread bill kilpatrick
i think it translates as  ... should have studied
archaeology.

- bill


--- Donatella Galletti [EMAIL PROTECTED] wrote:

 poveri noi
 
 ( I can't translate...)
 
 Donatella
 
 
 - Original Message - 
 From: bill kilpatrick [EMAIL PROTECTED]
 To: lute list lute@cs.dartmouth.edu
 Sent: Monday, March 19, 2007 5:14 PM
 Subject: [LUTE] been there
 
 
  'yep:
 
  http://www.youtube.com/watch?v=ByB9H1ZiuYc
 
  .. followed by:
 
  http://www.youtube.com/watch?v=-ZLIjujIUU0
 
 
 
 

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[LUTE] Re: YouTube - Folk chorus

2007-03-18 Thread bill kilpatrick
i'm currently embroiled in a dust-up over on the
rec.early.music site - although i hope everything has
settled down now - over just how old this sort of folk
music is - did folks sing like this in the
medieval/renaissance periods ... did they sing or even
play instruments at all?  incredibly prickly, pedantic
and difficult exchange.

to me, this style of performance sounds ancient and
original and can rightly be considered as a of source
of authentic, HIP-related information.

guidelines on just how lute - or whatever -
accompaniment should be played with this sort of music
is all i'm really interested in.

joy - bill
 
--- Roman Turovsky [EMAIL PROTECTED] wrote:

 This what Sarmaticae and Ruthenicae sound like
 before they get intabulated:
 http://www.youtube.com/watch?v=AaEyoScz9AI
 RT
 
 
 
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[LUTE] Re: [Viols] cello

2007-03-16 Thread bill kilpatrick
there's also the vihuela de penola - played with
plectrum - but a rose by any other name is ... thorny.

--- gary digman [EMAIL PROTECTED] wrote:

 Is not the Italian term viola the equivalent of
 the Spanish vihuela' and
 the Portugese violao? And, as I understand it,
 these terms were origially
 applied to any stringed instrument. Hence, in Spain
 a plucked instrument was
 a vihuela de mano and a bowed instrument was a
 vihuela de arco. Thus, we
 must be clear that the term viola is not refering to
 the modern instrument
 known as the viola.
 
 Gary
 
 - Original Message - 
 From: Alice Renken [EMAIL PROTECTED]
 To: Fred Chandler [EMAIL PROTECTED]
 Cc: [EMAIL PROTECTED]
 Sent: Thursday, March 15, 2007 5:09 PM
 Subject: Re: [Viols] cello
 
 
  Nope, sorry, Fred. The root word here is viola.
 The diminutive
  ending is ino, giving violino, little viola.
 ello is an
  aggrandizing ending, so violoncello is big
 viola. The ending
  one is super-aggrandizing, so violone means
 super-big viola.
  Which is exactly what the cello and double bass
 are.
  On Mar 15, 2007, at 6:42 PM, Fred Chandler wrote:
 
  
  
   ReMany words that are common usage derive from
 parts of the
   original,
   like cellist for violincellist. The suffix
 cello is a
   significator
   meaning large, so, cellist really has no
 meaning.
  
   Gambist is certainly the most recognizable
 title for a person who
   plays the viola da gamba. I don't have any
 problem with violist da
   gamba except for its awkwardness--but over the
 years have moved
   towards
   using gambist (just as have moved towards
 using gamba for the
   instrument), especially for an audience
 unfamiliar with the instrument
   that is likely to confuse it with a viola.
  
   Virginia Kaycoff 
  
   Hi Virginia,
  
   Surely violoncello means little violone. I have
 always believed that
   Botticelli the artist's name meant little
 barrel. But I agree with you
   on using the word gambist.
  
   Sincerely,
  
   Fred Chandler.
  
   ___
   Viols mailing list
   [EMAIL PROTECTED]
  
 http://lists.sandwich.net/mailman/listinfo.cgi/viols
 
 
@ Alice Brin Renken, Executive
 Secretary
   | |Viola da Gamba Society of
 America
   | |[EMAIL PROTECTED]
   | |
  (   )

( )
_\ /_
 
 
 
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  [EMAIL PROTECTED]
 
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[LUTE] Re: Clatterford lute sighting

2007-03-04 Thread bill kilpatrick
boo ...  hiss ...  not absolutely bril' wit from la
saunders.

i wonder if her script called for (laughter) after.  

--- Daniel Shoskes [EMAIL PROTECTED] wrote:

 In today's NY Times there is an article about
 Clatterford a BBC  
 comedy created by Jennifer Saunders (of Absolutely
 Fabulous fame).  
 She plays a name dropping rich socialite and they
 gave as an example  
 the following quote: We had a lovely evening. Until
 Sting played the  
 lute.
 
 Priceless.
 
 The series begins airing in the US this Friday on
 BBC America.
 
 
 
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[LUTE] Re: harmosis

2007-03-02 Thread bill kilpatrick
don't know if this of interest to anyone but a
knowledgeable contributor to mike's ouds posted this:

http://members.aol.com/ricdum/lute.htm

i've always thought that bowlback instruments of any
sort were a relatively recent invention.  with images
of recent visit to egypt still fresh in my mind - and
in my dreams ... - i find the idea of a prehistoric
lute to be something of a marvel.   


--- bill kilpatrick [EMAIL PROTECTED]
wrote:

 an item posted to mike's oud site concerns an
 egyptian
 musician named harmosis, 1500 bc, who (according to
 drawings in his tomb) played a guembri-like
 instrument.  anyone know anything about this man?
 
 regards - bill
 
 
   

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[LUTE] harmosis

2007-03-01 Thread bill kilpatrick
an item posted to mike's oud site concerns an egyptian
musician named harmosis, 1500 bc, who (according to
drawings in his tomb) played a guembri-like
instrument.  anyone know anything about this man?

regards - bill



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[LUTE] stradivarius preservation technique

2007-01-31 Thread bill kilpatrick
picked this up on mike's oud site:

http://www.newscientisttech.com/article.ns?id=dn10686feedId=online-news_rss20

.. says that a unique method of wood preservation
might be responsible for the tone of his instruments -
not the denser wood, produced by an unusually cold
winter theory, previously proposed.



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[LUTE] bagpipes - believe it or not this has relevance

2007-01-29 Thread bill kilpatrick
found the following on this wonderful site:

http://www.1911encyclopedia.org/Main_Page

...Of course we do not mean that it has all the
intervals necessary to form scales in all those keys,
but that we find it playing tunes that are in one or
other of them. 4 Mr Ellis considers that the natural
scale of the chaunter of the bag-pipe corresponds most
nearly with the Arab scale of Zalzal, a celebrated
lutist who died C. A.D. Boo.

would just love to know what calendar corresponds to
C. A.D. Boo - maybe time will tell.

here's what they had on musical instruments in 1911:

http://www.1911encyclopedia.org/Category:Musical_instruments



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[LUTE] Re: VERY OFF TOPIC! (political?)

2007-01-27 Thread bill kilpatrick
i'm an american and an oud player and i resent like
hell the collective  blanket of guilt that arto is
attempting to cast over everyone else from the good
ol' usa with his (admittedly) very off topic post.

arto - finland sided with the nazis during the second
world war.  i know there were reasons for this and i
imagine (i hope!) that the vast majority of your
countrymen - even if they had wanted to - were
powerless to influence events.

but if the metaphorical chickens contained in your
posting below were to come home to roost, then ...

yes or no, arto: have you (the collective, finnish
you) stopped being nazis?

the only place i have any real influence on this
planet is in the confines of my own vegetable garden
(to borrow a reference from voltaire) and arto ...
talented musician and generous contributor that you
are ... i would humbly and respectfully suggest that
you - and anyone else of a similar,
fundamentalistist persuasion - stop searching for
great satan in the united states of america and
start hoeing your own god-damned row.
  
--- Arto Wikla [EMAIL PROTECTED] wrote:

 
 Dear all,
 
 it is going bad! Mr. Bush - the winner of the USA
 elections, the man 
 chosen by (nearly) half of the Amercians, has
 managed to produce a 
 civilian war in a country, where he sent his
 military. Tens if not 
 hundreds of people are killed EVERY day! Human
 beings like you or me.
 This is one the very rare cases of a superpover
 sending its military to 
 occupy a state after the second world war...
 
 The guy and his country is bound to that mess for a
 long, LONG time. And 
 the same guy took care of taking the USA out of the
 so called western 
 values by his concentration camps and accepting the
 torture. Even in the 
 legistlation of the USA there seems to be something
 like light 
 torture nowadays... Horrible! 
 
 To me the modern USA represents a new historical
 period of gettig out of
 the the times of the so called Enlightment, the time
 where human rights
 were taken seriously. And now we have come back to
 the Dark Ages again?
 Or?
 
 Arto
 
 
 
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[LUTE] Re: for bill kilpatrick

2007-01-23 Thread bill kilpatrick
well played - very delicate.  with him in the shadows
and you serenading in the soft light of an adjacent
street lamp ... how could she refuse.

that's microphone he's got ...

--- Roman Turovsky [EMAIL PROTECTED] wrote:

  http://www.youtube.com/watch?v=QDhInGzWrkE
 RT
 
 
 
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[LUTE] Re: for bill kilpatrick

2007-01-23 Thread bill kilpatrick
.. keeps popping up:

http://hitchcock.tv/mov/trouble_with_harry/harry.html

--- Stuart LeBlanc [EMAIL PROTECTED] wrote:

 
  ...separated at birth?
  
  http://en.wikipedia.org/wiki/Norman_Bates
 
 
 
  http://www.youtube.com/watch?v=QDhInGzWrkE
  RT
 
 
 
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[LUTE] Re: For ambitious lutenists - iTunes

2007-01-21 Thread bill kilpatrick
a worth contributor to the list contacted me privately
to say that feelings is actually a braziian song
called dime and takes on a different character when
played in a ... HIP manner and placed in the  context
of Jobim and Charlie  Byrd.

couldn't agree more with him about the latter but not
so sure about the stringency of HIP.  taken as one of
many influences it's wonderful but as an end in and of
itself it's just plain dull (imho).  sting's success
with his dowland recordings suggests that any artist
who acknowledges HIP but not be burdened with it -
takes something other than a concensus view of it -
can bring new life to the material.   

--- [EMAIL PROTECTED] wrote:

 All,
 
  With the possible exception of jazz, classical
 music is confronted with a uniquely problematic
 practice right now that prevents it from becoming a
 successful commercial item: its made up of the same
 _exact_ stuff over and over.  To use Pachelbel as an
 example - outside of specialists, who knows any
 other
 piece of music by JP other than the infamous
 Variations Over a Ground Bass in D Major?  Yet
 there
 is a whole body of work by this guy including organ
 works, choral music, etc.  Why is it that we don't
 hear more?  There are a number of complex issues
 such
 as audience expectations and promotional issues, but
 the core responsibility lies with the fact that
 performers themselves just don't play JP's other
 stuff
 very often.
  Look at pop music (I use it in a very broad
 sense
 of not classical) on the other hand.  Covers exist
 but most acts are always presenting _new_ music. 
 (This music is, of course, not new stylistically -
 it
 consistently follows rather narrow formulae.)  If
 our
 genre is going to survive, classical musicians need
 to
 at least delve into some of the great unknown
 repertoire out there more often.
  Discovering neglected gems was the operative
 philosophy of the Early Music movement when it first
 began, but now we too have largely ossified into
 predictable patterns of the same pieces by the same
 composers again and again.  Just look to see how
 many
 different recordings of Dowland are out there.  Now
 look to see how many recordings of the music of,
 say,
 Buddy Holly, you'll find by people other than Buddy
 Holly himself.  Undoubtedly you'll find folks
 recording a Holly song here or there, but when its
 done it is rather like an added spice that makes up
 the meal of one's career built on other, previously
 unheard, songs.
 Yes, all of this concentration on a few items
 was
 at the urging of record companies who saw that it
 was
 easier to package, market, and sell classical albums
 to the consumer if they were classified by
 recognizable-name composers and greatest hit
 repertoire.  That was in the past.  But now - look
 at
 the serious trouble that record companies are in
 today
 because of this narrow corporate mindset! 
 Performers
 need to lead the charge into other modes.
 Here, I'm mainly talking about what already
 exists
 in the back-catalog.  I haven't even mentioned the
 utterly unholy option of performers championing
 newly
 composed music.
 
 
 Chris
 
 
 
 --- David Rastall [EMAIL PROTECTED] wrote:
 
  Ho!  Ho!
  
  Here comes the voice of the big elitist:  the
 worst
  possible thing  
  for classical music is for it to become
 popularized.
   In the world of  
  pop culture, to loosely paraphrase Oscar Wilde,
 the
  only thing worse  
  for classical music than *not* being talked about
 is
  for it to *be*  
  talked about.  ;-)
  
  David R
  
  
  
  On Jan 20, 2007, at 9:54 AM, Daniel Shoskes wrote:
  
  
   On Jan 20, 2007, at 9:39 AM, EUGENE BRAIG IV
  wrote:
  
  
  
lushly lifeless interpretation of Pachelbel's
  Canon directly into
   their brains.
  
   With the Canon's new fame??
  
   http://www.youtube.com/watch?v=JdxkVQy7QLM
  
  
  
  
   To get on or off this list see list information
 at
  
 

http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
  
  [EMAIL PROTECTED]
  www.rastallmusic.com
  
  
  
  
  --
  
 
 
 
  


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[LUTE] Re: For ambitious lutenists - iTunes

2007-01-21 Thread bill kilpatrick
that is to say ... consensus view - sorry - ed.

--- bill kilpatrick [EMAIL PROTECTED]
wrote:

 a worth contributor to the list contacted me
 privately
 to say that feelings is actually a braziian song
 called dime and takes on a different character
 when
 played in a ... HIP manner and placed in the 
 context
 of Jobim and Charlie  Byrd.
 
 couldn't agree more with him about the latter but
 not
 so sure about the stringency of HIP.  taken as one
 of
 many influences it's wonderful but as an end in and
 of
 itself it's just plain dull (imho).  sting's success
 with his dowland recordings suggests that any artist
 who acknowledges HIP but not be burdened with it -
 takes something other than a concensus view of it -
 can bring new life to the material.   
 
 --- [EMAIL PROTECTED] wrote:
 
  All,
  
   With the possible exception of jazz,
 classical
  music is confronted with a uniquely problematic
  practice right now that prevents it from becoming
 a
  successful commercial item: its made up of the
 same
  _exact_ stuff over and over.  To use Pachelbel as
 an
  example - outside of specialists, who knows any
  other
  piece of music by JP other than the infamous
  Variations Over a Ground Bass in D Major?  Yet
  there
  is a whole body of work by this guy including
 organ
  works, choral music, etc.  Why is it that we don't
  hear more?  There are a number of complex issues
  such
  as audience expectations and promotional issues,
 but
  the core responsibility lies with the fact that
  performers themselves just don't play JP's other
  stuff
  very often.
   Look at pop music (I use it in a very broad
  sense
  of not classical) on the other hand.  Covers
 exist
  but most acts are always presenting _new_ music. 
  (This music is, of course, not new stylistically -
  it
  consistently follows rather narrow formulae.)  If
  our
  genre is going to survive, classical musicians
 need
  to
  at least delve into some of the great unknown
  repertoire out there more often.
   Discovering neglected gems was the operative
  philosophy of the Early Music movement when it
 first
  began, but now we too have largely ossified into
  predictable patterns of the same pieces by the
 same
  composers again and again.  Just look to see how
  many
  different recordings of Dowland are out there. 
 Now
  look to see how many recordings of the music of,
  say,
  Buddy Holly, you'll find by people other than
 Buddy
  Holly himself.  Undoubtedly you'll find folks
  recording a Holly song here or there, but when its
  done it is rather like an added spice that makes
 up
  the meal of one's career built on other,
 previously
  unheard, songs.
  Yes, all of this concentration on a few items
  was
  at the urging of record companies who saw that it
  was
  easier to package, market, and sell classical
 albums
  to the consumer if they were classified by
  recognizable-name composers and greatest hit
  repertoire.  That was in the past.  But now - look
  at
  the serious trouble that record companies are in
  today
  because of this narrow corporate mindset! 
  Performers
  need to lead the charge into other modes.
  Here, I'm mainly talking about what already
  exists
  in the back-catalog.  I haven't even mentioned the
  utterly unholy option of performers championing
  newly
  composed music.
  
  
  Chris
  
  
  
  --- David Rastall [EMAIL PROTECTED] wrote:
  
   Ho!  Ho!
   
   Here comes the voice of the big elitist:  the
  worst
   possible thing  
   for classical music is for it to become
  popularized.
In the world of  
   pop culture, to loosely paraphrase Oscar Wilde,
  the
   only thing worse  
   for classical music than *not* being talked
 about
  is
   for it to *be*  
   talked about.  ;-)
   
   David R
   
   
   
   On Jan 20, 2007, at 9:54 AM, Daniel Shoskes
 wrote:
   
   
On Jan 20, 2007, at 9:39 AM, EUGENE BRAIG IV
   wrote:
   
   
   
 lushly lifeless interpretation of
 Pachelbel's
   Canon directly into
their brains.
   
With the Canon's new fame??
   
http://www.youtube.com/watch?v=JdxkVQy7QLM
   
   
   
   
To get on or off this list see list
 information
  at
   
  
 

http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   
   [EMAIL PROTECTED]
   www.rastallmusic.com
   
   
   
   
   --
   
  
  
  
   
 


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  arrives.
 
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=== message truncated

[LUTE] Re: For ambitious lutenists - iTunes

2007-01-20 Thread bill kilpatrick

--- EUGENE BRAIG IV [EMAIL PROTECTED] wrote:

 ... lushly lifeless
 interpretation of Pachelbel's Canon directly into
 their brains.  Beware ye who gig weddings!

could be worse ...

FEE-LINGS ... NOTHING MORE THAN FEE-LINGS! ...

(whoa-a-whoa)




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[LUTE] Re: lute videos

2007-01-18 Thread bill kilpatrick
.. gedda'mac ... 

(smile sign) - bill

--- Tony Chalkley [EMAIL PROTECTED] wrote:

 I'm replying to myself to ask a question.  In the
 words of Hagrid, I 
 shouldna said tha' 
 
 It looks great (all I did yesterday was look at
 what's on offer), but today 
 I tried to look at the videos and I can't actually
 see them.  They're on an 
 rtps server, and Windows tells me it can't read
 them.  There's some stuff 
 I'd really like to look at - can anyone out there
 tell me what I need to 
 install?
 
 Please?
 
 Tony
 
 
 - Original Message - 
 From: Tony Chalkley [EMAIL PROTECTED]
 To: lute@cs.dartmouth.edu; magnus andersson
 [EMAIL PROTECTED]
 Sent: Wednesday, January 17, 2007 10:49 PM
 Subject: [LUTE] Re: lute videos
 
 
  Not a lot of lute, but what an amazing resource! 
 Thanks
 
  Tony
 
 
  - Original Message - 
  From: magnus andersson [EMAIL PROTECTED]
  To: lute@cs.dartmouth.edu
  Sent: Wednesday, January 17, 2007 10:04 PM
  Subject: [LUTE] lute videos
 
 
  Dear lute-netters around the globe, I just
 stumbled upon this amazing
  site=0Aat
 http://itc.uci.edu/~rgarfias/kiosk/media.html
 =0Awhere many
  different lutes can be seen played by various
 prominent performers.
  =0A=0A=0Aall the best/=0A =0Amagnus=0A=0A=0A
 

=0A=0AGet
  your own web address.  =0AHave a HUGE year
 through Yahoo! Small
 

Business.=0Ahttp://smallbusiness.yahoo.com/domains/?p=BESTDEAL
  --
 
  To get on or off this list see list information
 at
 

http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 
 
 
  
 
 
 
 




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[LUTE] paper on how vihuela became charango

2007-01-16 Thread bill kilpatrick
not one of your favorite topics - i know - but it's an
interesting paper and well researched ... besides,
it's been such a long time ... 

http://www.sibetrans.com/trans/trans8/baumann.htm

posted by martyn, here:

http://launch.groups.yahoo.com/group/Charango/

- bill



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[LUTE] Re: Burns Night

2007-01-15 Thread bill kilpatrick
yes - Scots Wha' Hae ... and if you haven't already
contacted him (or her), ask one of the many pipers you
admire to join in.  it can be sung, dirge like - as
burns intended it - but carried on, up-tempo, into a
rather rousing, toe-tapping ditty.

- bill

--- Charles Browne [EMAIL PROTECTED]
wrote:

 Late again! Has anybody any suggestions for an
 encore for Soprano+lute at a
 Burns night Supper. ?
 thanks
 Charles
 
 
 
 
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[LUTE] ot in extremis

2006-12-11 Thread bill kilpatrick
anyone seen the news programs on aljazeera.english
yet?

it's a new day.  

- bill





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[LUTE] xmas goodies

2006-12-07 Thread bill kilpatrick
while i work out arto's wonderful xmas present on my
charango, i though you might like to try this for some
absolutely delicious holiday nosh:

walnuts - whole or half - tossed lightly in olive oil
with a sprinkling of salt, pepper and - wait for it! -
cinnamon! (secret ingredient ... ) toasted in medium
oven, shaken every so often and watched closely so
they don't burn.

buon natale a tutti - bill



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[LUTE] Re: lute sighting

2006-12-02 Thread bill kilpatrick
painful ...

eyemake-up was essential however.

--- Doc Rossi [EMAIL PROTECTED] wrote:

 this one leaves me speechless, but check out the
 right hand towards  
 the end.
 
 http://www.youtube.com/watch?v=b56WO5ctL8E
 
 Actually, I've been trying to find the videos of
 Hopkinson Smith  
 playing Bach.  Does anyone know where they are?
 
 
 
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[LUTE] Re: Sting!

2006-11-24 Thread bill kilpatrick
just out of curiosity, does any negative, contemporary
criticism exist for the way dowland performed?  did
anyone record the comments of others or personally put
pen to paper, accusing him of arrogance or being a
poseur - piqued commentary borne of envy, perhaps?

- bill

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[LUTE] Re: Sting!

2006-11-23 Thread bill kilpatrick
i'm thinking of singing a few dowland songs myself -
probably with charango accompaniment.  who do i have
to check with?  haven't paid my dues - ever - but i'm
with the union!

--- [EMAIL PROTECTED] wrote:

 In einer eMail vom 23.11.2006 01:38:23
 Westeurop=E4ische Normalzeit schreibt 
 [EMAIL PROTECTED]: 
 
  If he ever
  comes to Montreal to perform this stuff, I really
 hope the lutenists
  around me are going to tell him what we think.
  
 
 I wouldn't get so worked up about it. Everything of
 course you say is 
 probably true, but in the music buisness at the
 level that Sting works the truth is 
 not always the best way to sell records. I just
 wanted to offer you some comic 
 relief not dig that whole Sting thing up again, that
 is way over, on all 
 accounts.
 
 A couple of days ago a German rock magazine
 published an article about my 
 ensemble pantagruel's new CD Elizium. . The
 magazine sells about 50,000, so at 
 least a few younger listeners get an idea of what a
 HIP performance can be 
 about.
 
 You can read an English translation here...
 

http://blog.myspace.com/index.cfm?fuseaction=blog.viewfriendID928060;

blogID=196138740MyToken=c848abc2-f8b7-4bd6-9c86-3797c3dde9fc
 
 I expect the usual candidates will all get up about
 black nail varnish etc, 
 but all I can say to them is  I am still practising
 my 'watch me, because I'm 
 really good' thang:)
 
 best wishes
 Mark
   
 
 
 
 
 
 
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[LUTE] genuine, verifiable, historically informed performance

2006-11-19 Thread bill kilpatrick
the adam and eve music festival ... 

i invision a two-part program consisting of contented
(if aimless) humming followed by sighs of the ol'
ennui in the first half, leading to gasps of
consternation and gnashing of teeth in the second. 
identifiable tunes - snatches of, or in total - from
any period subsequent to this earliest of early
musical epochs will be severely frowned upon but
wailing - particularly towards the end of the
second-half of the program - will be given the HIP
nod.  while it's possible that HE put his hands
together, as he dusted them off on the evening of the
6th day, we can not be 100% certain that rhythmic
elements formed part of a  e's original repertoire. 
therefore, finger-popping, hand-clapping or any other
wildly uncorroborated, later-day, hand-jiving flights
of fancy must be viewed as decidedly un-HIP ...
whistlers will be expelled from the venue immediately.


costumes (wedding tackle - either/or) may vary and
while pukkah, primogenitor gear is preferred,
HIP-approved, latex/silicone re-enacter kits will be
available for a less-than-modest price from hank and
monique in the dupont courtesy tent.

no snakes.

documentation for this exclusively vocal period in
musical development is impressive - to say the least. 
while commentators in any of the subsequent musical
periods were restricted to only that which could be
experienced in, of, or by themselves, with adam and
eve we have  authorative, manifestly supreme, HIP from
HIM.

book now! 






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[LUTE] Re: New Lutenist Question

2006-11-14 Thread bill kilpatrick
in days of old ... wasn't the majority of musical
knowledge passed from one to another in a show me how
you did that ... situation - where one person played
and another one copied?  tabs or notation - either/or
- was simply for those unfortunates without the prime
benefit of someone better to play with.
 
--- Anthony Hind [EMAIL PROTECTED] wrote:

 Wouldn't a small advantage for the tabulature be
 that a specific  
 position for obtaining a note can be made explicit?
 The tone could be different according to the way it
 is acheived (e.g;  
 open strings or not), or am I completely mistaken,
 here?
 It is late and I might be becoming a little
 confused.
 Anthony
 Le 14 nov. 06 à 19:50, Are Vidar Boye Hansen a écrit
 :
 
  I hope Stewart will explain it himself!
 
 
  Are
 
  I'm a novice, which explains why I don't
 understand Mr. McCoy's  
  assertion.
  Can you explain it?
 
  On 11/14/06, Are Vidar Boye Hansen
 [EMAIL PROTECTED]  
  wrote:
 
  Well, if that's the case, why use tablature?
 Really. Is there  
  any other
  reason?
 
  I think Stewart McCoy claimed that tabulature is
 an excellent way of
  notating polyphonic music for a plucked
 instrument.
 
  Anyway, lutenists did play from score, just
 think of continuo  
  playing.
  I am certain that you will find that its not
 difficult to play  
  from score
  if you practice a little.
 
 
  mvh
  Are
 
 
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[LUTE] Re: The Muscat Oud Festival - The Non-Pop Side of Arabic Music

2006-11-06 Thread bill kilpatrick
thank you mathais for that.  before sky replaced
whatever there was before it here in italy, we used to
be able to get tv stations from all over north africa
and the middle east - oman was always a treat for
ouds.  

ciao - bill 
  
--- Mathias Rösel [EMAIL PROTECTED]
wrote:


http://www.qantara.de/webcom/show_article.php/_c-310/_nr-356/i.html
 
 -- 
 Best,
 
 Mathias
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