Re: Vivitar 24/2

2004-06-12 Thread Sas Gabor
Hi,


Henri Toivonen wrote:
 I got an offer to buy a Vivitar 24/2 for about $40
 Can anyone tell me some info about it?
 Is it any good?
 I have a SMC-M 28/3.5 I use as my wide-angle prime, and I'm thinking of 
 getting an even wider one.

I had a Vivitar 24/2, then a Kiron 24/2, and now an SMC-A 24/2.8.
The Vivitar was quite sharp, but had heavy flare problems.
The Kiron had the same sharpness, with much better coatings and 
mechanics.
The SMC-A beats all the above...

Sylwester Pietrzyk wrote:
 THis Vivitar is in fact Kino Optical/Kiron 24/2 

Are you sure? :-)
http://www.cameraquest.com/VivLensManuf.htm

Peter J. Alling wrote:
 This is considered a cult classic.  If it's in good shape $40 is a 
 steal.  You can read a bit about it here:
 http://medfmt.8k.com/third/cult.html

You mean the Series1 one. Do not mix it up with the other Vivitars!
 

Bye, 
Gabor



K 85/2.2 soft

2004-06-10 Thread Sas Gabor
Hi,

I just bought this gem, and looking for others having some experience 
with it. Above all, i'd like to see some photos taken with it...

BDimitrov's page says: The aperture ring has no click-stops, but 
mine seems to have them. Is it a modified one, or ...?

Thanks,
Gabor



Re: 6x7 film choice

2004-05-21 Thread Sas Gabor
Hi,

Kevin wrote:
 I will be shooting some indoor dancers. The layout is simple
 with 2 x 400 Watt studio flashes 1 stop apart with a white
 paper backdrop. My film choices are simply to use the ever
 reliable Fuji Reala (iso 100) or the Fujichrome Velvia (iso 50).
 I will be using some Fuji ACROS Neopan 100 for the black and 
 white stuff.

I would rather use dedicated portrait films, such as Fuji NPC/NPL, 
Kodak Portra 160VC or Agfa Portrait 160. The Reala is very close in 
many respects.

 I have never used the Velvia with the 6x7, nor have I 
 used it indoors in 35mm format.

I just can't stand the skin tones of that film. 
It can be a good choice, if you use strong colored filtered lighting. 

 
 How does the Velvia perform with flashes?
 Any under exposure problems?

It has some problems with very short flash durations, but your 400Ws 
units should not produce this effect.

 How does it handle contrasty situations?

Very badly.
This is a film to improve contrast, not to handle the existing one. 


Regards,
Gabor



only MZ60 and *ist?

2004-04-15 Thread Sas Gabor
Hello PDMLers,

The homepage of the Hungarian Pentax importer (www.slach.hu) states 
that MZ60 and *ist are the only 35mm Pentax SLR bodies in production, 
the other models still in stock will run out this year.

Are they right?


Gabor



Re: XP2

2004-03-10 Thread Sas Gabor
Hi,


I use this film regularly, most of my recent BW shots (think of 35mm 
cameras; in MF I pefer more traditional ones like FP4, APX or 
Fortepan) was XP2s.

I'd say that XP2 is a very special film. As others mentioned, it has 
probably the widest exposure latitude of all films available today, 
and even the very special balancing BW developing methods (think 
Dulovits) are just a bit better, at the cost of using some hard to 
get, expensive and extremely dangerous chemicals and extremely low 
ISO ratings.

The resulting negs are of course of extremely low contrast, but they 
have all the detail in the highlights and shadows that other films 
would have already cut.

The hard thing is to make decent prints or scans from this, as most 
of the time you will have to heavily raise contrast (and to make the 
final decision on what to expose correctly) in the darkroom and/or 
during digital post-processing.

Most analog labs or automated digital processors will fail here for 
sure, but careful handling can achieve exceptional results.
Using high contrast and/or multigrade papers is a good point to 
start. For the scanning people, a brave use of a Levels tool in 
PS is absolutely necessary before anything could be published or 
printed.


Gabor



Re: Teleconverter question

2004-03-09 Thread Sas Gabor
Hi,


Don Herring wrote:
 I am planning to get a 1.4-S teleconvertor, mainly to use with my A* 300/4.
 
 Can this particular converter be used with a 500/4.5 screw mount (with the 
 screw mount adapter of course)?

It can be used of course, but for these focal lengths the 1.4-L 
converter is definitely a better choice.


Gabor



Re: pentax-discuss-d Digest V04 #532

2004-03-09 Thread Sas Gabor
Hi,

Fred wrote:
 the A 1.4-L certainly will not fit the A* 300/4

Sorry, I didn't know that. 

What a shame... Terrible... Nikonish... :(((
Actually, what particular A lens(es) does it fit? 
Are there any?

Gabor



Re: Monopods

2004-03-07 Thread Sas Gabor
Hi,


Jens Bladt wrote:
 I,ve seen a clever monopod in a shop years ago. It had a release button,
 that would shoot down the (only) leg to the ground. So, it worked as a
 handle, mounted under the camera. When pressing the button, the leg would
 come down. Anyone know which company makes something like that?

Have a look at the Manfrotto 334B (Bogen 3245).


Gabor



Re: Monopods

2004-03-07 Thread Sas Gabor
Hi,


Jens Bladt wrote:
 I,ve seen a clever monopod in a shop years ago. It had a release 
button,
 that would shoot down the (only) leg to the ground. So, it worked 
as a
 handle, mounted under the camera. When pressing the button, the leg 
would
 come down. Anyone know which company makes something like that?

Have a look at the Manfrotto 334B (Bogen 3245).


Gabor



Re: About my name

2004-03-06 Thread Sas Gabor
Hi,

Bob W [EMAIL PROTECTED] wrote:
 There is a compromise used by a famous Scot: Bond - James Bond. g

A bit complicated, but tempting solution! :)

Also, it is not for Wagendrinnkstrudelhoppers, 
Nagyhalommententereltnyajashazys and Vopoljebirjozastoialnikffs...
 
 The 'Oxford Guide to Style' has a long section on the treatment of
 names in different cultures. What a minefield! Some of them are very
 complicated indeed. It tells me, among other things, that if a Hungarian
 woman called Nagy Margit has a doctorate and marries a man, Szabo Istvan
 who also has a doctorate, she may be called Szabo Istvanne dr-ne Nagy
 Margit dr.

Actually, this is not exactly the way it works.
The above mentioned woman would be called dr. Szabo Istvanne dr. Nagy 
Margit, or dr. Szabone dr. Nagy Margit, or something like this. (dr. 
comes before the family name) Also note that dr. and Dr. are 
different things...
Fortunatelly most people do not use these complicated forms. 


 It also tells me - and I'm sure this will be useful some day - that
 the literal equivalent of 'forename' - elonev - denotes the adjective
 derived from the family estate that preceded a nobleman's surname and
 was itself preceded by his title. Eg: grof nagybanyai Horthy Miklos.
 I hope he fails his PhD, and doesn't marry a doctor, that's all.

These rules are not in public use anymore. 

BTW, the man mentioned above was a governor of Hungary, died long 
ago, did not make any PhDs and because of he was a man, his name 
wouldn't show any change on marriage. 


Bye,
Gabor 



Re: pentax-discuss-d Digest V04 #494

2004-03-06 Thread Sas Gabor
Hi,

mike wilson wrote:
  Also note that dr. and Dr. are different things...
 
 dr for PhD and Dr for medical doctor?

Not a bad guess! :))

dr. is for doctor juris, Dr. for all the rest (PhD, medical).
Of course the ones who do not seem to know this rule are mostly 
lawyers... 


Gabor



old-new member

2004-03-05 Thread Sas Gabor
Dear PDMLers,


I subscribed again, and this time hopefully not for only a few 
months...

I'm Gabor Sas from Hungary, with lots of Pentax 35mm SLR stuff in my 
bag and some let's say good slides made with them. You'll see...

I also use lots of non-Pentax gear, the most important one being a 
Mamiya M645 set (sorry P645ers, money and that 1.9/80 was the point).

Bye,
Gabor



Re: PAW

2004-03-05 Thread Sas Gabor
Hi,

What's a PAW actually?


Thanks,
Gabor



Re: 17 and kiron

2004-03-05 Thread Sas Gabor
Hi,


 I've got a 17/4.0 super-tak (I'd really like the SMC if I could find
 and afford it) which is small, light, and fun to play with but I'm not
 yet convinced it is all that sharp.  The A16/2.8 is sharper, and a
 little better designed in some ways. 

Not to forget that russian Zenitar 2.8/16 here.
In terms of contrast and sharpness, it's at least as good az the 
Pentax 17mm, but i'd say it's better. Also, the MC coating on this 
one works surprisingly well.

I think fisheye lenses are much more about fun than making THE 
picture. So i won't spend too much on them. Even those terrible 
fisheye converters have a role here, if they're cheap enough.

I personally don't know anyone who uses fisheyes that much that would 
justify buying an A16 or anything that expensive.
Go for an SMC 2/28 instead... :)

 28/2.0 Kiron

I think that Kiron (Kino Precision, Japan) lenses are quite good 
ones, they are among the best 3rd party lenses I ever used.
The ones I know are 24/2, 70-150/4, 80-200/4.5, and a 100mm macro.
All of them have good mechanical and optical construction.
Of course their coatings are not up to SMC, but far better than what 
the contemporary Vivitars, Sigmas or Tokinas have.
The above mentioned 80-200/4.5 zoom is a quite interesting one, as it 
has a Zoom lock feature and the front element does not rotate.
The 24/2 is still held by a friend, and at mid apertures it's well 
comparable to my SMC-A 24/2.8. (Think of slides, not small prints.)
I didn't test it wide open, sorry.


 Even manufacturer's 28s can be weak at the edges, especially
 the fast ones, [...]
 That's not to say that I won't believe it
 could be fun and useful, especially if you got it for a lot less than
 the $350 or so that KEH currently has an M28/2.0 listed at.  

I don't think that price tells everithing about image quality.
The M28/2 (or the A version, which I use) is a great lens, but in 
controlled light conditions (where SMC is not a must) it's results 
are hard to distinguish from say the Cosina MC 28/2, which is 
actually even smaller and costs less than 1/4 of the Pentax ones.

So I think that that Kiron might wortht a try, if cheap enough. 
These ones can be surprisingly good, and they're better than average 
3rd party 28 around for sure.


Gabor



Re: Dust in Lenses

2002-11-13 Thread Sas Gabor
Hi,

On 12 Nov 2002 at 21:41, Bojidar Dimitrov wrote:
 This is just a hypothesis, but I would guess that non-IF, non-FREE
 lenses have elements fixed with relation to each-other, so there is no
 air movin between the glass surfaces.  IF and FREE lenses do have
 elements moving WRT others, so there is also air-flow, and thus an
 influx of dust.

This is true for primes.
And even those have that annoying small metal parts called aperture 
blades moving between the lenses...


Gabor




Re: Agfa Portrait 160 XPS

2002-11-12 Thread Sas Gabor
Hi,

On 11 Nov 2002 at 10:12, Bruce Dayton wrote:
 I shot some a while back and was not that happy with it.  I shot it at
 160.  More recently, I was talking to an Agfa rep (complaining) and he
 told me to rate it at 125.  I did so and was much more pleased with
 it.  So based on my test and the Agfa rep, you should rate it at 125.

After getting to the same conclusion with almost all C41 films I 
tried, I shoot all of them at least 1/3 stop overexposed most of the 
time.


Gabor




Re: Metz adapter SCA372 and Pentax MZ 6.

2002-11-07 Thread Sas Gabor
Hi,


Stumpf Krzysztof wrote:
 I have only metz 
 SCA 372 adapter (for Pentax old cameras) I wonder how the 
 adapter SCA 372 works with the pentax MZ 6 camera. Maybe 
 somebody use this configuration ?

I don't have an MZ6, but using SCA372 on SFXn and Z1P.
It works fine. The level of servise is the analog Pentax TTL flash 
system, just like if you'd mounted an AF280T.

titides wrote:
 I think that the SCA 374 / 2 AF was better than the 372.

It has an additional AFassist beam.


Gabor




Re: Oops

2002-11-05 Thread Sas Gabor
Hi,

On 5 Nov 2002 at 14:15, Shaun Canning wrote:
 You know what I really hate when those stupid little tweezers for
 changing LX screens slip and scratch the crap out of an otherwise
 bewdiful LX screen. Damn I hate that...

I know.
The easiest way to make an LX unique... ;-)


Gabor
(pride user of a well-scratched SG-60)




Re: Jupiter-9 came today

2002-11-05 Thread Sas Gabor
Hi,

On 4 Nov 2002 at 22:26, Dan Scott wrote:
 Nicer than what I expected.

Russian design is always impessive in some ways!


 The manual, naturally, is in Russian. I see that I can turn the outer
 ring and that apparently adjusts to limit how far the aperture can be
 stopped down. The ring behind that controls the aperture itself. Last
 is the focus ring.

Correct. That's all you have to know.

 What is the standard approach to these old style lenses? Focus, stop
 down, and shoot? Anything I should be aware of? I'll be using it on my
 ZX-5n once the adapter from BH gets here.

Yes, that's the standard approach.
Remember to stop down for metering too!

Tip: When shhoting in the f2-f4 range, you can leave the aperture 
stopped down all the time. You can focus at f4.

 If I decide I like it enough to want to dedicate a body to it, what
 variety of Spotmatic should I be looking for?

I'd go for an S3/H3. The absolute purist solution.


Gabor




Re: Personal Poll, opinions wanted

2002-11-05 Thread Sas Gabor
Hi Pentax Guy,

On 5 Nov 2002 at 9:37, Pentax Guy wrote:
 I have:
 FA 50mm f/1.4
 FA 100mm f/2.8 Macro
 FA 28-105mm f/4-5.6 [IF]
 
 I'm looking at:
 FA 20-35mm f/4 AL
 or
 Used 300-600mm fixed focal manual focus. probably about 400mm

I'd go for the 20-35.
(Or FA* 2/24, but it wasn't listed...)

In my opinion your set's weak point is wideangle. This lens is 
realtively small, so it'll be with you most of the time (not the 
fixed 400mm!). And it's a good one.

The only exception is when you shoot mainly sports, wildlife or 
similar subjects. In this case you need a telephoto first.


Gabor,
who couldn't decide so has 20 lenses so far...




SFXn/SF1n service manual

2002-10-31 Thread Sas Gabor
Hi list,

I'm looking for a service manual for SFXn/SF1n, or any SF 
camera, preferably in digital format.

(Film transport failure: the rewind side is completely jammed.)

Thanks in advance:
Gabor





Re: Poll: Normal Zooms

2002-10-29 Thread Sas Gabor
Hi,

 Please answer the following 3 questions:
 1.) Imagine that you urgently need a zoom for your k-mount camera
 which covers at least the focal lengths 40 to 70mm. Imagine further,
 that you have more than enough money to spend on such a zoom. Now
 imagine, that you enter a shop which has plenty of new and used Pentax
 glass. What are the 3 SMC Pentax zooms (1st, 2nd, and 3rd choice) that
 you would like to pick most?
 
FA24-90/f3.5-4.5 IFAL
FA28-70/f4 AL
FA28-105/f4-5.6
 
 2.) What 3rd party zoom lenses covering at least the 40-70mm range
 would you consider  good alternatives? Please name up to 3 3rd party
 zooms.

Tokina AT-X 28-85/4
 
 3.) If you were dreaming, what would be your ideal (but realistic) SMC
 Pentax Zoom lens for k-mount, covering the at least the 40-70mm range?

FA 24-70/4  (just like the 28-70)


Gabor




Re: Favorite Poll

2002-10-28 Thread Sas Gabor
On 28 Oct 2002 at 10:07, Norm Baugher wrote:
 I'd just like to take a poll to see what your favorite poll is... Norm

Definitely this one!


Gabor




RE: Leica might (possibly) show a digital SLR at Photokina too??

2002-09-06 Thread Sas Gabor


Hi,

On 6 Sep 2002 at 16:35, Rob Brigham wrote:
 I have been hearing some rumors about leica having a new dSLR which
 will be showed for the 1st time in photokina.

Hmmm, an R8 digital... 
I hope it would be far too expensive to even think about it 
for me, or I might become faithless to my LX...


Gabor




Re: Looking for a 300mm cheap

2002-09-03 Thread Sas Gabor


Hi,

On 2 Sep 2002 at 22:25, Jim Fellows wrote:

 I need a long lens but do not want to spend a how lot of maony.  I want
 something fairly sharp.  It does not need to be a fast lens as I will be
 using a tripod.
 
 Thanks in advanced for all recommandations.

The Tamron (Adaptall2) 5.6/300 seems to be a good choice for you.


Gabor




Re: Lenses in the field (2)

2002-08-15 Thread Sas Gabor

Hi,

On 15 Aug 2002 at 15:01, Peter Smekal wrote:
 A few recommended a 35mm lense as an allround/workhorse lense - rather than
 a 50mm as far I understood. I have no 35mm, but could of course try to get
 one - in Sweden some 2.8's in good condition are not too difficult to find.
 What is your experience. Would one lack the 50mm when taking a 24-35-85
 combo? And in what situations?

Last time I packed 24/2.8, 35/2 and 100/2.8. (A 85/2 could be a better 
choice, but unfortunately I haven't got one.)

About 80% of the pictures were taken with the 35.
I didn't lack my 50/1.4 a single time.

A 35/2.8? Maybe I could do with it too. 
BUT: That extra stop seems to be important to have on a normal lens. Even 
F2 isn't too fast...


Gabor
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Re: ??? on SMC M 120/2.8 and street candids

2002-08-01 Thread Sas Gabor

Hi,

On 31 Jul 2002 at 13:09, steven gilson wrote:
 I am looking for a compact medium tele whose main 
 use would be available light street photography and 
candid portraits.  From looking at tech info and user 
 comments the best (perfect?) canidate I can find in 
 the Pentax line up is the M120/2.8.  The only problem 
 is I can't seem to find one for sale.  I also fear that 
 when I do it will be priced out of my range due to rarity.  
 What appeals to me is the small size and weight for 
 the focal length and speed of the lens.  It would see a 
 lot of use on a MX at wide aperatures.  I currently have 
 a zoom and a macro prime covering the focal range, 
 neither of which meets both my size and my speed criteria.

As someone said before, the difference between 100 
and 135mm short teles is very slight.

For the requirements You described above, I use the 
A 2.8/100 (almost identical to M 2.8/100) on my MX
and SuperA bodies.

Occasionally I prefer the M 4/75-150 zoom for a bit more 
versatility. This lens is also very compact.

On a bigger/heavier camera, like my K2, LX or SFXn, I like 
the K 2.5/135 better.

(These lenses were about 100 Euros each.)


Gabor
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Re: White button on manual lenses...

2002-07-29 Thread Sas Gabor

Hi,

On 29 Jul 2002 at 17:01, Heiko Hamann wrote:
 I've seen a K4/200, where the little white button on the side of the  
 lens is missing. The only purpose of this button that I know is to help  
 fitting the lens to the body (lining up the white button with the  
 release catch on the body mounting). But is this the only purpose or is  
 there anthing else? 

This is the only one.

 And - more important - is it a problem if the button  
 is missing?

No. (Lowers lens price a bit...)


Gabor
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Re: Pentax vs Voigtlander Bessa

2002-07-23 Thread Sas Gabor

Hi, 

On 22 Jul 2002 at 19:07, Chris Niesmertelny wrote:
 No, it's not a test between the two.  I've essentially whittled down my
 collection to 6 cameras, on the Pentax side the LX, ZX-5n, and an SV
 screwmount (additionally, a Chinon CE-4), and a Bessa R and L.

Only 6 cameras? ;-)

I have the Pentax LX, K2, SuperA, MX and SFXn (3 of them should be 
enough), a Kiev88, a Certo Six, a Kiev 4 (Contax III) set, a Revue 400SE, a 
Ricoh 500GX (note that the latter 4 are RFs); and an Espio 928 and a Canon 
Pima Mini II as family cameras.

 I'd be interested in knowing if any of you in the PDML have a similar set up
 and how you feel about using your equipment.  

If we consider only the Pentax and Kiev4 part, the setup is similar.

 I have to say, and I don't
 want to sound sacriligious, but my CV equipment has been used far more
 regularly (save for a recent vacation to Nova Scotia - only Pentax equipment
 used).

Most of the time I carry only one of my major systems, and possibly one 
additional camera in addition. On my recent vacation (Monte Bianco (Italian 
side) and Cote 'd Azur (France)) I carried an LX based Pentax setup loaded 
with slides and the Certo Six with BW for some landscapes.

The SLR and RF work is so different to me, that I cannot combine them 
effectively. There are SLR days and RF days. (The Certo is set to infinity 
most of the time.)

 One area where there is, from my perspective, more opportunity for the
 Voigtlander is in people photography.

I agree. My main reason to have the Kiev4 is the Sonnar 2/85 and the 
portraits it makes.

 the ZX-5n which I brought to a street fair a month or so ago and people
 where actually running to get out of view.  

A black MX with a small lens (M series 2/35, 1.4/50, 2/85, 2.8/100, ...) 
doesn't seem to have this effect. I don't know why, but a chrome body acts 
definitely worse at this.

 I've been very impressed with the glass on the CV, owning the very nice 35mm
 f2.5 Classic, the great (TINY!) little 15mm and the 25mm I bought with the
 Bessa L.  I use a Russian 50mm that serves it's purpose, and a Russian 85mm
 that is more than serviceable.

My RF lenses are a 2.8/35, a 2/50, a 2/85 and a 4/135. The 85 is an original 
Sonnar, the others are original russian copies. ;-) 
I like them all, great optics. The 35 is a bit hard to use at it isn't a retrofocus 
design. 

I'd like to add an extra wide (21mm?) as well, but unfortunately these are 
extremely rare and expensive for this system.

This camera has the built-in finder framed only for 50mm, so I have to use an 
accessory finder for the other FLs. It's a so called turret finder, with 5 focal 
lengths and parallax correction capability. 
A bit tricky to learn, but works very well if one is used to it.
Also, it makes the camera that weird, that people forget to pose or 
complain...
 
The LX meter is something beyond the capabilities of most
 cameras ever made, but then I don't use the Bessas in the same way, when
 critical exposures are necessary.

I use an external meter (Svedlovsk 4) for the Kiev4. The built-in selenium one 
is more of a decoration than a reliable instrument.

 I guess for me I've found the perfect companion set up to the LX etc.  Both
 kits seem to complement each other, and there's sometimes clearly a Bessa
 opportunity and a Pentax opportunity.

Agreed.


Gabor
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Re: Pentax vs Voigtlander Bessa

2002-07-23 Thread Sas Gabor

Hi,

On 23 Jul 2002 at 7:43, frank theriault wrote:
 I too have a Yashica Electro 35, and it's a wonderful camera, especially for
 what I paid.  Extremely sharp and fast lens!
 
 But I, too found it slow to use, especially focusing.  Part of the problem was
 the rather dim (in my body at least) rangefinder patch (or whatever you call
 it).  Another part of the problem is that there's no dof scale on the lens.

Some other problems:
- Electro 35's are quite large and heavy for an RF camera.
- The light meter is on the body (not on the lens), so using filters is a pain. 
- They gave no information on the shutter speed at all.


Gabor
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Re: 100mm 2.8 Macro vs. 100mm 2.8

2002-06-13 Thread Sas Gabor

Hi,

On 12 Jun 2002 at 16:51, Mishka wrote:
 apart from myself, according to photodo.com the MTF ratings are
 (...)

photodo tests lenses at infinity, which IMHO isn't the apropriate method for 
macro lenses...


Gabor
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Re: Hood advice for M35/2

2002-05-27 Thread Sas Gabor

Hi,

On 26 May 2002 at 19:13, Frantisek Vlcek wrote:
a perfect metal (but not good for impacts and falls, as it's too
rigid and will transform all force onto the lens) hood for 35mm
lenses: Pentacon Praktica 50mm metal rectangular hood (49mm filter
ring).

I agree, that Pentacon hood is great. (Boxed ones go for about $2 here.)
The Kiev 50mm rectangular metal hood (also 49mm thread) is even better: 
the hood is a bit deeper and not so rigid. The only problem is that it seems to 
be extremely rare... The only one I know of is mine.


Gabor
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Re: Value of Monopod

2002-05-27 Thread Sas Gabor

Hi,

On 27 May 2002 at 9:23, Joseph Tainter wrote:
 Does anyone know how much is gained using a monopod in terms of
 reduction of necessary shutter speed? For example, using a 300 mm. lens,
 the 1/focal length rule would call for 1/350 sec. How much can that be
 reduced with a monopod?

With my LX and Rikenon XR 4.5/300 APO on monopod, 1/125s is safe, 
and most of the 1/60s shots are sharp as well. This is about 2 stops gain.
The monopod is a Manfrotto 434 (3018) with 308RC (3413QR) ball head.


Gabor
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Re: Which xx-300 AF lens to buy?

2002-05-22 Thread Sas Gabor

Hi,

 I have a choice, and it is difficult :-) Which of below lenses could you
 recommend?
 Pentax SMC-F 100-300/4.5-5.6
 Pentax SMC-FA 80-320/4.5-5.6
 Sigma DL-Macro 70-300/4-5.6
 Tamron LD 75-300/4-5.6 (with macro 1:3.9)

The Pentax 80-320 or the Tamron.
The newer (APO) Sigma would be even better.
The Tokina AT-X 4/100-300 would be perfect.


Gabor
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Re: Must be new toys time again....

2002-05-16 Thread Sas Gabor

Hi,

On 15 May 2002 at 13:12, [EMAIL PROTECTED] wrote:
 AF 1.7x teleconverter (think I might convert this to Nikon)

And you might call it TC16A...


Gabor
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Re: Okay folks, fess up, WAY OT

2002-05-13 Thread Sas Gabor

Hi,

On 10 May 2002 at 13:52, Bill Owens wrote:
 I'll go first (hanging my head in shame)

No shame at all.
We have to use some non-Pentax equipment regularly just to see the 
diffrence.. ;-)
 
 My question is; How many of you will confess to owning and/or using either
 the K60 or the K88?

I have a nice Kiev88 with 3.5/45, 2.8/80, 2.8/150, a removable lens 2X TC, 
TTL prism and waist level finder + 2 magazines. A very capable set, but I use 
it only a few times a year, for special purposes. 

For regular shooting, I like my little Pentaxes (LX, MX) so much more...
The K88 is far too big for a second body, most of the time I carry around 
my CertoSix (6x6 RF folder) instead.


Gabor
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Re: LX noise redux (Was: Re: Got One! (Was: Held an MZ-S Last Night))

2002-05-06 Thread Sas Gabor

Hi,

On 6 May 2002 at 11:14, Christian Skofteland wrote:
 I found a venue where the ka-chunk of the LX is an asset.  I was a t the zoo 
 with my daughter over the weekend photographing anything that I could.  The 
 tigers, Serval and small tree-shrew type animals would not look at me whilst 
 I composed.  So: Ka-Chunk! went the LX as I photographed their backs.  Their 
 heads would whip around to see what made the noise and Ka-Chunk! I'd get a 
 nice portrait!  

The 67 should also work with a def leppard ...


Gabor
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Re: SD1, SD21

2002-04-29 Thread Sas Gabor

Hi,

On 29 Apr 2002 at 9:29, [EMAIL PROTECTED] wrote:
 Yes I have the SD21 and used it for several years. Now I have mostly grid 
 patterns on my LX cameras but I am thinking about reinstalling the SD21 and 
 use one of the LX for primarily macro work...

What is the center cross for? 
Why is it better for you than grid or plain matte screens?


Gabor
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Re: Favorite wide lens?

2002-04-26 Thread Sas Gabor

Hi,

On 25 Apr 2002 at 21:23, Debra Wilborn wrote:
 Just a quick question.  What is your prefered wide
 angle lens?  I have been thinking about getting a
 third party lens, probably around 24mm, and wanted
 some feedback from the group.

SMC Pentax-A 2.8/24
24mm is one of my most used focal lengths. I've also tried 
the Tamron (Adaptall2) 2.5/24 and the Vivitar 2/24. All of them
are good lenses, but the Pentax's coating and handling is
much better than the other two.

Other wideangles I use:
Tokina 3.5/17 SL
Cosinon-W 2/28
SMC Pentax-M 2/35


Gabor
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Re: SF1 or MZ-5N, that is the question!

2002-04-23 Thread Sas Gabor

Hi,

The main differences are:
- The SF1 is bigger, heavier, has more metal in it.
- The SF1 has a better finder, with interchangeable screens.
- The SF1 has better in focus indicator. Not a singke dot (like MZ5n), but 
with two additional arrows showing the direction to turn the focus ring.
- The SF1 has lighting for the top LCD.
- The SF1 has the flash shoe on the right, so you can use the RTF and an 
extrnal flash on the camera simultanously.
- The MZ5n is newer, has better AF, spot and matrix metering.
- The MZ5n has more information in the finder.
- The MZ5n is faster, quitter.
- The MZ5n has DOF preview.

The MZ5n and SF1 shutters have the same specs.
The SF1n is an upgraded SF1 wit a better shutter (like the MZ3).

You can buy cca. 3 SF1 cameras for the price of a MZ5n, both used...


Gabor
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Re: SMC vs C-n-n Coatings (from C-n-n FAQ)

2002-04-23 Thread Sas Gabor

Hi,

On 22 Apr 2002 at 18:18, Mishka wrote:
 playing devil's advocate, according to
 http://people.smu.edu/rmonagha/mf/coatings.html
 there's no significant improvement in flare resistance between single- and
 multicoated optics, in lab tests at least. granted, it talks mostly about
 primes, but still, is it that big of a deal, really?

I can't agree.
In my experience, even on primes, there's a visible difference between 
different brands of MC. (That's why I sold my Vivitar 24/2 and bought a 
Pentax-A 24/2.8 instead. Even my Cosina 28/2 was better than taht Vivitar.) I 
don't think that Vivitar's MC could be worse than a single coating...

Maybe there are some extremely good single coatings, which were used in 
that tests, but aren't mass produced?


Gabor
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Re: sfx

2002-04-16 Thread Sas Gabor

Hi,

On 15 Apr 2002 at 23:10, Lukasz Kacperczyk wrote:
 Everybody's raving about MZ-S's slanted top plate and how convenient it is.
 I was just looking at the pictures at Boz's site and I'm inclined to think
 that the SFX already had that feature. Am I right, or am I wrong? 

You are right, it's slightly slanted. 
Not a big help with that control layout...

 And could
 someone please tell me why Pentax made such an ugly camera?

Every manufacturer did that in those dark ages. 
SFXn is at least a well built, practical one, not simply ugly.


Gabor
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Re: S-M-C Tak 85/1.8

2002-04-16 Thread Sas Gabor

Hi,


Thanks for the quick answers.
Had a second look on it and bought it. 
Seems to be a great one, I like the handling very much.
My S3 is happy too.

BTW, the price was about 100 EUR. 
Something for the Best deal thread?


Gabor
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S-M-C Tak 85/1.8

2002-04-15 Thread Sas Gabor

Hi Pentaxians,


Just ran into a lonely S-M-C Tak. 85/18 here, and cannot decide if I need it or 
not.

Is it a good lens? 
Is it the same design as the K version?
Is it rare?
What's the real price for a nice one (I'd say A-) with original caps and hood?

Any comments are welcome.


Gabor
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Re: Your desert-island kit?

2002-04-15 Thread Sas Gabor

Hi,

On 15 Apr 2002 at 12:09, Mark Erickson wrote:
 Ok, here's a new question for you on this bright and happy Monday.  Say you 
 have to pare your camera gear down to one body and one fixed-focal-length 
 lens for the next couple of years.  The body and lens to come from your 
 current gear selection.  What will it be, and why? 

LX + M 35/2.
Simple, powerful and natural. Probably survives me.


Gabor
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Re: ???: Soligor 90/2,5 Macro

2002-03-26 Thread Sas Gabor

Hi,

On 26 Mar 2002 at 16:14, Bojidar Dimitrov wrote:
 Does anyone have any info on the following (Ka mount!!!) lens:
 Soligor C/D Macro MC 90mm f/2.5 (62mm filter diameter)

Just got the same item (from ebay.de), and I am impessed too.
No photos or field experiences yet... 

 I know that Soligor does not produce their own lenses.  So, the question
 is, can anyone identify this lens?  Which lens have I really got?  It
 looks and feels like a winner!

I heard that Soligor C/D series were their pro series, just like Vivitar's 
Series1 and Tamron's SP. Nothing about the design...


Gabor
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Re: 300/4, 300/4.5 PK manual-focus: Only Ricoh has a tripod collar

2002-03-18 Thread Sas Gabor

Hi,

On 14 Mar 2002 at 22:35, Paul F. Stregevsky wrote:
 Odd as it seems, there's no way to get all of the following, new or used, 
 in a single Pentax 300/4 or 300/4.5 lens:
 - PK mount
 - manual focus
 - tripod collar 

F and FA lenses can be focused manually... ;-)

 To my knowledge, the only lens that offers all of these attributes is 
 Ricoh's XR Rikenon Apochromatic 300/4.5.  A photo can be seen at 
 http://www.butkus.org/chinon/ricoh_slr_systems/ricoh_slr_systems.htm

Which is a Sigma design, so probably it exists under the 
Sigma name too.

 Here are the Ricoh's specs:
 close focus: 2.5 m (the Pentax 300/4.5s, 2.0 m)

The manual Pentaxes are limited to 4m.
It's because this Ricoh lens is IF design.

 1050 g (37 oz.)--30 g (about 1.1 oz) more than the Pentax SMC 300/4 PK

Not a difference. (3%)
BTW, it feels a bit strange because it's long, heavy and thin 
at the same time. 

 67 mm filter ring

This was a point for me since I didn't want to invest in a set of 77mm filters (I 
already had 67mm).

 The only one I've ever seen for sale is for sale right now (EX condition), 
 in Canada, at  http://www.carsand.com/UsedEquip.shtml for 400 Cdn ($248).

The only one I've ever seen for sale is now my favourite tele. 
It was about 150USD, new in box (a nice black leather box!!!).

It seems I was lucky...


Gabor
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RE: super-wide-angle options?

2002-03-11 Thread Sas Gabor

Hi,

Mark Erickson [mailto:[EMAIL PROTECTED]]:
 I'd like to add super-wide-angle capability to my photo 
 setup.  I've been mulling over the options, and I'm hoping 
 to get some advice from the list.  
 I'd like to go rectilinear rather than fisheye, and here are 
 the options I'm considering: (...)

I'd also consider the Tokina 17/3.5 SL (not AF, not AT-X).
It's cheap, compact and not a bad lens at all.


Gabor
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Re: Silly Photo.net thread

2002-03-08 Thread Sas Gabor

Hi,


I think the thread IS silly because the initial question is silly as well. Lower class 
budget camera bodies aren't supposed to be used for nature photography with big 
glass. Nor the MZ/ZX bodies, nor Canon Rebels, nor Nikon Fxx cameras. 

Interesting to see that some people can heavily argue on which turtle flies faster...


On 8 Mar 2002 at 5:51, Bruce Rubenstein wrote:
 Having
 used more than one system I would say that Pentax is fine for stuffed animals,
 but for live ones there are far more sutiable tools.

The Rebel or the F65? I still cannot decide...

 I know, it's all marketing. All magazines are paid off. All professional
 photographers using Canon or Nikon have either been given their equipment for
 free, or mindless fools sucked in by the ads. 

Don't mix up things, please. That thread wasn't about professional photography.  

 Pentax has aquired its present reputation through years of dilligent
 presistance of making 35mm SLRs that serious amatures and professionals don't
 want.

???

Gabor
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Re: Silly Photo.net thread

2002-03-08 Thread Sas Gabor

Hi,

On 8 Mar 2002 at 10:36, Collin Brendemuehl wrote:
 Pentax produces some of the finest lenses around,
 and the most outstanding consumer bodies available.

That (plus compatibility) is far enough for me.
What else does an amateur need?

 BUT -- only 1 pro body.  It appears they want to
 *soak* all the possible profit from each unit.
 Almost 20 years for the LX series.
 How long can the MZ-S endure?
 There's no long-range vision there.

The glorious days of the 35mm professional photography 
seem to be over. Not the big market of the future.
For the remaining few applications, the MZ-S is just fine.

Is there any AF 35mm true system camera except the F4 and 
F5? Where's the F6?

 What's a photographic solution?  It's not just
 equipment.  It's equipment that will prove itself
 in the field as being the BEST.  

But that's simply silly marketing-speech...
I don't want a camera that's big brothers are the best _in a field_. I want a 
good overall performance on my one.

 Canon wins with
 the fastest AF.  

Not really. 
 
 How about some outstanding specs to meet demanding
 circumstances?  Certainly with not the dust/dirt
 vulnerability of Pentax' A contacts.  

Never used them...

 How is the
 dust rejection of the current FA lenses?

Just like all the other manufacturer's ones, except some 
latest high-end ones. (A Pair of Canon L-s come into mind.))

 Pentax can be taken seriously -- 
 but not as seriously as the others.

;-)

 Any venue Pentax works in (in 35mm) the others
 do as well.  This is Pentax' failing --
 Pentax does not EXCELL Beyond the others.

Show me the Canon limiteds, please.
Show me a pro quality Nikon outfit I can carry in the high mountains without 
6-8 sherpas. Show me any camera resembling the new 67.

 Mamiya rules studio cameras.
 'Blad rules location units.
 C  N rule PJ, digital and film.

These are applications I'm not interested in.

 Pentax is quickly becoming an also-ran,
 at least in 35mm and digital. 

With Contax, Leitz, Sinar, the Fuji MFs, the Bronicas...
Not a bad company. ;-)

 Too much
 concentration on the pieces of the pie
 and not enough on owning the whole pie.

I'm a piece, not the whole.

 Pentax has more to offer than most people realize.
 They are A leader.  But not enough to be THE leader.

Not a problem, again.


Gabor
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Re: Silly Photo.net thread

2002-03-08 Thread Sas Gabor

Hi,

On 8 Mar 2002 at 8:12, Bruce Rubenstein wrote:
 Well, you can take a look at the Professional Photographers forums here:
 http://www.photonews.com/forums/forums.html
 You will see:
 a) That they are just about all freelancers and pay for their own equipment.
 b) For 35mm they shoot Nikon and Canon
 A search for Pentax, in the Phototech forum yielded one 35mm related thread,
 Camera for a kid.

Not a representative poll. 
Two examples:
- We have a local photo mailing list for amateurs on which about the 50% of 
the people are using Minolta. They don't even have a dealer in our country... 
- I often visit a local web-based political forum, where about 2/3 of the 
participants agree for a party that will hardly get 5%, according to more 
representative measures.


Gabor
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Re: LX and batteries again

2002-03-07 Thread Sas Gabor

Hi,

On 6 Mar 2002 at 17:52, Peter Smekal wrote:
 Abody knows for how long time or for how many rolls of film the mini
 batteries in the LX will normally last?
 I had this strange problem with a pair of new batteries in my new LX.
 After 36 hours and 1 roll of film they were dead. Later they seemed too
 have recovered and I could shoot one more role of film with them before the
 shutter speed LED started to flicker again. Strange behaviour!

It happened to me too, with alkaline (LR44) batteries.
It seems, that the LX doesn't like them. Use the 
recommended silver oxyde cells, and enjoy your LX!


Gabor
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Re: Yet Another PK-Mount 85/1.4

2002-03-06 Thread Sas Gabor

Hi,

An attempt to fill  the gaps:

On 6 Mar 2002 at 8:53, Fred wrote:
 http://www.zenit-foto.ru/about/optictech/lenses/foto/zenitar1$4_85.htm
 
  ??? ???  1,4/85

MC Zenitar 

 ???  - 45,5 +-2 mm

Working distance
(film to mount)

 ???  - 11 +3 - 3 - 0-0 +3 - 3

Color transmission.
Does anybody know what these numbers mean?


Gabor
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Re: LX-testing again

2002-02-26 Thread Sas Gabor

Hi,

On 25 Feb 2002 at 19:33, Peter Smekal wrote:
 I have a copied manual.
 It says a red LED will glow next to LT, B2 when there is no
 sufficient light or when the camera has selected a long exposure time.
 How does on know which of these two alternatives the actual one at the
 moment? 

Both of them.
The LX's time scale end at 4s, so any longer exposure cannot 
be displayad in the finder. Also, at these long speeds, the camera
cannot effectively pre-estimate the correct exposure. It cannot tell
you in advance that a 10 minutes exposure will be enough or not.
The beauty of the real-time OTF metering... ;-)


Gabor
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Re: what makes of around 80~100 mmlenses are worth having?

2002-02-06 Thread Sas Gabor

Hi,

On 6 Feb 2002 at 13:27, Alan Abbott wrote:
 I want a portrait lens of around 85mm but cant afford the pentax
 lenses that come up for sale (UK).
 Can anyone suggest a different make that would be worth loking at? I
 am not after high speed, just something to take some good family shots
 indoors (ie flash etc). Alan

I use the screwmount Carl Zeiss Pancolar 80/1.8 MC with a PK 
adapter. An excellent lens!
I don't know the UK prices, but mine was about 16000HUF, which is 
a little less than 40GBP.

The russian Jupiter-9 85/2 is also an option. Not that good, but acceptable 
and dirt cheap.


Gabor
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Re: Old lenses

2002-02-01 Thread Sas Gabor

Hi,

On 1 Feb 2002 at 14:33, Alan Abbott wrote:
 I have been following the threads about rare earth elements in old
 lenses with interest. I does concern me that there 'may' be a health
 problem with them. I love my Tak lenses but... What do people think?
 Is this one of those things that you have more chance of winning the
 lottery or is it a real concern? 

I think it's no problem as long as you don't eat the lenses.


Gabor
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Re: 50mm lenses for bellows use.

2002-01-28 Thread Sas Gabor

Hi,

I'd go for a cheap screwmunt 50mm macro, like the russian 
Industar 61L/Z 2.8/50. I've bought mine new in box for about 20 
Euros a month ago on eBay.


Gabor
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Re: How many 35mm lenses do you own?

2002-01-16 Thread Sas Gabor

Hi,

On 15 Jan 2002 at 13:44, [EMAIL PROTECTED] wrote:
 1. How many 35mm Pentax-compatible lenses do you own? Include
 screwmount and K mount.
28 (7 of them for sale; 2 of them didn't reach me yet)
 
 2. How many primes?

22 (5; 2)
 
 3. How many zooms?

6 (1; -)

 4. What's the greatest number of lenses any one focal length (or
 focal-length class, such as 15 and 17mm, 28 and 30, 50 and 55, 77 and
 85mm, 100 and 105mm, 120 and 135, 135 and 150, 180 and 200). Don't
 include effective focal lengths via teleconverters.

50-55mm: 7
(100mm: 6 )

 5. If your partner had her/his way, how many lenses would you have
 left? (in my case: zero)

All of them.
She has her own set of a body, 2 primes and a zoom.


Gabor
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Re: Prefire vs. mirror-lock

2002-01-14 Thread Sas Gabor

Hi, 

On 14 Jan 2002 at 11:47, Mark Roberts wrote:
 For me, pre-fire is much more useful most of the time.

Could you explain this a bit more in detail?


Gabor
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Re: SFXn Remote Control

2002-01-03 Thread Sas Gabor

Hi,

On 3 Jan 2002 at 14:25, Marcello Anselmi Tamburini wrote:
 Ok. I tought something else because of the price: 50 U$ or more!!

It's pretty simple to make your own cable release for all AF pentaxes except 
th new MZ-S, which has digital communications.

Read this, for example:
http://w3.one.net/~georgek/pentax/acc/g0008.html


Gabor
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Re: Hi everybody

2002-01-02 Thread Sas Gabor

Hi, 

Marcello Anselmi Tamburini [EMAIL PROTECTED] wrote:
 I'm new. I write from Italy and I recently bought a SFXn:
 there's someone who have too?

Welcome to the list!
I actually use an SFXn and like it very much.
(OK, it's the secondary body, Ilike my LX more...)
Any questions?


Gabor (from Hungary)
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Re: Hi everybody

2002-01-02 Thread Sas Gabor

Hi,

On 2 Jan 2002 at 14:10, Marcello Anselmi Tamburini wrote:
 The only thing that is missing to SFXn is the memory of exposure 

Press the ML button on the back, there it is!
(Also lights the LCD.)

 the 30 position in manual too.

Not a real problem, in B mode you can do any exposure longer than 1s 
precisely enough. Use a cable release!


Gabor
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Re: Hi everybody

2002-01-02 Thread Sas Gabor

Hi,

On 2 Jan 2002 at 15:22, Marcello Anselmi Tamburini wrote:
 Are you saing the M button that is also used to illuminate the top
 display?
 Is not very intuitive!!!

But works! ;-)


Gabor
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Re: Hi everybody

2002-01-02 Thread Sas Gabor

Hi,

On 2 Jan 2002 at 15:20, Marcello Anselmi Tamburini wrote:
 Yes: because of my zoom, I can't use programs: 

What zoom is it?
To use program modes, the aperture ring on the lens should be in A 
position.

I read in Internet
 there are three types of programs: can you decribe me rapidly?

There is the general use normal program, a sports program for fast shutter 
speeds and a landscape program for large depth of field.

I don't use P modes at all. My camera is always in M or A (aperture priority).


Gabor
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928 questions

2001-12-29 Thread Sas Gabor

Hi,


I have some questions about the Espio 928 (the old one, 
not M) camera:

- When I press the upper right (focus mode) button three 
times, the zoom goes to 28mm and an icon appers on 
the LCD which looks like a hand holding the camera. 
What is this mode for?

- When I press the upper left (red-eye) button long, the 
exp. compensation comes up. There is also a small 
flower icon blinking on the LCD these times. What
is it for, and how to use it?

- Is there any way to lock the shutter in open position
in B mode?


Thanks in advence!


Gabor
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S3 questions

2001-12-18 Thread Sas Gabor

Hi screwmount fans,


Just bought a beautiful Pentax S3 + Auto Takumar 1.8/55 set
for about $30. It was so nice, that I couldn't resist...

Now, I'm full of questions:
Is there anyone still using them?
Is the camera as rugged as it seems?
How old, how rare it is?
How good is the lens?
Is it standard M42, compatible with CZJ lenses?

Currently I use PK cameras and lenses only, and the new S3
is just for fun.  Big fun, for sure! 


Gabor
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RE: S3 questions

2001-12-18 Thread Sas Gabor

Hi,


Thanks for all the answers!
I really needed your words, every friend of mine told me I was completely 
stupid...

On 18 Dec 2001 at 12:10, Joe Wilensky wrote:
 If yours is in really nice
 condition, $30 was a great price! Did it come with the clip-on
 external meter that couples to the shutter speed dial?

I didn't got a meter with it, but I don't need it.
This camera is about simplicity for me...

It's in mint condition, maybe used only a few times.
There are two things about it:
- the lens is a bit hard to focus
- there's a little polished area on the top of the prism housing
(maybe because of the meter you mentioned?)

 These cameras were _very_ quiet for their time, compared to the 
 competition, 

It's also quiet compared to my LX...

 The Auto-Takumar your S3
 came with is probably the one with the completely automatic diaphragm
 (in fact a Super-Takumar), with the A/M switch that allows it to open
 back up to full aperture immediately after the exposure.

Yes, it is.

 The 55/1.8, an exceptionally
 sharp and wonderful standard lens, 

We'll see in a few days...


 Enjoy your S3 -- the clean, unobstructed viewfinder (without even a
 meter needle to distract) offers a spartan, and yet purer, kind of
 vision to some photographers. 

Like me... ;-)
BTW, the finder is surprisingly bright for a 40 yrears old camera!

 You can use it with a handheld meter, or
 get the Pentax clip-on, or make it a completely meterless camera,
 dedicated for use with the Sunny 16 rule in mind, or you can use it
 for infrared photography, where exposure would be estimated for the
 most part, anyway.
 Get a lens hood for that 55/1.8 to reduce problems with flare, and
 enjoy!

These exactly are my plans in mind. ;-)
The first roll is in. Action!


Thanks again,
Gabor
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Re: 135mm 1.8 or faster

2001-12-10 Thread Sas Gabor

Hi,


Yes, the A* 1.8/135 is ideal to have, but terrible to buy.
I've seen a person who was lucky enough to touch one...
;-)

There are some much cheaper, a bit darker ones, that are 
very good performers as well, and are easier to find too.
These are the old Pentax SMC 2.5/135 (not the Takumar!) 
and the Vivitar Series1 2.3/135. 
You may find some other fast 135s, like the Vivitar 1.8 and even
1.5, or some other 1.8-s, but these are said to be poor performers.
The good news is that the latter are dirty cheap also.


Gabor
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Re: OT: Zeiss lenses for Pentax

2001-12-03 Thread Sas Gabor

Hi,

On 1 Dec 2001 at 18:18, Collin Brendemuehl wrote:
 http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1300692156
 Interesting.
 I've not seen one of these before.

These seem to be Korean ones, made by Samyang Co.
Acceptable, but nothing special.

There were only two true German Zeiss Jena zooms:
a 2.7-3.5/35-70 and a 4/80-200. All PB mounts, nothing 
for Pentax.


Gabor
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RE: Viruses Worms Everywhere

2001-11-30 Thread Sas Gabor

Hi,

On 30 Nov 2001 at 10:04, Kent Gittings wrote:
 In my opinion at least Outlook tends to be more intuitive than using
 the Netscape email client. 

But these are only two. Two of the most common ones, 
and obviously the ones the viruses and worms are tested on.

Personally, I'm for Pegasus Mail, but there are lots of others...

 I've used
 other products over the years but most have some limitations and as a
 result I tend to put up with the vulnerabilities. 

Which are limitations too... ;-)

 And by the way my
 wife's machine uses Netscape Communicator so it is not an Outlook
 specific virus. As long as your machine is set to execute JavaScript
 wise open it is vulnerable. 

True. HTML mail with embedded active or binary content will 
always be a risk. That's why I don't send HTML mail at all.

For the scripted mails: has anybody ever seen anything really 
useful based on this feature? 


Gabor
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XR Rikenon 4.5/300 APO

2001-11-27 Thread Sas Gabor

Hi,

Has any of You heard of this lens?
How does it compare to the MF Pentax ones?

It has a rotating tripod collar, 67mm filter thread,
focuses to 2.5m, looks beautiful, and costs at a
local shop about $150 with caps, case...

I just can't resist...


BTW, are Ricoh's lenses original designs or ...?


Gabor
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SCA3701

2001-11-19 Thread Sas Gabor

Hi,

I have a Metz 40MZ1 + SCA3701 on my SFXn, without any manuals, as 
usual. ;-)
The SCA adapter has four settings:
The first one is standard first curtain sync, 
the second one is rear sync. But what are the others for?
The third one has a sign similar to the first setting, but with two lightning 
bolts. 
The last one is marked SB. 


Gabor
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RE: Only using my prime lenses - I promise

2001-10-31 Thread Sas Gabor

Hi,


I won't promise anithing like that... 

Here's my story:

I started SLR photgraphy with some russian screwmount
Zenits and later upgraded to Praktica. My lenses were
also east-german and russian ones. What a simple
situation, almost no zooms there... ;-)
My first and only M42 zoom lens was the russian Granit11M 
4.5/80-200, which, to my greatest surprise, was better at 
200mm than my Pentacon 4/200. A great one!

Then I moved to PK, bought a Chinon CE5 + 1.4/50.
To cover the 28-200 mm focal lengths, the quickest and 
cheapest solution was to buy a pair of zooms. The Tokina
ATX 3.5-4.5/28-85 wasn't a bad one, but I didn't like the
close focus at 28mm above 1m, it was bulky compared to
my old primes, and wasn't a true zoom, while the 4/80-200 
(can't remember the brand) was a total disappointment. 
So I started to buy primes again...
(BTW my first Pentax equipment was the M 1.7/50, so much 
better than the 1.4 Chinon...) I only used the Tokina on some 
events.

Currently, my LX sees mostly primes. The only exception is
a great telezoom again: the M 4/75-150. 
I have also a Tamron 3.8-4/70-210, which i keep for its 0.9m
close focusing ability in the whole range, 1:2.9 macro.

Meanwhile, I've built another set: SFXn with Tokina AF 3.5-4.5/
28-105 and Tokina AF 4.5/70-210, plus a Metz 40. I use this
for reporter style photography, while the LX set is for my 
pleasure.

The great thing about Pentax is that the two above sets
are compatible. Just in case...


Gabor
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LX battery check?

2001-10-25 Thread Sas Gabor

Hi,


Just had a terrible experience with my LX.
I was taking some autumn pictures in the forest, and all 
went OK, when suddenly, in the middle of an apox. 1s 
exposure, my LX locked up. Setting the speed dial to B
at least closed the sutter and released the mirror.
After some minutes, a last hope, I replaced the batteries,
and HUH!, everything is OK now.
I suspect some other pictures taken just before this 
accident are underexposed.

But...
Is there any way to check the LX's batteries without 
getting some sort of the above results?

The meter's LEDs were OK.


Gabor
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Re: LX battery check?

2001-10-25 Thread Sas Gabor

Hi,

On 25 Oct 2001 at 8:29, William Robb wrote:
 The LX has a built in battery check. When the LEDs start
 flickering, it is time to replace the batteries. Your desription
 sounds like this didn't happen. 

I'm not sure, because I didn't know what to look for.

 Were you using silver oxide
 batteries (the preferred type) or some other type (alkaline or
 lithium)?

Alkalines. 


Gabor
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RE: LX battery check?

2001-10-25 Thread Sas Gabor

Hi, 

On 25 Oct 2001 at 10:38, Skofteland, Christian wrote:
 The LED's are supposed to flash to indicate low battery  Where you
 on Automatic or was the dial on 1?

It was on Auto.


Gabor
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Re: Cheating

2001-10-24 Thread Sas Gabor

Hi,

On 21 Oct 2001 at 1:26, J. C. O'Connell wrote:
 Any of you all use equipment other than
 Pentax at times?

I use:
- Kiev88 with 3.5/45, 2.8/80 and 2.8/150.
(also have a 4.5/300 and 3.5/65, for sale)
- Ricoh 500GX rangefinder
- the family's Canon Prima Mini II


Gabor
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Re: Fast 35mm Lenses

2001-10-24 Thread Sas Gabor

Hi,

On 24 Oct 2001 at 9:22, tom wrote:
 I had an M 35/2 for a while which I loved. Colors were a bit muted,
 but b+w was fantastic.

Could you describe these muted colors in detail?
I haven't noticed anything like this so far with M lenses...
(Just bought the M2/35.)


Gabor
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Re: K2 shutter vibration question

2001-10-24 Thread Sas Gabor

Hi, 

On 24 Oct 2001 at 10:29, Robert Soames Wetmore wrote:
 I've always admired the K2 as the ultimate of the Pentax K's.  

It is.

 However, I keep hearing that its (Seiko-sha?) metal focal plane
 shutter induces a fair amount of vibration (...)
 Can anyone confirm that this is true?  Is
 there noticeable degradation of image clarity - and under what
 conditions?

With my M4/100 macro and Soligor 4.5/300 macro and 
some wides, nothing special. You can easily feel the heavy 
vibration, but as far as I can tell, the most of it happens when
the shutter closes, so it shakes the camera after the exposure.
 
 From http://ca.geocities.com/spirope/PentaxSLR.htm; :
 In addition to its weight, it has two significant drawbacks:  its ASA
 setting must be the most difficult of any camera ever made, 

IMO the ISO setting isn't bad at all. The exposure compensation is another thing: full 
stops only, 
too easy to move without notice.

  and its
  first-generation electronic shutter is noisy and vibration prone. 
  The camera gives a kick that is not solved by locking up its mirror (a
  feature it has), which no doubt degrades image quality at slow
  shutter speeds.

Modern shutters are better at this, no doubt.
Use MLU, a good tripod, and try to avoid speeds between 1/4 and 1/15...

I like my K2 a lot! 


Gabor
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My PUG picks

2001-10-02 Thread Sas Gabor

Hi,


A nice gallery again!
Some pictures' connection to the title Elements might requre a 
little explanation, though... ;-)
Here are my favorites:

Coming... by Edward Kreis
Lightning bolt by Alastair Robertson
Volcano by  Mark Dalal
Presque Isle Kettles by Ken Waller
Water Colours by Hans-Bernhard Beykirch
The Sea by Matjaz Osojnik

I like them mostly for their simple but powerful compositions.


Gabor
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Re: Biro, ball point pen

2001-09-19 Thread Sas Gabor

Hi, 

On 17 Sep 2001, Shel Belinkoff wrote:
 Now to the ball point pen.  The ball point pen is almost as old as
 photography itself, having been invented prior to October, 1888, the
 date when it was patented.  It was met with mixed success, although it
 worked well for rough marking of items, as the ball was not very
 precisely ground and the ink was rather thick.  However, in 1944 an
 Argentinean by the name of Lazlo Biro (coincidentally, a distant
 relative to a high school classmate, Barbara Biro) was able to
 successfully produce an accurately ground ball that would ride in a
 brass socket.  This was the first ball point pen that could achieve
 fine enough detail for correspondence and be able to compete with the
 fountain pen in producing even lines.

Almost true ;-)

Biro Laszlo and Biro Gyrgy were Hungarians. They invented the 
first versions of the pen here in Hungary, but didn't do anythig to
put it in production. Later they moved to Argentina (because of
WWII), and found some investors there and marketed the pens.
It needed heavy redesign before the success...


Gabor
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Re: Capa (was: Scary)

2001-09-07 Thread Sas Gabor

Hi, 

On 7 Sep 2001, Robert Harris wrote:
 (http://www.icp.org/exhibitions/capa/capa.html) give it as:
 If your pictures aren't good enough, you're not close enough. 

Yes it's correct. 

BTW did you know that Capa was Hungarian, and he's real name 
was Friedmann Endre? 


Gabor
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Re: CZJ 80/1,8 with K mount?

2001-09-07 Thread Sas Gabor

Hi, 

I wrote:
  Here in Hungary it's about 14000-2HUF, aprox. 50-70USD.
  I've seen some above $200 on eBay... Gabor

Frantisek replied:
 Now, Gabor, I am going to Hungary this moment! Even here in Czech
 republic they are more than double your amount! And the prices rise...
 Is the price real?

You're welcome anytime!  ;-)

Yes, the price is real (I bought mine for 15000HUF in January), but 
it takes some hunting to get one. Currently I know one (B mount 
version) for sale...

Kryt wrote a few minutes later:
 The seller also wants me to pay 450 zl PLN polish zl (over 
 100 bucks)! I know now that you can buy good cheap wine and 
 lenses in Hungary. ; )

OK guys, it seems to be time for an East-European PDML meeting... ;-)
I cannot promise you trees with thousands of sunkissed Pancolars on 
them, but our wine is always good... ;-)


Gabor
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Re: CZJ 80/1,8 with K mount?

2001-09-05 Thread Sas Gabor

Hi, 

On 5 Sep 2001, krytu [EMAIL PROTECTED] wrote:
 Does somebody know anything about CZJ Prakticar 80/1,8 MC with K mount? 
 Ii it good as a portrait lens compare to CZJ 135/2,8 MC and SMC A 
 135/2,8? I know SMC 85/1,4 is superb but it`s out of my range.

No CZJ lenses were made for K mount, so if you found one, 
then it's a modified one or most probably one for the Praktica 
B bayonet mount.

It's a superb lens, sharpness, contarst are very good, nice bokeh.
I like the handling too. One of my friends use it on bellows for
macro, and gets decent results.
On the other hand, the CZJ MC is not as good as Pentax SMC, 
so one can have some flare problems. This lens also has some
mechanical problems (there are some weak plastic parts in the 
newer ones; and the aging grease gets oily and leaks onto the 
diaphragm blades and blocks them), which are quite easy to 
repair.

As far as I know, there isn't such a thing that CZJ 2.8/135. CZJ 
made a beautiful 3.5/135 (Sonnar) in this range. The 2.8/135 was
a Meyer design, and not bad at all for portraiture.

I don't know the Pentax A 2.8/135, but it is said to be one of 
the worst Pentaxes.
BTW the old (K series) SMC 2.5/135 is one of my favourites...


Gabor
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Re: One Sentence

2001-08-27 Thread Sas Gabor

I have so many reasons to photograph, that I have none.


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Re: Most Productive Gear?

2001-08-14 Thread Sas Gabor

Hi, 

 What is your most productive body and lense combo?

LX with 2/28 (sorry, it's a Cosina...)

 Whats your least productive body and lense combo, 
 which really should have been productive.

K2 and 2.8/16 fisheye. I couldn't manage to get a single
shot with it... 


Gabor

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Re: LX OTF metering, useful to you?

2001-08-13 Thread Sas Gabor

Hi,

On 11 Aug 2001, at 19:13:17 -0700 (PDT), 
Tonghang Zhou wrote:
 I have some LXes and very pleased with them.  But I don't
 understand why the OTF metering is that useful, considering
 especially how much this feature costs in the Olympus OM
 cameras.

Have a look at my submission to the LX Gallery. 
It's a bit unusual shot for sure, but try to do it with any other
(built-into-camera) metering system.
 
 After all, almost every scence you expose is imperfect
 for an averaging meter.  They are not 18% grey throughout
 (or should it be 13%?)
 I often find myself having to set the exposure manually

My LX also has an exp. compensation dial on the left side of 
the top plate. What about Yours?

 So I guess I don't know how to take advantage of the OTF
 metering in non-flash photography.

AFAIK all TTL flash systems use OTF.
 
 Now, a spot meter which lets you hold the exposure, seems
 to make better sense.  Like the Z?-5n.

A different tool for different tasks. 



Gabor

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Re: Around the World With ....

2001-07-30 Thread Sas Gabor

Hi,

The body would be an LX. 
It's simply great, I know it well and I trust it.

Lenses: A 3.5/15, FA* 2/24, FA 1.9/43 Ltd, FA 1.8/77 Ltd, K 2.5/135, 
K 2.5/200 (I have none of them...)


Gabor

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Re: A Harder Game

2001-07-24 Thread Sas Gabor

Hi,


 Which body and two lenses would you choose?

LX, M 2/35, M 4/100 macro

 name the subject and/or locales you'd choose to
 photograph. 

A complete book on the region Zemplen in Hungary: 
landscapes, nature, people...


Gabor

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Re: Standard lens - 35 mm vs 50mm

2001-06-22 Thread Sas Gabor

Hi, 

 Just Curious! How many of you use 35 mm lens as a standard lens
 instead of 50 mm lens? Since I bought FA 35 f2.0, I have used this
 lens more often than  FA 50 mm f1.7 lens.

On my M42 Prakticas my favourite normal lens was the Zeiss 
2.4/35, used it about twice as much as the Zeiss 1.8/50. Both were 
fantastic lenses. (Recently I sold all my M42 gear except the Zeiss 
1.8/80.)

On my Pentaxes, I had only a Chinon 2.8/35 and the Pentax M 
1.4/50 was so much better that it wasn't a question. Last week I 
sold the Chinon and bought a Pentax M 2/35. It feels very well on 
my LX, so chances are that I'll be back to the 35mm normal soon...


Gabor

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Re: different Tamrons 2.5/24mm?

2001-06-10 Thread Sas Gabor

Hi,

[EMAIL PROTECTED] wrote:
  I came upon a nice condition Tamron 2.5/24mm BBAR in Pentax Adaptall
  mount. (...)

I have the same...

  Was there any difference in quality among the different versions
  (or finishes) of Tamron's adaptall 2.5/24mm ? 

Only minor changes, it's the same lens.

  And what are your comments on quality of either?

Mine performs very well. Some flare problems may occur, but 
BBAR is not SMC...
I like the focal length a lot, it's one of my most often used lenses.


Gabor

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Re: Close focusing wide angle lens?

2001-05-31 Thread Sas Gabor

Hi, 

 Patrick White [EMAIL PROTECTED] wrote:
 I've been thinking of getting a wide angle lens (28mm or less) 
 I can use for macro shots.  Anyone have any recommendations
 for what would be a good choice?

Vivitar 2.8/28 macro and 2.8/24 macro are good ones. I have the 
28, it has only an 1:5 ratio on its own, but can be used well with 
tubes. It seems to be very well corrected for close distances, no 
aberrations or distortion, has flat field... And they're cheap!


Gabor


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Re:M 100 f4 Macro

2001-04-04 Thread Sas Gabor

Hi,


[EMAIL PROTECTED] wrote:
Dear members. I just want to know the max. magn of this lens. 
It's 1:2 or 1:1 ? 

It's 1:2. It has a nice aspect ratio scale on it.
It works well on bellows, tubes, etc., so the 1:2
is only a limit of the mechanics, not the optics.


Opinions in performance?
 
My favourite Pentax lens!
Extremely sharp, good SMC, well built, compact

PS: I already bought it, and it's in its way to me, but I would like t-
o  know your opinions on it.

Just in time! ;-)
Relax, it's a great lens! I'm sure you'll enjoy it!


Gabor

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Re: Jupiter 85mm f2

2001-03-27 Thread Sas Gabor

Hi, 


Juan J. Buhler" [EMAIL PROTECTED] wrote: 
I've been looking for a cheap ~85mm lens. Does anyone has experience
with the Jupiter-9? It's 85mm f2, originally a copy of a Zeiss
design. The Leica SM version has good reviews.

Not too sharp, but good for portraits, or available light people 
photography. (I've used mine for weddings at f4 as well.)
When stopped down it gets definitely sharper, one of my friends
uses his one for macro work.
Bokeh is very nice, thank to the close to circular (15 blades?) 
diaphragm. 

Compact, well built lens.49mm filters.
The non- or single coated ones may have some flare problems.

Recently I sold mine and got a Zeiss Pancolar 1.8/80 instead,
which is much better opically, especially wide open.
 

I've seen this lens on M42 mount. Does anyone know if a K-mount
version exists?

I haven't heard of one...


Gabor

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Re: Zenit SLRs

2001-03-20 Thread Sas Gabor

Hi,

Robert Harris [EMAIL PROTECTED] wrote:
 I started with a Zenit E about 13 years ago, then upgraded to a
 Zenit 12XP, then came a Zenit 19.
 I would add that in my experience the newer a Zenit is, the less
 reliable it is.
 
I guess I am lucky -- I have an old reliable  Zenit E sitting in a 
closet, which I have never used.
 (My wife used it for years, though, in  Russia.
) Perhaps I will give it a try if I can figure out how it works,  
and am prepared to carry it -- it is built like a tank, but weighs a  
lot..  
 
It's pretty simple IMO. Have a good time exploring it!
If you have any questions, feel free to comtact me off-list as well.


Any comment on the lens it came with? Helios 58mm,  f2.

I didn't like it at all. It wasn't sharp at all...
Replace it with a cheap russian Mir 2.8/37 or a Zeiss Tessar 2.8/50, or 
a Takumar if you plan to use it for taking pictures as well...
Please note that Zenit E uses manual diaphragm lenses.


Gabor

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RE: Fish eye lens

2001-03-06 Thread Sas Gabor

Hi,


"Cyril MARION" [EMAIL PROTECTED] wrote:
I'm seeking a fish-eye to shoot high-quality panormas.

I didn't find a fisheye too useful for panorama shots because 
of the heavy distortion. Fisheyes are special effect lenses IMO.


it has a f/2.8 aperture vs f/4

It doesn't matter on a fisheye too much...


Is it too early to ask how does the ZENITAR behaves on the 2nd hand 
market ? 

Here in Hungary, I could sell mine for the price I paid for it or a bit 
less. (I bought it new, with 1 year warranty.)


Perhaps after 1 year and a couple of shoots the lens gets trouble ? 

Didn't noticed any yet. (OK, only 10 months.)


Gabor

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Re: AE vs A

2001-02-26 Thread Sas Gabor

Hi,

petit miam [EMAIL PROTECTED] wrote:
 I have a Tamron manual zoom lens (?80-210) with Pentax
 K adapter. I would like to have it working on my
 MZ-30. But so far, no luck. My MZ-30 requires an "A"
 position on the aperture ring, but the lens only has
 "AE". Are these equivalent? Any ideas to get it to
 work? Or am I just s**t (no, not a camera brand) out
 of luck?

The Tamron's AE setting is the same as Pentax's A.
I think the problem is with your K adapter, it should be a KA
instead.


Gabor

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Re: M 100/4.0 macro

2001-02-22 Thread Sas Gabor

Hi Mark,


I have one of them, and it is my favourite short tele as well, 
not just a lens for macro work.

Very sharp, small, well-built. (A typical M series lens, one could say.)
Focuses down to 1:2 only, wich was not a problem to me. 
Works well on extension tubes and bellows too.


Gabor

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