How to achieve this lighting?

2013-10-30 Thread Larry Colen
I ran across this very nice set of photos:
http://9gag.com/gag/azb103j

(Don't read the comments though, unless you enjoy examples of how stupid 
people can be)

The photographers website is:
http://www.beforethey.com/

I really like the lighting effect in a lot of th eportraits. It shows
a lot of depth and contrast, but isn't harsh.  How does one achieve that
effect?  Is it a large soft box close to center with much softer diffuse 
fill from the sides?  


-- 
Larry Colen  l...@red4est.com http://red4est.com/lrc


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Re: How to achieve this lighting?

2013-10-30 Thread David Parsons
It's likely north light (or south light south of the equator) from
good sized windows (at least the ones indoors).  Look in the eyes,
unless they've been retouched, they'll tell you everything.  Then look
at the shadows, then the reflections on the skin.  They all point to
large, diffuse light sources.

Traveling around for 3 years, he likely didn't have a softbox on him,
but used the excellent light available to him.

On Wed, Oct 30, 2013 at 2:03 AM, Larry Colen l...@red4est.com wrote:
 I ran across this very nice set of photos:
 http://9gag.com/gag/azb103j

 (Don't read the comments though, unless you enjoy examples of how stupid
 people can be)

 The photographers website is:
 http://www.beforethey.com/

 I really like the lighting effect in a lot of th eportraits. It shows
 a lot of depth and contrast, but isn't harsh.  How does one achieve that
 effect?  Is it a large soft box close to center with much softer diffuse
 fill from the sides?


 --
 Larry Colen  l...@red4est.com http://red4est.com/lrc


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Re: PESO: Red Flash

2013-10-30 Thread Chris Mitchell
Nice shot of a classic British car, Dan. It's the XK120 drophead coupé version.

Here's an auction from a few years ago
http://www.bonhams.com/auctions/16133/lot/368/

Chris

On 29 October 2013 14:09, Daniel J. Matyola danmaty...@gmail.com wrote:
 https://dan-matyola.squarespace.com/danmatyolas-pesos/2013/10/29/red-flash
 Comments are invited.

 Can anyone identify the make, model and year?

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: PESO - (and VESO) The Christmas Train

2013-10-30 Thread Joseph McAllister
From what I recall of my childhood AmFly set, the difference then was scale, 
mine smaller than Lionel (and less expensive). I had the Burlington Zephyr 
aluminum streamliner (in the 50s) because I had ridden a version of it from 
Phoenix to LA in 1952 when I was ten. Lionel had 3 rail track, my AmFly had 
only two (why have more, I dunno).

When I left for college in 1960 as soon as I got on the plane my mother sold my 
Slingerland Drum set, and my train set. Bummer.


On Oct 29, 2013, at 11:34 , Alan C wrote:

 Yes, you're right. Lionel track was O gauge but all the early Lionel rolling 
 stock, including locos, were under-scale, closer to S than O. I was confusing 
 gauge  scale. I still have quite a bit of it and everything is small 
 compared to my stock of European origin. More recent Lionel trains are both O 
 gauge  O scale 1:48. I have a Texas Special A-B Diesel loco which is full O 
 scale. European O is a little bigger 1:43.5. BTW, according to what I read on 
 the Web, American Flyer never made S gauge stuff. The plot thickens!
 
 I might just be tempted to dust everything off, put down a few meters of 
 track  take some side-by-side snaps.
 
 Alan




  Joseph McAllister
pentax...@mac.com













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Re: Initial experiences with K-5

2013-10-30 Thread Joseph McAllister

On Oct 29, 2013, at 13:56 , Eric Weir wrote:

 On Oct 29, 2013, at 1:54 PM, Joseph McAllister pentax...@mac.com wrote:
 
 Just sold mine on FleaBay for the disappointing price of $58 plus shipping. 
 It's in California now. Where were you to bid it up?  !!  :)
 
 Ah! I didn’t check eBay till *after* it showed up on my want list at KEH as 
 “out of stock.” I coulda gone a lot higher than that.
 
 Since I’m considering this lens, why did you sell it? More specifically, were 
 you unhappy with it?

Not unhappy, just needed the money, so I'm getting rid of lenses that have not 
been used in several years. I tend to always mount a DA* lens to fit my shoot. 
Like the DA* 60-250. I seems to get a higher percentage of good shots with 
those, and the 17-70 SDM.



  Joseph McAllister
pentax...@mac.com













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Re: PESO - (and VESO) The Christmas Train

2013-10-30 Thread Alan C
A lot of early electric model train manufacturers went for three rail so 
that the wheels did not have to be insulated, the outer rails being common  
the centre one completing the circuit. Lionel was AC, others DC. I converted 
all my Lionel to 2 rail DC using rectifier bridges on the motors  
insulating the wheels so it could run on the same track as the rest. 
Nowadays, battery powered radio control is becoming the in-thing so even 
plastic track could be used!


Alan

-Original Message- 
From: Joseph McAllister

Sent: Wednesday, October 30, 2013 9:09 AM
To: Pentax-Discuss Mail List
Subject: Re: PESO - (and VESO) The Christmas Train

From what I recall of my childhood AmFly set, the difference then was scale, 
mine smaller than Lionel (and less expensive). I had the Burlington Zephyr 
aluminum streamliner (in the 50s) because I had ridden a version of it from 
Phoenix to LA in 1952 when I was ten. Lionel had 3 rail track, my AmFly had 
only two (why have more, I dunno).


When I left for college in 1960 as soon as I got on the plane my mother sold 
my Slingerland Drum set, and my train set. Bummer.



On Oct 29, 2013, at 11:34 , Alan C wrote:

Yes, you're right. Lionel track was O gauge but all the early Lionel 
rolling stock, including locos, were under-scale, closer to S than O. I 
was confusing gauge  scale. I still have quite a bit of it and everything 
is small compared to my stock of European origin. More recent Lionel 
trains are both O gauge  O scale 1:48. I have a Texas Special A-B Diesel 
loco which is full O scale. European O is a little bigger 1:43.5. BTW, 
according to what I read on the Web, American Flyer never made S gauge 
stuff. The plot thickens!


I might just be tempted to dust everything off, put down a few meters of 
track  take some side-by-side snaps.


Alan





 Joseph McAllister
pentax...@mac.com













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Re: How to achieve this lighting?

2013-10-30 Thread Bob W
They are very nice shots. I don't think he's used anything techy to get that 
light. Maybe a white sheet as a reflector, but even that's probably not needed. 
Have a look at the way someone like Jane Bown, or Rembrandt or Leonardo use 
light.

I thought I'd buy the book until I saw the size of it! I hate people making 
these stupid, unusable XXL books. Then I saw the price, and that confirmed it.

B

 On 30 Oct 2013, at 06:03, Larry Colen l...@red4est.com wrote:
 
 I ran across this very nice set of photos:
 http://9gag.com/gag/azb103j
 
 (Don't read the comments though, unless you enjoy examples of how stupid 
 people can be)
 
 The photographers website is:
 http://www.beforethey.com/
 
 I really like the lighting effect in a lot of th eportraits. It shows
 a lot of depth and contrast, but isn't harsh.  How does one achieve that
 effect?  Is it a large soft box close to center with much softer diffuse 
 fill from the sides?  
 
 
 -- 
 Larry Colen  l...@red4est.com http://red4est.com/lrc
 
 
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Re: GESO - Corsets and behinds (the scenes, that is)

2013-10-30 Thread Bruce Walker
On Tue, Oct 29, 2013 at 10:55 PM, Aahz Maruch a...@pobox.com wrote:
 On Tue, Oct 29, 2013, Bruce Walker wrote:
 On Mon, Oct 28, 2013 at 10:31 PM, Aahz Maruch a...@pobox.com wrote:
 On Mon, Oct 28, 2013, Bruce Walker wrote:

 For the legions of modelling shoot fans here on PDML, here's my
 complete set of curvy (and proud of it) brand-new alt-model Alina and
 her fashion and fetish corsets ...

 http://www.flickriver.com/photos/bruce_m_walker/sets/72157636913319195/

 *** Bonus extra features: behind the scenes with makeup artist Yurie,
 who I installed in the hallway of the Junction Chiropractic where we
 were shooting in the exercise room, after hours.

 She needs some chiropractic after those poses.

 No models were harmed in the making of these. Alina is very flexible
 as she's also a dancer. Among other things she does Contact Improv,
 burlesque and pole dancing.

 Yeah, was mostly making a funny about the location; also making a
 reference to this:

 http://www.jimchines.com/2012/01/striking-a-pose/

That's very funny! Thanks for that, Aahz.

It's often necessary for me to show a model a pose. I have a daily
stretching regime I stick to so I'm pretty flexible and avoid the back
troubles he ran into. :)

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Re: Initial experiences with K-5

2013-10-30 Thread Eric Weir

On Oct 30, 2013, at 3:13 AM, Joseph McAllister pentax...@mac.com wrote:

 
 On Oct 29, 2013, at 13:56 , Eric Weir wrote:
 
 On Oct 29, 2013, at 1:54 PM, Joseph McAllister pentax...@mac.com wrote:
 
 Since I’m considering this lens, why did you sell it? More specifically, 
 were you unhappy with it?
 
 Not unhappy, just needed the money, so I'm getting rid of lenses that have 
 not been used in several years. I tend to always mount a DA* lens to fit my 
 shoot. Like the DA* 60-250. I seems to get a higher percentage of good shots 
 with those, and the 17-70 SDM.

Thanks, Joseph. I was disappointed to see that the DA* 60-250 is way out of my 
price range. [According to KEH’s listing of the lens without the asterisk. Does 
it indicate different lens from one without it?] Unless I win the lottery.

Thanks,
--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net

A writer is a person for whom writing 
is more difficult than it is for other people. 

- Thomas Mann








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Re: PESO: White-Faced Heron

2013-10-30 Thread Eric Weir

On Oct 30, 2013, at 12:50 AM, David Mann dmann...@gmail.com wrote:

 It's funny how every time I take a whole load of photos of something it's 
 always either the first or last one I end up choosing.  I have a similar set 
 of another bird to go through so I'll see if I can break that rule.

My understanding is that the secret to getting good shots is taking a lot of 
them. That said, one of my favorites from my trip to England last month was a 
quick one-handed shot as I was crossing a street and throughout, “Hey, that 
looks interesting.

--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net

Evertyhtnig is amazing and nobody's happy.

- Louis C.K.


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Re: PESO: White-Faced Heron

2013-10-30 Thread Eric Weir

On Oct 30, 2013, at 5:56 AM, Eric Weir eew...@bellsouth.net wrote:

 ...and throughout….

Hope it’s clear I intended “and thought”. You really have to be careful with 
auto spellcheck. Otherwise it can embarrassing. 

--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net

You keep on learning and learning, and pretty soon
 you learn something no one has learned before. 

- Richard Feynman


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Re: Initial experiences with K-5

2013-10-30 Thread Eric Weir

On Oct 29, 2013, at 6:30 AM, Eric Weir eew...@bellsouth.net wrote:

 On Oct 27, 2013, at 3:54 PM, Paul Stenquist pnstenqu...@comcast.net wrote:
 
 On Oct 27, 2013, at 3:31 PM, Eric Weir eew...@bellsouth.net wrote:
 
 What about this?: 50-200 F4-5.6 SMC DA ED WR.
 
 
 Excellent choice.
 
 Darn! I dithered and it got away from me. Non-WR versions are available even 
 more cheaply. I think I’ll hold out for the WR version. I’m guessing, though, 
 they don’t show up very often. Currently none at KEH or BH or on eBay.

Checked these stores today and it showed up at BH with their next to highest 
used equipment rating at a little less than what KEH was asking and $100 less 
than new. I didn’t dither this time. Soon I’ll be trying out George’s 
suggestions.

While I’m at it, and indulging a little laziness, what do the DA and ED 
abbreviations abbreviate?

Thanks,
--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net

What is man without the beasts? If all the beasts were gone, 
men would die from a great loneliness of spirit. 

- Chief Seattle







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Re: PESO - Harvest Sunrise

2013-10-30 Thread Richard Womer
I'm up that early, but the eyes won't focus yet… and I don't have that view 
close by!

Rick

On Oct 30, 2013, at 00:56 , David Mann wrote:

 On Oct 30, 2013, at 2:10 pm, knarf knarftheria...@gmail.com wrote:
 
 Haven't seen a really good sunrise for a while. Last Sunday was not bad:
 
 http://knarfdummyblog.blogspot.ca/2013/10/harvest-sunrise.html?m=1
 
 That's pretty nice.  Wish I could get up that early.
 
 Cheers,
 Dave
 
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K-3 hands-on video from Adorama

2013-10-30 Thread Bruce Walker
For those who like to get their facts from TV ...

http://www.youtube.com/watch?v=paQ2R9eoSCc

You get a nice peek at the UI in action, so that's something.

-- 
-bmw

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Re: K-3 hands-on video from Adorama

2013-10-30 Thread CollinB
like hummingbirds

For those who like to get their facts from TV ...

http://www.youtube.com/watch?v=paQ2R9eoSCc

You get a nice peek at the UI in action, so that's something.

-- 
-bmw


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Is Pentax now in vogue?

2013-10-30 Thread Ben Price
I didn't even notice the other two characters in this picture:

http://metro.co.uk/2013/10/29/back-in-the-fashion-fold-kate-moss-poses-with-john-galliano-on-the-cover-of-vogue-4165793/

Ben ;)

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Re: K-3 hands-on video from Adorama

2013-10-30 Thread Attila Boros
Nice selection of lenses:)

On Wed, Oct 30, 2013 at 1:57 PM, CollinB coll...@brendemuehl.net wrote:
 like hummingbirds

For those who like to get their facts from TV ...

http://www.youtube.com/watch?v=paQ2R9eoSCc

You get a nice peek at the UI in action, so that's something.

--
-bmw


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Re: PESO - Harvest Sunrise

2013-10-30 Thread Chris Mitchell
Lovely shot - and how lucky you are to live near such a beautiful location...

Chris

On 30 October 2013 01:10, knarf knarftheria...@gmail.com wrote:
 Haven't seen a really good sunrise for a while. Last Sunday was not bad:

 http://knarfdummyblog.blogspot.ca/2013/10/harvest-sunrise.html?m=1

 Why I love living a block from Lake Ontario.

 Hope you enjoy. Comments welcome.

 Cheers,
 frank
 “Analysis kills spontaneity.” -- Henri-Frederic Amiel



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Re: PESO: White-Faced Heron

2013-10-30 Thread Tom C
 From: Eric Weir eew...@bellsouth.net

 My understanding is that the secret to getting good shots is taking a lot of 
 them.

Really? Is that the way you think most people get 'good shots'?

To get good shots, one must take shots, but the secret isn't taking a
lot of them.

Tom C.

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Re: Is Pentax now in vogue?

2013-10-30 Thread Richard Womer
That'll be the day…

On Oct 30, 2013, at 08:00 , Ben Price wrote:

 I didn't even notice the other two characters in this picture:
 
 http://metro.co.uk/2013/10/29/back-in-the-fashion-fold-kate-moss-poses-with-john-galliano-on-the-cover-of-vogue-4165793/
 
 Ben ;)
 
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Re: PESO: White-Faced Heron

2013-10-30 Thread Jack Davis
Getting out with a camera and giving yourself opportunities, will increase your 
chances of getting a good one. Be choosy once you've decided what good is, 
then learn the  basics of composition, exposure and lighting. Good will then, 
likely, take on a new set of ever evolving conditions.
 
Jack
 


- Original Message -
From: Eric Weir eew...@bellsouth.net
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Wednesday, October 30, 2013 2:56 AM
Subject: Re: PESO: White-Faced Heron


On Oct 30, 2013, at 12:50 AM, David Mann dmann...@gmail.com wrote:

 It's funny how every time I take a whole load of photos of something it's 
 always either the first or last one I end up choosing.  I have a similar set 
 of another bird to go through so I'll see if I can break that rule.

My understanding is that the secret to getting good shots is taking a lot of 
them. That said, one of my favorites from my trip to England last month was a 
quick one-handed shot as I was crossing a street and throughout, “Hey, that 
looks interesting.

--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net

Evertyhtnig is amazing and nobody's happy.

- Louis C.K.



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Re: PESO: Red Flash

2013-10-30 Thread Daniel J. Matyola
Thanks, Chris!\

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Wed, Oct 30, 2013 at 2:42 AM, Chris Mitchell
chris.mitch...@which.net wrote:
 Nice shot of a classic British car, Dan. It's the XK120 drophead coupé 
 version.

 Here's an auction from a few years ago
 http://www.bonhams.com/auctions/16133/lot/368/

 Chris

 On 29 October 2013 14:09, Daniel J. Matyola danmaty...@gmail.com wrote:
 https://dan-matyola.squarespace.com/danmatyolas-pesos/2013/10/29/red-flash
 Comments are invited.

 Can anyone identify the make, model and year?

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: White-Faced Heron

2013-10-30 Thread Alan C

Why do fashion photographers take so many shots then?

Alan

-Original Message- 
From: Tom C

Sent: Wednesday, October 30, 2013 2:39 PM
To: Pentax-Discuss Mail List
Subject: Re: PESO: White-Faced Heron


From: Eric Weir eew...@bellsouth.net

My understanding is that the secret to getting good shots is taking a lot 
of them.


Really? Is that the way you think most people get 'good shots'?

To get good shots, one must take shots, but the secret isn't taking a
lot of them.

Tom C.

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Re: Is Pentax now in vogue?

2013-10-30 Thread Paul Stenquist
The Pentax 6x7 was the weapon of choice among NY fashion shooters until film 
went away. A young man I know who worked as a PA for pros in both LA and NY 
told me he didn't like working in NY studios because almost all the 
photographers were shooting with Pentax 6x7, and it was the PA's job to reload 
the multiple bodies that would be used in a shoot. The 6x7 is somewhat 
difficult to load, and on a fashion shoot, a reload might come every couple of 
minutes. A bad reload, where the film didn't wind correctly,  could be a 
disaster.

Paul
On Oct 30, 2013, at 8:00 AM, Ben Price ben.wills.pr...@gmail.com wrote:

 I didn't even notice the other two characters in this picture:
 
 http://metro.co.uk/2013/10/29/back-in-the-fashion-fold-kate-moss-poses-with-john-galliano-on-the-cover-of-vogue-4165793/
 
 Ben ;)
 
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Re: PESO: White-Faced Heron

2013-10-30 Thread Ann Sanfedele

what a beautiful bird - and nicely presented
ann

On 10/27/2013 23:30, David Mann wrote:

For those who didn't look through my gallery I thought this one was worth 
presenting separately :)

http://gallery.multi.net.nz/photo/673/#peso

It's not often I get to exercise the 400mm but I'm glad I brought it on that 
trip.

Cheers,
Dave




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Re: PESO: White-Faced Heron

2013-10-30 Thread Paul Stenquist
What Ann said. Well done!

Paul
On Oct 30, 2013, at 10:41 AM, Ann Sanfedele ann...@nyc.rr.com wrote:

 what a beautiful bird - and nicely presented
 ann
 
 On 10/27/2013 23:30, David Mann wrote:
 For those who didn't look through my gallery I thought this one was worth 
 presenting separately :)
 
 http://gallery.multi.net.nz/photo/673/#peso
 
 It's not often I get to exercise the 400mm but I'm glad I brought it on that 
 trip.
 
 Cheers,
 Dave
 
 
 
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Re: PESO: White-Faced Heron

2013-10-30 Thread Eric Weir

On Oct 30, 2013, at 9:41 AM, Jack Davis jdavi...@yahoo.com wrote:

 Getting out with a camera and giving yourself opportunities, will increase 
 your chances of getting a good one. Be choosy once you've decided what 
 good is, then learn the  basics of composition, exposure and lighting. 
 Good will then, likely, take on a new set of ever evolving conditions.

Thanks, Jack. That was the intention of what I said. Obviously, simply taking a 
lot of shots is not sufficient. [If it were possible to *just* take a lot of 
shots.] But with a desire to learn the chances of learning increase the more 
shots you take.

--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net

“On the basis of evidence we may be sure that 
we are wrong but we can never be sure that we are right.” 

- Richard Feynman


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Re: White-Faced Heron

2013-10-30 Thread Bob Sullivan
Tom,
In the film days, each shot was $.25 and only pros took lots of shots.
Now the cost per shot is almost zero, and the tyros 'spray and pray'.
I enjoy taking more shots now, trying to work things out and saving
money on film.
I hope it's improving my photography.
A new K-3 costs less than 150 rolls of Kodachrome (...if only we could
process it).
Regards,  Bob S.

On Wed, Oct 30, 2013 at 9:25 AM, Alan C c...@lantic.net wrote:
 Why do fashion photographers take so many shots then?

 Alan

 -Original Message- From: Tom C
 Sent: Wednesday, October 30, 2013 2:39 PM
 To: Pentax-Discuss Mail List
 Subject: Re: PESO: White-Faced Heron

 From: Eric Weir eew...@bellsouth.net

 My understanding is that the secret to getting good shots is taking a lot
 of them.


 Really? Is that the way you think most people get 'good shots'?

 To get good shots, one must take shots, but the secret isn't taking a
 lot of them.

 Tom C.

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Re: PESO: White-Faced Heron

2013-10-30 Thread Godfrey DiGiorgi
Plus one. :-)

Godfrey
-- 


 On Oct 30, 2013, at 7:41 AM, Ann Sanfedele ann...@nyc.rr.com wrote:
 
 what a beautiful bird - and nicely presented
 ann
 
 On 10/27/2013 23:30, David Mann wrote:
 For those who didn't look through my gallery I thought this one was worth 
 presenting separately :)
 
 http://gallery.multi.net.nz/photo/673/#peso
 
 It's not often I get to exercise the 400mm but I'm glad I brought it on that 
 trip.
 
 Cheers,
 Dave
 

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Re: PESO: White-Faced Heron

2013-10-30 Thread Paul Stenquist
I agree to a certain extent. In some situations, preparing and shooting at the 
right moment is most critical and taking numerous shots can be a detriment to 
getting the one you want.  In other situations,  multiple exposures can be 
helpful. For example, when shooting the great blue heron a couple of weeks ago 
I knew that he was likely to take off, so I had preselected the central focus 
point and made sure I had plenty of shutter speed, then I just waited. When he 
did take off, I got one shot as he lifted off the water and waited to take a 
second until he was directly adjacent to me.   If I had kept firing after 
liftoff, I probably wouldn't have gotten a good in-flight shot. On the other 
hand, when shooting cars for publication, I'll record numerous exposures of the 
same shot, sometimes turning the polarizer a bit or reframing slightly. Too 
many choices are just enough. But I rarely bracket, since a good average 
exposure provides plenty of working room when the RAW is converted.

Paul
On Oct 30, 2013, at 8:39 AM, Tom C caka...@gmail.com wrote:

 From: Eric Weir eew...@bellsouth.net
 
 My understanding is that the secret to getting good shots is taking a lot of 
 them.
 
 Really? Is that the way you think most people get 'good shots'?
 
 To get good shots, one must take shots, but the secret isn't taking a
 lot of them.
 
 Tom C.
 
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Re: PESO - Harvest Sunrise

2013-10-30 Thread Don Guthrie

And this is why we are glad you live a block from Lake Ontario.


pdml-requ...@pdml.net wrote:

Message: 5
Date: Tue, 29 Oct 2013 21:10:46 -0400
From: knarfknarftheria...@gmail.com
To: Pentax-Discuss Mail Listpdml@pdml.net
Subject: PESO - Harvest Sunrise
Message-ID:4927c354-c32a-46b5-8767-386653c62...@email.android.com
Content-Type: text/plain; charset=UTF-8

Haven't seen a really good sunrise for a while. Last Sunday was not bad:

http://knarfdummyblog.blogspot.ca/2013/10/harvest-sunrise.html?m=1

Why I love living a block from Lake Ontario.

Hope you enjoy. Comments welcome.

Cheers,
frank
?Analysis kills spontaneity.? -- Henri-Frederic Amiel



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Re: PESO: White-Faced Heron

2013-10-30 Thread Bruce Walker
That's great, Dave!

On Sun, Oct 27, 2013 at 11:30 PM, David Mann dmann...@gmail.com wrote:
 For those who didn't look through my gallery I thought this one was worth 
 presenting separately :)

 http://gallery.multi.net.nz/photo/673/#peso

 It's not often I get to exercise the 400mm but I'm glad I brought it on that 
 trip.

 Cheers,
 Dave


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K-3 Samples at various ISOs

2013-10-30 Thread Zos Xavius
6400 looks very good. Ladies and gentleman: We have a winner!

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Re: K-3 hands-on video from Adorama

2013-10-30 Thread Larry Colen
On Wed, Oct 30, 2013 at 07:57:19AM -0400, CollinB wrote:
 like hummingbirds
 
 For those who like to get their facts from TV ...
 
 http://www.youtube.com/watch?v=paQ2R9eoSCc

There were some interesting bits there.  I couldn't tell if
she was unfamiliar with photography, or just some of the big
words, like feature, I mean filter.

 
 You get a nice peek at the UI in action, so that's something.
 
 -- 
 -bmw
 
 
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Re: K-3 Samples at various ISOs

2013-10-30 Thread Zos Xavius
PS...meant to give a link...SORRY

http://www.imaging-resource.com/PRODS/pentax-k3/pentax-k3A7.HTM

On Wed, Oct 30, 2013 at 11:41 AM, Zos Xavius zosxav...@gmail.com wrote:
 6400 looks very good. Ladies and gentleman: We have a winner!

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Getting 'Good' Shots... was Re: Re: White-Faced Heron

2013-10-30 Thread Tom C
 From: Alan C c...@lantic.net

 Why do fashion photographers take so many shots then?

 Alan

Why don't you ask them or read up on the subject? See if they agree
with such a simplistic approach to creating good imagery.

Tom C.


 -Original Message-
 From: Tom C
 Sent: Wednesday, October 30, 2013 2:39 PM
 To: Pentax-Discuss Mail List
 Subject: Re: PESO: White-Faced Heron

 From: Eric Weir eew...@bellsouth.net

 My understanding is that the secret to getting good shots is taking a lot
 of them.

 Really? Is that the way you think most people get 'good shots'?

 To get good shots, one must take shots, but the secret isn't taking a
 lot of them.

 Tom C.

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Re: K-3 Samples at various ISOs

2013-10-30 Thread Paul Stenquist
Very good news. The noise level is acceptable even at 12,800, and the detail at 
lower ISOs is outstanding. 

Paul
On Oct 30, 2013, at 11:46 AM, Zos Xavius zosxav...@gmail.com wrote:

 PS...meant to give a link...SORRY
 
 http://www.imaging-resource.com/PRODS/pentax-k3/pentax-k3A7.HTM
 
 On Wed, Oct 30, 2013 at 11:41 AM, Zos Xavius zosxav...@gmail.com wrote:
 6400 looks very good. Ladies and gentleman: We have a winner!
 
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Re: White-Faced Heron

2013-10-30 Thread Doug Brewer

On 10/30/13 10:25 AM, Alan C wrote:

Why do fashion photographers take so many shots then?

Alan


There is a difference between working a subject, or having a range of 
good shots in which you will find one that works best, and machine 
gunning with the hope that one will be passable.


I frequently, when working with a subject, will over-shoot, looking for 
variations on shots already in the bag, or to work past what we have 
done before. I get a pile of good shots that way, but a smaller pile of 
special shots.


It's true that you must take many photos before you can start getting 
good ones regularly. I believe HCB said it takes ten thousand. I think I 
took considerably more than that before I got where I am, and I'm not 
where I want to be yet.



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Re: K-3 Samples at various ISOs

2013-10-30 Thread Darren Addy
Looking at the EXIF, a couple of observations...

1) They used a SIGMA lens?
2) Where in the EXIF is the info regarding the selectable AA filter?
It seems to be that any evaluation of K-3 image quality needs to
specify if that was OFF, or MODE 1 or MODE 2 (so that we can judge the
differences between images made at the different settings). I have no
idea which of the above was used in the making of these images.

On Wed, Oct 30, 2013 at 11:03 AM, Paul Stenquist
pnstenqu...@comcast.net wrote:
 Very good news. The noise level is acceptable even at 12,800, and the detail 
 at lower ISOs is outstanding.

 Paul
 On Oct 30, 2013, at 11:46 AM, Zos Xavius zosxav...@gmail.com wrote:

 PS...meant to give a link...SORRY

 http://www.imaging-resource.com/PRODS/pentax-k3/pentax-k3A7.HTM

 On Wed, Oct 30, 2013 at 11:41 AM, Zos Xavius zosxav...@gmail.com wrote:
 6400 looks very good. Ladies and gentleman: We have a winner!

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I've been tempted

2013-10-30 Thread CollinB
Local shop has a used 16-50/2.8 for $900.
First one I've been able to physically get my hands on.
So ... the FA28/2.8 and FA35/2 could equal a little over 1/2 of that lens'
price.
Could do it if I also sol either the 70/2.4 or the F50/1.7 + the 18-55WR.
Let's see -- FA28/2.8 @ $250, FA35/2 @ $300, 18-55WR @ 125
Oh, the pain.




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Re: I've been tempted

2013-10-30 Thread Paul Stenquist
If you decide to buy it, do a brick wall test at f2.8 before  you complete the 
purchase. Some copies of that lens have misaligned elements, resulting in 
uneven focus across the frame. But good copies of the lens are excellent.

Paul
On Oct 30, 2013, at 12:52 PM, CollinB coll...@brendemuehl.net wrote:

 Local shop has a used 16-50/2.8 for $900.
 First one I've been able to physically get my hands on.
 So ... the FA28/2.8 and FA35/2 could equal a little over 1/2 of that lens'
 price.
 Could do it if I also sol either the 70/2.4 or the F50/1.7 + the 18-55WR.
 Let's see -- FA28/2.8 @ $250, FA35/2 @ $300, 18-55WR @ 125
 Oh, the pain.
 
 
 
 
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Re: K-3 Samples at various ISOs

2013-10-30 Thread Paul Stenquist
I likewise couldn't find mention of the AA filter mode in the EXIF data. Use of 
the Sigma lens is fine by me. Appears to be good glass. Interesting that the 
ISO 12,800 exposure was done with noise reduction turned off. And it's quite 
good. I can't say for sure, but at a glance it appears to be less noisy than 
the K-5.

Paul
On Oct 30, 2013, at 12:40 PM, Darren Addy pixelsmi...@gmail.com wrote:

 Looking at the EXIF, a couple of observations...
 
 1) They used a SIGMA lens?
 2) Where in the EXIF is the info regarding the selectable AA filter?
 It seems to be that any evaluation of K-3 image quality needs to
 specify if that was OFF, or MODE 1 or MODE 2 (so that we can judge the
 differences between images made at the different settings). I have no
 idea which of the above was used in the making of these images.
 
 On Wed, Oct 30, 2013 at 11:03 AM, Paul Stenquist
 pnstenqu...@comcast.net wrote:
 Very good news. The noise level is acceptable even at 12,800, and the detail 
 at lower ISOs is outstanding.
 
 Paul
 On Oct 30, 2013, at 11:46 AM, Zos Xavius zosxav...@gmail.com wrote:
 
 PS...meant to give a link...SORRY
 
 http://www.imaging-resource.com/PRODS/pentax-k3/pentax-k3A7.HTM
 
 On Wed, Oct 30, 2013 at 11:41 AM, Zos Xavius zosxav...@gmail.com wrote:
 6400 looks very good. Ladies and gentleman: We have a winner!
 
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Re: I've been tempted

2013-10-30 Thread CollinB
If you decide to buy it, do a brick wall test at f2.8 before  you complete
the purchase. Some copies of that lens have misaligned elements, resulting
in uneven focus across the frame. But good copies of the lens are excellent.

Paul

Thanks.  I'll keep that in mind.


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Re: PESO: White-Faced Heron

2013-10-30 Thread Jack Davis
Actually, I thought as much, but I had the momentum to proceed with the 
obvious. ;-)
I read a comment once that I think of often. If you take just one shot, that's 
the best you're going to get.
It's not at all unusual for me to drop a tripod at the spot where I first come 
upon a scene I want to shoot. After a number of varying compositions, I think 
I'm finished and start walking again only to discover a better vantage point 
and other desirable elements revealing themselves just a few steps steps 
closer. I took those first shots too soon and can't help but do it all again. 
Keeps it fun.
 
Jack


- Original Message -
From: Eric Weir eew...@bellsouth.net
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Wednesday, October 30, 2013 7:56 AM
Subject: Re: PESO: White-Faced Heron


On Oct 30, 2013, at 9:41 AM, Jack Davis jdavi...@yahoo.com wrote:

 Getting out with a camera and giving yourself opportunities, will increase 
 your chances of getting a good one. Be choosy once you've decided what 
 good is, then learn the  basics of composition, exposure and lighting. 
 Good will then, likely, take on a new set of ever evolving conditions.

Thanks, Jack. That was the intention of what I said. Obviously, simply taking a 
lot of shots is not sufficient. [If it were possible to *just* take a lot of 
shots.] But with a desire to learn the chances of learning increase the more 
shots you take.

--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net

“On the basis of evidence we may be sure that 
we are wrong but we can never be sure that we are right.” 

- Richard Feynman



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Re: I've been tempted

2013-10-30 Thread Larry Colen
On Wed, Oct 30, 2013 at 01:24:00PM -0400, CollinB wrote:
 If you decide to buy it, do a brick wall test at f2.8 before  you complete
 the purchase. Some copies of that lens have misaligned elements, resulting
 in uneven focus across the frame. But good copies of the lens are excellent.
 
 Paul
 
 Thanks.  I'll keep that in mind.

I often wax eloquent about how much I love my FA77, and never say much about
my 16-50. It's not a lens that inspires passion.  What it is, however, 
is like my old Honda Civic wagon.  It's just pretty damn good at anything,
and being weatherproof, it will go just about anyplace.

On the K-5, you don't need to worry about the weather when you have that
lens.  It's not as fast as a good prime, but on the K-5 you can wander
around a city at night taking photos, hand held, without a flash. 
Except for a few shot with my bigma and my korean fisheye last week,
I think that all of my photos on my trip to LA and back were shot with
the 16-50.  It's an unglamorous workhorse that just gets the job done.  

When I met John Francis, he said that his 16-50 pretty much lived
on his camera. I've come to realize that mine now does as well.  If
I'm carrying my camera around in my fanny pack, I might put the DA35 macro
on, because it is a lot smaller and lighter.  If I'm going to be
shooting outside and need range, 18-250.  If I'm going to be shooting
inside, without flash it might be the FA31, for the extra stop and a half.

But, if you were only allowed one lens to go with a K-5, the 16-50 will
probably get you better pictures more of the time than any other lens
that I can think of.

Assuming, of course, you get one that works.


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Re: I've been tempted

2013-10-30 Thread CollinB
But, if you were only allowed one lens to go with a K-5, the 16-50 will
probably get you better pictures more of the time than any other lens
that I can think of.

Assuming, of course, you get one that works.


-- 
Larry Colen

Interesting thoughts.
That's the reason I got the FA35/2.  Really sharp and  being the effective
normal lens I can shot it and not care too much about having to crop.
My most-used lens is the 18-55WR.  Would like to see some comparisons
between that and the 16-50.  Perhaps I'll go there next week and do so.
There have been times that I forsook zoom and just used the 35/2 and didn't
worry about cropping.  But that's in a controlled environment.
When in NYC and shooting dancers indoors I use the 18-55.  

Also ... Did Tokina ever come out with the 12-24 in Pentax?  I've not found
one yet.


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Self portrait on a mountain bike (not me)

2013-10-30 Thread Attila Boros
This one is for Frank:)

http://shuttermuse.com/mountain-bike-self-portraits-pocketwizard/

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Re: K-3 Samples at various ISOs

2013-10-30 Thread Dario Bonazza

This is for doing comparisons:
http://www.imaging-resource.com/IMCOMP/COMPS01.HTM
Dario

-Messaggio originale- 
From: Paul Stenquist

Sent: Wednesday, October 30, 2013 6:03 PM
To: Pentax-Discuss Mail List
Subject: Re: K-3 Samples at various ISOs

I likewise couldn't find mention of the AA filter mode in the EXIF data. Use 
of the Sigma lens is fine by me. Appears to be good glass. Interesting that 
the ISO 12,800 exposure was done with noise reduction turned off. And it's 
quite good. I can't say for sure, but at a glance it appears to be less 
noisy than the K-5.


Paul
On Oct 30, 2013, at 12:40 PM, Darren Addy pixelsmi...@gmail.com wrote:


Looking at the EXIF, a couple of observations...

1) They used a SIGMA lens?
2) Where in the EXIF is the info regarding the selectable AA filter?
It seems to be that any evaluation of K-3 image quality needs to
specify if that was OFF, or MODE 1 or MODE 2 (so that we can judge the
differences between images made at the different settings). I have no
idea which of the above was used in the making of these images.

On Wed, Oct 30, 2013 at 11:03 AM, Paul Stenquist
pnstenqu...@comcast.net wrote:
Very good news. The noise level is acceptable even at 12,800, and the 
detail at lower ISOs is outstanding.


Paul
On Oct 30, 2013, at 11:46 AM, Zos Xavius zosxav...@gmail.com wrote:


PS...meant to give a link...SORRY

http://www.imaging-resource.com/PRODS/pentax-k3/pentax-k3A7.HTM

On Wed, Oct 30, 2013 at 11:41 AM, Zos Xavius zosxav...@gmail.com 
wrote:

6400 looks very good. Ladies and gentleman: We have a winner!


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Re: White-Faced Heron

2013-10-30 Thread knarf
Yeah, HCB said, Your first10,000 shots are your worst. This from a man who 
rarely (according to Gassman, his longtime developer) took more than two shots 
of a subject.

Here's my thought (as a complete and utter amateur):

The shoot lots thing is valid. As you said, Doug, if you're working the 
subject, playing with angles, doing it with some awareness and mindfulness, 
then it's worthwhile. 

Likewise, if you are later poring over your images and learning from mistakes, 
seeing what works and what doesn't, then it's valuable.

If you're just machine gunning, hoping to get lucky, then it's a waste of 
batteries and pixels.

The idea is to increase your hit rate. 

So Tom is kind of right. But so's everyone else.

;-)

Cheers,
frank

Doug Brewer d...@dougbrewerphotography.com wrote:
On 10/30/13 10:25 AM, Alan C wrote:
 Why do fashion photographers take so many shots then?

 Alan

There is a difference between working a subject, or having a range of 
good shots in which you will find one that works best, and machine 
gunning with the hope that one will be passable.

I frequently, when working with a subject, will over-shoot, looking for

variations on shots already in the bag, or to work past what we have 
done before. I get a pile of good shots that way, but a smaller pile of

special shots.

It's true that you must take many photos before you can start getting 
good ones regularly. I believe HCB said it takes ten thousand. I think
I 
took considerably more than that before I got where I am, and I'm not 
where I want to be yet.

“Analysis kills spontaneity.” -- Henri-Frederic Amiel



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Re: I've been tempted

2013-10-30 Thread Eric Featherstone
On 30 October 2013 18:03, CollinB coll...@brendemuehl.net wrote:
 Also ... Did Tokina ever come out with the 12-24 in Pentax?  I've not found
 one yet.


The Pentax 12-24 _is_ the Tokina 12-24, only with SMC coatings and a
new badge. As far as I understand anyway.

-- 
Eric

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Re: White-Faced Heron

2013-10-30 Thread Ann Sanfedele



On 10/30/2013 14:21, knarf wrote:

Yeah, HCB said, Your first10,000 shots are your worst. This from a man who 
rarely (according to Gassman, his longtime developer) took more than two shots of a 
subject.

Here's my thought (as a complete and utter amateur):

The shoot lots thing is valid. As you said, Doug, if you're working the 
subject, playing with angles, doing it with some awareness and mindfulness, then it's 
worthwhile.
 Likewise, if you are later poring over your images and learning from 
mistakes, seeing what works and what doesn't, then it's valuable.
 If you're just machine gunning, hoping to get lucky, then it's a waste of 
batteries and pixels.



The idea is to increase your hit rate.


* So Tom is kind of right. But so's everyone else. MARK!


;-)

Cheers,
frank

When shooting slide film , especially if I was considering something for 
stock, I overshot - but my overshooting could have been a whole roll

taken on a tri-pod, bracketing and straight duplication of something I
felt was important... and then I'd take a couple of shots with the other 
camera in black and white if I really liked what I was shooting.


The film was considered cheap in the sense that if you had to go back to 
the place your were shooting, or set up a new appointment with a person, 
for instance, overshooting was protection - not jsut against getting 
your ducks lined up but protecting against something like a bit of grit 
in your camera that left a nice scratch over several frames.


I can't get out of the habit of overshooting in that fashion  but I 
certainly shoot from the hip now and then instead of setting up and 
waiting for the moment.


ann


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Re: My K3.....

2013-10-30 Thread Steve Cottrell
On 28/10/13, Bill, discombobulated, unleashed:

.Will apparently be silver. I don't know if Pentax is doing this 
just for me, or if my pusher is, or what, but apparently the silver K3 
and the black K3 are coming in at the same price, but the silver one 
comes with the grip and an extra battery. I guess I can live with a 
silver one.
Estimated delivery is third week of November.

I normally lust after black but I must say the silver - with the grip -
looks pretty cool.

-- 


Cheers,
  Cotty


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Re: K-3 Samples at various ISOs

2013-10-30 Thread Darren Addy
So, out of curiosity, I used the comparison page to pull up the EXIF
info on the same ISO shots of the K-5II and the K-3. The K-5II EXIF
printed out at 7 pages. The K-3 EXIF printed out at 27 pages.

Under MAKERNOTES the K-5 II has a Quality: Premium where the K-3 has
a Quality: Best.
The K-5II had a FocusMode of AF-S while the K-3 had a FocusMode of Manual.
The K-3 had an attribute of AFPointsInFocus (Fixed Center or Multiple)
where the K-5II had no such attribute.
The K-5II has an attribute of CPUFirmwareVersion (which was the same
number as the DSPFirmware Version). The K-3 has only the DSPFirmware
Version attribute.
The K-5II had WhiteBalanceAutoAdjustment ON where the K-3 had it OFF.
The K-5II had TungstenAWB Strong Correction while the K-3 had
Subtle Correction
The K-5II had BlackPoint (67 67 67 67) where the K-3 had (1 0 0 1)
The K-5II had WhitePoint (17568 8192 8192 11616) where the K-3 had
(17120 8192 8192 11136)

The biggest differences were in the AEMeteringSegments, the
FlashMeteringSegments, and the SlaveFlashMetering Segments. The K-5II
had a small paragraph of values for each. The K-3 had 16 printed PAGES
of values for AEMeteringSegments.

Also interesting was that the K-3 had no CameraTemperature attribute,
while the K-5II had 5 separate CameraTemperature attributes. This
seems an odd omission.

On Wed, Oct 30, 2013 at 1:13 PM, Dario Bonazza
dario.bona...@virgilio.it wrote:
 This is for doing comparisons:
 http://www.imaging-resource.com/IMCOMP/COMPS01.HTM
 Dario

 -Messaggio originale- From: Paul Stenquist
 Sent: Wednesday, October 30, 2013 6:03 PM
 To: Pentax-Discuss Mail List
 Subject: Re: K-3 Samples at various ISOs


 I likewise couldn't find mention of the AA filter mode in the EXIF data. Use
 of the Sigma lens is fine by me. Appears to be good glass. Interesting that
 the ISO 12,800 exposure was done with noise reduction turned off. And it's
 quite good. I can't say for sure, but at a glance it appears to be less
 noisy than the K-5.

 Paul
 On Oct 30, 2013, at 12:40 PM, Darren Addy pixelsmi...@gmail.com wrote:

 Looking at the EXIF, a couple of observations...

 1) They used a SIGMA lens?
 2) Where in the EXIF is the info regarding the selectable AA filter?
 It seems to be that any evaluation of K-3 image quality needs to
 specify if that was OFF, or MODE 1 or MODE 2 (so that we can judge the
 differences between images made at the different settings). I have no
 idea which of the above was used in the making of these images.

 On Wed, Oct 30, 2013 at 11:03 AM, Paul Stenquist
 pnstenqu...@comcast.net wrote:

 Very good news. The noise level is acceptable even at 12,800, and the
 detail at lower ISOs is outstanding.

 Paul
 On Oct 30, 2013, at 11:46 AM, Zos Xavius zosxav...@gmail.com wrote:

 PS...meant to give a link...SORRY

 http://www.imaging-resource.com/PRODS/pentax-k3/pentax-k3A7.HTM

 On Wed, Oct 30, 2013 at 11:41 AM, Zos Xavius zosxav...@gmail.com
 wrote:

 6400 looks very good. Ladies and gentleman: We have a winner!


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Re: PESO - Student

2013-10-30 Thread Godfrey DiGiorgi
On Oct 29, 2013, at 10:58 PM, Boris Liberman bori...@gmail.com wrote:

 On 10/27/2013 1:26 AM, Steve Cottrell wrote:
 Had a eesny-weensy-teensy mini micro PDML in London today. Met up with
 Chris Mitchell and Bob Walkden at The Photographer's Gallery where we
 had some tea and chat before Alma, Stef and I had to drop supplies
 around to Stef's student accommodation a few miles away. Watch for
 another pic soon, but meanwhile here's a portrait by available light...
 
 http://cottycam.posthaven.com/student-in-hall-london-2013
 
 Has Stef become taller than you, Cotty???

I didn't do any measurements, but Stef has indeed become very tall… :-)

G
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Re: PESO: White-Faced Heron

2013-10-30 Thread Mark Roberts
Here's a great article on motorsports photography describing a
situation in which machine-gunning is the only way to go. Scott
Jones is one of the top pros in the business (as you'll notice when
you see his photos) and in this blog entry he describes the making of
one particular shot.

http://www.motogpmatters.com/blog/2012/02/16/photographer_s_blog_motogp_story_the_cat.html

 
-- 
Mark Roberts - Photography  Multimedia
www.robertstech.com





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Re: White-Faced Heron

2013-10-30 Thread Tom C
 From: Bob Sullivan rf.sulli...@gmail.com

 Tom,
 In the film days, each shot was $.25 and only pros took lots of shots.
 Now the cost per shot is almost zero, and the tyros 'spray and pray'.
 I enjoy taking more shots now, trying to work things out and saving
 money on film.
 I hope it's improving my photography.
 A new K-3 costs less than 150 rolls of Kodachrome (...if only we could
 process it).
 Regards,  Bob S.


 From: Paul Stenquist pnstenqu...@comcast.net

 I agree to a certain extent. In some situations, preparing and shooting at 
 the right moment is most critical and taking numerous shots can be a 
 detriment to getting the one you want.  In other situations,  multiple 
 exposures can be helpful. For example, when shooting the great blue heron a 
 couple of weeks ago I knew that he was likely to take off, so I had 
 preselected the central focus point and made sure I had plenty of shutter 
 speed, then I just waited. When he did take off, I got one shot as he lifted 
 off the water and waited to take a second until he was directly adjacent to 
 me.   If I had kept firing after liftoff, I probably wouldn't have gotten a 
 good in-flight shot. On the other hand, when shooting cars for publication, 
 I'll record numerous exposures of the same shot, sometimes turning the 
 polarizer a bit or reframing slightly. Too many choices are just enough. But 
 I rarely bracket, since a good average exposure provides plenty of working 
 room when the RAW is converted.

 Paul

Bob,

As a general statement, I don't believe in the spray and pray
approach. It leaves too many things to chance. Yes, if you have a
moving model, race car, airplane, children, wildlife, etc., being in
continuous shooting mode may increase your chances of getting an image
that excels above others. That's what it's for.

I was responding to the notion that the *secret* to getting good shots
is taking a lot of shots, which was the statement made. If that's true
then photography is like the lottery. I see many examples of that
approach, and the chances of getting a good shot are about the same.
As I said, shooting in continuous mode may be required at times due to
the subject matter, but then if one gets an exceptional image the
difference between that one image and the two or three surrounding it
that are unexceptional is likely just the random timing of the shutter
syncing up with the subject at just the right moment. Maybe it will,
maybe it won't.

In my opinion taking a lot of shots does not improve one's photography
any more than throwing a 1000 darts at a dartboard blind folded
improves one's game. Will one get more bulls eye's the more darts one
throws? No doubt. But possibly the ratio of bulls eye's to misses
actually decreases with that approach.

I'm probably stating the obvious, but getting good shots is usually a
matter of having a good eye for composition, paying attention to
technical details, shooting in the right light, using the right tool
for the job, knowing one's gear. All those will contribute more to
getting a good image than simply taking a lot of shots.

I'm not stating something you don't already know. I realize that. :)

Paul,

Agreed. Even in landscape photography, which seldom requires shooting
in continuous mode, I can get in a rush because of the excitement of
the moment while at the same time believing I'm paying attention to
details when I'm not. My brain can essentially turn off and it's Ooh!
Ah! Ooh! moments. Then I look at what I captured. Very very often, I
can see that I wasn't really thinking. When I slow down and carefully
take the time to compose, frame, consider exposure, use a tripod if
needed... those are most often the times I get excellent results. Then
I was a real contributor to the image, as opposed to simply the person
pressing the shutter release.

Tom C.

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Re: White-Faced Heron

2013-10-30 Thread Eric Weir

On Oct 30, 2013, at 12:36 PM, Doug Brewer d...@dougbrewerphotography.com 
wrote:

 There is a difference between working a subject, or having a range of good 
 shots in which you will find one that works best, and machine gunning with 
 the hope that one will be passable.

Thanks, Doug. I hope it’s obvious I wasn’t talking about “machine gunning.” I 
was taking it for granted that the photographer is trying his/her best, using 
whatever knowledge and skill he/she has at that point, and wants to learn, to 
improve, to get better. 

On my walk last week I literally had my camera in-hand almost the entire day 
every day for the entire week. And every day I took a lot of shots. I’d never 
done that before. I’ve been telling people back here that I learned a lot of 
British history just by walking around. I also improved a little as a 
photographer, for just these reasons. 

 It's true that you must take many photos before you can start getting good 
 ones regularly. I believe HCB said it takes ten thousand. 

I have encountered statements like that from others.

Regards,
--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net

Hatred destroys. Love heals.

- Eknath Easwaran


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Re: My K3.....

2013-10-30 Thread Darren Addy
Congrats on the K-3 and getting the limited for the same price as the
plain chocolate version, Bill!

I just haven't cared for the silver (like they put on the  FA-J and
the cheaper MZ film cameras). The metallic-like silver of the MX (etc)
now that I like. Not sure why they can't get that same look these
days.

On Wed, Oct 30, 2013 at 1:41 PM, Steve Cottrell co...@seeingeye.tv wrote:
 On 28/10/13, Bill, discombobulated, unleashed:

.Will apparently be silver. I don't know if Pentax is doing this
just for me, or if my pusher is, or what, but apparently the silver K3
and the black K3 are coming in at the same price, but the silver one
comes with the grip and an extra battery. I guess I can live with a
silver one.
Estimated delivery is third week of November.

 I normally lust after black but I must say the silver - with the grip -
 looks pretty cool.

 --


 Cheers,
   Cotty


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 ||  (O)  |Web Video Production
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re: how to learn to take photos (was: Re: White-Faced Heron)

2013-10-30 Thread Godfrey DiGiorgi
Making a lot of exposures is important to learning how to use your camera and 
lenses. But *just* making a lot of exposures doesn't teach you much by itself, 
it's only with the addition of and paying attention to what you're doing as 
well as the results you get that you learn something. 

Once you understand your equipment, making a lot of exposures is useful 
sometimes as the article Mark Roberts posted demonstrates. But, frankly, I find 
that to be a rarity. MOST of the sports photographers I know make a lot of 
exposures but not in a machine-gunning way … they are simply working with a 
fast moving event that requires a lot of exposures be made because most of them 
will not be at the right time. 

Some photo luminary once said, I only need to know three things: where to 
stand, where to point the camera, and when to press the shutter button. You 
need to make enough exposures to know where to stand and where to point the 
camera. What comes over time, with study and practice, is when—and how often—to 
press the shutter button. 

G
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Re: White-Faced Heron

2013-10-30 Thread Eric Weir

On Oct 30, 2013, at 3:01 PM, Tom C caka...@gmail.com wrote:

 In my opinion taking a lot of shots does not improve one's photography
 any more than throwing a 1000 darts at a dartboard blind folded
 improves one's game….
 
 I'm probably stating the obvious, but getting good shots is usually a
 matter of having a good eye for composition, paying attention to
 technical details, shooting in the right light, using the right tool
 for the job, knowing one's gear. 

Yeah, you definitely are. 

You don’t need to size up the situation? You don’t need to look through the 
viewfinder? You don’t need to think about what you want to accomplish? You 
don’t need to check your settings? You don’t need to think about what settings 
are called for in the situation given what you want to accomplish? You don’t 
need to check the results you’re getting and adjust? 

How stupid do you think I am?

--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net

You keep on learning and learning, and pretty soon
 you learn something no one has learned before. 

- Richard Feynman


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Re: White-Faced Heron

2013-10-30 Thread Eric Weir

On Oct 30, 2013, at 3:09 PM, Eric Weir eew...@bellsouth.net wrote:

 On my walk last week….

Last month.

--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net

A man should be in the world as though he were not in it 
so that it will be no worse because of his life. 

- Wendell Berry 


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Re: White-Faced Heron

2013-10-30 Thread David Mann
Oh dear, what have I started :)

On Oct 31, 2013, at 7:21 am, knarf knarftheria...@gmail.com wrote:

 The shoot lots thing is valid. As you said, Doug, if you're working the 
 subject, playing with angles, doing it with some awareness and mindfulness, 
 then it's worthwhile. 

That's pretty much my take on it.

With the shots of the next bird that I haven't shown yet, and to a lesser 
extent this heron, I was intentionally taking a lot because of AF limitations.  
I know this camera/lens combo is a bit hit-and-miss as DOF is very limited and 
the sensor isn't selective enough to lock onto the eye every time (neither's my 
aim when the subject is moving).  With the heron walking about I had plenty of 
different lighting angles, poses and background arrangements to play with as 
well.

Most of the time I only take one or two photos of any given subject.  It's a 
habit I've carried over from the film days.  It makes editing a lot easier!

Cheers,
Dave


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Re: PESO: White-Faced Heron

2013-10-30 Thread Darren Addy
It is unfortunate that this thread has devolved into the crapfest that
one can now (apparently) expect whenever Tom decides to post something
to this list. I almost forgot to look that image that David originally
posted:
http://gallery.multi.net.nz/photo/673/#peso

I was taken aback at it's beauty. Yes, it is a beautiful creature, but
the capture (lighting, DOF, sharpness, color, etc) is STUNNING. One of
the best I've seen on PDML this year. That is publication quality or
should be commemorated as a postage stamp or something. Superb!

On Wed, Oct 30, 2013 at 2:00 PM, Mark Roberts
postmas...@robertstech.com wrote:
 Here's a great article on motorsports photography describing a
 situation in which machine-gunning is the only way to go. Scott
 Jones is one of the top pros in the business (as you'll notice when
 you see his photos) and in this blog entry he describes the making of
 one particular shot.

 http://www.motogpmatters.com/blog/2012/02/16/photographer_s_blog_motogp_story_the_cat.html


 --
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 www.robertstech.com





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Re: White-Faced Heron

2013-10-30 Thread Tom C
 Yeah, you definitely are.

 You don’t need to size up the situation? You don’t need to look through the
 viewfinder? You don’t need to think about what you want to accomplish? You
 don’t need to check your settings? You don’t need to think about what settings
 are called for in the situation given what you want to accomplish? You don’t
 need to check the results you’re getting and adjust?

 How stupid do you think I am?

Well Eric there's plenty of people who proscribe exactly to the
rationale you just outlined.

In answer to you're question, I believe you're the most qualified to
answer. That's the smartest answer I can give.

Tom C.

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Re: White-Faced Heron

2013-10-30 Thread Mark Roberts
Doug Brewer wrote:

On 10/30/13 10:25 AM, Alan C wrote:
 Why do fashion photographers take so many shots then?

 Alan

There is a difference between working a subject, or having a range of 
good shots in which you will find one that works best, and machine 
gunning with the hope that one will be passable.

I frequently, when working with a subject, will over-shoot, looking for 
variations on shots already in the bag, or to work past what we have 
done before. I get a pile of good shots that way, but a smaller pile of 
special shots.

It's true that you must take many photos before you can start getting 
good ones regularly. I believe HCB said it takes ten thousand. I think I 
took considerably more than that before I got where I am, and I'm not 
where I want to be yet.

BTW: In the case of fashion photographers the answer to why they take
so many shots is often because that's what the editors demand. Some
will totally decompensate if they don't have thousands of images, with
the slightest variation between any two, to choose from. If you're a
working pro you have to deliver what the client wants (unless you're
one of a handful of elites who can dictate to editors what you're
going to give them).
 
-- 
Mark Roberts - Photography  Multimedia
www.robertstech.com





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Re: PESO: White-Faced Heron

2013-10-30 Thread Larry Colen
On Wed, Oct 30, 2013 at 03:02:40PM -0500, Darren Addy wrote:
 It is unfortunate that this thread has devolved into the crapfest that
 one can now (apparently) expect whenever Tom decides to post something
 to this list. I almost forgot to look that image that David originally
 posted:
 http://gallery.multi.net.nz/photo/673/#peso
 
 I was taken aback at it's beauty. Yes, it is a beautiful creature, but
 the capture (lighting, DOF, sharpness, color, etc) is STUNNING. One of
 the best I've seen on PDML this year. That is publication quality or
 should be commemorated as a postage stamp or something. Superb!

Yes, it is a great shot.  Frankly, I don't care whether he got it in
one shutter press, or it took 100 tries.  Whatever he did worked to 
get that photo, and in the end, that is what matters. 

 
 On Wed, Oct 30, 2013 at 2:00 PM, Mark Roberts
 postmas...@robertstech.com wrote:
  Here's a great article on motorsports photography describing a
  situation in which machine-gunning is the only way to go. Scott
  Jones is one of the top pros in the business (as you'll notice when
  you see his photos) and in this blog entry he describes the making of
  one particular shot.
 
  http://www.motogpmatters.com/blog/2012/02/16/photographer_s_blog_motogp_story_the_cat.html
 
 
  --
  Mark Roberts - Photography  Multimedia
  www.robertstech.com
 
 
 
 
 
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OT: Spray and Pray app for iPhone

2013-10-30 Thread Darren Addy
While this may not be necessary if your subject is a pine tree or a
mountain, for sports, kids and pets you may find this app more than
occasionally useful: SnappyCam
http://techcrunch.com/2013/07/31/fastest-iphone-camera/

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OT: Turn your smartphone into a digital microscope for around $10

2013-10-30 Thread Darren Addy
Ever wanted to try your hand at microphotography but lacked the
requisite microscope? Why let a little thing like that stop you?

Overview and video:
http://www.tuaw.com/2013/10/25/turn-your-iphone-into-a-high-power-digital-microscope-for-around/

Actual Instructable:
http://www.instructables.com/id/10-Smartphone-to-digital-microscope-conversion/

The lens from a cheap laser pointer is brilliant. Now that I have an
iPhone I will have to try this.

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Re: OT - Cycle Mounts - Request

2013-10-30 Thread mike wilson
Can't believe a TV (that's television...) cameraperson didn't just
pick up the roll of gaffer tape.  I'm so shocked it's taken me two
days to respond.

On 28/10/2013, Steve Cottrell co...@seeingeye.tv wrote:
 Throwing this open to the list as there are plenty of cycle-holics on
 here. Anyone know of any decent clamp-on specially-shaped mounts for
 GoPro (or similar) cameras for attaching to expensive and sensitive
 aerodynamically contoured carbon fibre cycle frames?

 GoPro mounts are ten-a-penny but when you come to try and attach them to
 high-end racing bikes, not only do their riders get very skittish about
 clamping onto irregular shaped carbon fiber, but actually it's
 impossible to do quickly and easily. If I had to design it and build it
 myself, I know exactly what I need, but perhaps someone knows of a good
 starting point?

 Any pointers to existing web pages or images gratefully appreciated.

 I recently filmed an Olympic cyclist but had very little time. With my
 existing kit I could have done it, but not in the few minutes I had
 available. Woulda taken me 15 or 20 to set up. I need it to be 1 or 2
 minutes!

 Thanks.

 --


 Cheers,
   Cotty


 ___/\__Broadcast, Corporate,
 ||  (O)  |Web Video Production
 --www.seeingeye.tv
 _



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Re: White-Faced Heron

2013-10-30 Thread Tom C
Darren wrote:

 It is unfortunate that this thread has devolved into the crapfest that
 one can now (apparently) expect whenever Tom decides to post something
 to this list.

ad hominem

Tom C.

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Re: White-Faced Heron

2013-10-30 Thread Paul Stenquist

On Oct 30, 2013, at 4:37 PM, Mark Roberts postmas...@robertstech.com wrote:

 Doug Brewer wrote:
 
 On 10/30/13 10:25 AM, Alan C wrote:
 Why do fashion photographers take so many shots then?
 
 Alan
 
 There is a difference between working a subject, or having a range of 
 good shots in which you will find one that works best, and machine 
 gunning with the hope that one will be passable.
 
 I frequently, when working with a subject, will over-shoot, looking for 
 variations on shots already in the bag, or to work past what we have 
 done before. I get a pile of good shots that way, but a smaller pile of 
 special shots.
 
 It's true that you must take many photos before you can start getting 
 good ones regularly. I believe HCB said it takes ten thousand. I think I 
 took considerably more than that before I got where I am, and I'm not 
 where I want to be yet.
 
 BTW: In the case of fashion photographers the answer to why they take
 so many shots is often because that's what the editors demand. Some
 will totally decompensate if they don't have thousands of images, with
 the slightest variation between any two, to choose from. If you're a
 working pro you have to deliver what the client wants (unless you're
 one of a handful of elites who can dictate to editors what you're
 going to give them).
 

To that add that trying to get a model to strike that perfect pose with the 
perfect expression is extremely difficult. So you have them try different 
things and you keep snapping away. You simply can't get it in a reasonable 
number of shots with most models. 
 -- 
 Mark Roberts - Photography  Multimedia
 www.robertstech.com
 
 
 
 
 
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Re: PESO: White-Faced Heron

2013-10-30 Thread Godfrey DiGiorgi
I know I looked at it and I thought I complimented David on it. 

It's a lovely photo. :-)

G

On Oct 30, 2013, at 1:02 PM, Darren Addy pixelsmi...@gmail.com wrote:

 I almost forgot to look that image that David originally
 posted:
 http://gallery.multi.net.nz/photo/673/#peso


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Re: White-Faced Heron

2013-10-30 Thread Eric Weir

On Oct 30, 2013, at 4:18 PM, Tom C caka...@gmail.com wrote:

 Yeah, you definitely are.
 
 You don’t need to size up the situation? You don’t need to look through the
 viewfinder? You don’t need to think about what you want to accomplish? You
 don’t need to check your settings? You don’t need to think about what 
 settings
 are called for in the situation given what you want to accomplish? You don’t
 need to check the results you’re getting and adjust?
 
 How stupid do you think I am?
 
 Well Eric there's plenty of people who proscribe exactly to the
 rationale you just outlined.

I find that *very* hard to believe. And despite the fact that it’s stupidity 
goes without saying you attributed it to me. You would profit from trying a 
little charitability in your interpretations  

 In answer to you're question, I believe you're the most qualified to
 answer. That's the smartest answer I can give.

I’ll let that speak for itself.

--
Eric Weir
Decatur, GA  USA
eew...@bellsouth.net

Imagining the other is a powerful antidote to fanaticism and hatred. 

- Amos Oz


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PESO: Fall Drive in the Sierra Foothills

2013-10-30 Thread Jack Davis
Wife and I just returned from what the SUBJECT heading describes. I'm sure we 
never were over 1,000 ft, but saw a bit of muted fall tones.
We were in an area where there are a number of exclusive wineries. No 
admittance unless you have a wine tasting appointment. Tried one gate guard who 
turned us away with little ceremony. Told him we were looking for fall color 
draped hillside vineyards to photograph. His answer was, 'you can turn around 
over there. 
 
Comments welcome 
 
Jack
 
K-5, church: DA 16~45, mobile: DA* 50~135
 
http://photolightimages.com/aspupload/detail.asp?ID=715
 
http://photolightimages.com/aspupload/detail.asp?ID=716 

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Re: You Know What Darren?

2013-10-30 Thread Darren Addy
On Wed, Oct 30, 2013 at 3:57 PM, Tom C caka...@gmail.com wrote:
 I've come to the conclusion that I probably don't really like you very much.

I know it will be a supreme struggle, but I'll just have to get over that.

 You've seen fit to unload on me a number of times and demean me simply
 because I don't share your choice of favorite camera brand. How
 trivial is that?

 Tom

I have to admit that I always find it amusing when the demeaner
objects when they perceive that *they* are being demeaned. Please use
some of the intellectual honesty on which you seem to feel you have
the market cornered and review each  every one of your posts to PDML
over the last 6 months (or more). Virtually each and every time it has
been to put someone down, tacitly elevate yourself, or talk trash in
some form or other. If you are butt-hurt for me noting that and
calling you out for it, I guess that is to be expected.

I'm not sure whether your problem when you post to PDML is that: you
started drinking too early in the day, OR if it is that you didn't
start drinking early enough. In any event, I've had more than enough
and henceforth your mail will be going straight to my Gmail trash. If
any other Gmail user's wish to learn about such filters, here's a
link. https://support.google.com/mail/answer/8151?hl=en
(As a rule, I like my posts to be helpful or informative in *some* way)

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OT is Photoshop evil?

2013-10-30 Thread CollinB
http://www.upworthy.com/see-why-we-have-an-absolutely-ridiculous-standard-of-beauty-in-just-37-seconds

Of course not but sometimes ...
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Re: OT is Photoshop evil?

2013-10-30 Thread Darren Addy
I blame Barbie dolls. Perhaps makeup is evil also.

Photoshop is a tool and any tool can be used for good or ill.

On Wed, Oct 30, 2013 at 4:52 PM, CollinB coll...@brendemuehl.net wrote:
 http://www.upworthy.com/see-why-we-have-an-absolutely-ridiculous-standard-of-beauty-in-just-37-seconds

 Of course not but sometimes ...
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Re: You Know What Darren?

2013-10-30 Thread Tom C
Darren you're a blowhard.


Tom C.

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Re: White-Faced Heron

2013-10-30 Thread Matthew Hunt
On Wed, Oct 30, 2013 at 3:20 PM, Eric Weir eew...@bellsouth.net wrote:

 How stupid do you think I am?

Well, you shoot Pentax, so I have a guess as to Tom's opinion.

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Re: White-Faced Heron

2013-10-30 Thread Matthew Hunt
On Wed, Oct 30, 2013 at 3:01 PM, Tom C caka...@gmail.com wrote:

 I'm probably stating the obvious, but getting good shots is usually a
 matter of having a good eye for composition, paying attention to
 technical details, shooting in the right light, using the right tool
 for the job, knowing one's gear. All those will contribute more to
 getting a good image than simply taking a lot of shots.

Most of us develop those skills through experience and practice, and I
expect that's the take lots of shots approach that Eric is
advocating.

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Re: White-Faced Heron

2013-10-30 Thread Eric Weir

On Oct 30, 2013, at 6:18 PM, Matthew Hunt m...@pobox.com wrote:

 On Wed, Oct 30, 2013 at 3:20 PM, Eric Weir eew...@bellsouth.net wrote:
 
 How stupid do you think I am?
 
 Well, you shoot Pentax, so I have a guess as to Tom's opinion.

That may be part of it. I suspect there’s something else going on.  

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What does it mean...that the world is so beautiful? 

- Mary Oliver 







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Re: Is Pentax now in vogue?

2013-10-30 Thread David J Brooks
On Wed, Oct 30, 2013 at 10:31 AM, Paul Stenquist
pnstenqu...@comcast.net wrote:
]. The 6x7 is somewhat difficult to load, and on a fashion shoot, a
reload might come every couple of minutes.

I hear ya Brother Paul

Dave



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Re: OT is Photoshop evil?

2013-10-30 Thread Zos Xavius
A gay friend of mine was a model when he was younger. He quit doing it
because the person he saw in the pictures was not him. I'll never
forget how he put it that way. I don't look at women in magazines.
They look really fake. Those kinds of girls looks equally as fake in
real life too, just in a different sort of way. People have been
airbrushing since the days of pictorialism and it isn't going to stop
now. These magazines need to show some restraint though. They are
presenting a fantasy world to people where everyone weights 90lbs, is
six feet tall and has huge perfect eyes and smiles. Anorexia is a
hugely growing problem unfortunately, so that makes this all bad in
the end I guess. Don't let your kids watch TV or read vogue. There.
Evil influences eradicated. I don't even own a television anymore.

On Wed, Oct 30, 2013 at 5:58 PM, Darren Addy pixelsmi...@gmail.com wrote:
 I blame Barbie dolls. Perhaps makeup is evil also.

 Photoshop is a tool and any tool can be used for good or ill.

 On Wed, Oct 30, 2013 at 4:52 PM, CollinB coll...@brendemuehl.net wrote:
 http://www.upworthy.com/see-why-we-have-an-absolutely-ridiculous-standard-of-beauty-in-just-37-seconds

 Of course not but sometimes ...
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Re: Is Pentax now in vogue?

2013-10-30 Thread Zos Xavius
I'm guessing they needed a old school camera prop and the photog
happened to have his old 67 laying around. Just a guess. Pentax was
actually quite in vogue when the 6x7 came out and certainly remained
the weapon of choice for many a fashion photographer.

On Wed, Oct 30, 2013 at 6:36 PM, David J Brooks pentko...@gmail.com wrote:
 On Wed, Oct 30, 2013 at 10:31 AM, Paul Stenquist
 pnstenqu...@comcast.net wrote:
 ]. The 6x7 is somewhat difficult to load, and on a fashion shoot, a
 reload might come every couple of minutes.

 I hear ya Brother Paul

 Dave



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Re: OT is Photoshop evil?

2013-10-30 Thread Bruce Walker
Alexandros of Antioch _could_ have left that big rough block of marble
in its beautiful and natural state. Instead he used his dastardly
tools to create an idealized female form, forever warping our minds
into thinking that the Venus de Milo was something to admire.

Passing off retouched models as real is the same as passing off beer
as a lifestyle or shiny cars as life-changing objects -- it's all
marketing. Don't folks these days know fictions when they see 'em?

Pffft. Yet another non-event.


On Wed, Oct 30, 2013 at 5:52 PM, CollinB coll...@brendemuehl.net wrote:
 http://www.upworthy.com/see-why-we-have-an-absolutely-ridiculous-standard-of-beauty-in-just-37-seconds

 Of course not but sometimes ...
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Re: GESO 2013 - 107-114 - GDG

2013-10-30 Thread Steve Cottrell
On 29/10/13, Godfrey DiGiorgi, discombobulated, unleashed:

http://www.flickr.com/photos/gdgphoto/10566765105/lightbox

Like

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Re: GESO 2013 - 107-114 - GDG

2013-10-30 Thread Steve Cottrell
On 29/10/13, Godfrey DiGiorgi, discombobulated, unleashed:

http://www.flickr.com/photos/gdgphoto/10566820334/lightbox

VERY atmospheric! Love it

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Re: White-Faced Heron

2013-10-30 Thread Bruce Walker
On Wed, Oct 30, 2013 at 5:13 PM, Paul Stenquist pnstenqu...@comcast.net wrote:

 On Oct 30, 2013, at 4:37 PM, Mark Roberts postmas...@robertstech.com wrote:

 Doug Brewer wrote:

 On 10/30/13 10:25 AM, Alan C wrote:
 Why do fashion photographers take so many shots then?

 Alan

 There is a difference between working a subject, or having a range of
 good shots in which you will find one that works best, and machine
 gunning with the hope that one will be passable.

 I frequently, when working with a subject, will over-shoot, looking for
 variations on shots already in the bag, or to work past what we have
 done before. I get a pile of good shots that way, but a smaller pile of
 special shots.

 It's true that you must take many photos before you can start getting
 good ones regularly. I believe HCB said it takes ten thousand. I think I
 took considerably more than that before I got where I am, and I'm not
 where I want to be yet.

 BTW: In the case of fashion photographers the answer to why they take
 so many shots is often because that's what the editors demand. Some
 will totally decompensate if they don't have thousands of images, with
 the slightest variation between any two, to choose from. If you're a
 working pro you have to deliver what the client wants (unless you're
 one of a handful of elites who can dictate to editors what you're
 going to give them).


 To that add that trying to get a model to strike that perfect pose with the 
 perfect expression is extremely difficult. So you have them try different 
 things and you keep snapping away. You simply can't get it in a reasonable 
 number of shots with most models.

Yes, unlike many other kinds of shooting, portraits and models is one
of stepwise refinement. Start with a pose, shoot that, then direct
model to move in some way to improve on what you have. Shoot, repeat.
Stop when you feel you've exhausted that one or you're sure you got a
great one in there.

Numbers fans: from my last model shoot (corsets):

- 329 shots total taken during 4.5 hours (including 4 wardrobe and
makeup changes, lighting changes, props, etc.).
- 224 shots deemed technically okay.
- 71 shots deemed contenders for post-processing
- 23 shots rated strong; discussed with clients (model, my wife)
- 8 selected for retouching and delivered.
- 4 are what I myself consider to be good work.

So yeah, shoot lots. :-)

-- 
-bmw

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Re: geso big sur

2013-10-30 Thread Steve Cottrell
On 28/10/13, Larry Colen, discombobulated, unleashed:

Didn't get any real outstanding shots on our drive through big sur,
but I think that this is a pleasant collection:
http://www.flickr.com/photos/ellarsee/sets/72157637075885303/

Disagree.

These are super:

http://www.flickr.com/photos/ellarsee/10550929223/in/set-72157637075885303

http://www.flickr.com/photos/ellarsee/10550696394/in/set-72157637075885303


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Re: White-Faced Heron

2013-10-30 Thread Stan Halpin

On Oct 30, 2013, at 3:20 PM, Eric Weir wrote:

 
 On Oct 30, 2013, at 3:01 PM, Tom C caka...@gmail.com wrote:
 
 In my opinion taking a lot of shots does not improve one's photography
 any more than throwing a 1000 darts at a dartboard blind folded
 improves one's game….
 
 I'm probably stating the obvious, but getting good shots is usually a
 matter of having a good eye for composition, paying attention to
 technical details, shooting in the right light, using the right tool
 for the job, knowing one's gear. 
 
 Yeah, you definitely are. 
 
 You don’t need to size up the situation? You don’t need to look through the 
 viewfinder? You don’t need to think about what you want to accomplish? You 
 don’t need to check your settings? You don’t need to think about what 
 settings are called for in the situation given what you want to accomplish? 
 You don’t need to check the results you’re getting and adjust? 
 
 How stupid do you think I am?
 
 --
 Eric Weir
 Decatur, GA  USA
 eew...@bellsouth.net
 

I am not sure where you are coming from in your response to Tom, Eric. He was 
stating some fundamental truths, presumably to bring the discussion back on 
center. 

There are two separate notions confabulated here. One is: what does it take to 
improve in one's photography. The second is: what does it take to take a good 
image.

The answer to the first question is that you need to practice, study, observe, 
practice some more. That means taking many shots, thoughtfully, then examining 
the results and thinking about what went right and what went wrong, then going 
back and doing it again (hopefully applying some of the lessons learned from 
the intervening study and reflection). In the process of taking your first 
10,000 or first 100,000 images, some will most likely be keepers. Good 
subject, good composition, appropriate settings on aperture, shutter speed, and 
ISO, no camera shake, no glare. etc. The more you shoot, the higher your odds 
are of getting those special images that you will treasure. Taking lots of 
shots can not only help you get better, it can also help you get lucky. 
Presumably we all want to rely on more than luck.

What it takes to learn a craft, to gain the skills, is not what it takes to 
execute those skills. Yes, photographers who have moved from beginner to novice 
to journeyman to some level of expertise will still practice techniques, study 
and reflect on the results. But they don't need great volumes of images to 
enable that study because they have learned to look at the subtleties that make 
the difference between a good picture and a great one. So, yes they are still 
in a learning mode, hopefully always will be, and most of what it takes to 
learn as a novice is still true of what it takes to learn even after becoming 
an expert or master. But going into the studio or into the field is something 
else. Setting aside the special case of fast-moving wildlife or race cars or 
athletes, getting good shots isn't about taking a lot of shots. It is about 
choosing the right subject, the right composition, the right lens, the right 
level of artificial illumination when called for, appropriate settings  for 
speed, aperture,  ISO. When you have all of that right, there is no need for 
more than one shot. Take it and move 3 feet and recompose and do it again.

Which is what I thought Tom was saying in fewer words: quality of process beats 
quantity in the long run. 

stan



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Re: In Honer of the World Series K-01

2013-10-30 Thread Steve Cottrell
On 28/10/13, Joseph McAllister, discombobulated, unleashed:

Hohner made harmonicas

Still do. Mine's a C :-)

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Re: OT - Cycle Mounts - Request

2013-10-30 Thread Steve Cottrell
On 29/10/13, Malcolm Smith, discombobulated, unleashed:

No doubt you have other similar replies, but I've used a short length of
inner tube (very useful old inner tubes). Wrap once around the tube and a
second time, this time fitting in a pencil or biro piece or equivalent. You
can then nip some cable ties up, and when it comes to removing it, you can
slide out the sandwiched packing part to give you room to cut the cable
ties, without any damage to whatever shape the tube is.

I did this once with mine, no evidence of anything ever being fitted.

Great idea - thanks!

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Re: White-Faced Heron

2013-10-30 Thread Mark Roberts
Paul Stenquist wrote:

On Oct 30, 2013, at 4:37 PM, Mark Roberts postmas...@robertstech.com wrote:
 
 BTW: In the case of fashion photographers the answer to why they take
 so many shots is often because that's what the editors demand. Some
 will totally decompensate if they don't have thousands of images, with
 the slightest variation between any two, to choose from. If you're a
 working pro you have to deliver what the client wants (unless you're
 one of a handful of elites who can dictate to editors what you're
 going to give them).

To that add that trying to get a model to strike that perfect pose with the 
perfect expression is extremely difficult. So you have them try different 
things and you keep snapping away. You simply can't get it in a reasonable 
number of shots with most models. 

Yep. At the college where I teach we have a bi-annual student-produced
fashion magazine. On Tuesday at our Graphic Design club meeting were
going through possible cover photos. Probably a thousand of them. The
difference a small change in pose can make is astonishing.

 
-- 
Mark Roberts - Photography  Multimedia
www.robertstech.com





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Re: OT - Cycle Mounts - Request

2013-10-30 Thread Steve Cottrell
On 29/10/13, Mark Roberts, discombobulated, unleashed:

Here's a pretty good cycle mount for a camera. Made for a motorcycle
but perhaps could be adapted:

https://scontent-b-sea.xx.fbcdn.net/hphotos-
prn2/1393362_708721125822899_562094127_n.jpg

LOL! Thanks mate ;-)

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Re: OT - Cycle Mounts - Request

2013-10-30 Thread Steve Cottrell
On 30/10/13, mike wilson, discombobulated, unleashed:

Can't believe a TV (that's television...) cameraperson didn't just
pick up the roll of gaffer tape.  I'm so shocked it's taken me two
days to respond.

I take your humour but in reality, I do use gaffer tape (and the less
sticky version 'camera tape') on many things - but these cyclists are
prickly customers. They get a bit fickle when they see a roll of tape
near their big-bucks bikes

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GFM news

2013-10-30 Thread Mark Roberts
Those of you who've attended the GFM photography workshops over the
past few years will be disappointed to learn that Grandfather
Mountain's publicity director Landis is leaving the job and moving on
to another position. It sounds like a great career move for her but
it's a loss for the rest of us who'll miss her presence. 

Doug and I plan on terrifying her successor next June...
 
 
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UK PDML: Coming to London in January

2013-10-30 Thread Mark Roberts
Dr. Lisa and I will be hitting the UK again in January. 11 through 18
January, to be precise. We've got theatre tickets and have a few other
things planned (Wildlife Photographer of the Year at the Natural
History Museum and Astronomy Photographer of the Year in Greenwich, to
name two) but are still working out the rest of our plans. Lisa wants
to see Cambridge so we may spend a day or two there, but that's not
definite yet.

And suggestions from UK PDML people for activities/events will be
joyously entertained.
 
-- 
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www.robertstech.com





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Re: OT - Cycle Mounts - Request

2013-10-30 Thread Mark Roberts
Steve Cottrell wrote:

On 30/10/13, mike wilson, discombobulated, unleashed:

Can't believe a TV (that's television...) cameraperson didn't just
pick up the roll of gaffer tape.  I'm so shocked it's taken me two
days to respond.

I take your humour but in reality, I do use gaffer tape (and the less
sticky version 'camera tape') on many things - but these cyclists are
prickly customers. They get a bit fickle when they see a roll of tape
near their big-bucks bikes

Who said anything about taping the camera to the bike? You tape it to
the *cyclist*...
;-)

 
-- 
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Re: GFM news

2013-10-30 Thread Steve Cottrell
On 30/10/13, Mark Roberts, discombobulated, unleashed:

Those of you who've attended the GFM photography workshops over the
past few years will be disappointed to learn that Grandfather
Mountain's publicity director Landis is leaving the job and moving on
to another position.

The positions I've ever seen her in were pretty dandy ;-)

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Re: UK PDML: Coming to London in January

2013-10-30 Thread Steve Cottrell
On 30/10/13, Mark Roberts, discombobulated, unleashed:

Dr. Lisa and I will be hitting the UK again in January. 11 through 18
January, to be precise. We've got theatre tickets and have a few other
things planned (Wildlife Photographer of the Year at the Natural
History Museum and Astronomy Photographer of the Year in Greenwich, to
name two) but are still working out the rest of our plans. Lisa wants
to see Cambridge so we may spend a day or two there, but that's not
definite yet.

And suggestions from UK PDML people for activities/events will be
joyously entertained.

Excellent!

Any excuse to visit the drunks and pubs in Greenwich is good for me :)



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