GESO January faves

2014-02-01 Thread Larry Colen
Here are my best shots from January:

http://www.flickriver.com/photos/ellarsee/sets/72157639425946344/

-- 
Larry Colen  l...@red4est.com http://red4est.com/lrc


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PESO Enchilasagna

2014-02-01 Thread Larry Colen
Tonight's culinary experiment: enchilasagna

http://www.flickr.com/photos/ellarsee/12247370595/

It's even vegetarian, but misses out on being vegan by about five pounds of 
cheese.

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Wilder ranch reprocessed

2014-02-01 Thread Larry Colen
Candice seems to have taken objection to my post processing skills and
asked for the raw files of a couple of my Wilder Ranch sunset photos.
As you can see from these, she's a bit more adept with photoshop than I
(am with lightroom).

http://www.flickr.com/photos/ellarsee/12247932384/

http://www.flickr.com/photos/ellarsee/12247904144/

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Re: PESO: Today's Report

2014-02-01 Thread Bob W
Before I noticed the degree symbols I thought 'number of drownings? Average age 
of lifeguards?'

 On 1 Feb 2014, at 07:55, Daniel J. Matyola danmaty...@gmail.com wrote:
 
 This is the Blackboard they keep poolside at our condo.
 http://photo.net/photodb/photo?photo_id=17670093
 Comments are invited.
 
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola
 
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PESO: Sunset Selfie

2014-02-01 Thread Daniel J. Matyola
http://photo.net/photodb/photo?photo_id=17667263
Comments are invited.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

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Re: Wilder ranch reprocessed

2014-02-01 Thread Paul Stenquist
Photoshop is a better tool.

Paul via phone

 On Feb 1, 2014, at 3:52 AM, Larry Colen l...@red4est.com wrote:
 
 Candice seems to have taken objection to my post processing skills and
 asked for the raw files of a couple of my Wilder Ranch sunset photos.
 As you can see from these, she's a bit more adept with photoshop than I
 (am with lightroom).
 
 http://www.flickr.com/photos/ellarsee/12247932384/
 
 http://www.flickr.com/photos/ellarsee/12247904144/
 
 -- 
 Larry Colen  l...@red4est.com http://red4est.com/lrc
 
 
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OT question about a photoshop elements thingy

2014-02-01 Thread Ann Sanfedele
I've drifted into lurk mode - had out-of-towner visiting and other 
things going on - but hoping there is a plug-in or app or procedure 
something that will take a line of text while in photoshop elements

and place it within a circle around the circumfrance evenly.  The
text style thing variances don't seem to behave for me to do this..
Think the rim of the older Starbucks logo or the Chipolte signs and
a few others I've seen.  I've got elements 5.0

thanks much!

ann

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Re: PESO: Sunset Selfie

2014-02-01 Thread Bob Sullivan
Dan,
You're looking the wrong way!
Regards,  Bob S.

On Sat, Feb 1, 2014 at 4:52 AM, Daniel J. Matyola danmaty...@gmail.com wrote:
 http://photo.net/photodb/photo?photo_id=17667263
 Comments are invited.

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: Happy 100th birthday, Leica!

2014-02-01 Thread knarf
HCB? Selfie?

Interesting article. Thanks for posting...

Cheers,
frank

Bob W p...@web-options.com wrote:
http://www.theguardian.com/artanddesign/2014/jan/31/leica-100-birthday-photographers-messages

“Analysis kills spontaneity.” -- Henri-Frederic Amiel



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Re: PESO - Fat Boy Matt

2014-02-01 Thread knarf
Thanks Jack!

Yeah, Matt didn't exactly pose in the most photogenic spot, did he. But hey, 
that's the environment he was in, what can I say?

Glad you enjoyed.

Cheers,
frank

Jack Davis jdavi...@yahoo.com wrote:
Those racing pits are mess. HA!
Matt looks as though he feels clever and confident.
Like it, Frank.

Jack




- Original Message -
From: knarf knarftheria...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Friday, January 31, 2014 4:21 AM
Subject: PESO - Fat Boy Matt

We had a messenger race last weekend. In the snow. 

Matt decided to race with fat tires for traction. Here he is with his
race face on:

http://mondociclismo.blogspot.ca/2014/01/fat-boy-matt.html?m=1

He didn't win.  ;-)

But I kind of like the picture, and I hope you do, too. Comments
welcome.

Cheers,
frank
“Analysis kills spontaneity.” -- Henri-Frederic Amiel



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Re: PESO - Beach Balls

2014-02-01 Thread knarf
Yeah, cold dumplings.

;-)

Thanks to you, Jack and Dan for commenting. I've gotten down to the Lake more 
times this winter than in the past. Fascinating what goes on down there!

Cheers,
frank

David Mann dmann...@gmail.com wrote:
Nice.  They look like dumplings.

Cheers,
Dave

On Jan 30, 2014, at 6:31 pm, knarf knarftheria...@gmail.com wrote:

 Pretty cool the different ways ice forms depending on wind,
temperature, waves. These were in a quiet cove (you can see biggish
waves way off in the distance). They were about the size of small
bowling balls:
 
 http://knarfinthecity.blogspot.ca/2014/01/beach-balls.html?m=1
 
 Hope you enjoy. Comments welcome. 
 
 Cheers,
 frank
 “Analysis kills spontaneity.” -- Henri-Frederic Amiel
 
 
 
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SV: OT Outstanding wildlife/nature photography

2014-02-01 Thread Alunfoto - Jostein Øksne
His House In The Woods -project got some good press here in Scandinavia 
about a year ago. Interesting how he combines decay of man-made structures 
and animal photography.


I love his image aestethics.

Jostein

-Opprinnelig melding- 
Fra: Bruce Walker

Dato: 31. januar 2014 01:53
Til: Pentax Discuss Mailing List
Emne: OT Outstanding wildlife/nature photography

This Finnish photographer's stuff is really remarkable ...

http://www.kafa.fi/pages/gallery1.php
http://www.kafa.fi/pages/the-house-in-the-woods.php


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Re: PESO - Fat Boy Matt

2014-02-01 Thread Bruce Walker
An intriguing portrait, Frank. I usually prefer unbusy, but there's a
lot of interesting stuff going on and your composition is good -- I
like it.

On Fri, Jan 31, 2014 at 7:21 AM, knarf knarftheria...@gmail.com wrote:
 We had a messenger race last weekend. In the snow.

 Matt decided to race with fat tires for traction. Here he is with his race 
 face on:

 http://mondociclismo.blogspot.ca/2014/01/fat-boy-matt.html?m=1

 He didn't win.  ;-)

 But I kind of like the picture, and I hope you do, too. Comments welcome.

 Cheers,
 frank
 “Analysis kills spontaneity.” -- Henri-Frederic Amiel



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Re: PESO: Sunset Selfie

2014-02-01 Thread Bruce Walker
Fun shot, Dan. Very good!

On Sat, Feb 1, 2014 at 5:52 AM, Daniel J. Matyola danmaty...@gmail.com wrote:
 http://photo.net/photodb/photo?photo_id=17667263
 Comments are invited.

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: OT question about a photoshop elements thingy

2014-02-01 Thread Paul Sorenson
I don't think that's available in PSE 5.  It was introduced in a later 
version and called the Text on Shape tool.  I'll contact you later off 
list re: this.


-p

On 2/1/2014 8:14 AM, Ann Sanfedele wrote:

I've drifted into lurk mode - had out-of-towner visiting and other
things going on - but hoping there is a plug-in or app or procedure
something that will take a line of text while in photoshop elements
and place it within a circle around the circumfrance evenly.  The
text style thing variances don't seem to behave for me to do this..
Think the rim of the older Starbucks logo or the Chipolte signs and
a few others I've seen.  I've got elements 5.0

thanks much!

ann



--
Being old doesn't seem so old now that I'm old.

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Re: PESO - What's this building for?

2014-02-01 Thread mike wilson
On 31/01/2014, Bob W p...@web-options.com wrote:
 On 31 Jan 2014, at 08:31, mike wilson m.9.wil...@ntlworld.com wrote:

 On 31/01/2014, Bob W p...@web-options.com wrote:
 Nice shot. I've passed through Dinan without stopping a couple of times.
 I'll stop next time. Don't know what the building's all about. Hay loft?
 Oyster smokery?

 B

 It's for reacclimating captive-bred mouflons to high places.


 How very stupid of me not to have known that!

 B

Cath thought I was baa-king for suggesting it.


 On 31 Jan 2014, at 02:17, Rick Womer rwomer1...@yahoo.com wrote:

 On a small street in Dinon, Brittany; the louvered top two floors
 piqued
 our curiosity.

 http://photo.net/photodb/photo?photo_id=17667078

 or

 http://gallery.photo.net/photo/17667078-lg.jpg

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Re: Happy 100th birthday, Leica!

2014-02-01 Thread Bob W
It's by Jane Bown.
B

 On 1 Feb 2014, at 14:33, knarf knarftheria...@gmail.com wrote:
 
 HCB? Selfie?
 
 Interesting article. Thanks for posting...
 
 Cheers,
 frank
 
 Bob W p...@web-options.com wrote:
 http://www.theguardian.com/artanddesign/2014/jan/31/leica-100-birthday-photographers-messages
 
 “Analysis kills spontaneity.” -- Henri-Frederic Amiel
 
 
 
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Re: PESO - What's this building for?

2014-02-01 Thread Bob W
On 1 Feb 2014, at 15:29, mike wilson m.9.wil...@ntlworld.com wrote:
 
 On 31/01/2014, Bob W p...@web-options.com wrote:
 On 31 Jan 2014, at 08:31, mike wilson m.9.wil...@ntlworld.com wrote:
 
 On 31/01/2014, Bob W p...@web-options.com wrote:
 Nice shot. I've passed through Dinan without stopping a couple of times.
 I'll stop next time. Don't know what the building's all about. Hay loft?
 Oyster smokery?
 
 B
 
 It's for reacclimating captive-bred mouflons to high places.
 
 How very stupid of me not to have known that!
 
 B
 
 Cath thought I was baa-king for suggesting it.
 

You deserve to be lambasted.

B
 
 On 31 Jan 2014, at 02:17, Rick Womer rwomer1...@yahoo.com wrote:
 
 On a small street in Dinon, Brittany; the louvered top two floors
 piqued
 our curiosity.
 
 http://photo.net/photodb/photo?photo_id=17667078
 
 or
 
 http://gallery.photo.net/photo/17667078-lg.jpg
 

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Re: Happy 100th birthday, Leica!

2014-02-01 Thread knarf
I was commenting on the caption, which I thought was rather silly.

Cheers, 
frank

Bob W p...@web-options.com wrote:
It's by Jane Bown.
B

 On 1 Feb 2014, at 14:33, knarf knarftheria...@gmail.com wrote:
 
 HCB? Selfie?
 
 Interesting article. Thanks for posting...
 
 Cheers,
 frank
 
 Bob W p...@web-options.com wrote:

http://www.theguardian.com/artanddesign/2014/jan/31/leica-100-birthday-photographers-messages
 
 “Analysis kills spontaneity.” -- Henri-Frederic Amiel
 
 
 
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Re: It's that time of year

2014-02-01 Thread Bruce Walker
Done. I'll be keeping an eye out for the gathering masses with sheet music.

On Wed, Jan 29, 2014 at 9:56 PM, Doug Brewer
d...@dougbrewerphotography.com wrote:
 For the bi-annual fund drive to keep the PDML going for another while.
 Please visit the PDML home page and drop a few drachmas* in the till. the
 masses will sing songs of your heroism in the days to come.

 Much love,

 Doug, List Guy and keeper of fundage, payer of billage.

 *not really. Use US funds.

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Re: PESO - What's this building for?

2014-02-01 Thread Bruce Walker
On Sat, Feb 1, 2014 at 10:41 AM, Bob W p...@web-options.com wrote:
 On 1 Feb 2014, at 15:29, mike wilson m.9.wil...@ntlworld.com wrote:

 On 31/01/2014, Bob W p...@web-options.com wrote:
 On 31 Jan 2014, at 08:31, mike wilson m.9.wil...@ntlworld.com wrote:

 On 31/01/2014, Bob W p...@web-options.com wrote:
 Nice shot. I've passed through Dinan without stopping a couple of times.
 I'll stop next time. Don't know what the building's all about. Hay loft?
 Oyster smokery?

 B

 It's for reacclimating captive-bred mouflons to high places.

 How very stupid of me not to have known that!

 B

 Cath thought I was baa-king for suggesting it.


 You deserve to be lambasted.

As do ewe.

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Re: PESO: Only In Vegas II

2014-02-01 Thread Mark C

That *does* deserve the only in Vegas moniker... Nice shot.

On 1/28/2014 11:27 AM, eactiv...@aol.com wrote:

Okay, ann will come along and tell me they have  Denny's like this on the
East Coast, heh, BUT...
this is the only Denny's  I've ever seen with a bar. And a FULL bar,
nonetheless. ;-)

It is  normally a very prosaic restaurant, and serves breakfast all day. So
I guess at  this place you can get a Tequila Sunrise with your bacon and
eggs...

It  was in a sort of strip mall.

http://mapphotography.com/PAWS/pages/onlyvegas2.html

Comments  welcome.

Marnie aka Doe :-)





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Re: Wilder ranch reprocessed

2014-02-01 Thread Stanley Halpin
I looked at the before and after versions of the yellow house. Her version is 
clearly better!  But you gave her a good image to start from.
It is too bad that such a nice house is falling over.

stan

On Feb 1, 2014, at 3:52 AM, Larry Colen l...@red4est.com wrote:

 Candice seems to have taken objection to my post processing skills and
 asked for the raw files of a couple of my Wilder Ranch sunset photos.
 As you can see from these, she's a bit more adept with photoshop than I
 (am with lightroom).
 
 http://www.flickr.com/photos/ellarsee/12247932384/
 
 http://www.flickr.com/photos/ellarsee/12247904144/
 
 -- 
 Larry Colen  l...@red4est.com http://red4est.com/lrc


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Re: PESO - What's this building for?

2014-02-01 Thread mike wilson
On 01/02/2014, Bob W p...@web-options.com wrote:
 On 1 Feb 2014, at 15:29, mike wilson m.9.wil...@ntlworld.com wrote:

 On 31/01/2014, Bob W p...@web-options.com wrote:
 On 31 Jan 2014, at 08:31, mike wilson m.9.wil...@ntlworld.com wrote:

 On 31/01/2014, Bob W p...@web-options.com wrote:
 Nice shot. I've passed through Dinan without stopping a couple of
 times.
 I'll stop next time. Don't know what the building's all about. Hay
 loft?
 Oyster smokery?

 B

 It's for reacclimating captive-bred mouflons to high places.

 How very stupid of me not to have known that!

 B

 Cath thought I was baa-king for suggesting it.


 You deserve to be lambasted.

A mint suggestion, you saucy fellow.


 On 31 Jan 2014, at 02:17, Rick Womer rwomer1...@yahoo.com wrote:

 On a small street in Dinon, Brittany; the louvered top two floors
 piqued
 our curiosity.

 http://photo.net/photodb/photo?photo_id=17667078

 or

 http://gallery.photo.net/photo/17667078-lg.jpg

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Re: Happy 100th birthday, Leica!

2014-02-01 Thread Godfrey DiGiorgi
On Jan 31, 2014, at 12:35 PM, Bob W p...@web-options.com wrote:

 http://www.theguardian.com/artanddesign/2014/jan/31/leica-100-birthday-photographers-messages

Thanks for the link, Bob! 

I know it's an editorial piece but there's a curious historical inaccuracy: 
… The R-System, an SLR camera that many Leica M users never came around to, 
kicked off in 1976 with the Leica R3 – their first electronic camera. … 

The Leicaflex was first produced in 1965. It was the Leica Reflex (R) system, 
the lenses always had -R in their names (e.g.: my 1965 Summicron-R 50mm 
f/2), and the 'flex bodies (Leicaflex, Leicaflex SL, Leicaflex SL2, with MOT 
variants on the latter two) were produced from 1965 to 1976. They renamed the 
bodies with Rn designation when they switched production to use the more 
modern design Minolta XK series derivative body castings in 1976. The R series 
lenses and bodies were ferociously expensive, even from the very beginning (a 
Leicaflex SL with Summicron-R 50mm lens was more than twice as much as a Nikon 
F Photomic FTn with 50mm lens in 1969, and the Nikon F was a pretty expensive 
camera itself compared to others), but in some instances they were the best 
that even Leica had to offer. They put their whole development effort in the 
Reflex line for a long time. 

Leica-wiki on the bodies: 
http://www.l-camera-forum.com/leica-wiki.en/index.php/Main_Page#Film_R

100 years is a short time, but so much has happened since Oskar created the 
Ur-Leica … even in the little niche world of photography. Something to reflect 
upon. 

G
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Question: Adobe Creative Cloud

2014-02-01 Thread Christine Aguila
Hi Everyone:

Anyone using Adobe’s Creative Cloud?  Any thoughts, recommendations, or 
criticisms?  Lastly, why kind of specs does your computer need to have for an 
enjoyable user experience?  Ram, storage, et al.

Cheers, Christine
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Question: Skiing and Photography

2014-02-01 Thread Christine Aguila
Hi Everyone:

If you were to do a photo shoot of a ski outting, what might be your kit, 
preparation and strategy, and safety issues?  Obviously, a photographer 
wouldn’t want to just wait at the bottom of the hill for shots of folks coming 
down the hill.  How would you keep your kit safe when maneuvering along the 
hill?

Any tips and strategies from any PDML Skier-Photogs?

I’m not planning a ski shoot this season, but maybe next season.


Cheers, Christine
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Re: OT - Re: Yo Cotty, check the new Fuji out!

2014-02-01 Thread Steve Cottrell
On 31/1/14, Godfrey DiGiorgi, discombobulated, unleashed:

I've come across a few that were quite nice, however.

This bloke seems to think the EVF is something special. Bit of a fanboy
maybe but he's not 100% on it. Interesting take.

http://fotografeivindrohne.blogspot.no/2014/01/fujifilm-x-t1-first-
hands-on-impressions.html?m=1

-- 


Cheers,
  Cotty


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||  (O)  |Web Video Production
--www.seeingeye.tv
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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Godfrey DiGiorgi
On Feb 1, 2014, at 8:50 AM, Christine Aguila christ...@caguila.com wrote:

 Anyone using Adobe’s Creative Cloud?  Any thoughts, recommendations, or 
 criticisms?  Lastly, why kind of specs does your computer need to have for an 
 enjoyable user experience?  Ram, storage, et al.

I haven't the need - Lightroom does 99% of everything I need, no real bonus to 
the CC for what I'm doing. But I know several people who bought the CC package 
of Photoshop and Lightroom on the special of, what was it, $10/month or 
something like that around Christmas time. They seem to be pleased with it. 

How much computer you need depends upon both what you are trying to accomplish 
and on what your expectations are. The simple answer is as much CPU, as much 
RAM, as much storage space as you can throw at it. But in practical terms, any 
recent Apple system with the faster variants of i5 and i7 processors, 4G RAM 
(8-16G preferable), and a big disk with 20-30% free space will do nicely. (I 
say Apple systems only because I don't keep track of non-Apple hardware or 
software.) I'd have no reservations using the package on my Mac mini, for 
instance (2.6Ghz i7-quad core, 16G RAM, 1T internal drive with 50% free space, 
connected to a Thunderbolt Display 27.)

G
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Re: OT - Re: Yo Cotty, check the new Fuji out!

2014-02-01 Thread Godfrey DiGiorgi

On Feb 1, 2014, at 8:58 AM, Steve Cottrell co...@seeingeye.tv wrote:

 On 31/1/14, Godfrey DiGiorgi, discombobulated, unleashed:
 
 I've come across a few that were quite nice, however.
 
 This bloke seems to think the EVF is something special. Bit of a fanboy
 maybe but he's not 100% on it. Interesting take.
 
 http://fotografeivindrohne.blogspot.no/2014/01/fujifilm-x-t1-first-hands-on-impressions.html?m=1

A bit, yes. ;-)

The EVF sounds like the ones in the Olympus E-M1 and Sony A7/A7r. It might even 
be the same panel as one of them. This latest generation of EVFs is, to my eye, 
as transparent as the best reflex finders and more useful overall. They only 
fall down in extreme niche uses typically associated with very high speed 
subject motion (the Oly E-M1 negative crowd are all people who use the longest 
pro FT lenses and shoot birds in flight … SLRs are still the best tool for that 
niche use). You should go play with one or the other of these bodies, until the 
Fuji is in the stores to look at too, to see the state of the art. If the 
Fuji's finder is even better quality, more power to them! 

If there's one beef I have with all the Fuji cameras of recent years (aside 
from the weird processing required for the X sensors), and with the Sony A7, 
it's the placement of the EV Compensation dial. The right-rear corner is just 
wrong—I have to move my whole right hand to adjust EV compensation, and that's 
something I do all the time since I use aperture priority AE most of the time. 
The Sony allows me to re-map this control to the front dial, making it fall to 
hand easily like it is on the Olympus E-M1 and other cameras I own. I don't 
know whether that solution is possible on the Fuji. 

A little thing, but it always irks me. 

G
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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Christine Aguila
Thanks, Godfrey!  Sounds good.  I’m not really interested in the photog stuff.  
I’m completely committed to Lightroom on my hard drive (iMac  Laptop)etc.  I’m 
not budging from that.  I use my PSElements when I need to.  Very happy with 
this setup for now.

What I am interested in learning and using are the InDesign and other apps.  If 
I consider it, I’ll add some ram to my desktop, which I should do anyway. I am, 
however, at the low end of the processors: 2.5 GHz Intel Core i5 on my iMac and 
a little better on the laptop 2.6 GHz Intel Core i5, but 8 gigs of ram. I’d 
actually like to use the CC on the laptop.  Lots of space on my hard drive  for 
both—no worries there.

Cheers, Christine


On Feb 1, 2014, at 10:59 AM, Godfrey DiGiorgi godfreydigio...@me.com wrote:

 On Feb 1, 2014, at 8:50 AM, Christine Aguila christ...@caguila.com wrote:
 
 Anyone using Adobe’s Creative Cloud?  Any thoughts, recommendations, or 
 criticisms?  Lastly, why kind of specs does your computer need to have for 
 an enjoyable user experience?  Ram, storage, et al.
 
 I haven't the need - Lightroom does 99% of everything I need, no real bonus 
 to the CC for what I'm doing. But I know several people who bought the CC 
 package of Photoshop and Lightroom on the special of, what was it, $10/month 
 or something like that around Christmas time. They seem to be pleased with 
 it. 
 
 How much computer you need depends upon both what you are trying to 
 accomplish and on what your expectations are. The simple answer is as much 
 CPU, as much RAM, as much storage space as you can throw at it. But in 
 practical terms, any recent Apple system with the faster variants of i5 and 
 i7 processors, 4G RAM (8-16G preferable), and a big disk with 20-30% free 
 space will do nicely. (I say Apple systems only because I don't keep track of 
 non-Apple hardware or software.) I'd have no reservations using the package 
 on my Mac mini, for instance (2.6Ghz i7-quad core, 16G RAM, 1T internal drive 
 with 50% free space, connected to a Thunderbolt Display 27.)
 
 G
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PESO 2014 - 036 - GDG

2014-02-01 Thread Godfrey DiGiorgi
I'm staying in today, battling the coldy/fevery thing I've been fighting for 
three days already, so no walk this morning. I'll work on some photos I haven't 
had time to process from recent weeks instead of making new stuff this weekend. 

http://www.flickr.com/photos/gdgphoto/12253797355/

A little Mondrian-ish, perhaps. ;-)

Thanks for looking! Comments appreciated. 

Godfrey
---
  The fact that nobody understands you doesn't make you an artist.


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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Godfrey DiGiorgi
It should work fine on either. It will just be a little slower on the i5 
compared to the i7 processor, depending on what exactly you ask it to do. :-)

G

On Feb 1, 2014, at 9:27 AM, Christine Aguila christ...@caguila.com wrote:

 Thanks, Godfrey!  Sounds good.  I’m not really interested in the photog 
 stuff.  I’m completely committed to Lightroom on my hard drive (iMac  
 Laptop)etc.  I’m not budging from that.  I use my PSElements when I need to.  
 Very happy with this setup for now.
 
 What I am interested in learning and using are the InDesign and other apps.  
 If I consider it, I’ll add some ram to my desktop, which I should do anyway. 
 I am, however, at the low end of the processors: 2.5 GHz Intel Core i5 on my 
 iMac and a little better on the laptop 2.6 GHz Intel Core i5, but 8 gigs of 
 ram. I’d actually like to use the CC on the laptop.  Lots of space on my hard 
 drive  for both—no worries there.


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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Boris Liberman
I'm with Godfrey. LR does all (no need for any other software, really) I 
need in terms of editing, organization, uploading, books, etc.


I plan to stick to off-line option for as long as this option is possible.

Additionally, not long ago Adobe had some hacking issues with the 
creative cloud, which I suppose they resolved, but nonetheless, I don't 
feel comfortable having to upload full size photos up there.


My computer has rather oldish specs: Win 7 Home Premium, i5-3450 CPU, 
8GB RAM and oldish 60GB SSD for LR cache. I have turned off Windows swap 
file as 8GB RAM is enough for everything I do.


In terms of storage, I have a different computer running Linux with two 
pairs of mirrored HDDs that hold all my stuff. There is a direct cable 1 
GBit connection between the two that suffices as far as speed of 
operations is concerned.


From time to time, I make mirror backup to assortment of USB-3 
external HDDs.


Boris


On 2/1/2014 6:50 PM, Christine Aguila wrote:

Hi Everyone:

Anyone using Adobe’s Creative Cloud?  Any thoughts, recommendations,
or criticisms?  Lastly, why kind of specs does your computer need to
have for an enjoyable user experience?  Ram, storage, et al.

Cheers, Christine




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OT: local store close-out

2014-02-01 Thread Collin Brendemuehl
Picked them up today.
The items are new from Cord Camera chain close-out.

#1 Pentax Hot Shoe Adapter F
$15 + shipping.

#2 Pentax AA Battery Pack FG.
Use AA batteries to power your ZX or MZ body.  (All but the MZ-S)
Four available.
$15 ea. + shipping


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Re: Question: Skiing and Photography

2014-02-01 Thread Alunfoto - Jostein Øksne
Are we talking alpint, jumping, cross-country or X-games kinda skiing here? 
:-)


My own experience is with cross-country. I bring the usual backpack, and a 
snoot bag with harness to fit across my chest for easy access to camera. 
When maneuvering in snow, make sure you have your arms free. That's 
important whether you're skiing yourself, use snowshoes or just unadorned 
legs. :-)


Jostein

-Opprinnelig melding- 
From: Christine Aguila

Sent: Saturday, February 01, 2014 5:56 PM
To: PDML List
Subject: Question: Skiing and Photography

Hi Everyone:

If you were to do a photo shoot of a ski outting, what might be your kit, 
preparation and strategy, and safety issues?  Obviously, a photographer 
wouldn’t want to just wait at the bottom of the hill for shots of folks 
coming down the hill.  How would you keep your kit safe when maneuvering 
along the hill?


Any tips and strategies from any PDML Skier-Photogs?

I’m not planning a ski shoot this season, but maybe next season.


Cheers, Christine
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Re: OT - Re: Yo Cotty, check the new Fuji out!

2014-02-01 Thread Bruce Walker
Hmmm. Interesting! Thanks, Cotty.

On Sat, Feb 1, 2014 at 11:58 AM, Steve Cottrell co...@seeingeye.tv wrote:
 On 31/1/14, Godfrey DiGiorgi, discombobulated, unleashed:

I've come across a few that were quite nice, however.

 This bloke seems to think the EVF is something special. Bit of a fanboy
 maybe but he's not 100% on it. Interesting take.

 http://fotografeivindrohne.blogspot.no/2014/01/fujifilm-x-t1-first-
 hands-on-impressions.html?m=1

 --


 Cheers,
   Cotty


 ___/\__Broadcast, Corporate,
 ||  (O)  |Web Video Production
 --www.seeingeye.tv
 _



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Re: Question: Skiing and Photography

2014-02-01 Thread Stanley Halpin
Someplace a few months ago I saw a video on back-country extreme skiing and the 
photography thereof. You might try a search on YouTube.

It has been awhile since I skied, but IIRC I wouldn’t want to wear a backpack 
or shoulder bag. Unless we are talking Bunny Slope and Green runs, in which 
case the backpack would be ok.

I would be inclined to start with a WG-III in my pocket. Go out, set up, take 
some shots. Figure out what was going to be the best focal length(s) for the 
kind of shots I want to be able to get. Back out that afternoon or the next day 
with K-5/K-3 and a single lens, wrapped in foam in a small backpack or daypack. 
Set up and shoot away. Watch out for out-of-control crazies. Shoot some more. 
Pack everything up, ski to a new location, repeat.

If I only had one shot at it with no time to trial test with a pocket camera, I 
would take the K-5/K-3 with 50-135 as my main camera, the WG-III as a backup 
and in case I needed to go wider than 50mm. I would not want to be changing 
lenses in the snow, I would not want to go in and out of the ski lodge multiple 
times to change lenses (condensation issues), and I would not want to carry 
more than just one basic kit. 

stan

On Feb 1, 2014, at 11:56 AM, Christine Aguila christ...@caguila.com wrote:

 Hi Everyone:
 
 If you were to do a photo shoot of a ski outting, what might be your kit, 
 preparation and strategy, and safety issues?  Obviously, a photographer 
 wouldn’t want to just wait at the bottom of the hill for shots of folks 
 coming down the hill.  How would you keep your kit safe when maneuvering 
 along the hill?
 
 Any tips and strategies from any PDML Skier-Photogs?
 
 I’m not planning a ski shoot this season, but maybe next season.
 
 
 Cheers, Christine


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Re: Question: Adobe Creative Cloud

2014-02-01 Thread John

On 2/1/2014 11:50 AM, Christine Aguila wrote:

Hi Everyone:

Anyone using Adobe’s Creative Cloud?  Any thoughts, recommendations,
or criticisms?  Lastly, why kind of specs does your computer need to
have for an enjoyable user experience?  Ram, storage, et al.

Cheers, Christine



The only part I can really answer is that last ... AS MUCH AS POSSIBLE!
The more you have the better it's going to work.

As far as I can tell, the difference between the perpetual license
version  the creative clout is:

1. The perpetual license version does not check to see if you've paid
the rent this month.
2. There will never be another perpetual license version.

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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Bruce Walker
Christine, h/w wise you'll be fine, but add some RAM to the 4GB
machine. You need to be north of 6GB to be happy.

The special photographer pricing of $20/month only applies to Lr +
Ps. If you want InDesign and the other design packages you'll pay much
more, up to $50/month.

Upside, you can rent until you are done, then cancel.

Disclaimer: I'm not a CC user. I'm allergic to the rental model. I'm
happy with Lr and CS5. I may upgrade to CS6, but after that, nada. I'm
adopting a wait and see stance.


On Sat, Feb 1, 2014 at 12:27 PM, Christine Aguila christ...@caguila.com wrote:
 Thanks, Godfrey!  Sounds good.  I’m not really interested in the photog 
 stuff.  I’m completely committed to Lightroom on my hard drive (iMac  
 Laptop)etc.  I’m not budging from that.  I use my PSElements when I need to.  
 Very happy with this setup for now.

 What I am interested in learning and using are the InDesign and other apps.  
 If I consider it, I’ll add some ram to my desktop, which I should do anyway. 
 I am, however, at the low end of the processors: 2.5 GHz Intel Core i5 on my 
 iMac and a little better on the laptop 2.6 GHz Intel Core i5, but 8 gigs of 
 ram. I’d actually like to use the CC on the laptop.  Lots of space on my hard 
 drive  for both—no worries there.

 Cheers, Christine


 On Feb 1, 2014, at 10:59 AM, Godfrey DiGiorgi godfreydigio...@me.com wrote:

 On Feb 1, 2014, at 8:50 AM, Christine Aguila christ...@caguila.com wrote:

 Anyone using Adobe’s Creative Cloud?  Any thoughts, recommendations, or 
 criticisms?  Lastly, why kind of specs does your computer need to have for 
 an enjoyable user experience?  Ram, storage, et al.

 I haven't the need - Lightroom does 99% of everything I need, no real bonus 
 to the CC for what I'm doing. But I know several people who bought the CC 
 package of Photoshop and Lightroom on the special of, what was it, $10/month 
 or something like that around Christmas time. They seem to be pleased with 
 it.

 How much computer you need depends upon both what you are trying to 
 accomplish and on what your expectations are. The simple answer is as much 
 CPU, as much RAM, as much storage space as you can throw at it. But in 
 practical terms, any recent Apple system with the faster variants of i5 and 
 i7 processors, 4G RAM (8-16G preferable), and a big disk with 20-30% free 
 space will do nicely. (I say Apple systems only because I don't keep track 
 of non-Apple hardware or software.) I'd have no reservations using the 
 package on my Mac mini, for instance (2.6Ghz i7-quad core, 16G RAM, 1T 
 internal drive with 50% free space, connected to a Thunderbolt Display 27.)

 G
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Re: Question: Skiing and Photography

2014-02-01 Thread John

On 2/1/2014 11:56 AM, Christine Aguila wrote:

Hi Everyone:

If you were to do a photo shoot of a ski outting, what might be your kit, 
preparation and strategy, and safety issues?  Obviously, a photographer 
wouldn’t want to just wait at the bottom of the hill for shots of folks coming 
down the hill.  How would you keep your kit safe when maneuvering along the 
hill?

Any tips and strategies from any PDML Skier-Photogs?

I’m not planning a ski shoot this season, but maybe next season.


Cheers, Christine



Regular Pentax Strap combined with the Op/Tech Stabilizer Strap.

http://www.bhphotovideo.com/c/product/39643-REG/OP_TECH_USA_5301002_Stabilizer_Strap.html

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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Paul Stenquist
I'm using CS6 and figure it will serve me well for years to come. I don't need 
Lightroom. Don't like it. I had a $9/month offer for PS and LR cloud versions. 
Not interested.

Paul via phone

 On Feb 1, 2014, at 2:47 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 
 Christine, h/w wise you'll be fine, but add some RAM to the 4GB
 machine. You need to be north of 6GB to be happy.
 
 The special photographer pricing of $20/month only applies to Lr +
 Ps. If you want InDesign and the other design packages you'll pay much
 more, up to $50/month.
 
 Upside, you can rent until you are done, then cancel.
 
 Disclaimer: I'm not a CC user. I'm allergic to the rental model. I'm
 happy with Lr and CS5. I may upgrade to CS6, but after that, nada. I'm
 adopting a wait and see stance.
 
 
 On Sat, Feb 1, 2014 at 12:27 PM, Christine Aguila christ...@caguila.com 
 wrote:
 Thanks, Godfrey!  Sounds good.  I’m not really interested in the photog 
 stuff.  I’m completely committed to Lightroom on my hard drive (iMac  
 Laptop)etc.  I’m not budging from that.  I use my PSElements when I need to. 
  Very happy with this setup for now.
 
 What I am interested in learning and using are the InDesign and other apps.  
 If I consider it, I’ll add some ram to my desktop, which I should do anyway. 
 I am, however, at the low end of the processors: 2.5 GHz Intel Core i5 on my 
 iMac and a little better on the laptop 2.6 GHz Intel Core i5, but 8 gigs of 
 ram. I’d actually like to use the CC on the laptop.  Lots of space on my 
 hard drive  for both—no worries there.
 
 Cheers, Christine
 
 
 On Feb 1, 2014, at 10:59 AM, Godfrey DiGiorgi godfreydigio...@me.com 
 wrote:
 
 On Feb 1, 2014, at 8:50 AM, Christine Aguila christ...@caguila.com wrote:
 
 Anyone using Adobe’s Creative Cloud?  Any thoughts, recommendations, or 
 criticisms?  Lastly, why kind of specs does your computer need to have for 
 an enjoyable user experience?  Ram, storage, et al.
 
 I haven't the need - Lightroom does 99% of everything I need, no real bonus 
 to the CC for what I'm doing. But I know several people who bought the CC 
 package of Photoshop and Lightroom on the special of, what was it, 
 $10/month or something like that around Christmas time. They seem to be 
 pleased with it.
 
 How much computer you need depends upon both what you are trying to 
 accomplish and on what your expectations are. The simple answer is as much 
 CPU, as much RAM, as much storage space as you can throw at it. But in 
 practical terms, any recent Apple system with the faster variants of i5 and 
 i7 processors, 4G RAM (8-16G preferable), and a big disk with 20-30% free 
 space will do nicely. (I say Apple systems only because I don't keep track 
 of non-Apple hardware or software.) I'd have no reservations using the 
 package on my Mac mini, for instance (2.6Ghz i7-quad core, 16G RAM, 1T 
 internal drive with 50% free space, connected to a Thunderbolt Display 27.)
 
 G
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Re: Question: Skiing and Photography

2014-02-01 Thread Bob W
On 1 Feb 2014, at 16:56, Christine Aguila christ...@caguila.com wrote:
 
 Hi Everyone:
 
 If you were to do a photo shoot of a ski outting, what might be your kit, 
 preparation and strategy, and safety issues?  Obviously, a photographer 
 wouldn’t want to just wait at the bottom of the hill for shots of folks 
 coming down the hill.  How would you keep your kit safe when maneuvering 
 along the hill?
 
 Any tips and strategies from any PDML Skier-Photogs?
 
 I’m not planning a ski shoot this season, but maybe next season.

I went skiing a few years ago with one of my brothers and his family, who are 
very good skiers. It's the only time I've skiied. It was the film era and I was 
using a Contax with Zeiss lenses. When I was skiing I left them at my brother's 
house - I had no wish to have that stuff on me while skiing, it was likely to 
be dangerous. On some days I didn't ski, and took the camera kit in a Domke 
F-2, went up the ski lift with them and found some spots where I could get 
different views of them on the way down, them some shots of one of my nephews 
boarding. 

I took a full range of lenses, from a 300mm to a 21mm. I took incident light 
readings with my hand shading the underside of the meter so that the snow would 
come out right. 

Here's a page I've just put up. Low-res scans to CD.

http://www.web-options.com/Skiing/

The best shot is the one of my nephew jumping off a low bank - that's with a 
21mm lens (35mm camera). Most of the shots are very samey, although I expect 
someone with more experience would much better.

B
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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Christine Aguila
Thanks, Bruce!  Yes, I did see the price on the InDesign apps.  I watched some 
tutorials this morning.  Really fun stuff.  Totally agree about the RAM on the 
iMac.
In three months, I will be a much freer Bird; I’ll be getting rid of some work 
responsibilities that have kept me trapped for the last two years.  Knowing I’m 
about to be free, I’ve been thinking about future creative projects I’d like to 
do for not other reason than to do them.  Life may just become fun again!
Cheers, Christine




On Feb 1, 2014, at 1:47 PM, Bruce Walker bruce.wal...@gmail.com wrote:

 Christine, h/w wise you'll be fine, but add some RAM to the 4GB
 machine. You need to be north of 6GB to be happy.
 
 The special photographer pricing of $20/month only applies to Lr +
 Ps. If you want InDesign and the other design packages you'll pay much
 more, up to $50/month.
 
 Upside, you can rent until you are done, then cancel.
 
 Disclaimer: I'm not a CC user. I'm allergic to the rental model. I'm
 happy with Lr and CS5. I may upgrade to CS6, but after that, nada. I'm
 adopting a wait and see stance.
 
 
 On Sat, Feb 1, 2014 at 12:27 PM, Christine Aguila christ...@caguila.com 
 wrote:
 Thanks, Godfrey!  Sounds good.  I’m not really interested in the photog 
 stuff.  I’m completely committed to Lightroom on my hard drive (iMac  
 Laptop)etc.  I’m not budging from that.  I use my PSElements when I need to. 
  Very happy with this setup for now.
 
 What I am interested in learning and using are the InDesign and other apps.  
 If I consider it, I’ll add some ram to my desktop, which I should do anyway. 
 I am, however, at the low end of the processors: 2.5 GHz Intel Core i5 on my 
 iMac and a little better on the laptop 2.6 GHz Intel Core i5, but 8 gigs of 
 ram. I’d actually like to use the CC on the laptop.  Lots of space on my 
 hard drive  for both—no worries there.
 
 Cheers, Christine
 
 
 On Feb 1, 2014, at 10:59 AM, Godfrey DiGiorgi godfreydigio...@me.com wrote:
 
 On Feb 1, 2014, at 8:50 AM, Christine Aguila christ...@caguila.com wrote:
 
 Anyone using Adobe’s Creative Cloud?  Any thoughts, recommendations, or 
 criticisms?  Lastly, why kind of specs does your computer need to have for 
 an enjoyable user experience?  Ram, storage, et al.
 
 I haven't the need - Lightroom does 99% of everything I need, no real bonus 
 to the CC for what I'm doing. But I know several people who bought the CC 
 package of Photoshop and Lightroom on the special of, what was it, 
 $10/month or something like that around Christmas time. They seem to be 
 pleased with it.
 
 How much computer you need depends upon both what you are trying to 
 accomplish and on what your expectations are. The simple answer is as much 
 CPU, as much RAM, as much storage space as you can throw at it. But in 
 practical terms, any recent Apple system with the faster variants of i5 and 
 i7 processors, 4G RAM (8-16G preferable), and a big disk with 20-30% free 
 space will do nicely. (I say Apple systems only because I don't keep track 
 of non-Apple hardware or software.) I'd have no reservations using the 
 package on my Mac mini, for instance (2.6Ghz i7-quad core, 16G RAM, 1T 
 internal drive with 50% free space, connected to a Thunderbolt Display 27.)
 
 G
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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Christine Aguila
Sounds like there aren’t too many Creative Cloud users on PDML.  Maybe for that 
reason, I’ll jump in :-.  Cheers, Christine



On Feb 1, 2014, at 2:01 PM, Paul Stenquist pnstenqu...@comcast.net wrote:

 I'm using CS6 and figure it will serve me well for years to come. I don't 
 need Lightroom. Don't like it. I had a $9/month offer for PS and LR cloud 
 versions. Not interested.
 
 Paul via phone
 
 On Feb 1, 2014, at 2:47 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 
 Christine, h/w wise you'll be fine, but add some RAM to the 4GB
 machine. You need to be north of 6GB to be happy.
 
 The special photographer pricing of $20/month only applies to Lr +
 Ps. If you want InDesign and the other design packages you'll pay much
 more, up to $50/month.
 
 Upside, you can rent until you are done, then cancel.
 
 Disclaimer: I'm not a CC user. I'm allergic to the rental model. I'm
 happy with Lr and CS5. I may upgrade to CS6, but after that, nada. I'm
 adopting a wait and see stance.
 
 
 On Sat, Feb 1, 2014 at 12:27 PM, Christine Aguila christ...@caguila.com 
 wrote:
 Thanks, Godfrey!  Sounds good.  I’m not really interested in the photog 
 stuff.  I’m completely committed to Lightroom on my hard drive (iMac  
 Laptop)etc.  I’m not budging from that.  I use my PSElements when I need 
 to.  Very happy with this setup for now.
 
 What I am interested in learning and using are the InDesign and other apps. 
  If I consider it, I’ll add some ram to my desktop, which I should do 
 anyway. I am, however, at the low end of the processors: 2.5 GHz Intel Core 
 i5 on my iMac and a little better on the laptop 2.6 GHz Intel Core i5, but 
 8 gigs of ram. I’d actually like to use the CC on the laptop.  Lots of 
 space on my hard drive  for both—no worries there.
 
 Cheers, Christine
 
 
 On Feb 1, 2014, at 10:59 AM, Godfrey DiGiorgi godfreydigio...@me.com 
 wrote:
 
 On Feb 1, 2014, at 8:50 AM, Christine Aguila christ...@caguila.com 
 wrote:
 
 Anyone using Adobe’s Creative Cloud?  Any thoughts, recommendations, or 
 criticisms?  Lastly, why kind of specs does your computer need to have 
 for an enjoyable user experience?  Ram, storage, et al.
 
 I haven't the need - Lightroom does 99% of everything I need, no real 
 bonus to the CC for what I'm doing. But I know several people who bought 
 the CC package of Photoshop and Lightroom on the special of, what was it, 
 $10/month or something like that around Christmas time. They seem to be 
 pleased with it.
 
 How much computer you need depends upon both what you are trying to 
 accomplish and on what your expectations are. The simple answer is as 
 much CPU, as much RAM, as much storage space as you can throw at it. But 
 in practical terms, any recent Apple system with the faster variants of i5 
 and i7 processors, 4G RAM (8-16G preferable), and a big disk with 20-30% 
 free space will do nicely. (I say Apple systems only because I don't keep 
 track of non-Apple hardware or software.) I'd have no reservations using 
 the package on my Mac mini, for instance (2.6Ghz i7-quad core, 16G RAM, 1T 
 internal drive with 50% free space, connected to a Thunderbolt Display 
 27.)
 
 G
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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Christine Aguila
I find Creative Cloud an interesting concept, though I really have to be able 
to justify usage.  Cheers, Christine


On Feb 1, 2014, at 1:37 PM, John johnsess...@yahoo.com wrote:

 On 2/1/2014 11:50 AM, Christine Aguila wrote:
 Hi Everyone:
 
 Anyone using Adobe’s Creative Cloud?  Any thoughts, recommendations,
 or criticisms?  Lastly, why kind of specs does your computer need to
 have for an enjoyable user experience?  Ram, storage, et al.
 
 Cheers, Christine
 
 
 The only part I can really answer is that last ... AS MUCH AS POSSIBLE!
 The more you have the better it's going to work.
 
 As far as I can tell, the difference between the perpetual license
 version  the creative clout is:
 
 1. The perpetual license version does not check to see if you've paid
 the rent this month.
 2. There will never be another perpetual license version.
 
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Re: Question: Skiing and Photography

2014-02-01 Thread Christine Aguila
It would be downhill, but I wouldn’t be on the advanced hills.  Good advice 
about arms!  Thanks, Christine


On Feb 1, 2014, at 1:00 PM, Alunfoto - Jostein Øksne p...@alunfoto.no wrote:

 Are we talking alpint, jumping, cross-country or X-games kinda skiing here? 
 :-)
 
 My own experience is with cross-country. I bring the usual backpack, and a 
 snoot bag with harness to fit across my chest for easy access to camera. When 
 maneuvering in snow, make sure you have your arms free. That's important 
 whether you're skiing yourself, use snowshoes or just unadorned legs. :-)
 
 Jostein
 
 -Opprinnelig melding- From: Christine Aguila
 Sent: Saturday, February 01, 2014 5:56 PM
 To: PDML List
 Subject: Question: Skiing and Photography
 
 Hi Everyone:
 
 If you were to do a photo shoot of a ski outting, what might be your kit, 
 preparation and strategy, and safety issues?  Obviously, a photographer 
 wouldn’t want to just wait at the bottom of the hill for shots of folks 
 coming down the hill.  How would you keep your kit safe when maneuvering 
 along the hill?
 
 Any tips and strategies from any PDML Skier-Photogs?
 
 I’m not planning a ski shoot this season, but maybe next season.
 
 
 Cheers, Christine
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Re: Question: Skiing and Photography

2014-02-01 Thread Christine Aguila
Fantastic, John!  Thanks! Have it bookmarked! Cheers, Christine


On Feb 1, 2014, at 1:49 PM, John johnsess...@yahoo.com wrote:

 On 2/1/2014 11:56 AM, Christine Aguila wrote:
 Hi Everyone:
 
 If you were to do a photo shoot of a ski outting, what might be your kit, 
 preparation and strategy, and safety issues?  Obviously, a photographer 
 wouldn’t want to just wait at the bottom of the hill for shots of folks 
 coming down the hill.  How would you keep your kit safe when maneuvering 
 along the hill?
 
 Any tips and strategies from any PDML Skier-Photogs?
 
 I’m not planning a ski shoot this season, but maybe next season.
 
 
 Cheers, Christine
 
 
 Regular Pentax Strap combined with the Op/Tech Stabilizer Strap.
 
 http://www.bhphotovideo.com/c/product/39643-REG/OP_TECH_USA_5301002_Stabilizer_Strap.html
 
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Re: Question: Skiing and Photography

2014-02-01 Thread Christine Aguila
Excellent point on the pre-shoot with the WG.  I have that camera.  The kit you 
suggest is what I was thinking of—and agree no lens changing on the hill.   
Foam suggestion excellent as well.  Thanks, Stan!  Cheers, Christine



On Feb 1, 2014, at 1:18 PM, Stanley Halpin s...@stans-photography.info wrote:

 Someplace a few months ago I saw a video on back-country extreme skiing and 
 the photography thereof. You might try a search on YouTube.
 
 It has been awhile since I skied, but IIRC I wouldn’t want to wear a backpack 
 or shoulder bag. Unless we are talking Bunny Slope and Green runs, in which 
 case the backpack would be ok.
 
 I would be inclined to start with a WG-III in my pocket. Go out, set up, take 
 some shots. Figure out what was going to be the best focal length(s) for the 
 kind of shots I want to be able to get. Back out that afternoon or the next 
 day with K-5/K-3 and a single lens, wrapped in foam in a small backpack or 
 daypack. Set up and shoot away. Watch out for out-of-control crazies. Shoot 
 some more. Pack everything up, ski to a new location, repeat.
 
 If I only had one shot at it with no time to trial test with a pocket camera, 
 I would take the K-5/K-3 with 50-135 as my main camera, the WG-III as a 
 backup and in case I needed to go wider than 50mm. I would not want to be 
 changing lenses in the snow, I would not want to go in and out of the ski 
 lodge multiple times to change lenses (condensation issues), and I would not 
 want to carry more than just one basic kit. 
 
 stan
 
 On Feb 1, 2014, at 11:56 AM, Christine Aguila christ...@caguila.com wrote:
 
 Hi Everyone:
 
 If you were to do a photo shoot of a ski outting, what might be your kit, 
 preparation and strategy, and safety issues?  Obviously, a photographer 
 wouldn’t want to just wait at the bottom of the hill for shots of folks 
 coming down the hill.  How would you keep your kit safe when maneuvering 
 along the hill?
 
 Any tips and strategies from any PDML Skier-Photogs?
 
 I’m not planning a ski shoot this season, but maybe next season.
 
 
 Cheers, Christine
 
 
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Re: Question: Skiing and Photography

2014-02-01 Thread Christine Aguila
Thanks, Bob!  Good light metering suggestion.  I like the pics.  Light did come 
out very well.  Impressive.  Cheers, Christine


On Feb 1, 2014, at 2:05 PM, Bob W p...@web-options.com wrote:

 On 1 Feb 2014, at 16:56, Christine Aguila christ...@caguila.com wrote:
 
 Hi Everyone:
 
 If you were to do a photo shoot of a ski outting, what might be your kit, 
 preparation and strategy, and safety issues?  Obviously, a photographer 
 wouldn’t want to just wait at the bottom of the hill for shots of folks 
 coming down the hill.  How would you keep your kit safe when maneuvering 
 along the hill?
 
 Any tips and strategies from any PDML Skier-Photogs?
 
 I’m not planning a ski shoot this season, but maybe next season.
 
 I went skiing a few years ago with one of my brothers and his family, who are 
 very good skiers. It's the only time I've skiied. It was the film era and I 
 was using a Contax with Zeiss lenses. When I was skiing I left them at my 
 brother's house - I had no wish to have that stuff on me while skiing, it was 
 likely to be dangerous. On some days I didn't ski, and took the camera kit in 
 a Domke F-2, went up the ski lift with them and found some spots where I 
 could get different views of them on the way down, them some shots of one of 
 my nephews boarding. 
 
 I took a full range of lenses, from a 300mm to a 21mm. I took incident light 
 readings with my hand shading the underside of the meter so that the snow 
 would come out right. 
 
 Here's a page I've just put up. Low-res scans to CD.
 
 http://www.web-options.com/Skiing/
 
 The best shot is the one of my nephew jumping off a low bank - that's with a 
 21mm lens (35mm camera). Most of the shots are very samey, although I expect 
 someone with more experience would much better.
 
 B
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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Godfrey DiGiorgi
The good part about the rental subscription licensing is that if you try things 
out and then find you don't really need/use it, you can just opt out.  Convert 
your work to standards based formats (TIFF and PDF), archive the projects, etc. 
Then, if you find you need it again, just reactivate your subscription. 

If I were doing occasional projects that needed these apps, that's exactly how 
I'd work it. And it would take a few years at $50/month for three/four months 
per year to equal even the single purchase of Creative Suite, never mind 
updates. 

This software and the subscription licensing model is really targeted at 
business use, where the cost of these tools is a trivial part of the cost of 
doing business. Hobbyists and occasional artists rarely have the need for this 
stuff—there are plenty of less costly solutions that do the job very well 
available. 

Godfrey


 On Feb 1, 2014, at 12:19 PM, Christine Aguila christ...@caguila.com wrote:
 
 I find Creative Cloud an interesting concept, though I really have to be able 
 to justify usage.  Cheers, Christine

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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Brian Walters

Quoting Christine Aguila christ...@caguila.com:


Hi Everyone:

Anyone using Adobe?s Creative Cloud?  Any thoughts, recommendations,  
or criticisms?  Lastly, why kind of specs does your computer need to  
have for an enjoyable user experience?  Ram, storage, et al.



I took up the photography option of Photoshop CC + Lightroom as an  
affordable way to upgrade Photoshop. I've only dabbled with the  
Lightroom component - I have other software for image management - but  
I may use it for the occasional image.


My system is pretty basic by today's standards - 32 bit Win 7 with 2  
MB RAM - and it struggles a bit with Photoshop, but not so much that  
I'm in a hurry to upgrade it.




--
Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Bruce Walker
On Sat, Feb 1, 2014 at 3:32 PM, Godfrey DiGiorgi godd...@me.com wrote:

 This software and the subscription licensing model is really targeted at
 business use, where the cost of these tools is a trivial part of the cost
 of doing business. Hobbyists and occasional artists rarely have the need
 for this stuff—there are plenty of less costly solutions that do the job
 very well available.

Sadly not true for artists who use layers and do compositing (many do
that, like adding textures), and artists and part-timers doing
sophisticated retouching. That's many folks, like me. There are no
packages out there that support the features needed for portrait
retouching. Yes it _can_ be done (barely) with The Gimp and the like,
but it's needlessly complicated and difficult. A 10 minute Ps retouch
would become a 2 hour one on The Gimp for me.

And the plan of converting projects to TIFF and back when cancelling
CC and then later re-subscribing is not very workable. When you
convert your project to TIFF you lose all the layers and internal
state you had built up. I keep all my retouches in PSD form so I can
return later, even years later, and do more work if necessary. Or
examine how I did something. They are all works in progress. On
again off again CC won't work for me.

-- 
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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Christine Aguila

On Feb 1, 2014, at 2:32 PM, Godfrey DiGiorgi godd...@me.com wrote:

 The good part about the rental subscription licensing is that if you try 
 things out and then find you don't really need/use it, you can just opt out.  
 Convert your work to standards based formats (TIFF and PDF), archive the 
 projects, etc. Then, if you find you need it again, just reactivate your 
 subscription. 
 
 If I were doing occasional projects that needed these apps, that's exactly 
 how I'd work it. And it would take a few years at $50/month for three/four 
 months per year to equal even the single purchase of Creative Suite, never 
 mind updates. 


That’s exactly what I was thinking.  Prep all my project specs, prep and 
organize my project assets so they’re good to go, then activate subscription 
when needed and cancel when not needed.  Kind of cool idea really.  Cheers, 
Christine
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Re: GESO January faves

2014-02-01 Thread Ken Waller

Larry, Joe's Bar is the best IMO.
Some of the others cry out for better light to lift them from the snapshot 
category.


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Larry Colen l...@red4est.com

Subject: GESO January faves



Here are my best shots from January:

http://www.flickriver.com/photos/ellarsee/sets/72157639425946344/

--
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http://red4est.com/lrc



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Re: Wilder ranch reprocessed

2014-02-01 Thread Ken Waller
Larry, both are nice captures but I would remove the vegetation in the URH 
corner of the first image if it were mine


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Paul Stenquist pnstenqu...@comcast.net

Subject: Re: Wilder ranch reprocessed



Photoshop is a better tool.

Paul via phone


On Feb 1, 2014, at 3:52 AM, Larry Colen l...@red4est.com wrote:

Candice seems to have taken objection to my post processing skills and
asked for the raw files of a couple of my Wilder Ranch sunset photos.
As you can see from these, she's a bit more adept with photoshop than I
(am with lightroom).

http://www.flickr.com/photos/ellarsee/12247932384/

http://www.flickr.com/photos/ellarsee/12247904144/

--
Larry Colen  l...@red4est.com 
http://red4est.com/lrc



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Re: Question: Skiing and Photography

2014-02-01 Thread Ken Waller
Christine, you might give some thought to POV video. GoPros are very easy to 
use, have many different mounts (chest, head and helmet) and produce very 
good video.


I used mine during my sled dog race and the video came out better than any 
stills I could have taken with out stopping.


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Bob W p...@web-options.com

Subject: Re: Question: Skiing and Photography



On 1 Feb 2014, at 16:56, Christine Aguila christ...@caguila.com wrote:


Hi Everyone:

If you were to do a photo shoot of a ski outting, what might be your kit, 
preparation and strategy, and safety issues?  Obviously, a photographer 
wouldn’t want to just wait at the bottom of the hill for shots of folks 
coming down the hill.  How would you keep your kit safe when maneuvering 
along the hill?


Any tips and strategies from any PDML Skier-Photogs?

I’m not planning a ski shoot this season, but maybe next season.


I went skiing a few years ago with one of my brothers and his family, who 
are very good skiers. It's the only time I've skiied. It was the film era 
and I was using a Contax with Zeiss lenses. When I was skiing I left them 
at my brother's house - I had no wish to have that stuff on me while 
skiing, it was likely to be dangerous. On some days I didn't ski, and took 
the camera kit in a Domke F-2, went up the ski lift with them and found 
some spots where I could get different views of them on the way down, them 
some shots of one of my nephews boarding.


I took a full range of lenses, from a 300mm to a 21mm. I took incident 
light readings with my hand shading the underside of the meter so that the 
snow would come out right.


Here's a page I've just put up. Low-res scans to CD.

http://www.web-options.com/Skiing/

The best shot is the one of my nephew jumping off a low bank - that's with 
a 21mm lens (35mm camera). Most of the shots are very samey, although I 
expect someone with more experience would much better.


B



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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Godfrey DiGiorgi

On Feb 1, 2014, at 12:48 PM, Bruce Walker bruce.wal...@gmail.com wrote:

 On Sat, Feb 1, 2014 at 3:32 PM, Godfrey DiGiorgi godd...@me.com wrote:
 
 This software and the subscription licensing model is really targeted at
 business use, where the cost of these tools is a trivial part of the cost
 of doing business. Hobbyists and occasional artists rarely have the need
 for this stuff—there are plenty of less costly solutions that do the job
 very well available.
 
 Sadly not true for artists who use layers and do compositing (many do
 that, like adding textures), and artists and part-timers doing
 sophisticated retouching. That's many folks, like me. There are no
 packages out there that support the features needed for portrait
 retouching. Yes it _can_ be done (barely) with The Gimp and the like,
 but it's needlessly complicated and difficult. A 10 minute Ps retouch
 would become a 2 hour one on The Gimp for me.

I said occasional artists. Career artists make a living from their work and 
the cost of doing business rules apply. 

That aside, GIMP is wretched. But GIMP is far from the only option. Corel 
Paintshop Pro does a very good job. Photoshop Elements is perpetual license and 
does 99% of what photographers do with Photoshop. Photo Matix, Pixelmator, etc 
etc, are all layered pixelmap editors with lots of capabilities and support. 
There are dozens out there. 

But if you really really must have Photoshop CS and the latest version, you 
have no choice but to suck it up and pay for the privilege. You do anyway if 
you buy a copy and then keep it updated properly with a perpetual license. 

 And the plan of converting projects to TIFF and back when cancelling
 CC and then later re-subscribing is not very workable. When you
 convert your project to TIFF you lose all the layers and internal
 state you had built up. I keep all my retouches in PSD form so I can
 return later, even years later, and do more work if necessary. Or
 examine how I did something. They are all works in progress. On
 again off again CC won't work for me.

I didn't say to convert to standards formats and back again. I said to convert 
to standards formats and archive the originals, should you ever need them to 
use with the original apps again. The standards format versions work fine for 
most other apps that you use them as components of a project with. 

BTW, TIFF supports layers. I haven't used PSD format since 2006, but I have a 
bunch of layered TIFFs that I use to produce my cards. It is the single use I 
have for Photoshop nowadays, really … I could dump PS entirely and recreate 
them in some other app, but until PS CS 5.1 stops working, I have no need to. 

G
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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Mark C
I am not using Adobe cloud at this time, but one question I wonder about 
is how it handles updates. I updated to PS CS 6 several months ago and, 
as usual, it takes some time to get used to the changes. I inevitably 
find the changes / upgrades to be beneficial, but there are also times 
were I go to execute a familiar process and suddenly realize that I have 
no idea where the menu command has been moved to or how it has been 
replaced / upgraded by new commands. It can be a pain if I'm in a hurry 
and just trying to get something done quickly and not interested in 
learning about the new features at that moment. The simple solution is 
to leave the old version of PS to fall back to until I am fully up and 
running with the new... and I often do fall back to in in the first few 
months after upgrading.


So - with Creative Cloud what I don't know is if updates just happen and 
you constantly are finding that something is moved, different, improved, 
etc. and constantly diverting your attention to figuring out new stuff. 
Maybe the user can control the update process, maybe the updates become 
so incremental that it is not such an issue. But I would hate it if it 
updated and changed things on an ongoing basis. If I ever move to CC I 
will be researching that question. (For the foreseeable future PS6 will 
be more than sufficient for me.)


Mark

On 2/1/2014 11:50 AM, Christine Aguila wrote:

Hi Everyone:

Anyone using Adobe’s Creative Cloud?  Any thoughts, recommendations, or 
criticisms?  Lastly, why kind of specs does your computer need to have for an 
enjoyable user experience?  Ram, storage, et al.

Cheers, Christine



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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Matthew Hunt
On Sat, Feb 1, 2014 at 4:33 PM, Mark C pdml-m...@charter.net wrote:

 So - with Creative Cloud what I don't know is if updates just happen and you
 constantly are finding that something is moved, different, improved, etc.
 and constantly diverting your attention to figuring out new stuff. Maybe the
 user can control the update process, maybe the updates become so incremental
 that it is not such an issue.

It doesn't update automatically (at least not by default). An Adobe
Update tool notifies you that new versions are available, and you
download and install them if you wish.

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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Bruce Walker
On Sat, Feb 1, 2014 at 4:25 PM, Godfrey DiGiorgi godfreydigio...@me.com wrote:
 On Feb 1, 2014, at 12:48 PM, Bruce Walker bruce.wal...@gmail.com wrote:
 On Sat, Feb 1, 2014 at 3:32 PM, Godfrey DiGiorgi godd...@me.com wrote:

 This software and the subscription licensing model is really targeted at
 business use, where the cost of these tools is a trivial part of the cost
 of doing business. Hobbyists and occasional artists rarely have the need
 for this stuff—there are plenty of less costly solutions that do the job
 very well available.

 Sadly not true for artists who use layers and do compositing (many do
 that, like adding textures), and artists and part-timers doing
 sophisticated retouching. That's many folks, like me. There are no
 packages out there that support the features needed for portrait
 retouching. Yes it _can_ be done (barely) with The Gimp and the like,
 but it's needlessly complicated and difficult. A 10 minute Ps retouch
 would become a 2 hour one on The Gimp for me.

 I said occasional artists. Career artists make a living from their work and
 the cost of doing business rules apply.

Occasional artists don't have sophisticated needs? I know I do. I
don't make a living from my art, but I need the power of Ps to do what
I want to do.


 That aside, GIMP is wretched. But GIMP is far from the only option.
 Corel Paintshop Pro does a very good job. Photoshop Elements is
 perpetual license and does 99% of what photographers do with
 Photoshop. Photo Matix, Pixelmator, etc etc, are all layered pixelmap
 editors with lots of capabilities and support. There are dozens out there.

None of these packages offer both layers, with all the Ps layer
blending modes, and masks. The fact that Ps Elements lacks masking
completely removes it from contention for retouching, for example.
Even the fact it cannot warp a layer is a show-stopper.


 But if you really really must have Photoshop CS and the latest version,
 you have no choice but to suck it up and pay for the privilege. You do
 anyway if you buy a copy and then keep it updated properly with a
 perpetual license.

I don't need the latest version. I need a capable version. CS5 suits me.

My model was to buy a copy then upgrade it after 2-4 years. To compare
to that CC would have to cost me less than $5 a month (forever). The
current model will charge me $20/month forever. Not reasonable.

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Re: Question: Skiing and Photography

2014-02-01 Thread Christine Aguila
That's an excellent suggestion, Ken.  Friends I'm with could body-mount it too 
for some fun video and narrative. Thanks!  Cheers, Christine 

Sent from my iPad

 On Feb 1, 2014, at 3:09 PM, Ken Waller kwal...@peoplepc.com wrote:
 
 Christine, you might give some thought to POV video. GoPros are very easy to 
 use, have many different mounts (chest, head and helmet) and produce very 
 good video.
 
 I used mine during my sled dog race and the video came out better than any 
 stills I could have taken with out stopping.
 
 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller
 
 - Original Message - From: Bob W p...@web-options.com
 Subject: Re: Question: Skiing and Photography
 
 
 On 1 Feb 2014, at 16:56, Christine Aguila christ...@caguila.com wrote:
 
 Hi Everyone:
 
 If you were to do a photo shoot of a ski outting, what might be your kit, 
 preparation and strategy, and safety issues?  Obviously, a photographer 
 wouldn’t want to just wait at the bottom of the hill for shots of folks 
 coming down the hill.  How would you keep your kit safe when maneuvering 
 along the hill?
 
 Any tips and strategies from any PDML Skier-Photogs?
 
 I’m not planning a ski shoot this season, but maybe next season.
 
 I went skiing a few years ago with one of my brothers and his family, who 
 are very good skiers. It's the only time I've skiied. It was the film era 
 and I was using a Contax with Zeiss lenses. When I was skiing I left them at 
 my brother's house - I had no wish to have that stuff on me while skiing, it 
 was likely to be dangerous. On some days I didn't ski, and took the camera 
 kit in a Domke F-2, went up the ski lift with them and found some spots 
 where I could get different views of them on the way down, them some shots 
 of one of my nephews boarding.
 
 I took a full range of lenses, from a 300mm to a 21mm. I took incident light 
 readings with my hand shading the underside of the meter so that the snow 
 would come out right.
 
 Here's a page I've just put up. Low-res scans to CD.
 
 http://www.web-options.com/Skiing/
 
 The best shot is the one of my nephew jumping off a low bank - that's with a 
 21mm lens (35mm camera). Most of the shots are very samey, although I expect 
 someone with more experience would much better.
 
 B
 
 
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Re: Question: Adobe Creative Cloud

2014-02-01 Thread steve harley

on 2014-02-01 14:46 Matthew Hunt wrote

It doesn't update automatically (at least not by default). An Adobe
Update tool notifies you that new versions are available, and you
download and install them if you wish.


it doesn't tell you anything about the update, not even how big the download 
is, so you have to research it on your own; once you update, you can never go back





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Re: Question: Adobe Creative Cloud

2014-02-01 Thread steve harley

on 2014-02-01 13:32 Godfrey DiGiorgi wrote

The good part about the rental subscription licensing is that if you try things 
out and then find you don't really need/use it, you can just opt out.  Convert 
your work to standards based formats (TIFF and PDF), archive the projects, etc. 
Then, if you find you need it again, just reactivate your subscription.

If I were doing occasional projects that needed these apps, that's exactly how 
I'd work it. And it would take a few years at $50/month for three/four months 
per year to equal even the single purchase of Creative Suite, never mind 
updates.


you can't do a three/four months per year at $50/month - it is $75/month 
without a year's commitment


also, if don't you want to download everything all over again, you will want to 
leave it installed when your subscription expires, however the updater it will 
keep checking and notifying you even though you aren't eligible for updates




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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Godfrey DiGiorgi

On Feb 1, 2014, at 2:29 PM, steve harley p...@paper-ape.com wrote:

 on 2014-02-01 13:32 Godfrey DiGiorgi wrote
 The good part about the rental subscription licensing is that if you try 
 things out and then find you don't really need/use it, you can just opt out. 
  Convert your work to standards based formats (TIFF and PDF), archive the 
 projects, etc. Then, if you find you need it again, just reactivate your 
 subscription.
 
 If I were doing occasional projects that needed these apps, that's exactly 
 how I'd work it. And it would take a few years at $50/month for three/four 
 months per year to equal even the single purchase of Creative Suite, never 
 mind updates.
 
 you can't do a three/four months per year at $50/month - it is $75/month 
 without a year's commitment

Sure. Still not a problem. That's $300 for four months use, always with the 
latest. Creative Suite was like $1500 or so, so after you use it this way for 
five years, you've paid the equivalent of one CS price but no further update 
charges. CS would need a $500 update every 18 months or so on the perpetual 
license. To me that is a bargain if I'm getting the work I need done with it. 

 also, if don't you want to download everything all over again, you will want 
 to leave it installed when your subscription expires, however the updater it 
 will keep checking and notifying you even though you aren't eligible for 
 updates

I have several hundred gigabytes of storage space available on my startup 
drive. And I can disable the updater… 
However, with a fast network at my disposal, I'd just delete and re-download.

Not a big deal at all. I doubt I'll ever do it, however, since I have no need 
now or in the foreseeable future. Never say never though.  ;-)

G
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Re: PESO: Sunset Selfie

2014-02-01 Thread Daniel J. Matyola
Serves me right to try to be artistic.  G

Thanks, Bob, for looking and commenting.  Someone on this list
suggested some time ago that when everyone is pointing their cameras
in the same direction, one should turn around and see if there is
something surprising in the other direction.  That is what I did here,
an what I have been doing with a series of people watching the sunset.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Sat, Feb 1, 2014 at 9:20 AM, Bob Sullivan rf.sulli...@gmail.com wrote:
 Dan,
 You're looking the wrong way!
 Regards,  Bob S.

 On Sat, Feb 1, 2014 at 4:52 AM, Daniel J. Matyola danmaty...@gmail.com 
 wrote:
 http://photo.net/photodb/photo?photo_id=17667263
 Comments are invited.

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Matthew Hunt
On Sat, Feb 1, 2014 at 5:24 PM, steve harley p...@paper-ape.com wrote:

 it doesn't tell you anything about the update, not even how big the download
 is, so you have to research it on your own; once you update, you can never
 go back

It tells me something about the update:

http://i.imgur.com/OzvioVo

(Stupidly, however, the URL for more information is not clickable or
selectable.)

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Re: PESO: Sunset Selfie

2014-02-01 Thread Daniel J. Matyola
Thanks, Frank.
This is what is known as a macroscian image:
http://www.merriam-webster.com/dictionary/macroscian
http://wordsmith.org/words/macroscian.html
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Sat, Feb 1, 2014 at 10:05 AM, Bruce Walker bruce.wal...@gmail.com wrote:
 Fun shot, Dan. Very good!

 On Sat, Feb 1, 2014 at 5:52 AM, Daniel J. Matyola danmaty...@gmail.com 
 wrote:
 http://photo.net/photodb/photo?photo_id=17667263
 Comments are invited.

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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PESO: Maui Sunset

2014-02-01 Thread Daniel J. Matyola
The end of another perfect day in paradise:
http://photo.net/photodb/photo?photo_id=17667257

Comments are invited.

Dan Matyola
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Re: Wilder ranch reprocessed

2014-02-01 Thread Jack Davis
I agree! Also, I'd have to level it up a bit.

Jack




- Original Message -
From: Ken Waller kwal...@peoplepc.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Saturday, February 1, 2014 1:01 PM
Subject: Re: Wilder ranch reprocessed

Larry, both are nice captures but I would remove the vegetation in the URH 
corner of the first image if it were mine

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Paul Stenquist pnstenqu...@comcast.net
Subject: Re: Wilder ranch reprocessed


 Photoshop is a better tool.

 Paul via phone

 On Feb 1, 2014, at 3:52 AM, Larry Colen l...@red4est.com wrote:

 Candice seems to have taken objection to my post processing skills and
 asked for the raw files of a couple of my Wilder Ranch sunset photos.
 As you can see from these, she's a bit more adept with photoshop than I
 (am with lightroom).

 http://www.flickr.com/photos/ellarsee/12247932384/

 http://www.flickr.com/photos/ellarsee/12247904144/

 -- 
 Larry Colen                  l...@red4est.com 
 http://red4est.com/lrc


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Re: PESO 2014 - 036 - GDG

2014-02-01 Thread Daniel J. Matyola
Quite interesting and appealing, to my eye at least.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Sat, Feb 1, 2014 at 12:38 PM, Godfrey DiGiorgi
godfreydigio...@me.com wrote:
 I'm staying in today, battling the coldy/fevery thing I've been fighting for 
 three days already, so no walk this morning. I'll work on some photos I 
 haven't had time to process from recent weeks instead of making new stuff 
 this weekend.

 http://www.flickr.com/photos/gdgphoto/12253797355/

 A little Mondrian-ish, perhaps. ;-)

 Thanks for looking! Comments appreciated.

 Godfrey
 ---
   The fact that nobody understands you doesn't make you an artist.


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Re: Pentax 1.4x converter

2014-02-01 Thread Joseph McAllister

On Jan 27, 2014, at 12:42 , steve harley wrote:

 on 2014-01-27 12:20 Mark Roberts wrote
 I think the text on the barrel was Photoshopped in but I think it's a
 genuine Pentax product shot done from a pre-production prototype.
 
 i think the whole thing is a fake; every detail of mount surface has 
 highlights indicating a light source to the left, but the black body has a 
 highlight from a light source to the right; what shows of the bayonet has two 
 highlights …
 
 at the lower edge of metal mount surface, there is an area just left of 
 center where the bright metal is out of round and blurred, making the black 
 ring next to the mount surface narrower …
 
 the text curves such that the right side of each line is lower than the left, 
 and this is more pronounced on the lower line

It's not only the text, but the piece of material (or PS layer) holding the 
text has a different radius than the converter, matching up with the converter 
in the center, but almost bisecting the vertical lip of the top at it's end 
points.

Definitely not a Pentax product shot, beta or whatever.

Like others have said, I can wait, I can't afford, and I have the Tamron 1.4 
and 2.0x converters for PZ-1p, plus the 2.0 A Pentax unit.




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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Mark C

On 2/1/2014 4:46 PM, Matthew Hunt wrote:

On Sat, Feb 1, 2014 at 4:33 PM, Mark C pdml-m...@charter.net wrote:


So - with Creative Cloud what I don't know is if updates just happen and you
constantly are finding that something is moved, different, improved, etc.
and constantly diverting your attention to figuring out new stuff. Maybe the
user can control the update process, maybe the updates become so incremental
that it is not such an issue.

It doesn't update automatically (at least not by default). An Adobe
Update tool notifies you that new versions are available, and you
download and install them if you wish.

That's good to know - so you can hold off on updating so if you are 
under the gun you do no need to deal with figuring out new ways of doing 
things.


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Re: It's that time of year

2014-02-01 Thread Daniel J. Matyola
Thanks for all you do on our behalf, Doug!

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Wed, Jan 29, 2014 at 9:56 PM, Doug Brewer
d...@dougbrewerphotography.com wrote:
 For the bi-annual fund drive to keep the PDML going for another while.
 Please visit the PDML home page and drop a few drachmas* in the till. the
 masses will sing songs of your heroism in the days to come.

 Much love,

 Doug, List Guy and keeper of fundage, payer of billage.

 *not really. Use US funds.

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Re: OT Outstanding wildlife/nature photography

2014-02-01 Thread Daniel J. Matyola
Remarkable indeed!

He seems to have a dark muse .  .  .  .

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Sat, Feb 1, 2014 at 9:42 AM, Alunfoto - Jostein Øksne
p...@alunfoto.no wrote:
 His House In The Woods -project got some good press here in Scandinavia
 about a year ago. Interesting how he combines decay of man-made structures
 and animal photography.

 I love his image aestethics.

 Jostein

 -Opprinnelig melding- Fra: Bruce Walker
 Dato: 31. januar 2014 01:53
 Til: Pentax Discuss Mailing List
 Emne: OT Outstanding wildlife/nature photography

 This Finnish photographer's stuff is really remarkable ...

 http://www.kafa.fi/pages/gallery1.php
 http://www.kafa.fi/pages/the-house-in-the-woods.php


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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Brian Walters

Quoting steve harley p...@paper-ape.com:


on 2014-02-01 14:46 Matthew Hunt wrote

It doesn't update automatically (at least not by default). An Adobe
Update tool notifies you that new versions are available, and you
download and install them if you wish.


it doesn't tell you anything about the update, not even how big the  
download is, so you have to research it on your own; once you  
update, you can never go back



...which is the main thing that bothers me.  So far, updates have  
worked OK but I will probably not update from now on unless there's  
some compelling reason to do so.



--
Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



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Re: PESO: Maui Sunset

2014-02-01 Thread Bob Sullivan
Dan,
That's marvelous!  Wonderfully colored and artistic.
Regards,  Bob S.

On Sat, Feb 1, 2014 at 4:59 PM, Daniel J. Matyola danmaty...@gmail.com wrote:
 The end of another perfect day in paradise:
 http://photo.net/photodb/photo?photo_id=17667257

 Comments are invited.

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Matthew Hunt
On Sat, Feb 1, 2014 at 5:54 PM, Matthew Hunt m...@pobox.com wrote:

 http://i.imgur.com/OzvioVo

Also, the updater inside Photoshop (Help - Updates) shows the sizes
in addition to the change summary:

http://imgur.com/ZWdy8CZ

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Re: Question: Adobe Creative Cloud

2014-02-01 Thread steve harley

on 2014-02-01 9:50 Christine Aguila wrote

Hi Everyone:

Anyone using Adobe’s Creative Cloud?  Any thoughts, recommendations, or 
criticisms?  Lastly, why kind of specs does your computer need to have for an 
enjoyable user experience?  Ram, storage, et al.


i have used Photoshop and Illustrator since the early 90s, and InDesign since 
its public beta; i had a CC subscription when it launched; canceled it last May 
when the intro price, $30/month, went up to $50; i doubt my situation is that 
uncommon — i have a background and a small current sideline as a graphics 
professional, so i have occasional uses for InDesign, Acrobat, Photoshop  
Illustrator, but not quite enough to justify $600/year; that could change (i do 
a significant amount with QuarkXPress still, but my client supplies a license), 
and it's nice to think i can jump back into InDesign when needed without 
forking over full price; but by pricing me out, Adobe has caused me to use 
other tools and gradually lose my chops with the Adobe apps … for example i do 
text with markdown and sometimes Pages, and i find Pixelmator is great for 
quick hack jobs on images (has layers, type, and a lot more, but is not nearly 
as precise, nor do i trust its color)


when i did subscribe, i found i really disliked CC's required update tool on 
the Mac; and from a professional standpoint there are serious concerns about no 
recourse for version-specific bugs and incompatibilities — one can't retain 
multiple versions of what the subscription supplies, as one could with the 
traditional license, and Adobe historically has taken years to fix significant 
bugs introduced by new versions


overall Adobe doesn't have my confidence; its professional apps have a 
guaranteed market in the short term, but its long-term strategy seems to be 
focused on the consumer, not pro, market; i regret that Adobe ever dominated 
the market as it did, because that set us up for trouble when print publishing 
stopped being a growth industry — for example, without Adobe's dominance i 
think it might have felt pressure to gradate prices depending on the 
subscribers' needs (student pricing is worth looking at, though)


i do think if you need just Photoshop and LR and you qualify, $10/month is a 
pretty good price; LightRoom seems to have a growthful future both for pros and 
consumers, so it may be insulated from the market-dominance side effects


as for hardware requirements, it depends on the type of documents you produce; 
with InDesign, longer and/or more complex documents can slow things down a lot, 
and benefit from faster machines; InDesign is not a lightweight application, i 
found the CC version slowish with moderately complex documents (2 pages, but 
hundreds of elements) on my quad-i7 laptop with 16GB RAM; the i5 vs i7 probably 
makes less difference than the amount of RAM and the speed of your drives; i 
understand newer iMacs use desktop versions of i5  i7 CPUs, which differ 
less in their performance than the mobile versions of the same; a large 
display is also helpful, as InDesign is very palette-happy




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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Bob Sullivan
Adobe doesn't have my confidence either.
Anybody who wants to get in my machine every time I sign on is not my friend.
And, there is a new version of the PDF reader they want to download every time.
I believe that is bullshit.
Regards,  Bob S.

On Sat, Feb 1, 2014 at 4:37 PM, steve harley p...@paper-ape.com wrote:
 on 2014-02-01 9:50 Christine Aguila wrote

 Hi Everyone:

 Anyone using Adobe's Creative Cloud?  Any thoughts, recommendations, or
 criticisms?  Lastly, why kind of specs does your computer need to have for
 an enjoyable user experience?  Ram, storage, et al.


 i have used Photoshop and Illustrator since the early 90s, and InDesign
 since its public beta; i had a CC subscription when it launched; canceled it
 last May when the intro price, $30/month, went up to $50; i doubt my
 situation is that uncommon -- i have a background and a small current
 sideline as a graphics professional, so i have occasional uses for InDesign,
 Acrobat, Photoshop  Illustrator, but not quite enough to justify $600/year;
 that could change (i do a significant amount with QuarkXPress still, but my
 client supplies a license), and it's nice to think i can jump back into
 InDesign when needed without forking over full price; but by pricing me
 out, Adobe has caused me to use other tools and gradually lose my chops with
 the Adobe apps ... for example i do text with markdown and sometimes Pages,
 and i find Pixelmator is great for quick hack jobs on images (has layers,
 type, and a lot more, but is not nearly as precise, nor do i trust its
 color)

 when i did subscribe, i found i really disliked CC's required update tool on
 the Mac; and from a professional standpoint there are serious concerns about
 no recourse for version-specific bugs and incompatibilities -- one can't
 retain multiple versions of what the subscription supplies, as one could
 with the traditional license, and Adobe historically has taken years to fix
 significant bugs introduced by new versions

 overall Adobe doesn't have my confidence; its professional apps have a
 guaranteed market in the short term, but its long-term strategy seems to be
 focused on the consumer, not pro, market; i regret that Adobe ever dominated
 the market as it did, because that set us up for trouble when print
 publishing stopped being a growth industry -- for example, without Adobe's
 dominance i think it might have felt pressure to gradate prices depending on
 the subscribers' needs (student pricing is worth looking at, though)

 i do think if you need just Photoshop and LR and you qualify, $10/month is a
 pretty good price; LightRoom seems to have a growthful future both for pros
 and consumers, so it may be insulated from the market-dominance side effects

 as for hardware requirements, it depends on the type of documents you
 produce; with InDesign, longer and/or more complex documents can slow things
 down a lot, and benefit from faster machines; InDesign is not a lightweight
 application, i found the CC version slowish with moderately complex
 documents (2 pages, but hundreds of elements) on my quad-i7 laptop with 16GB
 RAM; the i5 vs i7 probably makes less difference than the amount of RAM and
 the speed of your drives; i understand newer iMacs use desktop versions of
 i5  i7 CPUs, which differ less in their performance than the mobile
 versions of the same; a large display is also helpful, as InDesign is very
 palette-happy




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Re: Question: Adobe Creative Cloud

2014-02-01 Thread steve harley

on 2014-02-01 16:58 Bob Sullivan wrote

And, there is a new version of the PDF reader they want to download every time.
I believe that is bullshit.


well, i do update Reader - it's a major vector for malware, and even if i doubt 
Adobe can close the holes fast enough, i do want the updates; i use Apple's 
Preview for most PDFs, but it has trouble with some PDF features




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Re: OT Outstanding wildlife/nature photography

2014-02-01 Thread Ken Waller

And dark images on my monitor.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Daniel J. Matyola danmaty...@gmail.com

Subject: Re: OT Outstanding wildlife/nature photography



Remarkable indeed!

He seems to have a dark muse .  .  .  .

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Sat, Feb 1, 2014 at 9:42 AM, Alunfoto - Jostein Øksne
p...@alunfoto.no wrote:

His House In The Woods -project got some good press here in Scandinavia
about a year ago. Interesting how he combines decay of man-made 
structures

and animal photography.

I love his image aestethics.

Jostein

-Opprinnelig melding- Fra: Bruce Walker
Dato: 31. januar 2014 01:53
Til: Pentax Discuss Mailing List
Emne: OT Outstanding wildlife/nature photography

This Finnish photographer's stuff is really remarkable ...

http://www.kafa.fi/pages/gallery1.php
http://www.kafa.fi/pages/the-house-in-the-woods.php


--
-bmw



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Re: OT - Re: Yo Cotty, check the new Fuji out!

2014-02-01 Thread Steve Cottrell
On 1/2/14, Godfrey DiGiorgi, discombobulated, unleashed:

If there's one beef I have with all the Fuji cameras of recent years
(aside from the weird processing required for the X sensors), and with
the Sony A7, it's the placement of the EV Compensation dial. The right-
rear corner is just wrong--I have to move my whole right hand to adjust
EV compensation, and that's something I do all the time since I use
aperture priority AE most of the time. The Sony allows me to re-map this
control to the front dial, making it fall to hand easily like it is on
the Olympus E-M1 and other cameras I own. I don't know whether that
solution is possible on the Fuji. 

Interesting!

I find moving the EV dial very easy with just my right thumb, without
moving my right hand at all.

Cat  skin ;-)

-- 


Cheers,
  Cotty


___/\__Broadcast, Corporate,
||  (O)  |Web Video Production
--www.seeingeye.tv
_



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Re: PESO: Maui Sunset

2014-02-01 Thread Bruce
A bit punchy, but beautiful nonetheless.  I would like to see it toned down 
just a bit. 

--
Bruce

Sent from my iPad

 On Feb 1, 2014, at 3:36 PM, Bob Sullivan rf.sulli...@gmail.com wrote:
 
 Dan,
 That's marvelous!  Wonderfully colored and artistic.
 Regards,  Bob S.
 
 On Sat, Feb 1, 2014 at 4:59 PM, Daniel J. Matyola danmaty...@gmail.com 
 wrote:
 The end of another perfect day in paradise:
 http://photo.net/photodb/photo?photo_id=17667257
 
 Comments are invited.
 
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola
 
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Re: New K-3 firmware update 1.01

2014-02-01 Thread Ken Waller
Duh! And don't be like me and try for 15 minutes to upload the update to the 
camera thru the # 2 SD card port. Found out the hard way the updates have to 
be run through the  #1 card port.



Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Dario Bonazza dario.bona...@virgilio.it

Subject: Re: New K-3 firmware update 1.01


Direct page: 
http://www.ricoh-imaging.co.jp/english/support/digital/k3_s.html


-Messaggio originale- 
From: Dario Bonazza

Sent: Thursday, December 19, 2013 8:27 AM
To: Pentax-Discuss Mail List
Subject: New K-3 firmware update 1.01

http://www.ricoh-imaging.co.jp/english/support/download_digital.html


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-
Nessun virus nel messaggio.
Controllato da AVG - www.avg.com
Versione: 2013.0.3462 / Database dei virus: 3658/6931 -  Data di rilascio: 
18/12/2013



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Re: GESO January faves

2014-02-01 Thread Larry Colen
On Sat, Feb 01, 2014 at 03:57:55PM -0500, Ken Waller wrote:
 Larry, Joe's Bar is the best IMO.
 Some of the others cry out for better light to lift them from the
 snapshot category.

Thanks for the feedback Ken.  

 
 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller
 
 - Original Message - From: Larry Colen l...@red4est.com
 Subject: GESO January faves
 
 
 Here are my best shots from January:
 
 http://www.flickriver.com/photos/ellarsee/sets/72157639425946344/
 
 -- 
 Larry Colen  l...@red4est.com
 http://red4est.com/lrc
 
 
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Re: OT - Re: Yo Cotty, check the new Fuji out!

2014-02-01 Thread Godfrey DiGiorgi
On Feb 1, 2014, at 4:39 PM, Steve Cottrell co...@seeingeye.tv wrote:

 On 1/2/14, Godfrey DiGiorgi, discombobulated, unleashed:
 
 If there's one beef I have with all the Fuji cameras of recent years
 (aside from the weird processing required for the X sensors), and with
 the Sony A7, it's the placement of the EV Compensation dial. The right-
 rear corner is just wrong--I have to move my whole right hand to adjust
 EV compensation, and that's something I do all the time since I use
 aperture priority AE most of the time. The Sony allows me to re-map this
 control to the front dial, making it fall to hand easily like it is on
 the Olympus E-M1 and other cameras I own. I don't know whether that
 solution is possible on the Fuji. 
 
 Interesting!
 
 I find moving the EV dial very easy with just my right thumb, without
 moving my right hand at all.
 
 Cat  skin ;-)

Different size/shape hands, we probably hold the camera somewhat differently 
too. I can't seem to bend my thumb and move it precisely on a wheel in that 
location. I always end up taking the camera from my eye and looking at the dial 
to see what I'm doing, which gets in the way of my shooting workflow. 

Don't leave that cat skin laying about. I hear it broils up nicely and goes 
well with hat. ];-)

(Ann will shoot me next time I see her… )

G
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Re: PESO: Maui Sunset

2014-02-01 Thread Daniel J. Matyola
Thanks, Bob and Bruce.

Dan
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Sat, Feb 1, 2014 at 6:36 PM, Bob Sullivan rf.sulli...@gmail.com wrote:
 Dan,
 That's marvelous!  Wonderfully colored and artistic.
 Regards,  Bob S.

 On Sat, Feb 1, 2014 at 4:59 PM, Daniel J. Matyola danmaty...@gmail.com 
 wrote:
 The end of another perfect day in paradise:
 http://photo.net/photodb/photo?photo_id=17667257

 Comments are invited.

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: PESO: Maui Sunset

2014-02-01 Thread Paul Stenquist
A rich scene, nicely composed.

Paul via phone

 On Feb 1, 2014, at 10:04 PM, Daniel J. Matyola danmaty...@gmail.com wrote:
 
 Thanks, Bob and Bruce.
 
 Dan
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola
 
 
 On Sat, Feb 1, 2014 at 6:36 PM, Bob Sullivan rf.sulli...@gmail.com wrote:
 Dan,
 That's marvelous!  Wonderfully colored and artistic.
 Regards,  Bob S.
 
 On Sat, Feb 1, 2014 at 4:59 PM, Daniel J. Matyola danmaty...@gmail.com 
 wrote:
 The end of another perfect day in paradise:
 http://photo.net/photodb/photo?photo_id=17667257
 
 Comments are invited.
 
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola
 
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Re: PESO: Maui Sunset

2014-02-01 Thread Daniel J. Matyola
Thanks, Paul.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola


On Sat, Feb 1, 2014 at 10:34 PM, Paul Stenquist pnstenqu...@comcast.net wrote:
 A rich scene, nicely composed.

 Paul via phone

 On Feb 1, 2014, at 10:04 PM, Daniel J. Matyola danmaty...@gmail.com 
 wrote:

 Thanks, Bob and Bruce.

 Dan
 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola


 On Sat, Feb 1, 2014 at 6:36 PM, Bob Sullivan rf.sulli...@gmail.com wrote:
 Dan,
 That's marvelous!  Wonderfully colored and artistic.
 Regards,  Bob S.

 On Sat, Feb 1, 2014 at 4:59 PM, Daniel J. Matyola danmaty...@gmail.com 
 wrote:
 The end of another perfect day in paradise:
 http://photo.net/photodb/photo?photo_id=17667257

 Comments are invited.

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: Question: Adobe Creative Cloud

2014-02-01 Thread steve harley

on 2014-02-01 15:49 Godfrey DiGiorgi wrote





If I were doing occasional projects that needed these apps, that's exactly how 
I'd work it. And it would take a few years at $50/month for three/four months 
per year to equal even the single purchase of Creative Suite, never mind 
updates.


you can't do a three/four months per year at $50/month - it is $75/month 
without a year's commitment


Sure. Still not a problem. That's $300 for four months use, always with the 
latest. Creative Suite was like $1500 or so, so after you use it this way for 
five years, you've paid the equivalent of one CS price but no further update 
charges. CS would need a $500 update every 18 months or so on the perpetual 
license. To me that is a bargain if I'm getting the work I need done with it.


you're right, that price would be attractive for the right customers; not much 
use to those like me who would have light usage not limited to specific months 
of the year


as to how it compares to the old pricing model, there were strategies, such as 
updating every two or three versions (Adobe still discounted such upgrades), or 
keeping one or two apps more current with individual licenses, and deals such 
as the ID CS4 license i bought through Larry's Adobe contact, or the CS2 
license i had via a local company with a 5-seat volume license … in other words 
there was relief for who didn't have a business case for the full price





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Re: Question: Adobe Creative Cloud

2014-02-01 Thread steve harley

on 2014-02-01 15:54 Matthew Hunt wrote

On Sat, Feb 1, 2014 at 5:24 PM, steve harley p...@paper-ape.com wrote:


it doesn't tell you anything about the update, not even how big the download
is, so you have to research it on your own; once you update, you can never
go back


It tells me something about the update:

http://i.imgur.com/OzvioVo


that, plus the size information, are much better than when i last used it


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Re: It's that time of year

2014-02-01 Thread Boris Liberman

Done!

On 1/30/2014 4:56 AM, Doug Brewer wrote:

For the bi-annual fund drive to keep the PDML going for another while.
Please visit the PDML home page and drop a few drachmas* in the till.
the masses will sing songs of your heroism in the days to come.

Much love,

Doug, List Guy and keeper of fundage, payer of billage.

*not really. Use US funds.




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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Paul Sorenson
From a photographic standpoint, a combination of LR and PSE will 
satisfy most needs.  You can warp using the skew, free transform and 
liquify tools and later versions of PSE support masking directly.  You 
could mask with earlier versions by linking an adjustment layer to a 
pixel layer.


Add to that onOne software's Perfect Photo Suite and you have major 
retouch and masking capabilities.


-p

On 2/1/2014 3:52 PM, Bruce Walker wrote:




None of these packages offer both layers, with all the Ps layer
blending modes, and masks. The fact that Ps Elements lacks masking
completely removes it from contention for retouching, for example.
Even the fact it cannot warp a layer is a show-stopper.



But if you really really must have Photoshop CS and the latest version,
you have no choice but to suck it up and pay for the privilege. You do
anyway if you buy a copy and then keep it updated properly with a
perpetual license.


I don't need the latest version. I need a capable version. CS5 suits me.

My model was to buy a copy then upgrade it after 2-4 years. To compare
to that CC would have to cost me less than $5 a month (forever). The
current model will charge me $20/month forever. Not reasonable.



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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Christine Aguila
Thanks, Steve.  Good to have feedback from a user—or previous user.  The points 
about RAM are well taken.  I’ve heard about Adobe being slow to fix 
bugs—baffling in this digital-day-an-age.  I agree about Adobe dominating the 
market—good point there.

I have Pixelmator on the laptop and have played around with it.  Interesting 
point you’ve made about the color.

Cheers, Christine



On Feb 1, 2014, at 4:37 PM, steve harley p...@paper-ape.com wrote:

 on 2014-02-01 9:50 Christine Aguila wrote
 Hi Everyone:
 
 Anyone using Adobe’s Creative Cloud?  Any thoughts, recommendations, or 
 criticisms?  Lastly, why kind of specs does your computer need to have for 
 an enjoyable user experience?  Ram, storage, et al.
 
 i have used Photoshop and Illustrator since the early 90s, and InDesign since 
 its public beta; i had a CC subscription when it launched; canceled it last 
 May when the intro price, $30/month, went up to $50; i doubt my situation is 
 that uncommon — i have a background and a small current sideline as a 
 graphics professional, so i have occasional uses for InDesign, Acrobat, 
 Photoshop  Illustrator, but not quite enough to justify $600/year; that 
 could change (i do a significant amount with QuarkXPress still, but my client 
 supplies a license), and it's nice to think i can jump back into InDesign 
 when needed without forking over full price; but by pricing me out, Adobe 
 has caused me to use other tools and gradually lose my chops with the Adobe 
 apps … for example i do text with markdown and sometimes Pages, and i find 
 Pixelmator is great for quick hack jobs on images (has layers, type, and a 
 lot more, but is not nearly as precise, nor do i trust its color)
 
 when i did subscribe, i found i really disliked CC's required update tool on 
 the Mac; and from a professional standpoint there are serious concerns about 
 no recourse for version-specific bugs and incompatibilities — one can't 
 retain multiple versions of what the subscription supplies, as one could with 
 the traditional license, and Adobe historically has taken years to fix 
 significant bugs introduced by new versions
 
 overall Adobe doesn't have my confidence; its professional apps have a 
 guaranteed market in the short term, but its long-term strategy seems to be 
 focused on the consumer, not pro, market; i regret that Adobe ever dominated 
 the market as it did, because that set us up for trouble when print 
 publishing stopped being a growth industry — for example, without Adobe's 
 dominance i think it might have felt pressure to gradate prices depending on 
 the subscribers' needs (student pricing is worth looking at, though)
 
 i do think if you need just Photoshop and LR and you qualify, $10/month is a 
 pretty good price; LightRoom seems to have a growthful future both for pros 
 and consumers, so it may be insulated from the market-dominance side effects
 
 as for hardware requirements, it depends on the type of documents you 
 produce; with InDesign, longer and/or more complex documents can slow things 
 down a lot, and benefit from faster machines; InDesign is not a lightweight 
 application, i found the CC version slowish with moderately complex documents 
 (2 pages, but hundreds of elements) on my quad-i7 laptop with 16GB RAM; the 
 i5 vs i7 probably makes less difference than the amount of RAM and the speed 
 of your drives; i understand newer iMacs use desktop versions of i5  i7 
 CPUs, which differ less in their performance than the mobile versions of 
 the same; a large display is also helpful, as InDesign is very palette-happy
 
 
 
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Re: Question: Adobe Creative Cloud

2014-02-01 Thread Godfrey DiGiorgi
Well, if you have it and it does the job, why gripe about CC? 
I have PSCS 5.1 .. Does the job nicely, the little I use it. On that basis, CC 
doesn't bother me at all. 

Godfrey


 My model was to buy a copy then upgrade it after 2-4 years. To compare
 to that CC would have to cost me less than $5 a month (forever). The
 current model will charge me $20/month forever. Not reasonable.
 

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