Re: Full Frame/Canon

2006-08-25 Thread Aaron Reynolds
By the same token, though, the strongest desire for full frame sensors comes 
from those with older wide angle lenses that they wish to use at their 
originally intended angle of view.

I don't think I've ever seen a complaint that went I'm mad because my 200 2.8 
acts like a 300 2.8.

So performance of wide angles is of paramount concern.

-Aaron

-Original Message-

From:  Toralf Lund [EMAIL PROTECTED]
Subj:  Re: Full Frame/Canon
Date:  Fri 2006 Aug 25 2:23 pm
Size:  727 bytes
To:  Pentax-Discuss Mail List pdml@pdml.net


 If the problem is the sensor, there is not much you can do about it with
 lens design.

 However, since SLR UWA lenses are extreme retrofocus lenses the light
 coming out the back side is not at the extreme angles that it is from a
 normal UWA.
But it's still more extreme than with longer lenses, isn't it? The 
conventional wisdom is of course that digital sensors are more sensitive 
to those angles than film, of course...

But I don't know a lot about it, or even care. I was just trying to 
point out that it seemed unfair to draw conclusions about lenses in 
general based on the behaviour of wide-angles.

- Toralf


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Re: Help buying a darkroom

2006-08-25 Thread Aaron Reynolds
Darkroom prices are in the tank.  While is a nice setup, the price is probably 
twice what it should be.

-Aaron

-Original Message-

From:  [EMAIL PROTECTED]
Subj:  Help buying a darkroom
Date:  Fri 2006 Aug 25 5:33 pm
Size:  995 bytes
To:  pdml@pdml.net

I'm interested in buying a used darkroom.  I've come across what seems to
be a good deal.  I'm sure some of you have more knowledge of this sort of
thing than I do.

for sale:
Besler 23CII enlarger with Zone VI cold light head. Zone VI compensating
enlarger timer with footswitch. Rodagon 80mm lens. Nikon 50mm lens. Peak
grain focuser. Negative carriers. Saunders 4-blade easel. Cascade archival
print washer. Gra Lab print timer. Zone VI film washer. Three sizes of
developing trays. Film loading bag. Sundries: steel tongs, thermometers,
jugs, funnel, stir rod, print squeege, graduates, hand-colouring pencils,
negative sleeves, film hangers, canned air, anti-static cloth, and more.
$900. obo

Thats about $800USD.  Assuming everything is in good condition (the photos
indicate that it is all fairly new), is that a good value?  I'm sure that
I could knock $100 or so off the price, too.

Mike


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[no subject]

2006-08-25 Thread Aaron Reynolds
 

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holidays! signing off for a week

2006-08-25 Thread Aaron Reynolds
I'm off to a cabin with none of that electrical stuff for a week -- I have no 
interest in having a 3000 message inbox when I return, so I'm signing off until 
September.

Please respect the embargo on discussion of the ass-kickiness of the secret 
features of the new camera while I'm gone.

-Aaron

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Re: Useless gearhead quiz (was - venting)

2006-08-24 Thread Aaron Reynolds
This thread simply proves to me that I'm not a gearhead.  I tend to buy 
something to do something specific, and keep it.

-Aaron

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Re: Turbulent age

2006-08-24 Thread Aaron Reynolds

On Aug 24, 2006, at 6:13 AM, Kostas Kavoussanakis wrote:

 Thanks Ken. It would have been nice to know where Minolta was. Is that
 SLR-only?

...out of business?

-Aaron

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Re: Turbulent age

2006-08-24 Thread Aaron Reynolds

On Aug 24, 2006, at 9:24 AM, Pål Jensen wrote:

 What the pros are using, and particular the photo
 journalists, are less important now for brand recognition

I had two different sports photographers ask me on Tuesday what I knew 
about the new Pentax bodies after seeing that I was shooting with 
Pentax.

The game was actually quite eventful, so we didn't get a lot of time to 
chat about it.  But I find it interesting that the question even came 
up.

-Aaron

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Re: Turbulent age

2006-08-24 Thread Aaron Reynolds

On Aug 24, 2006, at 10:37 AM, Bob W wrote:

 Photojournalists that I know or have spoken to are always interested
 in who's using what and why. It's important for them to have an edge
 on the competition, so if they see someone using something
 unconventional they want to know what benefit it is giving them.

True, though these guys all had paper-issued gear, so they can't really 
make those kinds of purchasing decisions.

-Aaron

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RE: Turbulent age

2006-08-24 Thread Aaron Reynolds
My reply wasn't directly addressing it, just relating a recent anecdote.

-Aaron

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-Original Message-

From:  Kostas Kavoussanakis [EMAIL PROTECTED]
Subj:  RE: Turbulent age
Date:  Thu 2006 Aug 24 11:26 am
Size:  1K
To:  Pentax-Discuss Mail List pdml@pdml.net

On Thu, 24 Aug 2006, Bob W wrote:

 What the pros are using, and particular the photo
 journalists, are less important now for brand recognition

 I had two different sports photographers ask me on Tuesday what I 
 knew about the new Pentax bodies after seeing that I was shooting 
 with Pentax.

 Photojournalists that I know or have spoken to are always interested
 in who's using what and why. It's important for them to have an edge
 on the competition, so if they see someone using something
 unconventional they want to know what benefit it is giving them. Over
 recent years the range of different types of camera that
 photojournalists use seems to me to have expanded significantly. I
 know one guy who shot 4x5 in a war zone. A few of them are using
 square format, or (as Shel posted some time ago) 'consumer' digicams.
 They want their work to look different and to stand out from the herd.

Is it just me or are these two answers missing Paal's initial remark?

Kostas

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Re: Useless gearhead quiz (was - venting)

2006-08-24 Thread Aaron Reynolds

On Aug 24, 2006, at 11:48 AM, Godfrey DiGiorgi wrote:

 Exactly what I do, but I don't hold onto things that I am not using
 unless I feel that I might need them again within a reasonable period
 of time.

Those are the things that I rent!

In a decade I was never able to accumulate more than two 6x7 lenses 
despite near-constant use of the thing.

-Aaron

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Re: Japan DSLR Stats

2006-08-24 Thread Aaron Reynolds

On Aug 24, 2006, at 12:27 PM, Jack Davis wrote:

 Makes me want to skip the K10D 'til I get a feel for the rate at
 which they are falling behind the curve.

Hah -- you'll feel pretty silly for saying that once the camera is 
announced.

Why are people so obsessed with whether or not Pentax are in first 
place?

-Aaron

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Re: Japan DSLR Stats

2006-08-24 Thread Aaron Reynolds
Well, I never would have bought a D, but the DS2 had me at hello.  Stupid 
enough to get the sale.

The K100D's anti-shake is a pretty big deal, and the price difference between 
it and the ten MP body will likely continue to fuel sales of the 100.

None of these, aside from the original D, tanked.  Had they not made them, how 
could they have sold them?

-Aaron

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-Original Message-

From:  Tom C [EMAIL PROTECTED]
Subj:  Re: Japan DSLR Stats
Date:  Thu 2006 Aug 24 1:53 pm
Size:  1K
To:  pdml@pdml.net

That's not true at all.  How can you make a judgement like that?

I really don't give a rat's ass about what people think about the camera I 
carry.  I do care about how I spend the limited amount of money I have 
because I can't afford to run out and buy a new camera system everyday.

It's also of interest because Pentax's position in the marketplace has a 
bearing on how quickly and slowly they bring new products to market.  So far 
I think their stupid *ist D variations and now two more K100 6MP variations 
were a waste of resources when they should have been concentrating on 
getting more innovative products to market sooner.


Tom C.

I will not be pushed, filed, stamped, indexed, briefed, debriefed or 
numbered.







From: Godfrey DiGiorgi [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Japan DSLR Stats
Date: Thu, 24 Aug 2006 10:13:01 -0700

On Aug 24, 2006, at 9:52 AM, Aaron Reynolds wrote:

  ... Why are people so obsessed with whether or not Pentax are in
  first
  place?

Because they have nothing better to occupy their time. To people who
think this way, the Pentax badge is emblematic, a matter of status
in ownership.

Me, I don't give a damn about Pentax other than that they have made a
very nice set of lenses and good cameras to use them with. I make
photographs. Having someone say That's a nice picture! or even,
heaven forfend, buy one of my photos is far far more rewarding to me
than having someone say, Wow, you must have a great camera! Pentax
is doing really great now, eh?

G

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Re: Japan DSLR Stats

2006-08-24 Thread Aaron Reynolds
Tanked in the sense that they had them in stock long after production ceased.

-Aaron

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-Original Message-

From:  P. J. Alling [EMAIL PROTECTED]
Subj:  Re: Japan DSLR Stats
Date:  Thu 2006 Aug 24 2:44 pm
Size:  3K
To:  Pentax-Discuss Mail List pdml@pdml.net

I'm not sure the original D tanked exactly.  It was priced as a semi pro 
model with semi pro accessories.  It was a stopgap camera in many ways.  
The Mirror box looks to be a variation on the MZ-ZX cameras mirror box, 
you could fit a full frame sensor in it, and it's mirror seems to be the 
same as that in the MZ/ZX series.  The Ds/Ds2/DL/DL2 have a new mirror 
and mirror box suited to the APS format.


Aaron Reynolds wrote:

Well, I never would have bought a D, but the DS2 had me at hello.  Stupid 
enough to get the sale.

The K100D's anti-shake is a pretty big deal, and the price difference between 
it and the ten MP body will likely continue to fuel sales of the 100.

None of these, aside from the original D, tanked.  Had they not made them, how 
could they have sold them?

-Aaron

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-Original Message-

From:  Tom C [EMAIL PROTECTED]
Subj:  Re: Japan DSLR Stats
Date:  Thu 2006 Aug 24 1:53 pm
Size:  1K
To:  pdml@pdml.net

That's not true at all.  How can you make a judgement like that?

I really don't give a rat's ass about what people think about the camera I 
carry.  I do care about how I spend the limited amount of money I have 
because I can't afford to run out and buy a new camera system everyday.

It's also of interest because Pentax's position in the marketplace has a 
bearing on how quickly and slowly they bring new products to market.  So far 
I think their stupid *ist D variations and now two more K100 6MP variations 
were a waste of resources when they should have been concentrating on 
getting more innovative products to market sooner.


Tom C.

I will not be pushed, filed, stamped, indexed, briefed, debriefed or 
numbered.







  

From: Godfrey DiGiorgi [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Japan DSLR Stats
Date: Thu, 24 Aug 2006 10:13:01 -0700

On Aug 24, 2006, at 9:52 AM, Aaron Reynolds wrote:



... Why are people so obsessed with whether or not Pentax are in
first
place?
  

Because they have nothing better to occupy their time. To people who
think this way, the Pentax badge is emblematic, a matter of status
in ownership.

Me, I don't give a damn about Pentax other than that they have made a
very nice set of lenses and good cameras to use them with. I make
photographs. Having someone say That's a nice picture! or even,
heaven forfend, buy one of my photos is far far more rewarding to me
than having someone say, Wow, you must have a great camera! Pentax
is doing really great now, eh?

G

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-- 
--

Its easy to understand why the cat has eclipsed the dog as modern America's 
favorite pet. People like pets to possess the same qualities they do. Cats are 
irresponsible and recognize no authority, yet are completely dependent on 
others for their material needs. Cats cannot be made to do anything useful. 
Cats are mean for the fun of it 

P. J. O'Rourke


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Re: Turbulent age

2006-08-24 Thread Aaron Reynolds

On Aug 24, 2006, at 3:12 PM, Cotty wrote:

 http://www.bdimitrov.de/kmp/bodies/prototypes/MZ-D.html


 C'est la vie, uh?

Yeah, but did you ever see the pictures it took?  It took balls, but 
killing that thing off was probably the smartest move they made in a 
decade.

-Aaron

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Re: Japan DSLR Stats

2006-08-24 Thread Aaron Reynolds

On Aug 24, 2006, at 3:29 PM, Tom C wrote:

 Even Canon's entry level model for the last year is generally 
 recognized as
 being superior in many ways to Pentax's top of the line. Wait, does 
 Pentax
 actually have a top of the line?

Not one that is anywhere close to current.  By that same measurement, 
Pentax's own entry level model for the last year is generally 
recognized as being superior in many ways to their old, outdated top of 
the line camera that was only still around because of slow sales.

Compare -- the *istD went out of production a significant period of 
time ago, yet brand new bodies were still available from Pentax a month 
ago.  The DS2 went out of production and brand new bodies were 
available for two weeks after production ceased.

-Aaron

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Re: CF v SD Cards

2006-08-23 Thread Aaron Reynolds
But Tom, what full frame bodies deliver really good results with old lenses?  I 
mean, comparable to the same lens on film.

What you desire just may not be attainable with today's tech.

-Aaron

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-Original Message-

From:  Tom C [EMAIL PROTECTED]
Subj:  Re: CF v SD Cards
Date:  Wed 2006 Aug 23 5:19 pm
Size:  1K
To:  pdml@pdml.net

The lens and shutter release are also irrelevant on their own. :-)

The issue for those of us who like to whine and bellyache about the lack of 
a FF sensor body for our legacy non-DA lenses is not one of an APS-C sensor 
being inherently of lesser quality, it's one of our not being able to use 
the lenses as intended.

It's aggravated by the likely fact that as sensor prices continue to drop, 
it would be economically feasible at least for Pentax to produce a FF body. 
Whether that makes good profit sense after having saturated the market with 
cheap APS-C bodies is another question.


Tom C.

I will not be pushed, filed, stamped, indexed, briefed, debriefed or 
numbered.







From: P. J. Alling [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: CF v SD Cards
Date: Wed, 23 Aug 2006 16:55:49 -0400

That's not entirely true, but we'll let it pass.

Bob W wrote:

 That's not really true. Smaller film formats than 35mm did not take
 over from 35mm film. Just because a digital sensor is smaller than a
 35mm frame doesn't mean that it is lower quality. Really the size of
 the sensor is irrelevant on its own.
 
 --
 Cheers,
  Bob
 
 
 
 
 not sure really. But it follows an historical trend: people prefer
 little  less quality than bigger  better quality.
 I expect this to continue...
 
 
 
 
 
 
 
 


--
--

Its easy to understand why the cat has eclipsed the dog as modern America's 
favorite pet. People like pets to possess the same qualities they do. Cats 
are irresponsible and recognize no authority, yet are completely dependent 
on others for their material needs. Cats cannot be made to do anything 
useful. Cats are mean for the fun of it

P. J. O'Rourke


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Re: CF v SD Cards

2006-08-23 Thread Aaron Reynolds
And those L lenses aren't legacy, really -- compared to what we're talking 
about when we say Pentax legacy lenses, L series glass is very new.  Surely 
at least for the last five years they've been designed with digital as a 
primary consideration.

-Aaron

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-Original Message-

From:  Tom C [EMAIL PROTECTED]
Subj:  Re: CF v SD Cards
Date:  Wed 2006 Aug 23 6:02 pm
Size:  3K
To:  pdml@pdml.net

I suppose that's possible.  But even with reported edge softness of Canon L 
glass on the EOS 5D (probably at  selected apertures) it appears to be a 
runaway hit, so I wonder how bad it can be.


Tom C.

I will not be pushed, filed, stamped, indexed, briefed, debriefed or 
numbered.


From: Aaron Reynolds [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: CF v SD Cards
Date: Wed, 23 Aug 2006 17:56:00 -0400

But Tom, what full frame bodies deliver really good results with old 
lenses?  I mean, comparable to the same lens on film.

What you desire just may not be attainable with today's tech.

-Aaron

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-Original Message-

From:  Tom C [EMAIL PROTECTED]
Subj:  Re: CF v SD Cards
Date:  Wed 2006 Aug 23 5:19 pm
Size:  1K
To:  pdml@pdml.net

The lens and shutter release are also irrelevant on their own. :-)

The issue for those of us who like to whine and bellyache about the lack of
a FF sensor body for our legacy non-DA lenses is not one of an APS-C sensor
being inherently of lesser quality, it's one of our not being able to use
the lenses as intended.

It's aggravated by the likely fact that as sensor prices continue to drop,
it would be economically feasible at least for Pentax to produce a FF body.
Whether that makes good profit sense after having saturated the market with
cheap APS-C bodies is another question.


Tom C.

I will not be pushed, filed, stamped, indexed, briefed, debriefed or
numbered.







 From: P. J. Alling [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: CF v SD Cards
 Date: Wed, 23 Aug 2006 16:55:49 -0400
 
 That's not entirely true, but we'll let it pass.
 
 Bob W wrote:
 
  That's not really true. Smaller film formats than 35mm did not take
  over from 35mm film. Just because a digital sensor is smaller than a
  35mm frame doesn't mean that it is lower quality. Really the size of
  the sensor is irrelevant on its own.
  
  --
  Cheers,
   Bob
  
  
  
  
  not sure really. But it follows an historical trend: people prefer
  little  less quality than bigger  better quality.
  I expect this to continue...
  
  
  
  
  
  
  
  
 
 
 --
 --
 
 Its easy to understand why the cat has eclipsed the dog as modern 
America's
 favorite pet. People like pets to possess the same qualities they do. 
Cats
 are irresponsible and recognize no authority, yet are completely 
dependent
 on others for their material needs. Cats cannot be made to do anything
 useful. Cats are mean for the fun of it
 
 P. J. O'Rourke
 
 
 --
 PDML Pentax-Discuss Mail List
 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net



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Re: CF v SD Cards

2006-08-23 Thread Aaron Reynolds

On Aug 23, 2006, at 7:56 PM, Paul Stenquist wrote:

 I wouldn't call them cheap APS-C bodies.

There's certainly nothing cheap feeling about the DS2.  I mean, it 
weighs less than the 67, and it's not as cold to the touch, but it's 
pretty damned solid.  There's no play, nothing is loose, nothing is 
flimsy, nothing changes shape when I grip it.  I'll let everyone know 
when it dies -- the drop count on it is already at four.  The last ME 
Super that I did in lasted until 16, I think.

I don't drop cameras often, I just use them a lot.

-Aaron

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Re: CF v SD Cards

2006-08-23 Thread Aaron Reynolds
I really don't get what's being said here -- old, film optimized lenses perform 
well on the full frame Canons, as evidenced by the L series?

Am I missing something?  Has the L series been around for a long, long time, or 
are we just talking about how well NEW lenses perform?

Tom's talking about his old Pentax glass.

-Aaron

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Re: CF v SD Cards

2006-08-23 Thread Aaron Reynolds

On Aug 23, 2006, at 9:49 PM, Paul Stenquist wrote:

 I wouldn't be surprised to see something like a
 10/3.5. There's been plenty of research in lenses of that ilk for
 35mm movie cameras

Wasn't Trainspotting entirely shot with a 10mm Zeiss lens?  I seem to 
recall that the lens rental alone was a very large chunk of their 
budget.

-Aaron

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Re: CF v SD Cards

2006-08-23 Thread Aaron Reynolds

On Aug 23, 2006, at 10:02 PM, Digital Image Studio wrote:

 Well at least Tokina has been reminding them :-)

Hey, if it's good enough for Nikon pro long primes, it's plenty good 
enough for me.

-Aaron

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Re: 4 GB SD cards for istDS/DS2, istDL/DL2

2006-08-22 Thread Aaron Reynolds

On Aug 22, 2006, at 12:32 AM, Joseph Tainter wrote:

 Maybe, maybe not. The only thing certain is that Pentax has already
 shown a lack of concern for customers investments in storage cards.

NOT TO MENTION THEIR LACK OF CONCERN FOR THEIR CUSTOMERS WHO SHOOT A 
LOT OF FILM!!!  I HAVE ALL THIS FILM AND MY NEW CAMERA DOESN'T TAKE 
FILM!

1) Pentax USA has absolutely no idea what Pentax Japan will do.  Good 
example: they said Photolab 3 absolutely would not be a free upgrade, 
and suddenly it appeared on the Japanese web site as a free upgrade.

2) Joe, we all know that you are very, very upset that if you buy a new 
camera you may have to spend $30 to $50 on some new cards to go with 
it.  You can give that one a rest now that we all know it, can't you?  
Face it, the cards are smaller and more robust and you don't have to 
worry about bending all those tiny pins in the camera.  And they're 
cheap.  So what's the problem?  The old cards were expensive.  And so 
what?  They're not expensive now.

-Aaron

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Re: CF v SD Cards

2006-08-22 Thread Aaron Reynolds

On Aug 22, 2006, at 6:20 AM, Cotty wrote:

 Seems to me that SD is becoming the consumer standard. CF is still a
 professional standard and I don't see any sign of that changing. I 
 would
 suspect that there are probably good reasons for that.

Considering that most pro bodies are physically much bigger, there's 
not as much compelling upside to switch.

But if you gave me the option between a larger, slower card and a 
smaller, faster card for the same money, I'd take the smaller, faster 
card every time.  Why wouldn't you?

-Aaron

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Re: 4 GB SD cards for istDS/DS2, istDL/DL2

2006-08-22 Thread Aaron Reynolds

On Aug 22, 2006, at 3:18 AM, David Savage wrote:

 Not if you'd bought $500+ (a 1GB  a 2GB in my case) worth of CF cards
 you wouldn't.

David -- are those cards fast compared to what's out there currently, 
or would putting them into your new camera put you at a significant 
write speed disadvantage?  Considering when you bought them, I'm going 
to have to guess that they're very slow compared to what's out there 
now in SD.

So, to save $100 (the total cost of a fast 1GB card and a fast 2GB SD 
card if you don't shop around for the best price and get screwed on 
shipping) you would cripple your camera's write speed, effectively 
reducing the number of frames you could shoot in a row and how quickly 
you recover after shooting a burst.  Why would you do that?  Would you 
buy a $1200 film camera and insist on only putting Gold Max in it?

 You have to remember Shel, when most people bought there *istD flash
 memory wasn't as cheap as it is now.  If it had been, I would consider
 it disposable.

 For a camera maker know for backwards compatibility, IMO they should
 have put in a dual memory card slot.

Bad for two reasons:

1) makes the camera bigger
2) cheap users will constantly complain on the internet about how slow 
their very expensive new camera is.

-Aaron

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Re: CF v SD Cards

2006-08-22 Thread Aaron Reynolds
Capable, sure, but what can you get for the same price?

The *ist D isn't worth comparing, speed-wise, as even Pentax's cheapest DSLR 
outperforms it by a large margin now.

-Aaron

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-Original Message-

From:  Peter Loveday [EMAIL PROTECTED]
Subj:  Re: CF v SD Cards
Date:  Tue 2006 Aug 22 7:22 am
Size:  817 bytes
To:  Pentax-Discuss Mail List pdml@pdml.net

 But if you gave me the option between a larger, slower card and a
 smaller, faster card for the same money, I'd take the smaller, faster
 card every time.  Why wouldn't you?

Actually CompactFlash is capable of far higher speeds than SD.  Not that it 
matters a whole lot, the I/O speeds on Pentax DSLRs is far from stellar 
(especially the *istD).

Although no cards are actually capable of this kind of speed at the moment, 
the current CF spec is capable of 133MB/sec (thats 886X), where SD spec 
(including SDHC) is only capable of 20MB/sec (133X) as far as I know.

Still, assuming SD can evolve and increase that as card flash speeds 
increase, its not that important.

Love, Light and Peace,
- Peter Loveday


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Re: 4 GB SD cards for istDS/DS2, istDL/DL2

2006-08-22 Thread Aaron Reynolds
I've never shopped by name, so I don't know what the write speed of an Ultra 
II translates to.

-Aaron

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-Original Message-

From:  David Savage [EMAIL PROTECTED]
Subj:  Re: 4 GB SD cards for istDS/DS2, istDL/DL2
Date:  Tue 2006 Aug 22 7:03 am
Size:  1K
To:  Pentax-Discuss Mail List pdml@pdml.net

At 06:44 PM 22/08/2006, you wrote:

On Aug 22, 2006, at 3:18 AM, David Savage wrote:

  Not if you'd bought $500+ (a 1GB  a 2GB in my case) worth of CF cards
  you wouldn't.

David -- are those cards fast compared to what's out there currently,
or would putting them into your new camera put you at a significant
write speed disadvantage?  Considering when you bought them, I'm going
to have to guess that they're very slow compared to what's out there
now in SD.

All of them are Sandisk Ultra II's. Are the SD Ultra II's faster?

So, to save $100 (the total cost of a fast 1GB card and a fast 2GB SD
card if you don't shop around for the best price and get screwed on
shipping) you would cripple your camera's write speed, effectively
reducing the number of frames you could shoot in a row and how quickly
you recover after shooting a burst.  Why would you do that?  Would you
buy a $1200 film camera and insist on only putting Gold Max in it?

Probably, because I'm illogical.

  For a camera maker know for backwards compatibility, IMO they should
  have put in a dual memory card slot.

Bad for two reasons:

1) makes the camera bigger
2) cheap users will constantly complain on the internet about how slow
their very expensive new camera is.

-Aaron

The camera (K10D) has already got bigger to fit the SR mechanism.

I see your point guy's, it's just the Scottish blood in me that hates 
paying for stuff again and again.

I guess I'm overruled in this matter so I'll just shut my yap.

Dave




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Re: CF v SD Cards

2006-08-22 Thread Aaron Reynolds

On Aug 22, 2006, at 8:34 AM, Adam Maas wrote:

 are harder to lose

Heh, my Ampex 501 is a lot harder to lose than my iPod, but when 
choosing a portable music player I'll go for the one that doesn't weigh 
more than my kid.

-Aaron

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Re: 4 GB SD cards for istDS/DS2, istDL/DL2

2006-08-22 Thread Aaron Reynolds

On Aug 22, 2006, at 9:26 AM, Shel Belinkoff wrote:

 The numbers work out to considerably less than $100.00 if you make a 
 wise
 purchase.

I know -- I was trying to put together a reasonable worst-case.

-Aaron

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Re: 4 GB SD cards for istDS/DS2, istDL/DL2

2006-08-22 Thread Aaron Reynolds

On Aug 22, 2006, at 10:18 AM, David Savage wrote:

 Assuming prices are up to date, the average works out to: AU$257 
 (~US$195)

Well, it sucks to be in Australia.  Maybe your CF cards have held their 
value, then, eh?

Three fast Gb plus a slow 1Gb card for my Palm cost me about $100 
total, and some of those cards I bought before the most recent price 
drop -- I paid more for my fast 1Gb card than I did for my fast 2Gb 
card, only a few months apart.

-Aaron

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Re: Screw mount bellows on the K100D (was - scanner question)

2006-08-22 Thread Aaron Reynolds
I have a set of bellows in the basement somewhere -- I'll see if I can 
successfully attach them to my DS2, which should be about the same 
shape.  Of course, I'd have to successfully find them first.

-Aaron


On Aug 22, 2006, at 10:28 AM, Scott Loveless wrote:

  What I haven't come across is whether
 or not I can attach a screw mount bellows to the K100D.

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Re: CF v SD Cards

2006-08-22 Thread Aaron Reynolds
1) Reeling in what sense?

2) What are you expecting to hear from the American importer, and what exactly 
did you ask?

Your cards work JUST FINE in your camera.  If you keep your camera, you will 
need cards.  If you sell your camera, sell the cards with it.

-Aaron

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-Original Message-

From:  Joseph Tainter [EMAIL PROTECTED]
Subj:  Re: CF v SD Cards
Date:  Tue 2006 Aug 22 11:15 am
Size:  794 bytes
To:  pdml@pdml.net

After posting my comments I began to think about what I said.  Can 
anyone make a case for CF cards as being a better choice than SD cards, 
apart from some CF cards having a greater capacity than the current 
highest capacity SD cards?

Shel

-

Make a case? The case for me is that it feels like Pentax has 
gratuitously slapped me in the face. I bought an *ist D and supported 
Pentax at a time when the company was reeling. In return, Pentax won't 
even explain why CF cards have been abandoned.

It's not the money, gang. I know that SD cards are inexpensive. I am 
really offended by Pentax treating me this way.

A Pentax rep once described Pentax managers to me as arrogant. Yep.

Joe

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Re: CF v SD Cards

2006-08-22 Thread Aaron Reynolds
Tom, go ahead and compare the price difference on cards of the same speed.

-Aaron

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-Original Message-

From:  Tom C [EMAIL PROTECTED]
Subj:  Re: CF v SD Cards
Date:  Tue 2006 Aug 22 11:56 am
Size:  1K
To:  pdml@pdml.net

Faster... noticeably to humans or just to chronometers measuring in 
nanoseconds?



Tom C.

I will not be pushed, filed, stamped, indexed, briefed, debriefed or 
numbered.







From: Aaron Reynolds [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: CF v SD Cards
Date: Tue, 22 Aug 2006 06:37:23 -0400


On Aug 22, 2006, at 6:20 AM, Cotty wrote:

  Seems to me that SD is becoming the consumer standard. CF is still a
  professional standard and I don't see any sign of that changing. I
  would
  suspect that there are probably good reasons for that.

Considering that most pro bodies are physically much bigger, there's
not as much compelling upside to switch.

But if you gave me the option between a larger, slower card and a
smaller, faster card for the same money, I'd take the smaller, faster
card every time.  Why wouldn't you?

-Aaron

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Re: any views on K100D vs. Canon Rebel XT (350D)?

2006-08-22 Thread Aaron Reynolds

On Aug 22, 2006, at 11:52 AM, Tom C wrote:

 I would expect Canon to implement in-body anti-shake at the soonest 
 possible
 time.  No information to that, just common sense.

Won't that destroy the market for their pricey lenses with anti-shake 
in them?

-Aaron

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Re: CF v SD Cards

2006-08-22 Thread Aaron Reynolds
On Aug 22, 2006, at 11:58 AM, Tom C wrote:

 Rally?

Okay, Tom, I'll bite: what Pentax body using SD cards is slower to 
write to the card than the original *istD using CF cards?  I freely 
admit to having used only the D, the DS, the DS2 and the DL and to only 
owning the DS2.  Are the new K bodies suddenly really slow?

-Aaron

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Re: CF v SD Cards

2006-08-22 Thread Aaron Reynolds

On Aug 22, 2006, at 12:17 PM, Tom C wrote:

 I don't really care Aaron.  If in use, I can't detect a difference (or 
 it's
 negligible), the specs don't matter.  Price may make a difference, but 
 not
 memory card specs where the slowest link in the chain is probably the 
 camera
 itself.

Tom, it's a noticeable difference, at least for people shooting bursts. 
  I never would have purchased an *istD because I found it frustratingly 
slow.  I had no qualms about buying a DS2.

-Aaron

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Re: CF v SD Cards

2006-08-22 Thread Aaron Reynolds

On Aug 22, 2006, at 11:02 AM, P. J. Alling wrote:

 That's hardly a concern when comparing CF and SD cards.  Unless you 
 plan
 to lift them into orbit.

Yes, thus the heh to convey the jokiness of the post,

I, too, put SD cards in my pockets all the time and have not even come 
close to losing one.  I have, however, lost rolls of film out of my 
pockets -- perhaps the slim form factor helps in SD's case.

-Aaron

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Re: CF v SD Cards

2006-08-22 Thread Aaron Reynolds
I shoot nearly 100% jpg, and the larger buffer of the DS2 combined with the 
faster write speed feels significantly more than twice as fast.

The buffer helps initially, but the speed of recovery from a burst using a fast 
card makes a huge difference if, like me, you shoot numerous 2-3 shot bursts 
one after another.

-Aaron

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-Original Message-

From:  Tom C [EMAIL PROTECTED]
Subj:  Re: CF v SD Cards
Date:  Tue 2006 Aug 22 1:46 pm
Size:  1K
To:  pdml@pdml.net

Shooting .jpgs or RAW?  How fast does the buffer fill up?  Is the speed 
increase due to the memory card or some other factor?

Just curious actually.  I rarely shoot in bursts but for, say wifdlife 
pictures, it could be an advantage.

If I had a choice between a 2x buffer size and a 2x burst speed, I'd take 
the 2x buffer (but I'm going off on a tangent).


Tom C.

I will not be pushed, filed, stamped, indexed, briefed, debriefed or 
numbered.







From: Shel Belinkoff [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: CF v SD Cards
Date: Tue, 22 Aug 2006 10:24:01 -0700

I'd say about twice as fast, maybe a bit more ... at least for the DS/DS2
and the DL series.  Can't speak to the newer cameras.

Shel



  [Original Message]
  From: Tom C

 
  You wrote The *ist D isn't worth comparing, speed-wise, as even Pentax's
  cheapest DSLR
  outperforms it by a large margin now.
 
  My question is really What large margin?  I've never compared them, but
  large margin?  How large?



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Re: CF v SD Cards

2006-08-22 Thread Aaron Reynolds
I don't think they would make them 100% incompatible, but if they did I would 
still have my current cameras and lenses.  If I wanted USM, I would have to buy 
both new lenses and a new body anyways; if the new body were incompatible with 
my old gear I would just be less disposed towards buying it without giving the 
competition a good look.

-Aaron

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-Original Message-

From:  jtainter [EMAIL PROTECTED]
Subj:  Re: CF v SD Cards
Date:  Tue 2006 Aug 22 12:51 pm
Size:  588 bytes
To:  pdml@pdml.net

For those of you who bought only the DS (or later) model, and feel that you 
need to criticise those who bought the D and would like to keep using our CF 
cards, consider this:

If Pentax's new attitude is back of the hand to their customers' investments, 
what is to keep them from abandoning the AF drive shaft sometime shortly after 
the KAF3 mount comes out?

Yep, SD cards are inexpensive, but a lot of our lenses aren't.

It's not the money. It's the attitude Pentax has displayed.

Joe



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Re: Holy Crap -- Pentax 10MP body

2006-08-22 Thread Aaron Reynolds
Not the resolution part of it, and not by itself.

But sort of yes!

-Aaron

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-Original Message-

From:  Cotty [EMAIL PROTECTED]
Subj:  Re: Holy Crap -- Pentax 10MP body
Date:  Tue 2006 Aug 22 4:23 pm
Size:  526 bytes
To:  pentax list PDML@pdml.net

According to DPReview, there's some wizard new processing system in this
camera:

http://www.dpreview.com/news/0608/06082103pentaxa20.asp

that bumps up the resolution. they call it 'ASIC'. I presume this is
what Aaron is hyped up about?

deflating wind

Give me a party-popper ;-)

-- 


Cheers,
  Cotty


___/\__
||   (O)   | People, Places, Pastiche
||=|http://www.cottysnaps.com
_



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Re: Holy Crap -- Pentax 10MP body

2006-08-22 Thread Aaron Reynolds

On Aug 22, 2006, at 7:02 PM, Peter Loveday wrote:

 I really hope theres more to this that it seems on the surface.

I don't know anything about the ps, but as to that other thing, yes.

-Aaron

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Re: CF v SD Cards

2006-08-22 Thread Aaron Reynolds

On Aug 22, 2006, at 8:49 PM, Digital Image Studio wrote:

 And whilst I agree that the Pentax bodies are selling well at the
 moment I'm still not convinced that the volume is sustainable or
 particularly profitable as they appear to be priced ridiculously low.

And yet somehow their camera division is making more money than ever in 
the history of the company right now...

-Aaron

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Re: venting about lack of available 3rd party other lense

2006-08-22 Thread Aaron Reynolds

On Aug 22, 2006, at 9:48 PM, Paul Stenquist wrote:

 Perhaps better if Aaron's secret feature amounts to
 something.

Oh, does it ever amount to something!

-Aaron

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Re: venting about lack of available 3rd party other lense

2006-08-22 Thread Aaron Reynolds

On Aug 22, 2006, at 9:43 PM, Amita Guha wrote:

 In the meantime, I have my eye on the Nikon D200. I'm going to go look
 at one this weekend.

Just don't buy it until at least October, okay?

-Aaron

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Re: CF v SD Cards

2006-08-22 Thread Aaron Reynolds

On Aug 23, 2006, at 12:01 AM, Digital Image Studio wrote:

 From: Outline of Finances and Business Results in 1st Quarter of 2006
 Business Year (Consolidated)

What months are those?

-Aaron

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Re: CF v SD Cards

2006-08-22 Thread Aaron Reynolds

On Aug 23, 2006, at 12:21 AM, David Savage wrote:

 It says on the first page.

Care to share?  I'm reading my mail on my Palm, and its PDF support is, 
well, substandard.

-Aaron

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Re: CF v SD Cards

2006-08-22 Thread Aaron Reynolds

On Aug 23, 2006, at 12:57 AM, David Savage wrote:

 2. An outline of financial and business results for the first quarter 
 of
 2006 business year
 (from April 1, 2006 to June 30, 2006):

Hrm -- I'll have to place an inquiry as to where the numbers I was fed 
come from.

-Aaron

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Re: FA* 24/2 AL [IF]

2006-08-21 Thread Aaron Reynolds

On Aug 21, 2006, at 10:58 AM, Shel Belinkoff wrote:

 More important, how is it optically?  I seem to recall some people 
 saying
 that it wasn't very good - although I don't recall any specifics.

I've only used it on film, and it was spectacular.  Made my Sigma Super 
Wide II 24mm f2.8 look like dogfood.

 Boz's site mentions an AF/MF clutch.  What is that?  Does that mean the
 lens can be used in auto focus mode and then adjusted manually without
 having to take the camera out of AF mode, like some of the new DA 
 lenses?

Yes, except you have to snap the focus ring backwards to do it, if I 
recall correctly.

-Aaron

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Re: I NEED an intervention.

2006-08-21 Thread Aaron Reynolds

On Aug 21, 2006, at 10:21 AM, David J Brooks wrote:

 Just added another Dslr to the Lowepro.

WHAT DID YOU BUY NOW???

-Aaron

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Re: Printer Recommendations?

2006-08-18 Thread Aaron Reynolds
I actually managed to kill the paper feeds of two 2200s under warranty, so I 
never ran into that problem -- they sent me new ones.

For the record, they were running about eight hours a day, seven days a week.

-Original Message-

From:  David Mann [EMAIL PROTECTED]
Subj:  Re: Printer Recommendations?
Date:  Fri 2006 Aug 18 2:54 am
Size:  975 bytes
To:  Pentax-Discuss Mail List pdml@pdml.net

On Aug 17, 2006, at 10:51 PM, Aaron Reynolds wrote:

 Real Epson service call, in which I was apparently
 the first person ever to require a replacement waste ink tank -- it
 wasn't user changeable because they figured no one would fill one in
 the lifetime of the printer.  On all the new models it's
 user-replaceable.)

That's one thing that annoys me about the 2100/2200.  Next time the  
waste pad fills up I'm probably going to drill a hole in the bottom  
of the printer under the waste-ink hose, and I'll mount my own sponge- 
in-a-container underneath it.

I've only had to clean out the pad once, and the disassembly isn't  
something I'm looking forward to repeating.

I have had the heads clog a few times but as others have said, if you  
print regularly you shouldn't have any problems.  I've found that one  
8x10 a week is sufficient for my printer.

- Dave


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Re: Printer Recommendations?

2006-08-17 Thread Aaron Reynolds

On Aug 17, 2006, at 6:17 AM, Paul Stenquist wrote:

 The newer Epsons don't seem to clog. My 2200 has never clogged in the
 five years I've been using it.

Clogging is heavily dependent on usage.  If you leave the printer for 
long stretches without printing, it's more likely to clog.  If you 
leave the printer switched on when not using it for long periods of 
time, even with the power disconnected, it's a lot more likely to clog 
(turning it off runs a quick head cleaning cycle and parks the heads so 
they don't dry out).  Tricking the printer into getting the last few 
drops of ink out of a cartridge is the best way to get air bubbles in 
your lines, which will give you a clog-like result that's hard as hell 
to get rid of.

It took about five years for my Epson 7500 to build up enough dried 
waste ink on the heads to actually clog, and when I cleaned it a chunk 
the size of a dime fell out and then everything was fine.

By the way, I do not at all recommend being on the bleeding edge with a 
new set of pigments and a new machine, unless spending a lot of time 
troubleshooting for the manufacturer is your idea of fun.  The serial 
number on my 7500 is 0001.

(Sir, the serial number is on the back of the printer.  I understand 
if it's in an awkward position and you don't want to look back there, 
but it's very important that we have the serial number.  I'm behind 
the @#!*!*@ printer right now, AND THAT'S THE SERIAL NUMBER!  Please 
sir, be serious...  Real Epson service call, in which I was apparently 
the first person ever to require a replacement waste ink tank -- it 
wasn't user changeable because they figured no one would fill one in 
the lifetime of the printer.  On all the new models it's 
user-replaceable.)

-Aaron

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Re: For those in the know about K10D

2006-08-17 Thread Aaron Reynolds
That's because everyone wants quality for nothing, Bill!

Related: bad news for those who enjoyed the 12 cent prints from photolab.ca, as 
TCN (who were providing the service) are shutting down operations.

-Aaron

-Original Message-

From:  William Robb [EMAIL PROTECTED]
Subj:  Re: For those in the know about K10D
Date:  Thu Aug 17, 2006 9:30 am
Size:  530 bytes
To:  Pentax-Discuss Mail List pdml@pdml.net


- Original Message - 
From: Thibouille
Subject: Re: For those in the know about K10D


 
 Thik of all the money we don't spend on film..

 Yeah but you don't need any PC/Mac nor do you need a any software like
 Adobe and such. If you lab was good then that was it.

You wouldn't believe how much bitching and complaining about photolabs 
we used to get on list before the istD hit the market.

William Robb 



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Re: For those in the know about K10D

2006-08-17 Thread Aaron Reynolds

On Aug 17, 2006, at 11:57 AM, graywolf wrote:

  I have not checked but I suspect that many of those high volume
 quality people labs are still doing business as most pro photographers
 still make their money by shooting, not by sitting in front of a
 computer

In Toronto and the surrounding area, they're dropping like flies.

-Aaron

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Re: Printer Recommendations?

2006-08-17 Thread Aaron Reynolds

On Aug 17, 2006, at 4:32 PM, Jack Davis wrote:

 Only problem is, I tend to examine even prints with a loupe, at least
 intelectually speaking. In a way, it's like having 500 hp under the
 hood but not needing it or using it. Still a rush knowing it's there.
 Does one need camera RAW, etc, etc..?

My Epson Stylus Pro 7500 is very old, slow and low-res by today's 
standards, and yet people find the results breathtaking.

It's not at all about the droplet size, it's about learning to get the 
most out of your printer -- if you can't use the thing to its fullest 
potential, your prints will be lacking to matter how small your 
droplets are.

It's one of those things where people obsess over the wrong part of the 
technology.

-Aaron

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Re: Printer Recommendations?

2006-08-17 Thread Aaron Reynolds

On Aug 17, 2006, at 5:53 PM, Jack Davis wrote:

 Aaron, this, of course, is about 'all else being equal'.

And what I'm saying is that at the advanced stage we're at, 
improvements in image quality come from something other than droplet 
size, at least when viewed with the naked eye.  Colour range and colour 
fastness as well as colour detail and smoothness are of far more 
importance when judging a printer.

-Aaron

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Re: Printer Recommendations?

2006-08-17 Thread Aaron Reynolds

On Aug 17, 2006, at 7:13 PM, Jack Davis wrote:

 If I had the choice between two otherwise identical, equally priced
 printers, I'd choose the one with the smallest droplet size.

Well, sure, as long as everything else actually is equal -- but 
everything else are those hard to quantize in numbers things that 
people never think about when shopping.  And how do you compare?

When buying the 7500, I spent eight hours in the showroom making prints 
and drinking coffee.  The sales guys were wondering why I wanted to 
print these funny images that for the most part lacked punchy, bright 
colours and kept showing me samples with punchy bright colours.

The 7500 outclassed everything -- it was also the first time I had seen 
something that I would accept as a photographic print.  Of course, in 
those good old days I was looking at eight thousand dollar printers.

-Aaron

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Re: Tonal gradation in shadows - The $67 Question?

2006-08-17 Thread Aaron Reynolds

On Aug 17, 2006, at 10:31 PM, Anthony Farr wrote:

 Perhaps this post didn't get through the first time so I'm resending 
 it but
 with an altered subject line.

I didn't reply because there was no context to what I was looking at, 
so it didn't make any sense to me.

-Aaron

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Re: Holy Crap -- Pentax 10MP body

2006-08-17 Thread Aaron Reynolds

On Aug 17, 2006, at 11:26 PM, John Francis wrote:

 Beyond that I'm just beginning to hear talk of a 60-250 (probably
 f4, not f2.8).

Oh, I want that.  Pretty please.

-Aaron

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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds

On Aug 16, 2006, at 1:36 AM, Jens Bladt wrote:

 A lens with shutterblades, will allow high shutterspeeds, when using a
 flash.

Nope, I don't have one of those for the 67.

-Aaron

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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds

On Aug 16, 2006, at 3:55 AM, Cotty wrote:

 My guess is that the mount will be fully backwards compatible - eg no
 green button kludge.

Why would I sell my 67 for that?

Honestly, people -- WHAT ARE THE ADVANTAGES OF A 6x7??  There really 
are not that many.

-Aaron

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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
Way closer.  What else?

-Aaron

-Original Message-

From:  DagT [EMAIL PROTECTED]
Subj:  Re: Holy Crap -- Pentax 10MP body
Date:  Wed Aug 16, 2006 7:04 am
Size:  449 bytes
To:  Pentax-Discuss Mail List pdml@pdml.net

 Fra: Aaron Reynolds [EMAIL PROTECTED]
 
 On Aug 16, 2006, at 3:55 AM, Cotty wrote:
 
  My guess is that the mount will be fully backwards compatible - eg no
  green button kludge.
 
 Why would I sell my 67 for that?
 
 Honestly, people -- WHAT ARE THE ADVANTAGES OF A 6x7??  There really 
 are not that many.

No grain/noise

DagT


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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
Why would either of these prompt me to sell my 67?

I don't care about any technical tomfoolery -- so what is it that I do care 
about?

Also, when there are lovely modern superwides out there, what does the sensor 
size matter?

-Aaron

-Original Message-

From:  David Savage [EMAIL PROTECTED]
Subj:  Re: Holy Crap -- Pentax 10MP body
Date:  Wed Aug 16, 2006 6:59 am
Size:  518 bytes
To:  Pentax-Discuss Mail List pdml@pdml.net

- The sensor is larger than APS-C?

- The sensor can be changed buy the user?

Those are my best guess's.

Dave

At 06:46 PM 16/08/2006, you wrote:

On Aug 16, 2006, at 3:55 AM, Cotty wrote:

  My guess is that the mount will be fully backwards compatible - eg no
  green button kludge.

Why would I sell my 67 for that?

Honestly, people -- WHAT ARE THE ADVANTAGES OF A 6x7??  There really
are not that many.


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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
I think that current digital SLR images are well below the quality of 67.  I do 
not know anything about that patent at all.  I did not bring that patent up.

-Aaron

-Original Message-

From:  Toralf Lund [EMAIL PROTECTED]
Subj:  Re: Holy Crap -- Pentax 10MP body
Date:  Wed Aug 16, 2006 7:25 am
Size:  837 bytes
To:  Pentax-Discuss Mail List pdml@pdml.net


 
 My guess is that the mount will be fully backwards compatible - eg no
 green button kludge.
   
 Why would I sell my 67 for that?

 Honestly, people -- WHAT ARE THE ADVANTAGES OF A 6x7??  There really 
 are not that many.
 

 No grain/noise
   
Yes. Maybe he thinks (application of) the patent you posted will reduce 
the noise and/or improve the dynamic range to the level of the 6x7 
format. I think he will be disappointed. Maybe not if he thinks that the 
current digital images are *only just* below the quality of the 6x7, but 
if he is of the opinion that they are a lot poorer and the no-brainer 
feature is just stick in a hardware component that will remove all the 
noise...

- Toralf


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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
Colder.

-Aaron

-Original Message-

From:  David Savage [EMAIL PROTECTED]
Subj:  Re: Holy Crap -- Pentax 10MP body
Date:  Wed Aug 16, 2006 7:27 am
Size:  247 bytes
To:  Pentax-Discuss Mail List pdml@pdml.net

At 07:13 PM 16/08/2006, you wrote:
Also, when there are lovely modern superwides out there, what does the 
sensor size matter?

Sensor noise.

Dave


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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds

On Aug 16, 2006, at 8:29 AM, Toralf Lund wrote:

 You mean, No grain/noise is close, but (reduction of) sensor noise
 isn't. You are confusing me. (But that's the fun part of all this, I'm
 sure ;-))

No, I didn't mean that no grain/noise was close.

-Aaron

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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds

On Aug 16, 2006, at 7:45 AM, Mark Stringer wrote:

 6x7 format translates to fine art print sizes without cropping.  In 
 camera
 mask would make composing in a ratio similar to 6x7 easier and as I 
 said
 earlier, an easy to use hyperfocal adjustment for foreground sharpness 
 would
 be nice.

I wouldn't sell my 67 for this.

-Aaron

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RE: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
No.

-Aaron

-Original Message-

From:  Lie Arne [EMAIL PROTECTED]
Subj:  RE: Holy Crap -- Pentax 10MP body
Date:  Wed Aug 16, 2006 9:53 am
Size:  1K
To:  Pentax-Discuss Mail List pdml@pdml.net

Aaron,

* Biggest disadvantage with digital: you are stuck with one type of
film: the CCD it is born with. * Best with (67) film camera: you can
select your film any time! 

Solution to Holy Crap: Interchangeable CCD sensors. Pentax comes with
one CCD sensor optimized for high ISO (6Mp?), and one for low ISO
(10Mp). That was easy...

Arne

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On 
 Behalf Of Aaron Reynolds
 Sent: 16. august 2006 15:29
 To: Pentax-Discuss Mail List
 Subject: Re: Holy Crap -- Pentax 10MP body
 
 
 On Aug 16, 2006, at 7:45 AM, Mark Stringer wrote:
 
  6x7 format translates to fine art print sizes without cropping.  In 
  camera mask would make composing in a ratio similar to 6x7 
 easier and 
  as I said earlier, an easy to use hyperfocal adjustment for 
 foreground 
  sharpness would be nice.
 
 I wouldn't sell my 67 for this.
 
 -Aaron
 
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RE: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
Nope.

-Aaron

-Original Message-

From:  Anthony Farr [EMAIL PROTECTED]
Subj:  RE: Holy Crap -- Pentax 10MP body
Date:  Wed Aug 16, 2006 9:54 am
Size:  1K
To:  'Pentax-Discuss Mail List' pdml@pdml.net

Aaron,

Going back to the source might help me to dig out your meaning.

It addresses my most basic complaint about digital.

We've explored noise reduction, but you seem to have gone cold on that
approach ;-)

A few people have mentioned resolution but not followed it up (I believe
they mean resolving power a.k.a. sharpness).  OK, I'll bite. 

We know that the killer of sharpness is the anti-moiré filter.  When Nikon
released the D70 they only used a weak anti-moiré filter, for improved
sharpness at the risk of moiré when textiles etc. were shot.  They
apparently got away with it and the D70 and its derivatives have been
praised for their sharper pictures.

What if the anti-moiré filter were made retractable/removable, or dispensed
with altogether and moiré control implemented in software?  Instead of
reducing the sharpness of every shot for the sake of the few that suffered
from moiré, you might get the best sharpness possible most of the time and
only bring in moiré control when needed.

Regards,
Anthony Farr 



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RE: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
My 67 does not have AF.

Again, it has already been said more than once by more than one person.

-Aaron

-Original Message-

From:  Anthony Farr [EMAIL PROTECTED]
Subj:  RE: Holy Crap -- Pentax 10MP body
Date:  Wed Aug 16, 2006 10:07 am
Size:  368 bytes
To:  'Pentax-Discuss Mail List' pdml@pdml.net

Another shot from the scattergun -

The noise being reduced isn't image noise, but AF motor and screwdriver
noise.  The K10D finally launches a USM capable Pentax.

Regards,
Anthony Farr (loving this speculation game, the most fun I've had on the
list for an age)





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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
It's *closer* in that it's related to the right part of the improvement, but 
it's not *the thing*.

-Aaron

-Original Message-

From:  David Savage [EMAIL PROTECTED]
Subj:  Re: Holy Crap -- Pentax 10MP body
Date:  Wed Aug 16, 2006 9:50 am
Size:  531 bytes
To:  Pentax-Discuss Mail List pdml@pdml.net

At 09:26 PM 16/08/2006, you wrote:
On Aug 16, 2006, at 8:29 AM, Toralf Lund wrote:

  You mean, No grain/noise is close, but (reduction of) sensor noise
  isn't. You are confusing me. (But that's the fun part of all this, I'm
  sure ;-))

No, I didn't mean that no grain/noise was close.

-Aaron

You said no grain/noise was Way closer.

If you didn't mean that, how are we supposed to solve this riddle? :-)

Dave



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RE: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
That is beyond my understanding.

-Aaron

-Original Message-

From:  Anthony Farr [EMAIL PROTECTED]
Subj:  RE: Holy Crap -- Pentax 10MP body
Date:  Wed Aug 16, 2006 10:40 am
Size:  1K
To:  'Pentax-Discuss Mail List' pdml@pdml.net

I made this suggestion a couple of hours ago, but there's been no response
to it.  That can mean two things.  One is that the post never got to the
people who matter.  The second is that while incorrect guesses can be easily
dismissed, something very close to the mark can't safely be touched due to
the embargo.

Here's my earlier unanswered post:
-
Having no time to audit the Holy Crap thread, to eliminate what Aaron has
negatoried and reconsider his ambiguous answers, I'm going to have a stab.

Why not?  It's fun and after all it was Aaron who opened up Pandora's Box,
what does he expect of us inquisitive types who don't work in retail and
have insider knowledge?

I've no background in electronics to understand what the patent documents
say, but I do know that a big gripe about digital capture is that the
exposure is recorded lineally, ie the brightest stop gets half the bit
depth, the second brightest stop gets the next quarter of all the bit depth,
etc.  Eventually, the darkest discernible stop only has two or three levels
in it.

Perhaps Pentax has implemented logarithmic exposure (logE as film is
measured) rather than linear exposure.  Just a guess, and just for fun ;-)

Regards,
Anthony Farr

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Lie
 Arne
 Sent: Thursday, 17 August 2006 12:15 AM
 To: Pentax-Discuss Mail List
 Subject: RE: Holy Crap -- Pentax 10MP body
 
 OK. Other limiting factor of digital is the linear CCD sensor, it is not
 non-linear as film. The latter is a benefit in avoiding burn-outs and
 loosing details in shadows. So, they (Pentax) are able to make the
 characteristcs of the CCD approaching more that of film when it comes to
 sensitivity. ???
 
 Arne
 

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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds

On Aug 16, 2006, at 11:06 AM, Mark Roberts wrote:

 I think a lot of you are making too much of Aaron's statement that
 he'd (possibly) give up his 67 for this. In fact I believe -- and I
 think Jostein, who also knows the secret, will agree with me on this
 -- that Aaron may be expecting too much. Not that it isn't
 groundbreaking, but I think it'll still be far off 67 quality. At
 least with the 10-megapixel, APS-crop sensor in the K10D.

It will likely not be the same as 67, that's very true.  However, it 
will have jettisoned the thing I don't like about digital and replaced 
it with the thing I love most about 6x7, which is not resolution.

-Aaron

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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
I find that place tiresome.  I can only imagine what gadgets/math/technofoolery 
they're thinking up.

I ain't going there -- they're sure to be obsessing over the wrong things.

-Aaron

-Original Message-

From:  David Savage [EMAIL PROTECTED]
Subj:  Re: Holy Crap -- Pentax 10MP body
Date:  Wed Aug 16, 2006 12:00 pm
Size:  189 bytes
To:  Pentax-Discuss Mail List pdml@pdml.net

Aaron wander over to the Pentax SLR forum at DPReview  see what you've started.

LOL.

Dave

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RE: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
Why would I need to understand the math behind it to run a lab?

-Aaron

-Original Message-

From:  Anthony Farr [EMAIL PROTECTED]
Subj:  RE: Holy Crap -- Pentax 10MP body
Date:  Wed Aug 16, 2006 11:51 am
Size:  1K
To:  'Pentax-Discuss Mail List' pdml@pdml.net

You don't understand logE?  You do/did operate a lab, did you not?

Regards,
Anthony Farr

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Aaron
 Reynolds
 Sent: Thursday, 17 August 2006 1:01 AM
 To: Pentax-Discuss Mail List
 Subject: RE: Holy Crap -- Pentax 10MP body
 
 That is beyond my understanding.
 
 -Aaron
 
 -Original Message-
 
 From:  Anthony Farr [EMAIL PROTECTED]
 Subj:  RE: Holy Crap -- Pentax 10MP body
 Date:  Wed Aug 16, 2006 10:40 am
 Size:  1K
 To:  'Pentax-Discuss Mail List' pdml@pdml.net
 
(snip)
 
 I've no background in electronics to understand what the patent documents
 say, but I do know that a big gripe about digital capture is that the
 exposure is recorded lineally, ie the brightest stop gets half the bit
 depth, the second brightest stop gets the next quarter of all the bit
depth,
 etc.  Eventually, the darkest discernible stop only has two or three
levels
 in it.
 
 Perhaps Pentax has implemented logarithmic exposure (logE as film is
 measured) rather than linear exposure.  Just a guess, and just for fun ;-)
 
 Regards,
 Anthony Farr
 

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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
22

-Aaron

-Original Message-

From:  Dario Bonazza [EMAIL PROTECTED]
Subj:  Re: Holy Crap -- Pentax 10MP body
Date:  Wed Aug 16, 2006 1:04 pm
Size:  708 bytes
To:  Pentax-Discuss Mail List pdml@pdml.net

50

Dario

- Original Message - 
From: Digital Image Studio [EMAIL PROTECTED]
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Wednesday, August 16, 2006 4:45 PM
Subject: Re: Holy Crap -- Pentax 10MP body


 On 17/08/06, Dario Bonazza [EMAIL PROTECTED] wrote:
 50
 
 42
 
 -- 
 Rob Studdert
 HURSTVILLE AUSTRALIA
 Tel +61-2-9554-4110
 UTC(GMT)  +10 Hours
 [EMAIL PROTECTED]
 http://home.swiftdsl.com.au/~distudio//publications/
 Pentax user since 1986, PDMLer since 1998
 
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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
No, I'd still love my 67 if it were pink with a big flower on the front of it.

-Aaron

-Original Message-

From:  graywolf [EMAIL PROTECTED]
Subj:  Re: Holy Crap -- Pentax 10MP body
Date:  Wed Aug 16, 2006 1:20 pm
Size:  833 bytes
To:  Pentax-Discuss Mail List pdml@pdml.net

Well the 6x7 is a BBC. As I have said time and time again BBC's impress 
the clients. However if that is what Aaron likes about the K10D, I am 
not impressed.

BBC = Big Black Camera, for those who have problems with acronyms.

-- 
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http://www.graywolfphoto.com
http://webpages.charter.net/graywolf
Idiot Proof == Expert Proof
---


Mark Roberts wrote:
 Aaron Reynolds wrote:
 
 On Aug 16, 2006, at 3:55 AM, Cotty wrote:

 My guess is that the mount will be fully backwards compatible - eg no
 green button kludge.
 Why would I sell my 67 for that?

 Honestly, people -- WHAT ARE THE ADVANTAGES OF A 6x7??  There really 
 are not that many.
 
 It impresses chicks?
  

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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
You seem so sure!  Why is that?

-Aaron

-Original Message-

From:  graywolf [EMAIL PROTECTED]
Subj:  Re: Holy Crap -- Pentax 10MP body
Date:  Wed Aug 16, 2006 1:15 pm
Size:  1K
To:  Pentax-Discuss Mail List pdml@pdml.net

Well, as I see it the only real advantage of 6x7 is print quality. Now I 
do not think there is anyway a 10mp camera is going to match that 
(except for stitching images together which requires a lot of time and 
effort), although there are lots of folks who can not tell the 
difference anyway.

-- 
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Idiot Proof == Expert Proof
---


Aaron Reynolds wrote:
 Why would either of these prompt me to sell my 67?
 
 I don't care about any technical tomfoolery -- so what is it that I do care 
 about?
 
 Also, when there are lovely modern superwides out there, what does the sensor 
 size matter?
 
 -Aaron
 
 -Original Message-
 
 From:  David Savage [EMAIL PROTECTED]
 Subj:  Re: Holy Crap -- Pentax 10MP body
 Date:  Wed Aug 16, 2006 6:59 am
 Size:  518 bytes
 To:  Pentax-Discuss Mail List pdml@pdml.net
 
 - The sensor is larger than APS-C?
 
 - The sensor can be changed buy the user?
 
 Those are my best guess's.
 
 Dave
 
 At 06:46 PM 16/08/2006, you wrote:
 
 On Aug 16, 2006, at 3:55 AM, Cotty wrote:

 My guess is that the mount will be fully backwards compatible - eg no
 green button kludge.
 Why would I sell my 67 for that?

 Honestly, people -- WHAT ARE THE ADVANTAGES OF A 6x7??  There really
 are not that many.
 
 

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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
All in.

-Aaron

-Original Message-

From:  Jostein Øksne [EMAIL PROTECTED]
Subj:  Re: Holy Crap -- Pentax 10MP body
Date:  Wed Aug 16, 2006 1:28 pm
Size:  645 bytes
To:  Pentax-Discuss Mail List pdml@pdml.net

I'll raise you by 3.14

Jostein

On 8/16/06, Dario Bonazza [EMAIL PROTECTED] wrote:
 100

 Dario

 - Original Message -
 From: Dario Bonazza [EMAIL PROTECTED]
 To: Pentax-Discuss Mail List pdml@pdml.net
 Sent: Wednesday, August 16, 2006 4:25 PM
 Subject: Re: Holy Crap -- Pentax 10MP body


  50
 
 
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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
Sadly, this is as close or even closer than most guesses.

And no, that's not a hint.

-Aaron

-Original Message-

From:  Peter Fairweather [EMAIL PROTECTED]
Subj:  Re: Holy Crap -- Pentax 10MP body
Date:  Wed Aug 16, 2006 1:40 pm
Size:  615 bytes
To:  Pentax-Discuss Mail List pdml@pdml.net

I release that what I am about to impart to you involves a breach of
the temporal prime directive but there should be little impact on the
time lines aside from the suicide of a few C and N***n executives.

The anti shake switch also creates a warp field around the sensor.
within this the normal rules of physics do not apply. We will have
zero noise at any light level and the ability to shoot at any angle of
view from a standard lens.

I would reveal more but the nurse says I must take my medicine now.

Peter

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RE: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
Actually, I only recently found out that digital did not expose like film, when 
I began to look around for the reasons my test exposures looked the way they 
did after buying my first DSLR.

I knew how film exposed and how to optimize my results, but not the math or 
math terminology.  That stuff bores me, and beyond that it does not help me 
more than the simple explanation like digital has less and less range as 
exposure drops into the shadows.

-Aaron

-Original Message-

From:  Anthony Farr [EMAIL PROTECTED]
Subj:  RE: Holy Crap -- Pentax 10MP body
Date:  Wed Aug 16, 2006 2:11 pm
Size:  2K
To:  'Pentax-Discuss Mail List' pdml@pdml.net

Aaron,

Fair comment.  I don't understand the math either, not enough to express it
accurately, but I do understand the concept behind it and how it differs
from the concept of digital exposure.

For anyone who's still in the dark about why digital exposure is different
to film exposure, here comes my attempt to explain.

With negative film, every extra stop of exposure ideally gives the same
increase in density to the developed film.  Thus a stop in the shadows will,
ideally, have the same density range as a stop in the highlights.  However,
when the film was exposed, every extra stop doubled the total quantity of
light given up to the next lower stop.  On a 12 stop scale, if it took n
lumens to expose the first stop of density then it would take 2,048n lumens
to expose to the 11th stop of density, and the 12th stop would require an
additional 2,048n lumens for a total of 4,096n lumens.  

AND YET, and this is the point, the darkest stop that only represented n
lumens will raise the negative density by the same amount as the brightest
stop that represents an increase of 2,048n lumens.  That is because a linear
density increase is achieved by a log Exposure increase.

But digital exposure is linear.  Working with 12 bits, the darkest stop is
from level 0 to level 1, and the brightest stop is from level 2,047 to level
4,095.  The brightest stop gets you half of all the available brightness
levels of the output file, the darkest stop gets only 1/2,048 as much.

Is it any wonder that the shadows of a digital shot can be lost in
background noise?  It's easy to imagine that a non-linear A/D conversion
could be better, even if it wasn't fully logarithmic.  BTW, my guess is that
non-linearity would be a function of the A/D conversion, not a
characteristic of the sensor.

None of which means that Pentax or anyone else is about to announce anything
of the sort ;-) 

Regards,
Anthony Farr

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Aaron
 Reynolds
 Sent: Thursday, 17 August 2006 2:18 AM
 To: Pentax-Discuss Mail List
 Subject: RE: Holy Crap -- Pentax 10MP body
 
 Why would I need to understand the math behind it to run a lab?
 
 -Aaron
 
 -Original Message-
 
 From:  Anthony Farr [EMAIL PROTECTED]
 Subj:  RE: Holy Crap -- Pentax 10MP body
 Date:  Wed Aug 16, 2006 11:51 am
 Size:  1K
 To:  'Pentax-Discuss Mail List' pdml@pdml.net
 
 You don't understand logE?  You do/did operate a lab, did you not?
 
 Regards,
 Anthony Farr
 

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Re: fine art print sizes without cropping (RE: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds

On Aug 16, 2006, at 2:38 PM, Bob W wrote:

 To my mind it's a brain-upside-down way of thinking, but I've heard
 and read it so often that perhaps it's me that's got something wrong.
 Cut the paper to fit the image!

It's upside down to me, too.

-Aaron

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Re: fine art print sizes without cropping (RE: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds

On Aug 16, 2006, at 2:47 PM, Adam Maas wrote:

 Cropping the image to the paper allows use of standard frame sizes with
 even matting on every edge.

Of course, you could always buy frames in different shapes.  At Ikea, 
they have a lot of odd (to North America) Euro sizes -- print to those!

-Aaron

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Re: Testing the K100D and some more K10D hype

2006-08-16 Thread Aaron Reynolds
Except that's not my feature!

-Aaron

-Original Message-

From:  jtainter [EMAIL PROTECTED]
Subj:  Re: Testing the K100D and some more K10D hype
Date:  Wed Aug 16, 2006 3:15 pm
Size:  440 bytes
To:  pdml@pdml.net

Gang, a fellow in Beijing, posting over at dpreview, decoded Jostein's message. 
Jostein gave us some answers, but I (for one) was too slow to pick them up. 
Pete Fang at dpreview decoded Jostein's hints.

http://forums.dpreview.com/forums/read.asp?forum=1036message=19617303

Okay, Aaron, your moment as the center of attention is over.

Joe



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Re: For those in the know about K10D

2006-08-16 Thread Aaron Reynolds

On Aug 16, 2006, at 6:01 PM, Mark Roberts wrote:

 If you shoot RAW you'll probably want nothing smaller than 2 Gig cards
 for this camera, because of the 10-megapixels and... other factors.

Other magnificent, wonderful factors.

-Aaron

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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds

On Aug 16, 2006, at 5:53 PM, [EMAIL PROTECTED] wrote:

 IMHO, the only BIIG advantage of a 67 (and any MF and LF cameras) is 
 given by the combination between negative film dynamics and reduced 
 grain (aka noise). But that is not a feature, is a characteristic of 
 the negative film.

Oh no, it's a feature of shooting with 6x7 alright.  ;)

But you're right -- if everyone valued what I've been hinting at as 
much as I do, they'd all have 6x7s or at least 645s.

-Aaron

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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds

On Aug 16, 2006, at 7:56 PM, Kenneth Waller wrote:

 Image Format ? (Dimensions)

Nope.

-Aaron

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Re: Holy Crap -- Pentax 10MP body

2006-08-16 Thread Aaron Reynolds
On Aug 16, 2006, at 8:01 PM, Paul Stenquist wrote:

 That makes it clear. You're talking about the noise reduction that is
 part of the K10D package. It's just like minimal grain. Perhaps my
 greatest joy in working with the 6x7 was shooting Delta 3200 and
 producing prints that looked like they were shot on Tri-X or perhaps
 even Plus-X. Grain and/or noise is usually the enemy. The K10D has
 apparently minimized that problem.

No, no, no -- this may be related to the thing that I like, yes, but 
the thing that I like is not noise reduction or the absence of noise.  
(Though I would also like that and it is potentially part of the thing 
I like.)

-Aaron

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Re: For those in the know about K10D

2006-08-16 Thread Aaron Reynolds
The simple solution is to continue to use your old camera with your old cards 
-- you're not being forced to buy a new body, nor are you being forced to 
discard your old one.

I like SD cards, largely because I can snap them into my Palm and e-mail the 
images instantaneously, without having to cart my laptop around.  Plus the 
connection appears to be more robust, and it's really easy and comfortable for 
me to bring spares in my pockets because they're so tiny.

Whether you are happy or sad about it, the new bodies take SD cards.

-Aaron

-Original Message-

From:  Mark Roberts [EMAIL PROTECTED]
Subj:  Re: For those in the know about K10D
Date:  Wed Aug 16, 2006 10:09 pm
Size:  976 bytes
To:  Pentax-Discuss Mail List pdml@pdml.net

David Savage wrote:

On 8/17/06, Charles Robinson [EMAIL PROTECTED] wrote:
 On Aug 16, 2006, at 14:52, Thibouille wrote:

  Please tell me it does accept CF... :'( or then the K1D does,
  pleaaasse 

 Here's $30, kid.  Get yourself some new memory cards.  :-)

 Seriously - 2-gig high-speed SD cards are so cheap that it's hardly a
 big deal to get enough memory to cover the capacity needs of the new
 camera.  Sell the CF with your old camera.

That's not the point Charles.

If you bought your CF cards before the prices plummeted you've
suddenly got some fully functioning cards that can't be used in the
new camera.

It's also a point that some people just don't like SD cards. I hate SD
cards because they're too small. I don't *want* cards smaller than CF.
 
-- 
Mark Roberts Photography  Multimedia
www.robertstech.com
412-687-2835

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Re: Holy Crap -- Pentax 10MP body

2006-08-15 Thread Aaron Reynolds

On Aug 15, 2006, at 6:15 AM, Paul Stenquist wrote:

 Probably BW out of the camera. I would consider that no big deal, since
 BW conversion in PhotoShop actually gives one more control over the
 grayscale than would in-camera conversion.

I already negatoried this one once.  And the moving sensor stuff, uh, 
no to that as well.

-Aaron

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Re: Holy Crap -- Pentax 10MP body

2006-08-15 Thread Aaron Reynolds

On Aug 15, 2006, at 4:58 AM, Digital Image Studio wrote:

 Yeah, he dosen't have a tripod so he gets a workout :-)

HAR!  Yes, Rob wins, the new camera is 85 pounds.

-Aaron

p.s. kidding!

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Re: Holy Crap -- Pentax 10MP body

2006-08-15 Thread Aaron Reynolds

On Aug 15, 2006, at 5:04 AM, Sylwester Pietrzyk wrote:

 BTW - my friend has destroyed his genuine 1GB
 Sony Memorystick. Here is what he found after dismanting it:
 http://nasdwoje.e9.pl/pictures/MS.jpg

Isn't the Samsung stuff what's inside everything good?  It's what's in 
the flash-based iPods...

-Aaron

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Re: Holy Crap -- Pentax 10MP body

2006-08-15 Thread Aaron Reynolds
My 67 is manual focus only.  In fact, the DS2 is the first AF body I've owned.

-Aaron

-Original Message-

From:  Collin R Brendemuehl [EMAIL PROTECTED]
Subj:  Re: Holy Crap -- Pentax 10MP body
Date:  Tue Aug 15, 2006 7:08 am
Size:  666 bytes
To:  PDML@pdml.net

How about this:

Sensor-based focus / focus-assist / critical focus.
Ala Contax with film, it would now be practical on digital.

Imagine:  set the camera on Infinity and let the sensor do the rest.
Or
Let the camera do a predictable range focus (much faster) and then 
let the body finish by adjusting the sensor accordingly.


Sincerely,

Collin Brendemuehl
http://www.brendemuehl.net
http://evangelicalperspective.blogspot.com

He is no fool who gives what he cannot keep to gain what he cannot lose
 -- Jim Elliott


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RE: Holy Crap -- Pentax 10MP body

2006-08-15 Thread Aaron Reynolds
Maybe if I say it's not something involving a moving sensor again people will 
believe me.  ;)

-Aaron

-Original Message-

From:  Anthony Farr [EMAIL PROTECTED]
Subj:  RE: Holy Crap -- Pentax 10MP body
Date:  Tue Aug 15, 2006 8:03 am
Size:  1K
To:  'Pentax-Discuss Mail List' pdml@pdml.net

This remark makes me rethink those comments already posted about shifting
the sensor to increase resolution or to gain a larger format.  Does anybody
remember the oscillating sensor?  It was a technique used in scientific
applications in the early days of digital capture, when sensors had too
little resolution to be useful for quality work.

If the antishake facility were used to oscillate the sensor around a one
pixel diameter circuit, while making 6 captures as it crossed each virtual
photosite (for want of a better description) then each photosite could,
after the six captures were composited, display true RGB colour instead of
interpolated RGB colour.

Maybe.

Regards,
Anthony Farr

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Aaron
 Reynolds
 Sent: Tuesday, 15 August 2006 11:36 AM
 To: Pentax-Discuss Mail List
 Subject: Re: Holy Crap -- Pentax 10MP body
 
 
 On Aug 14, 2006, at 8:12 PM, Digital Image Studio wrote:
 
  I hope Aaron is enjoying himself :o)
 
  I bet he is, this thread has been a monumental waste of EMF. I'm
  certainly not holding my breath in anticipation.
 
 Oh, now that's not very nice.
 
 I'm not yanking your chain!  It really is something that would make me
 reconsider the division between what work I do on medium format film
 and what work I do on digital.  It's that good.
 
 -Aaron
 
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Re: Holy Crap -- Pentax 10MP body

2006-08-15 Thread Aaron Reynolds
No -- if full frame could move me from 67 to a DSLR, I would have bought 
someone else's a long time ago.

-Aaron

-Original Message-

From:  Robert and Leigh Woerner [EMAIL PROTECTED]
Subj:  Re: Holy Crap -- Pentax 10MP body
Date:  Tue Aug 15, 2006 8:23 am
Size:  1K
To:  Pentax-Discuss Mail List pdml@pdml.net

It is full frame?


Anthony Farr wrote:
 This remark makes me rethink those comments already posted about shifting
 the sensor to increase resolution or to gain a larger format.  Does anybody
 remember the oscillating sensor?  It was a technique used in scientific
 applications in the early days of digital capture, when sensors had too
 little resolution to be useful for quality work.

 If the antishake facility were used to oscillate the sensor around a one
 pixel diameter circuit, while making 6 captures as it crossed each virtual
 photosite (for want of a better description) then each photosite could,
 after the six captures were composited, display true RGB colour instead of
 interpolated RGB colour.

 Maybe.

 Regards,
 Anthony Farr

   
 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
 
 Aaron
   
 Reynolds
 Sent: Tuesday, 15 August 2006 11:36 AM
 To: Pentax-Discuss Mail List
 Subject: Re: Holy Crap -- Pentax 10MP body


 On Aug 14, 2006, at 8:12 PM, Digital Image Studio wrote:

 
 I hope Aaron is enjoying himself :o)
 
 I bet he is, this thread has been a monumental waste of EMF. I'm
 certainly not holding my breath in anticipation.
   
 Oh, now that's not very nice.

 I'm not yanking your chain!  It really is something that would make me
 reconsider the division between what work I do on medium format film
 and what work I do on digital.  It's that good.

 -Aaron

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Re: Holy Crap -- Pentax 10MP body

2006-08-15 Thread Aaron Reynolds
 I think the clue was that it was something that Aaron _does_ get with
 a 6x7 (but not with 35mm).

I haven't shot 35mm in a very long time, so I don't know where exactly 
that inference came from.

-Aaron

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RE: Holy Crap -- Pentax 10MP body

2006-08-15 Thread Aaron Reynolds
I only have one finder for my 67.

-Aaron

-Original Message-

From:  [EMAIL PROTECTED]
Subj:  RE: Holy Crap -- Pentax 10MP body
Date:  Tue Aug 15, 2006 11:47 am
Size:  1K
To:  Pentax-Discuss Mail List pdml@pdml.net

Perhaps, but I doubt that would be enough to cause Aaron to think about giving 
up 6x7.
Paul
 -- Original message --
From: Jens Bladt [EMAIL PROTECTED]
 It¨s probably interchangeable view finders ...
 
 Jens Bladt
 http://www.jensbladt.dk
 +45 56 63 77 11
 +45 23 43 85 77
 Skype: jensbladt248
 
 -Oprindelig meddelelse-
 Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af David
 Savage
 Sendt: 15. august 2006 16:57
 Til: Pentax-Discuss Mail List
 Emne: Re: Holy Crap -- Pentax 10MP body
 
 
 That's a stupid idea IMO.
 
 Dave
 
 On 8/15/06, DagT [EMAIL PROTECTED] wrote:
  And a funny one for those who are concerned about dust:
 
 http://v3.espacenet.com/textdoc?DB=EPODOCIDX=JP2004040652F=0QPN=JP2004040
 652
 
  .-)
 
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Re: I know what it is:was: Holy Crap -- Pentax 10MP body

2006-08-15 Thread Aaron Reynolds

On Aug 15, 2006, at 2:27 PM, Mark Stringer wrote:

 A new super-sensor would be great but it does not seem to fulfill the 
 seer's
 vision of  Mid-September ...forehead-slapping amongst the competition 
 in
 the DSLR world. nor does it fit with ...not a single DSLR out there
 at any price, including ones using the same sensor, have it.  This 
 implies
 it is an in-production sensor and the improvement could have already 
 been
 done by someone.

Yes.

 Maybe the innovation is in-camera processing to emulate kodachrome or 
 tri-x
 and possibly eliminate some post processing.  My biggest problem with
 digital is post processing on a monitor, making a print that doesn't 
 look
 like the monitor and all the education it takes to calibrate and 
 coordinate
 equipment to produce the original vision.

No.

 I have quite a few framed prints from MF film.  I have nothing on the 
 wall
 from digital and I've had a D almost since it went on sale.  I produce 
 very
 fine snapshots using my many lens, happy as any amateur shooter could 
 be,
 but  I have not seen the digital image yet that I can get lost in like 
 MF
 and LF images.

I agree.  I have made large prints from the DS2 that I am happy with, 
but they ain't the same as my big prints from 6x7.

-Aaron

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Re: I know what it is:was: Holy Crap -- Pentax 10MP body

2006-08-15 Thread Aaron Reynolds

On Aug 15, 2006, at 1:34 PM, Powell Hargrave wrote:

 Someone else was very, very close before.
 -Aaron

 Hope it was me with the Fuji SR sensor,
 http://www.dpreview.com/reviews/fujifilms3pro/

 So Pentax/Samsung have a 10 meg high dynamic range sensor with two 
 pixel
 sensor sizes.

Nope.

-Aaron

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Re: Holy Crap -- Pentax 10MP body

2006-08-15 Thread Aaron Reynolds

On Aug 15, 2006, at 3:32 PM, Vic Mortelmans wrote:

 So maybe time for another hint, Aaron?

 I understand that it's something you have on your 67 but never got on
 any digital SLR, could you tell if it is something that *IS* available
 on 35mm SLR (Pentax or other)?

Yes and no.  Depends on how you use it -- it's not as easily available 
as it is in 6x7.  In 6x7 it's a no-brainer.

To help defuse some of the wilder technological speculation, it's 
something I can get with my non-rental 67 kit, the stuff I own -- which 
is simply a 67 body with a non-metering prism, a 105mm f2.4 that I 
rarely use and a 75mm f2.8 AL that I use almost all the time.  I also 
have the helicoid extension tube, but it's unrelated to this 
discussion, as are the specific lenses I own.

-Aaron

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Re: Testing the K100D and some more K10D hype

2006-08-15 Thread Aaron Reynolds

On Aug 15, 2006, at 4:56 PM, Jostein Øksne wrote:

 Another thing I noticed from the archives today is that Aaron has got
 some news about the K10D that makes him want to sell his 6x7. While
 I'm not sure whether he an I have seen the same news, the K10D
 certainly will have a number of very pleasing features. Some of which
 will hopefully make it stand out from the competition equipped with
 the same CCD.

I'm fairly sure we've seen the same news.  It's the big part of the 
news, right?

-Aaron

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Re: I know what it is:was: Holy Crap -- Pentax 10MP body

2006-08-15 Thread Aaron Reynolds

On Aug 15, 2006, at 3:53 PM, Toralf Lund wrote:

 I somehow doubt that there is much to gain from improving the A/D,
 though. Seems to me that the real issue is noise already present in the
 analogue signal, and also dynamic range limitations also on the 
 analogue
 side.

Are you certain?

-Aaron

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