[NetBehaviour] _A game of love, war and telepathy_: Alt-win.ning
_Alt-win.ning_ Thursday 2nd July 2009, 8pm. £5 CCA, 350 Sauchiehall Street, Glasgow G2 3JD A game of love, war and telepathy celebrating New Media Scotland's 10th birthday with new work created and curated by Thomson Craighead, Sarah Kettley and Distance Lab with new writing by Netwurker Mez and Hannu Rajaniemi, choreography by Sue Hawksley and music by Peter Gregson. The game itself begins eight days before with tales of two lovers told via the @mediascot Twitter stream. The tweets will contain clues to find and enter a secret location in Scotland. Elements of the live event, and those online will help you solve the puzzles, with custom iPods to be won. Play on. alt-win.ning.com crypticnights.org.uk -- Reality Engineer Synthetic Environment Strategist Game[r + ] Theorist. ::http://unhub.com/netwurker :: ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] Hello worl by Yunchul Kim Endo by Verena Friedrich
I'm preparing for the Breakthrough event that will take place in Berlin at the end of the month, and going through the list of the participants I found a couple of interesting projects. They might be almost antiques for some of you, but for some they might be inspirational... / Hello World - Yunchul Kim \ Hello world is an installation by Yunchul Kim that contains a codified audio signal that circulates in a closed (feedback) system, consisting of a computer, a speaker, 246 meters of copper tube and a microphone. By using the acoustic delay of the tube system, it is possible to store data. The longer the tube, the greater the time delay, which leads to greater memory capacity. In addition to this a screen shows a visual representation of the information traveling around the system. If a participant makes noises near the installation or hits the copper piping it interferes with the audio signal loop. http://www.khm.de/~tre/ / Endo - Verena Friedrich \ ENDO is a recording device equipped with various sensors, a computer mainboard and a terabyte hard drive. The object continuously gathers data of its direct surroundings like images, sound, GPS-coordinates, temperature, humidity and air pressure. The data flow is archived on the hard drive inside the Black Box and will never be extracted again. In the course of time the machine produces a huge pool of information whose content or usage remains unknown. Does the record serve for any secret intentions? Could it be exploitet to act against ourselves? Is this a trap? What remains is endless speculation - about the nature of information, the construction of medial reality, the ghost in the machine and a potential loss of control. http://heavythinking.org -- Olga http://www.ungravitational.net http://virtualfirefly.wordpress.com ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] This Land is Your Land - anyone going?
Hiya, anyone in Scotland able to go to this? Would love to know more about it. cheers Ruth This Land is Your Land Saturday 6 June - Saturday 25 July 2009 11:00am - 6:00pm: FREE Venue: CCA 2 / CCA 3 / CCA 4 (cinema) / CCA Resource Room This Land is Your Land is a two-part exhibition exploring everything from the pleasure of planting a seed to issues of territory and national boundaries, inviting us to consider our relationship to the land we live on. Emerging from new outreach work in Drumchapel, comprising school gardening projects and community guerrilla gardening, from 6 – 19 June part one of the exhibition will be interactive, featuring a continuous series of talks, screenings and cookery, gardening and seed bombing workshops in the main gallery, looking at issues of self sustainability and living off the land. Glasgow School of Art Architecture students will present their visions for a community garden in Hamiltonhill; Stephen Watts from Sheffield will explain how to forage; Friends of the Earth will run swap shops and films screenings will look at Cuban urban farms, garden protests in Los Angeles, the work of seed activist, Vidana Shiva and the activities of agricultural corporate giants, Monsanto. CCA Director, Francis McKee says: “How land is used now and who has the right to access it has become a key issue in contemporary society. Ordinary people are challenging formal barriers to growing their own food, accessing land and controlling their own food supply. At the same time, the new discipline of psychogeography has led many people to reinterpret their urban landscape, navigate streets according to their personal histories, experiences and memories.” ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] URL for This Land is Your Land
oops! sorry forgot the URL http://tinyurl.com/noysyv :)R ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Hello worl by Yunchul Kim Endo by Verena Friedrich
On Tue, Jun 2, 2009 at 12:36 PM, Olga olga.pana...@gmail.com wrote: / Hello World - Yunchul Kim \ Hello world is an installation by Yunchul Kim that contains a codified audio signal that circulates in a closed (feedback) system, consisting of a computer, a speaker, 246 meters of copper tube and a microphone. By using the acoustic delay of the tube system, it is possible to store data. The longer the tube, the greater the time delay, which leads to greater memory capacity. In addition to this a screen shows a visual representation of the information traveling around the system. If a participant makes noises near the installation or hits the copper piping it interferes with the audio signal loop. http://www.khm.de/~tre/ I imagine that the use of sound is an important part of the work's concept, but I do like the pulsating mercury used in historical delay line memory - http://en.wikipedia.org/wiki/Delay_line_memory ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
Re: [NetBehaviour] Hello worl by Yunchul Kim Endo by Verena Friedrich
On 2/6/2009, Olga olga.pana...@gmail.com wrote: / Hello World - Yunchul Kim \ Hello world is an installation by Yunchul Kim that contains a codified audio signal that circulates in a closed (feedback) system, consisting of a computer, a speaker, 246 meters of copper tube and a microphone. By using the acoustic delay of the tube system, it is possible to store data. The longer the tube, the greater the time delay, which leads to greater memory capacity. In addition to this a screen shows a visual representation of the information traveling around the system. If a participant makes noises near the installation or hits the copper piping it interferes with the audio signal loop. http://www.khm.de/~tre/ why Hello World? i did something similar here: http://www.jwm-art.net/light.php?p=gfb and http://www.jwm-art.net/light.php?p=__hello__ not that i know or care who did what first. i called the second __hello__ because when i was testing and recording the circuit, hello was the only word my poor little brain could muster and send to my biological speech output system. / Endo - Verena Friedrich \ ENDO is a recording device equipped with various sensors, a computer mainboard and a terabyte hard drive. The object continuously gathers data of its direct surroundings like images, sound, GPS-coordinates, temperature, humidity and air pressure. The data flow is archived on the hard drive inside the Black Box and will never be extracted again. In the course of time the machine produces a huge pool of information whose content or usage remains unknown. Does the record serve for any secret intentions? Could it be exploitet to act against ourselves? Is this a trap? What remains is endless speculation - about the nature of information, the construction of medial reality, the ghost in the machine and a potential loss of control. how do you know the data is archived at all? if everybody believed it was - and accepted it's inaccessible state, there's no point bothering and probably a little bit of electric saved in the process. the record serves the intention of the artist to raise question and to associate those questions with the work of the artist. ! james http://heavythinking.org -- Olga http://www.ungravitational.net http://virtualfirefly.wordpress.com ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] pedal hin pedal her
pedal hin pedal her Bicycletron has the right to children. Simple ignore the fact that we´re quoting one of our deeply adored childhood films and games from the 80´s by switching to real players out from the computer straight to a given matrix of game space. Physical power is the object of desire. Pedal hin Pedal her recreates virtual space to haptic strips of precarious architecture; yearning for your femur muscles. The question In how far do innovations of real architecture influence game architecture, and vice versa? will be empirical investigated by a seriousfun approach. http://pedal.yugo.at/ -- Olga http://www.ungravitational.net http://virtualfirefly.wordpress.com ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] C.R.A.S.H Conversation 2 – On Art
THE LABORATORY OF INSURRECTIONARY IMAGINATION C.R.A.S.H Conversation 2 – On Art Toynbee Studios, London 05 Jun 2009, 7pm, Free (booking required) http://www.artsadmin.co.uk/projects/event.php?id=669 More and more artists are labelling themselves as ‘activists’ or ‘socially engaged’ yet few are actually engaged with radical social movements, preferring to work autonomously. Throughout history, when artists have applied their creativity to social movements, from Gustav Courbet’s work on the Paris Commune, via Sylvia Pankhurst designing suffragette actions, to the Situationist influence on May 1968, the outcomes have changed the world. Why do contemporary artists fear immersing themselves in radical social movements? In a time of crisis, where the alternatives proposed by social movements urgently need visibility, could permaculture’s emphasis on systems thinking and relationships help artists engage more deeply? Guest speakers: John Jordan is a co-founder of the Laboratory of Insurrectionary Imagination, creating events and experiences that fall between art and activism he applies creativity to social movements, from the Climate Camp, to the Clandestine Insurgent Rebel Clown Army, via Reclaim the Streets and other carnivalesque rebellions. James Marriott is a writer, artist, activist and naturalist. He is a Co-Director of PLATFORM, which since 1983 has brought together artists and activists to create projects and campaigns that help the struggle for ecological social justice in London, PLATFORM’s home, and distant elsewheres impacted by that metropolis. The C.R.A.S.H Conversations are three public discussions facilitated by the Laboratory of Insurrectionary Imagination (Lab of ii) as part of the C.R.A.S.H Course, which explore the relationships between art, permaculture and activism, and their role in providing radical solutions to the ecological crisis. Each evening focuses on a specific discipline and will be introduced by key proponents in the field. The Lab of ii project C.R.A.S.H – A Postcapitalist A to Z opens a space in which to imagine a postcapitalist future. As the future of our ecological life support systems hangs in the balance and we suffer the consequences of reckless economic fantasies, the question of what our future could look like has never been more vital. The Lab of ii will be experimenting with radical sustainable alternatives to the ecological and economic crises in the symbolic heart of the capitalist system, London’s square mile. Working with artists, activists and permaculturists C.R.A.S.H merges popular education, live art and direct action. The project begins with the C.R.A.S.H Course and Conversations, building skills of resilience and resistance with precarious and unemployed workers, and ends with C.R.A.S.H Contingency and Culture, a mystery night time journey to utopia and back, and a series of interventions across the City. -- Olga http://www.ungravitational.net http://virtualfirefly.wordpress.com ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] transparent lune
transparent lune
http//www.alansondheim.org/lune1.png
http//www.alansondheim.org/lune2.png
http//www.alansondheim.org/lune3.png
http//www.alansondheim.org/lune4.png
http//www.alansondheim.org/lune5.png
http//www.alansondheim.org/lune6.png
http//www.alansondheim.org/lune7.png
http//www.alansondheim.org/lune8.png
www.nettime.org
nettime mailing list archives
alan sondheim on mon 1 jun 2009 042450 +0200 (cest)
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* to nettime-l
{at}kein.orgsubject from sondheim panix.comdate 040927
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(tb)]eifachfilm cacirca's installation (and some changes in mine)
slborrowersend of the
tetherpurblindthe oddyssey show going down a few hours - last chance see
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pngs.lost lost
textterpsichoreographic unit
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living space making.
soon i will lose this take my tiny house with me.
where go go.
am snail shell. shell is memory.
goes memory follows.
never was land or online someone else you were that else.
second have over 2000 objects inventory.
for capital an indefinite economy.
political economy be sure borrowing small return.
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leg forearm wrist.
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shield entities breathing vacuum simulation.
they are borrowers disappear flow blood.
blood halting disappear.
brain dying cell by who preserve now keep forever?
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recuperation always already impossible.
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gener entangled between real which virtual real.
exhausted inscription make mistakes.
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abandoned your fate.
what there this.
postulate
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variables include stream
[NetBehaviour] Kurator and LX 2.0 INFECTED commission - vir.us.exe by carlos katastrofsky
KURATOR and LX 2.0 are pleased to announce the first of two commissions selected from an open call to infect the 2012 Olympics, as part of the Anti-Bodies contemporary art programme. vir.us.exe, carlos katastrofsky http://www.anti-bodies.net/vir.us.exe vir.us.exe is a windows program, communicated and spread by e-mail announcements, mailing lists and other networked (viral) press activities. katastrofsky explains that a virus lives upon the reproduction of itself with the aim to survive as long as possible. However, the most dangerous parts of such an infection are not always the harmful cells a virus is based upon; it is the psychological concept of fear acting invisibly in the background. The project thus strips down the mechanisms of a viral infection and transfers its core principles into the digital realm. By avoiding everything a virus should do, only the virus itself will be left. This way it will become a meta-virus spreading not because it is an actual virus but because it is perceived as such. vir.us.exe is commissioned by KURATOR and LX 2.0, as part of the Anti-Bodies programme co-ordinated by Relational with support from Arts Council England, granted the London 2012 Inspire mark as part of the Cultural Olympiad. KURATOR http://www.kurator.org LX 2.0 / Lisboa 20 Arte Contemporanea http://www.lisboa20.pt/lx20/ Relational http://www.relational.org.uk Anti-Bodies http://www.anti-bodies.net carlos katastrofsky is a Vienna-based artist working primarily in the field of new media art. His work examines the politics of Internet-based art production, distribution and consumption, and how dominant practices of the artistic modus vivendi - curating, dealing, showing, and reviewing- function in the virtual realm, where the immaterial has replaced the object. His works explore characteristic features of the Internet such as software, interfaces, language, and discussion forums - to question the current development of the Web. He is co-founder of CONT3XT.NET (2006) – a collaborative platform for the dicussion and presentation of issues related to Media Art. http://katastrofsky.cont3xt.net/ ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] RomaEuropaFAKEFactory @ LPM 2009
hello there! some updates from RomaEuropaFAKEFactory: http://www.artisopensource.net/2009/06/03/report-romaeuropafakefactory-lpm-2009/ the LivePerformersMeeting in Rome has been a great chance to continue the actions promoted by REFF. a showcase, an exhibit, an interactive toilet, and then a roundtable, hundreds of artists, remote guests suffering from low bandwidth, and opportunities and sharing for all. http://www.romaeuropa.org cheers, xDxD ___ NetBehaviour mailing list NetBehaviour@netbehaviour.org http://www.netbehaviour.org/mailman/listinfo/netbehaviour
[NetBehaviour] UpComin Advertisement Advertisement!
UpComin Advertisement Advertisement! [9:30:37 PM] Star Spider says: Hey Alan [9:30:47 PM] Star Spider says: Are you around? [9:31:23 PM] Alan Sondheim says: I'm around, sorry, playing music here [9:31:36 PM] Star Spider says: hey no worries, quick question - do you have a title for your performance? [9:31:44 PM] Alan Sondheim says: mess [9:31:57 PM] Star Spider says: whoops haha [9:31:59 PM] Star Spider says: sorry [9:32:05 PM] Star Spider says: ok cool! [9:32:08 PM] Alan Sondheim says: Mess is title yes [9:32:11 PM] Star Spider says: Thanks! [9:32:32 PM] Star Spider says: also... [9:32:35 PM] Alan Sondheim says: No problem. Things seem more or less under control here. We should be coming in, barring the car breaking down, on Wednesday I think [9:32:48 PM] Star Spider says: Sandy and I AvaTanz together .. [9:32:55 PM] Star Spider says: What does this mean? [9:33:07 PM] Star Spider says: Sandy and I AND AvaTanz? [9:33:10 PM] Alan Sondheim says: Sandy Baldwin and I do an avatar dance together [9:33:17 PM] Alan Sondheim says: Avatanz isn't a name. [9:33:18 PM] Star Spider says: oh [9:33:19 PM] Star Spider says: hahaha [9:33:22 PM] Alan Sondheim says: Maybe use avadance instead [9:33:26 PM] Star Spider says: cool :D [9:33:31 PM] Alan Sondheim says: Maybe Sandy won't get on - don't know [9:33:59 PM] Alan Sondheim says: He's in Austria which is why I need as much of an exact time as I can get either very early or very late so he can get up very early or go to bed very late [9:34:03 PM] Alan Sondheim says: it's six hrs diff [9:34:16 PM] Star Spider says: Do you mind if I mod the discription a bit? [9:34:24 PM] Alan Sondheim says: actually so he can go to bed very late or get up very early [9:34:25 PM] Alan Sondheim says: howso [9:34:44 PM] Alan Sondheim says: ***MUST PASS CENSOR*** [9:34:50 PM] Alan Sondheim says: ***NO DIRTY WRDS*** [9:35:20 PM] Alan Sondheim says: asshole Sondheim and fucking Baldwin will perform shit ... [9:35:25 PM] Alan Sondheim says: NOT TO BE USED [9:35:50 PM] Star Spider says: hahaha [9:35:52 PM] Star Spider says: nope [9:35:54 PM] Star Spider says: Sandy Baldwin and Alan Sondheim AvaDance together, triggering objects to take them over, splurge on the chat, maybe have some sound at work beyond the usual click-clack, and work those altered mocap files at around 800 meters transparent space. It is a piece about eroticism, memory of neighborhood, being-mess. [9:36:36 PM] Alan Sondheim says: how about prim-triggering takeover Dance? [9:36:43 PM] Alan Sondheim says: sounds too prosaic [9:36:58 PM] Alan Sondheim says: I'm really too stupid to know what I'm doing so I have to dress the description up [9:37:08 PM] Star Spider says: haha [9:37:32 PM] Star Spider says: Um... like this? [9:37:34 PM] Star Spider says: Sandy Baldwin and Alan Sondheim AvaDance together in a prim-triggering takeover Dance, splurge on the chat, maybe have some sound at work beyond the usual click-clack, and work those altered mocap files at around 800 meters transparent space. It is a piece about eroticism, memory of neighborhood, being-mess. [9:37:48 PM] Alan Sondheim says: anyway at my end what I do need for Fri and even Thurs rehearsal if poss is time - [9:37:58 PM] Alan Sondheim says: Yes, but I'd run together as such: [9:38:18 PM] Alan Sondheim says: transparent space about erotics, neighborhood memory, being-mess [9:38:29 PM] Alan Sondheim says: instead of two sentences there - if that's ok [9:38:48 PM] Alan Sondheim says: I have an audience to disappoint! [9:41:13 PM] Star Spider says: So what? [9:41:15 PM] Star Spider says: sorry [9:41:43 PM] Alan Sondheim says: sorry practicing music again [9:41:43 PM] Star Spider says: Sandy Baldwin and Alan Sondheim AvaDance together in a prim-triggering takeover Dance, splurge on the chat, maybe have some sound at work beyond the usual click-clack, and work those altered mocap files at around 800 meters transparent space about erotics, neighborhood memory, being-mess. [9:41:46 PM] Star Spider says: ? [9:42:00 PM] Alan Sondheim says: yes great! [9:42:34 PM] Star Spider says: oh Yay! [9:43:55 PM] Star Spider says: Thanks Alan! [9:44:06 PM] Alan Sondheim says: no problem. as soon as you have times, please let me know? [9:45:51 PM] Star Spider says: The performance starts at 8pm! [9:46:29 PM] Alan Sondheim says: that's for everyone, yes? but if I had an idea when I was going on, I could tell Sandy send an announcement out to Sl - otherwise it's iffy of course. [9:49:02 PM] Alan Sondheim says: (happy)(envy):)(emo)(o)(skype)(music)(music)(music)(devil):D(~) (party)(^):):):) [9:49:18 PM] Star Spider says: haha [9:49:31 PM] Alan Sondheim says: good music [9:49:36 PM] Star Spider says: You will probably be coordinated with willy for that [9:49:46 PM] Star Spider says: huh? [9:49:47 PM] Alan Sondheim says: I wrote him, haven't heard back [9:49:52 PM] Star Spider says: good music? [9:49:54 PM] Alan Sondheim says: the notes [9:50:02 PM] Alan Sondheim says: also my playing here
