Sterling,
Agreed. Ideally, one wants the bass line to be articulated in the same
manner as any line played on the fretboard. In fact, basses frequently cross
between fretted notes and diapasons. Presumably these two types of passages
should be performed in the same manner even though the diapason notes will
require a different technique to get the same effect. It takes years of work
to make it sound natural.
Chris
Christopher Wilke
Lutenist, Guitarist and Composer
www.christopherwilke.com
--- On Wed, 8/31/11, sterling price spiffys84...@yahoo.com wrote:
From: sterling price spiffys84...@yahoo.com
Subject: [LUTE] Re: long strings?damping
To: Lute List lute@cs.dartmouth.edu
Date: Wednesday, August 31, 2011, 2:21 AM
Hi-
Even with gut strings on say a baroque
lute it is still good to damp
the strings, otherwise it sounds messy.
Also just for articulation. If
you listen to the top players of today
damping basses is very
common. There are different techniques
for damping and it soon becomes
trivial.
--Sterling
From: howard posner howardpos...@ca.rr.com
To: Lute List lute@cs.dartmouth.edu
Sent: Tuesday, August 30, 2011 10:39 AM
Subject: [LUTE] Re: long strings?damping
This discussion would make a lot more
sense if posters explained what
gut is being compared to. In some
cases, it's overwound strings, and
in others, it's plain nylon.
On Aug 30, 2011, at 5:00 AM, andy butler
wrote:
Are there any players who reckon
that damping is essential?
Tympanists, mostly. It makes the
lute vastly more difficult to play:
in an ascending passage on the diapasons,
the thumb has to make three
maneuvers (play note, reach back up to
damp it, then move to the next
one) instead of one for each note.
If you find you need to damp
consistently to avoid the sound fogging
over, change strings.
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