Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-12 Thread graywolf
True

Bob Blakely wrote:
 You are generally correct, however:
 
 Ammunition not being available is no bar from firing any old firearm. One 
 can always make the ammunition if one wants to, and it's usually a 
 relatively trivial matter. I know, I've done it. Further, while ammo for 
 certain antique firearms may not be mass produced and therefore commonly 
 listed as unavailable, it is almost always available from small producers. 
 One example is the 45/120 cartridge used in some Sharps rifles.
 
 The same is and will always be true for unavailable film formats - ammo 
 for old cameras.
 
 Regards,
 Bob...
 -
 Note: No trees were killed in the sending of this message,
 but a large number of electrons were terribly inconvenienced.
 
 From: graywolf [EMAIL PROTECTED]
 
 
 The combination of old and high-quality will always have value. Collectors 
 will
 always be around. So what if film completely disappears, folks still 
 collect
 guns for which no ammunition has been available for a century or more. 
 When one
 is young old does not mean anything because almost everything was made 
 before
 you were born, but when you can begin to appreciate the years involved 
 things
 become valuable just because they have lasted.

 Bob Blakely wrote:
 Do you think the Speed Graphic folks will think the same? Have you seen 
 what
 one goes for in just reasonable condition? There will always be people 
 who
 will remember...

 Regards,
 Bob...
 -
 Note: No trees were killed in the sending of this message,
 but a large number of electrons were terribly inconvenienced.

 From: Godfrey DiGiorgi [EMAIL PROTECTED]


 [Skipped]
 Those great old film cameras will likely be totally forgotten by
 2015, never mind 2037.

 [Skipped]
 
 

-- 
Graywolf
Website: http://www.graywolfphoto.com
Blog:http://www.graywolfphoto.com/journal/
---

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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-10 Thread Bob Blakely
From Bojidar Dimitrov's Pentax K-Mount Page
(Best authority on all things K-mount)
http://www.bdimitrov.de/kmp/bodies/M/index.html

Camera  W x  Hx  D (mm)  Wt (g)
ME   131x 82.5 x 49.5460
ME Super 131.5 x 83x 49.5445
MX  135.8  x 82.5 x 49.3   495
LX   144.5  x 90.5 x 50  570 (for reference)
K2   144 x 92x 57  680 (for reference)

Yup, the MX is a whole 5mm (~0.169in) wider than ME.

Camera  Viewfinder Mag   [Cov]
ME 0.95 x [92%]
ME Super   0.95 x [92%]
MX0.97 x [95%]
LX  *** x [98%] (for reference)
K2 0.88 x [95%] (for reference)

*** Depends on viewfinder used.

Regards,
Bob...
-
Note: No trees were killed in the sending of this message,
but a large number of electrons were terribly inconvenienced.

From: P. J. Alling [EMAIL PROTECTED]
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Saturday, December 08, 2007 9:19 PM
Subject: Re: Current camera classics? WAS:Re: Mouldering film camera survey


I have an ME and an MX and the viewfinders are more or less the same,
 (both for coverage and magnification), well close enough so that
 criticizing one is criticizing the other.  The ME is much smaller than
 the MX, but has many fewer controls so that might make a difference in
 handling..

 Sandy Harris wrote:
 On Dec 9, 2007 1:25 AM, Adam Maas [EMAIL PROTECTED] wrote:

 Owned an MX, poor viewfinder(WAY too much magnification, no eye
 relief), too small to handle nicely, low flash sync.
 ME - Alright


 I thought those two were identical except manual exposure on MX,
 aperature priority auto on ME. What did you find so different?




 -- 
 The difference between individual intelligence and group intelligence is 
 the difference between Harvard University and the Harvard University 
 football team.

 -- P. J. O'Roarke


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-10 Thread Bob Blakely
You are generally correct, however:

Ammunition not being available is no bar from firing any old firearm. One 
can always make the ammunition if one wants to, and it's usually a 
relatively trivial matter. I know, I've done it. Further, while ammo for 
certain antique firearms may not be mass produced and therefore commonly 
listed as unavailable, it is almost always available from small producers. 
One example is the 45/120 cartridge used in some Sharps rifles.

The same is and will always be true for unavailable film formats - ammo 
for old cameras.

Regards,
Bob...
-
Note: No trees were killed in the sending of this message,
but a large number of electrons were terribly inconvenienced.

From: graywolf [EMAIL PROTECTED]


 The combination of old and high-quality will always have value. Collectors 
 will
 always be around. So what if film completely disappears, folks still 
 collect
 guns for which no ammunition has been available for a century or more. 
 When one
 is young old does not mean anything because almost everything was made 
 before
 you were born, but when you can begin to appreciate the years involved 
 things
 become valuable just because they have lasted.

 Bob Blakely wrote:
 Do you think the Speed Graphic folks will think the same? Have you seen 
 what
 one goes for in just reasonable condition? There will always be people 
 who
 will remember...

 Regards,
 Bob...
 -
 Note: No trees were killed in the sending of this message,
 but a large number of electrons were terribly inconvenienced.

 From: Godfrey DiGiorgi [EMAIL PROTECTED]


 [Skipped]
 Those great old film cameras will likely be totally forgotten by
 2015, never mind 2037.

 [Skipped]


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-10 Thread Cotty
On 10/12/07, Bob Blakely, discombobulated, unleashed:

Camera  W x  Hx  D (mm)  Wt (g)
ME   131x 82.5 x 49.5460
ME Super 131.5 x 83x 49.5445
MX  135.8  x 82.5 x 49.3   495
LX   144.5  x 90.5 x 50  570 (for reference)
K2   144 x 92x 57  680 (for reference)

Yup, the MX is a whole 5mm (~0.169in) wider than ME.


OH MY GOD  IT'S NOT!!!  OH NO!!  (with apologies to Basil Fawlty)

Actually 4.8mm wider.

But this does not qualify the statement that 'the MX is much wider than
the ME'. That is still a wilting pile of fetid testicles.

-- 


Cheers,
  Cotty


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-10 Thread John Francis
On Mon, Dec 10, 2007 at 10:07:21AM -0800, Bob Blakely wrote:
 From Bojidar Dimitrov's Pentax K-Mount Page
 (Best authority on all things K-mount)
 http://www.bdimitrov.de/kmp/bodies/M/index.html
 
 Camera  W x  Hx  D (mm)  Wt (g)
 ME   131x 82.5 x 49.5460
 ME Super 131.5 x 83x 49.5445
 MX  135.8  x 82.5 x 49.3   495
 LX   144.5  x 90.5 x 50  570 (for reference)
 K2   144 x 92x 57  680 (for reference)
 
 Yup, the MX is a whole 5mm (~0.169in) wider than ME.

FWIW, that's about the difference between a *ist D and a DS, too.

The biggest difference between the new digital bodies and the older
(pre-AF) film bodies is in the depth, but most of that is because
the digitals have a hand grip and a pop-up flash, both of which
protrude considerably beyond the plane of the lens mount.  Apart
from that most of the digital bodies (excluding the K10D) are more
or less the same sort of size as the M bodies; a little narrower,
but also a little taller (again the pop-up flash probably accounts
for some of that difference).



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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-10 Thread Godfrey DiGiorgi

On Dec 10, 2007, at 11:11 AM, Cotty wrote:

 ... That is still a wilting pile of fetid testicles.

Mark!

I dunno, but that's just so gross it had me laughing until my ribs  
ached. :-)

Godfrey

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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-10 Thread Cotty
On 10/12/07, Godfrey DiGiorgi, discombobulated, unleashed:

 ... That is still a wilting pile of fetid testicles.

Mark!

I dunno, but that's just so gross it had me laughing until my ribs  
ached. :-)

The nice thing is, it's pretty interchangeable as a sentence, viz:

That is still a fetid wilt of testicular piles.


-- 


Cheers,
  Cotty


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-10 Thread Mark Roberts
Godfrey DiGiorgi wrote:

On Dec 10, 2007, at 11:11 AM, Cotty wrote:

 ... That is still a wilting pile of fetid testicles.

Mark!

I dunno, but that's just so gross it had me laughing until my ribs  
ached. :-)

Quite. I mean, a pile of fetid testicles is one thing... but a 
*wilting* pile of fetid testicles? That's over the top.



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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-10 Thread Christian
Mark Roberts wrote:
 Godfrey DiGiorgi wrote:
 
 On Dec 10, 2007, at 11:11 AM, Cotty wrote:

 ... That is still a wilting pile of fetid testicles.
 Mark!

 I dunno, but that's just so gross it had me laughing until my ribs  
 ached. :-)
 
 Quite. I mean, a pile of fetid testicles is one thing... but a 
 *wilting* pile of fetid testicles? That's over the top.
 
 
 

I'm sure cotty has first hand experience... :-)

-- 

Christian
http://photography.skofteland.net

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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-10 Thread P. J. Alling
As I said, the body of the ME exclusive of the prism housing is also 
shorter from top plate to base plate than the MX  those measly 
millimeters make for very big difference in size in the hands.  I've 
used both and while I don't have exceedingly large hands the ME is much 
more difficult to hold comfortably than the MX. 

Cotty wrote:
 On 10/12/07, Bob Blakely, discombobulated, unleashed:

   
 Camera  W x  Hx  D (mm)  Wt (g)
 ME   131x 82.5 x 49.5460
 ME Super 131.5 x 83x 49.5445
 MX  135.8  x 82.5 x 49.3   495
 LX   144.5  x 90.5 x 50  570 (for reference)
 K2   144 x 92x 57  680 (for reference)

 Yup, the MX is a whole 5mm (~0.169in) wider than ME.
 


 OH MY GOD  IT'S NOT!!!  OH NO!!  (with apologies to Basil Fawlty)

 Actually 4.8mm wider.

 But this does not qualify the statement that 'the MX is much wider than
 the ME'. That is still a wilting pile of fetid testicles.

   


-- 
The difference between individual intelligence and group intelligence is the 
difference between Harvard University and the Harvard University football team.

-- P. J. O'Roarke


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-10 Thread Steve Desjardins
Well, at least in this case one is noticeably larger than the other.

But this does not qualify the statement that 'the MX is much wider
than
the ME'. That is still a wilting pile of fetid testicles.

-- 


Cheers,
  Cotty


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-10 Thread Cotty
On 10/12/07, P. J. Alling, discombobulated, unleashed:

As I said, the body of the ME exclusive of the prism housing is also 
shorter from top plate to base plate than the MX  those measly 
millimeters make for very big difference in size in the hands.  I've 
used both and while I don't have exceedingly large hands the ME is much 
more difficult to hold comfortably than the MX. 

peter you're just obnoxious

-- 


Cheers,
  Cotty


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-10 Thread P. J. Alling
It's a gift.

Cotty wrote:
 On 10/12/07, P. J. Alling, discombobulated, unleashed:

   
 As I said, the body of the ME exclusive of the prism housing is also 
 shorter from top plate to base plate than the MX  those measly 
 millimeters make for very big difference in size in the hands.  I've 
 used both and while I don't have exceedingly large hands the ME is much 
 more difficult to hold comfortably than the MX. 
 

 peter you're just obnoxious

   


-- 
The difference between individual intelligence and group intelligence is the 
difference between Harvard University and the Harvard University football team.

-- P. J. O'Roarke


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-10 Thread Sandy Harris
On Dec 11, 2007 6:45 AM, P. J. Alling [EMAIL PROTECTED] wrote:

  peter you're just obnoxious
 
 It's a gift.

Mark!

-- 
Sandy Harris,
Nanjing, China

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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-10 Thread Cotty
On 10/12/07, P. J. Alling, discombobulated, unleashed:

It's a gift.

LOL


-- 


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  Cotty


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-09 Thread Cotty
On 09/12/07, P. J. Alling, discombobulated, unleashed:

The ME is much smaller than 
the MX,

Poppycock.

-- 


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  Cotty


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-09 Thread John Whittingham
On Sun, 9 Dec 2007 09:33:39 +, Cotty wrote
 On 09/12/07, P. J. Alling, discombobulated, unleashed:
 
 The ME is much smaller than 
 the MX,
 
 Poppycock.
 
 --
 
 Cheers,
   Cotty

Having owned both, the ME is slighly smaller 131 x 82.5 x 49.5 compared to 
the MX 135.8 x 82.5 x 49.3. Most noticeable when you're trying to fit an ME 
ERC to the MX body, but we're only talking a few mm. The MX has more 
viewfinder coverage and magnification, I personally prefer the MX viewfinder.

John



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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-09 Thread P. J. Alling
In camera terms is certainly is.  Look at a pair side by side sometime. 

Lets see.  The width of an MX (side to side) is 94% of the width of an 
LX a camera that most everyone would admit is much bigger.  (In fact the 
LX is damn close to the same size as that old K dinosaur the K2).   The 
width of an ME is 96% of that of an MX, hum pretty close to the 
difference in size between an MX and an LX..  While it is true that the 
ME is front to back the same dimension as an MX,  and from baseplate to 
to the top of the Prism housing the same height (it would have to be 
wouldn't it), if you look at the difference from base plate to top 
plate, excluding the prism housing you'll see that the difference is 
about the same as from side to side. (I don't have them right at hand so 
I can't measure them exactly).  This makes a huge difference in the 
size, and handling.  So I stand by my statement.

Cotty wrote:
 On 09/12/07, P. J. Alling, discombobulated, unleashed:

   
 The ME is much smaller than 
 the MX,
 

 Poppycock.

   


-- 
The difference between individual intelligence and group intelligence is the 
difference between Harvard University and the Harvard University football team.

-- P. J. O'Roarke


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-09 Thread Cotty
On 09/12/07, John Whittingham, discombobulated, unleashed:

Having owned both, the ME is slighly smaller 131 x 82.5 x 49.5 compared to 
the MX 135.8 x 82.5 x 49.3. Most noticeable when you're trying to fit an ME 
ERC to the MX body, but we're only talking a few mm.

Exactly. The Allingator said:

The ME is much smaller than 
the MX

4.8 mm and .2 mm on two dimensions is not *much*.  :-P

-- 


Cheers,
  Cotty


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-09 Thread Cotty
On 09/12/07, P. J. Alling, discombobulated, unleashed:

Lets see.  The width of an MX (side to side) is 94% of the width of an 
LX a camera that most everyone would admit is much bigger.  (In fact the 
LX is damn close to the same size as that old K dinosaur the K2).   The 
width of an ME is 96% of that of an MX, hum pretty close to the 
difference in size between an MX and an LX..  While it is true that the 
ME is front to back the same dimension as an MX,  and from baseplate to 
to the top of the Prism housing the same height (it would have to be 
wouldn't it), if you look at the difference from base plate to top 
plate, excluding the prism housing you'll see that the difference is 
about the same as from side to side. (I don't have them right at hand so 
I can't measure them exactly).  This makes a huge difference in the 
size, and handling.  So I stand by my statement.

What a load of complete bollocks. You're on a different planet mate!!

-- 


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  Cotty


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-09 Thread Adam Maas
The extra size and magnification of the MX (.97x at 95% instead of
.95x at 92%) is enough to make the MX's too large to use comfortably.
I find the ME smallish as well, but since I'm not trying to use the
shutter dial it's a lot less annoying.

But other than the LX, I never clicked with any of my Pentax bodies. I
much prefer Nikon's film bodies.

-Adam

On 12/8/07, Sandy Harris [EMAIL PROTECTED] wrote:
 On Dec 9, 2007 1:25 AM, Adam Maas [EMAIL PROTECTED] wrote:

  Owned an MX, poor viewfinder(WAY too much magnification, no eye
  relief), too small to handle nicely, low flash sync.
  ME - Alright

 I thought those two were identical except manual exposure on MX,
 aperature priority auto on ME. What did you find so different?

 --
 Sandy Harris,
 Nanjing, China

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M. Adam Maas
http://www.mawz.ca
Explorations of the City Around Us.

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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-09 Thread keith_w
Cotty wrote:
 On 09/12/07, P. J. Alling, discombobulated, unleashed:
 
 The ME is much smaller than the MX...


 Poppycock.


My ME super is 3/8 less wide than my MX.
However, the MX is a little taller than the Super, about 1/8.

The body thicknesses seem the same.

So, the ME is not as wide, but it's a little taller.

Oh well.

keith

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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-09 Thread graywolf
Not remotely the same. The MX was the last of the old school, the ME the first 
of the new. The lenses and eyepiece accessories were about the only thing 
interchangeable between them.


Sandy Harris wrote:
 On Dec 9, 2007 1:25 AM, Adam Maas [EMAIL PROTECTED] wrote:
 
 Owned an MX, poor viewfinder(WAY too much magnification, no eye
 relief), too small to handle nicely, low flash sync.
 ME - Alright
 
 I thought those two were identical except manual exposure on MX,
 aperature priority auto on ME. What did you find so different?
 

-- 
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Website: http://www.graywolfphoto.com
Blog:http://www.graywolfphoto.com/journal/

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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-09 Thread graywolf
The combination of old and high-quality will always have value. Collectors will 
always be around. So what if film completely disappears, folks still collect 
guns for which no ammunition has been available for a century or more. When one 
is young old does not mean anything because almost everything was made before 
you were born, but when you can begin to appreciate the years involved things 
become valuable just because they have lasted.



Bob Blakely wrote:
 Do you think the Speed Graphic folks will think the same? Have you seen what 
 one goes for in just reasonable condition? There will always be people who 
 will remember...
 
 Regards,
 Bob...
 -
 Note: No trees were killed in the sending of this message,
 but a large number of electrons were terribly inconvenienced.
 
 From: Godfrey DiGiorgi [EMAIL PROTECTED]
 
 
 [Skipped]
 Those great old film cameras will likely be totally forgotten by
 2015, never mind 2037.

 [Skipped]
 
 

-- 
Graywolf
Website: http://www.graywolfphoto.com
Blog:http://www.graywolfphoto.com/journal/

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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-09 Thread graywolf
Well it is as much smaller as a Leica IIIC is smaller than a Leica IIIF, about 
1/8 inch in length.


Cotty wrote:
 On 09/12/07, P. J. Alling, discombobulated, unleashed:
 
 The ME is much smaller than 
 the MX,
 
 Poppycock.
 

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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-09 Thread Eactivist
In a message dated 12/9/2007 10:18:22 A.M.  Pacific Standard Time, 
[EMAIL PROTECTED] writes:
In camera terms is  certainly is.  Look at a pair side by side sometime. 

Lets  see.  The width of an MX (side to side) is 94% of the width of an 
LX a  camera that most everyone would admit is much bigger.  (In fact the 
LX  is damn close to the same size as that old K dinosaur the K2).   The  
width of an ME is 96% of that of an MX, hum pretty close to the  
difference in size between an MX and an LX..  While it is true that the  
ME is front to back the same dimension as an MX,  and from baseplate to  
to the top of the Prism housing the same height (it would have to be  
wouldn't it), if you look at the difference from base plate to top  
plate, excluding the prism housing you'll see that the difference is  
about the same as from side to side. (I don't have them right at hand so  
I can't measure them exactly).  This makes a huge difference in the  
size, and handling.  So I stand by my  statement.

=
I just got a headache.

Marnie aka Doe  ;-)

-
Warning: I am now  filtering my email, so you may be censored.  




**Check out AOL's list of 2007's hottest 
products.
(http://money.aol.com/special/hot-products-2007?NCID=aoltop000301)

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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-08 Thread Adam Maas
Owned an MX, poor viewfinder(WAY too much magnification, no eye
relief), too small to handle nicely, low flash sync.
ME - Alright
ME Super - Horrid UI.
KX, big, heavy.
Super Program - see ME Super
LX - Real nice camera, needs grip+winder to be comfortable to shoot.

The LX is the only one of the lot I'd ever consider owning. Prefer my
K10D to any Pentax 35mm film body I've ever tried. Pentax and
ergonomics were not in the same universe for most of their bodies
(I've never tried an M-S though, and the LX ain't bad with a grip
added).

-Adam

On 12/7/07, Bob Sullivan [EMAIL PROTECTED] wrote:
 You are absolutely right Cory.
 The old gear has a touch and feel that doesn't go away.
 The ME is so small, clean,and quick in the hands.
 The ME Super is more quiet and solid feeling when the shutter fires.
 The KX is big and durable and kind of ols school.
 I feel like a pro with the little MX.
 And the LX just feels premium, bigger and more substantial but so
 nimble and flexible.
 Finally the Super Program, the poor man's LX with TTL flash and a 3.5
 fps winder.
 Great cameras that the K10D will never compare to.
 Regards,  Bob S.

 On Dec 7, 2007 3:08 PM, cbwaters [EMAIL PROTECTED] wrote:
  Godfrey,
  you view is certainly logical, if a bit dispassionate.  I tend to impart a
  soul and personality to my possessions (and indeed items I want but will
  never own for lack of funds).
  I'm wondering if you had posters of cars, bikes or whatever on your walls as
  a teenager.
  I admire gadgets and equipment.  I'm sure I give them more importance than
  they're really worth.
 
  I guess my point with the post was to say that nobody will have any of the
  current crop of digital cameras in five to ten years time.  We'll have
  dumped them for newer models or binned them because they're dead and cannot
  be repaired. And to contrast that with the thread about cameras we own and
  can't quite bring ourselves to sell even if we're not using them is
  interesting
 
  God help the poor prat who tries to send Pentax his K10 for service or even
  a CLA in 2015 let alone 2037.
 
  Cory
 
  I have a Super Program and a beautiful black MX that don't see enough use.
 
 
  - Original Message -
  From: Godfrey DiGiorgi [EMAIL PROTECTED]
   Old things are interesting because they're old and remind us of good
   times of the past we had with them, using them. It has nothing to do
   with whether they were designed to last 30 years or not.
  
   But then I'm a robotnik. Cameras are tools.
   It's the photographs which make me nostalgic. ;-)
  
   Godfrey
  
 
 
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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-08 Thread Bob Sullivan
Big hands Adam? Regards,  Bob S.

On Dec 8, 2007 11:25 AM, Adam Maas [EMAIL PROTECTED] wrote:
 Owned an MX, poor viewfinder(WAY too much magnification, no eye
 relief), too small to handle nicely, low flash sync.
 ME - Alright
 ME Super - Horrid UI.
 KX, big, heavy.
 Super Program - see ME Super
 LX - Real nice camera, needs grip+winder to be comfortable to shoot.

 The LX is the only one of the lot I'd ever consider owning. Prefer my
 K10D to any Pentax 35mm film body I've ever tried. Pentax and
 ergonomics were not in the same universe for most of their bodies
 (I've never tried an M-S though, and the LX ain't bad with a grip
 added).

 -Adam

 On 12/7/07, Bob Sullivan [EMAIL PROTECTED] wrote:
  You are absolutely right Cory.
  The old gear has a touch and feel that doesn't go away.
  The ME is so small, clean,and quick in the hands.
  The ME Super is more quiet and solid feeling when the shutter fires.
  The KX is big and durable and kind of ols school.
  I feel like a pro with the little MX.
  And the LX just feels premium, bigger and more substantial but so
  nimble and flexible.
  Finally the Super Program, the poor man's LX with TTL flash and a 3.5
  fps winder.
  Great cameras that the K10D will never compare to.
  Regards,  Bob S.
 
  On Dec 7, 2007 3:08 PM, cbwaters [EMAIL PROTECTED] wrote:
   Godfrey,
   you view is certainly logical, if a bit dispassionate.  I tend to impart a
   soul and personality to my possessions (and indeed items I want but will
   never own for lack of funds).
   I'm wondering if you had posters of cars, bikes or whatever on your walls 
   as
   a teenager.
   I admire gadgets and equipment.  I'm sure I give them more importance than
   they're really worth.
  
   I guess my point with the post was to say that nobody will have any of the
   current crop of digital cameras in five to ten years time.  We'll have
   dumped them for newer models or binned them because they're dead and 
   cannot
   be repaired. And to contrast that with the thread about cameras we own and
   can't quite bring ourselves to sell even if we're not using them is
   interesting
  
   God help the poor prat who tries to send Pentax his K10 for service or 
   even
   a CLA in 2015 let alone 2037.
  
   Cory
  
   I have a Super Program and a beautiful black MX that don't see enough use.
  
  
   - Original Message -
   From: Godfrey DiGiorgi [EMAIL PROTECTED]
Old things are interesting because they're old and remind us of good
times of the past we had with them, using them. It has nothing to do
with whether they were designed to last 30 years or not.
   
But then I'm a robotnik. Cameras are tools.
It's the photographs which make me nostalgic. ;-)
   
Godfrey
   
  
  
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 Explorations of the City Around Us.

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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-08 Thread Bob Blakely
Do you think the Speed Graphic folks will think the same? Have you seen what 
one goes for in just reasonable condition? There will always be people who 
will remember...

Regards,
Bob...
-
Note: No trees were killed in the sending of this message,
but a large number of electrons were terribly inconvenienced.

From: Godfrey DiGiorgi [EMAIL PROTECTED]


[Skipped]

 Those great old film cameras will likely be totally forgotten by
 2015, never mind 2037.

[Skipped]


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-08 Thread Bob Blakely
For some folks, there is a warmly felt appreciation for a craftsman like 
elegance that transcends the function of the tool itself. The H1a, etal., 
the Spotmatics and their K-mount cousins, the MX, the ME-Super and the LX. 
These each had and continue to have such an appeal to me. It's much like the 
fond appreciation I have for an old, brass mariner's sextant that was handed 
down to me. Of course GPS is easier and so much more accurate, but that 
sextant will shine with it's own appeal long after the plastic cased, non 
reparable GPS units have been replaced with another plastic doohickey. Folks 
who drive REO's will understand this to.

Regards,
Bob...
-
Note: No trees were killed in the sending of this message,
but a large number of electrons were terribly inconvenienced.

From: Godfrey DiGiorgi [EMAIL PROTECTED]

 On Dec 7, 2007, at 2:53 PM, Bob Sullivan wrote:

 You are absolutely right Cory.
 The old gear has a touch and feel that doesn't go away.
 The ME is so small, clean,and quick in the hands.
 The ME Super is more quiet and solid feeling when the shutter fires.
 The KX is big and durable and kind of ols school.
 I feel like a pro with the little MX.
 And the LX just feels premium, bigger and more substantial but so
 nimble and flexible.
 Finally the Super Program, the poor man's LX with TTL flash and a 3.5
 fps winder.
 Great cameras that the K10D will never compare to.

 Sorry. I had an MX: it was nice but I prefer my Nikon FM2n for that
 kind of camera. The K10D works better.


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-08 Thread Paul Stenquist
I love my Speed Graphic. Gotta break it out and shoot some sheet film  
one of these days. One of these days.:-)
Paul
On Dec 8, 2007, at 8:13 PM, Bob Blakely wrote:

 Do you think the Speed Graphic folks will think the same? Have you  
 seen what
 one goes for in just reasonable condition? There will always be  
 people who
 will remember...

 Regards,
 Bob...
 -
 Note: No trees were killed in the sending of this message,
 but a large number of electrons were terribly inconvenienced.

 From: Godfrey DiGiorgi [EMAIL PROTECTED]


 [Skipped]

 Those great old film cameras will likely be totally forgotten by
 2015, never mind 2037.

 [Skipped]


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-08 Thread Adam Maas
Average, but small cameras don't work for me unless thay've got a
grip. I like to have a handful of camera.

Best handling camera I own is my 645 Super.

-Adam

On 12/8/07, Bob Sullivan [EMAIL PROTECTED] wrote:
 Big hands Adam? Regards,  Bob S.

 On Dec 8, 2007 11:25 AM, Adam Maas [EMAIL PROTECTED] wrote:
  Owned an MX, poor viewfinder(WAY too much magnification, no eye
  relief), too small to handle nicely, low flash sync.
  ME - Alright
  ME Super - Horrid UI.
  KX, big, heavy.
  Super Program - see ME Super
  LX - Real nice camera, needs grip+winder to be comfortable to shoot.
 
  The LX is the only one of the lot I'd ever consider owning. Prefer my
  K10D to any Pentax 35mm film body I've ever tried. Pentax and
  ergonomics were not in the same universe for most of their bodies
  (I've never tried an M-S though, and the LX ain't bad with a grip
  added).
 
  -Adam
 
  On 12/7/07, Bob Sullivan [EMAIL PROTECTED] wrote:
   You are absolutely right Cory.
   The old gear has a touch and feel that doesn't go away.
   The ME is so small, clean,and quick in the hands.
   The ME Super is more quiet and solid feeling when the shutter fires.
   The KX is big and durable and kind of ols school.
   I feel like a pro with the little MX.
   And the LX just feels premium, bigger and more substantial but so
   nimble and flexible.
   Finally the Super Program, the poor man's LX with TTL flash and a 3.5
   fps winder.
   Great cameras that the K10D will never compare to.
   Regards,  Bob S.
  
   On Dec 7, 2007 3:08 PM, cbwaters [EMAIL PROTECTED] wrote:
Godfrey,
you view is certainly logical, if a bit dispassionate.  I tend to 
impart a
soul and personality to my possessions (and indeed items I want but will
never own for lack of funds).
I'm wondering if you had posters of cars, bikes or whatever on your 
walls as
a teenager.
I admire gadgets and equipment.  I'm sure I give them more importance 
than
they're really worth.
   
I guess my point with the post was to say that nobody will have any of 
the
current crop of digital cameras in five to ten years time.  We'll have
dumped them for newer models or binned them because they're dead and 
cannot
be repaired. And to contrast that with the thread about cameras we own 
and
can't quite bring ourselves to sell even if we're not using them is
interesting
   
God help the poor prat who tries to send Pentax his K10 for service or 
even
a CLA in 2015 let alone 2037.
   
Cory
   
I have a Super Program and a beautiful black MX that don't see enough 
use.
   
   
- Original Message -
From: Godfrey DiGiorgi [EMAIL PROTECTED]
 Old things are interesting because they're old and remind us of good
 times of the past we had with them, using them. It has nothing to do
 with whether they were designed to last 30 years or not.

 But then I'm a robotnik. Cameras are tools.
 It's the photographs which make me nostalgic. ;-)

 Godfrey

   
   
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  Explorations of the City Around Us.
 
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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-08 Thread Sandy Harris
On Dec 9, 2007 1:25 AM, Adam Maas [EMAIL PROTECTED] wrote:

 Owned an MX, poor viewfinder(WAY too much magnification, no eye
 relief), too small to handle nicely, low flash sync.
 ME - Alright

I thought those two were identical except manual exposure on MX,
aperature priority auto on ME. What did you find so different?

-- 
Sandy Harris,
Nanjing, China

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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-08 Thread Bob Sullivan
No, the viewfinders change.  MX is less visible to me wearing
eyeglasses.   Regards,  Bob S,

On Dec 8, 2007 10:55 PM, Sandy Harris [EMAIL PROTECTED] wrote:
 On Dec 9, 2007 1:25 AM, Adam Maas [EMAIL PROTECTED] wrote:

  Owned an MX, poor viewfinder(WAY too much magnification, no eye
  relief), too small to handle nicely, low flash sync.
  ME - Alright

 I thought those two were identical except manual exposure on MX,
 aperature priority auto on ME. What did you find so different?

 --
 Sandy Harris,
 Nanjing, China

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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-08 Thread P. J. Alling
I have an ME and an MX and the viewfinders are more or less the same, 
(both for coverage and magnification), well close enough so that 
criticizing one is criticizing the other.  The ME is much smaller than 
the MX, but has many fewer controls so that might make a difference in 
handling..

Sandy Harris wrote:
 On Dec 9, 2007 1:25 AM, Adam Maas [EMAIL PROTECTED] wrote:

   
 Owned an MX, poor viewfinder(WAY too much magnification, no eye
 relief), too small to handle nicely, low flash sync.
 ME - Alright
 

 I thought those two were identical except manual exposure on MX,
 aperature priority auto on ME. What did you find so different?

   


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difference between Harvard University and the Harvard University football team.

-- P. J. O'Roarke


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-07 Thread Godfrey DiGiorgi

On Dec 7, 2007, at 2:53 PM, Bob Sullivan wrote:

 You are absolutely right Cory.
 The old gear has a touch and feel that doesn't go away.
 The ME is so small, clean,and quick in the hands.
 The ME Super is more quiet and solid feeling when the shutter fires.
 The KX is big and durable and kind of ols school.
 I feel like a pro with the little MX.
 And the LX just feels premium, bigger and more substantial but so
 nimble and flexible.
 Finally the Super Program, the poor man's LX with TTL flash and a 3.5
 fps winder.
 Great cameras that the K10D will never compare to.

Sorry. I had an MX: it was nice but I prefer my Nikon FM2n for that  
kind of camera. The K10D works better.

G

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Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-07 Thread cbwaters
Godfrey,
you view is certainly logical, if a bit dispassionate.  I tend to impart a 
soul and personality to my possessions (and indeed items I want but will 
never own for lack of funds).
I'm wondering if you had posters of cars, bikes or whatever on your walls as 
a teenager.
I admire gadgets and equipment.  I'm sure I give them more importance than 
they're really worth.

I guess my point with the post was to say that nobody will have any of the 
current crop of digital cameras in five to ten years time.  We'll have 
dumped them for newer models or binned them because they're dead and cannot 
be repaired. And to contrast that with the thread about cameras we own and 
can't quite bring ourselves to sell even if we're not using them is 
interesting

God help the poor prat who tries to send Pentax his K10 for service or even 
a CLA in 2015 let alone 2037.

Cory

I have a Super Program and a beautiful black MX that don't see enough use.


- Original Message - 
From: Godfrey DiGiorgi [EMAIL PROTECTED]
 Old things are interesting because they're old and remind us of good
 times of the past we had with them, using them. It has nothing to do
 with whether they were designed to last 30 years or not.

 But then I'm a robotnik. Cameras are tools.
 It's the photographs which make me nostalgic. ;-)

 Godfrey



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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-07 Thread Godfrey DiGiorgi
On Dec 7, 2007, at 4:31 PM, [EMAIL PROTECTED] wrote:

 Those great old film cameras will likely be totally forgotten by
 2015, never mind 2037.

 Hmmm. What do you want to bet that my Leica IIIf RD won't be even  
 more coveted in 2037 than it is today? Worth more, adjusted for  
 inflation? Although I doubt I'll be around to collect. But just in  
 case, how about a vintage port, 2007?

I dunno Paul, but I'll make that wager. Let's make it a 2024 port ...  
according to my friends in the wine industry, ports start to go down  
after about 12-13 years. :-)

Far as the folks dealing in vintage, collectible cameras have told  
me, the bottom has dropped out of the market with very few exceptions  
(like the occasional high-visibility fancy auction, like that Ur- 
Leica auction sale a few weeks ago).

Collectibility value comes and goes in waves. Old Leica RF cameras,  
the II and III series, were so worthless in 1999 that my first Leica  
rangefinder cameras were a nicely used IIc and IIf, fitted with Elmar  
3.5cm f/3.5 and Elmar 5.0cm f/3.5 lenses, which I bought complete  
from Olden Camera for about $99. No one wants this old junk is what  
the salesman told me. I did, at the time. I used them for about 17  
years. Now people extol their beauty and excellence, toast them as if  
they were some kind of heady. Those two cameras were probably worth  
about 15x that about a decade ago.

They were just decent cameras to me. Nice ones, they didn't break  
more than once or twice in the years I had them. They took good  
photos. Unfortunately, they didn't survive.

Godfrey

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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-07 Thread pnstenquist

 -- Original message --
From: Godfrey DiGiorgi [EMAIL PROTECTED]
 On Dec 7, 2007, at 1:08 PM, cbwaters wrote:
 

 
 Those great old film cameras will likely be totally forgotten by  
 2015, never mind 2037.
 
Hmmm. What do you want to bet that my Leica IIIf RD won't be even more coveted 
in 2037 than it is today? Worth more, adjusted for inflation? Although I doubt 
I'll be around to collect. But just in case, how about a vintage port, 2007? 
Paul

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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-07 Thread Godfrey DiGiorgi
On Dec 7, 2007, at 1:08 PM, cbwaters wrote:

 you view is certainly logical, if a bit dispassionate.  I tend to  
 impart a
 soul and personality to my possessions (and indeed items I want but  
 will
 never own for lack of funds).

I don't really care all that much about possessions. I have built  
nicely customized things for my use time and again. Then sold them  
when I'd had my fill of them. The fun is in the building, for me.  
That's the creative aspect, not the thing itself.

 I'm wondering if you had posters of cars, bikes or whatever on your  
 walls as
 a teenager.

Nope. I had photographs I'd made and printed. Remember: I started  
doing photography when I was 8 years old.

 I admire gadgets and equipment.  I'm sure I give them more  
 importance than
 they're really worth.

I like gadgets and equipment. Clever devices fascinate me. I just  
don't like cluttering up my life with them or becoming attached to  
them. They don't care about me, they just work when I operate them  
and wear out over time.

 I guess my point with the post was to say that nobody will have any  
 of the
 current crop of digital cameras in five to ten years time.  We'll have
 dumped them for newer models or binned them because they're dead  
 and cannot
 be repaired.

Nonsense. Several millions of these things are sold every year.  
Someone will have them, they won't just go poof! and disappear.  
Digital cameras got off the ground in a big way about 2001-2002,  
already there are dozens of people I know who are using the same  
camera they bought 5 years ago. DSLRs from 2003 and up, particularly  
pro models, remain in use. Very little has changed since a certain  
plateau in image quality was reached.

But marketing people keep feeding the hunger for new things by  
telling you about how much better they are, so new things sell and  
perfectly good old things sit on the shelf. I'm still processing  
thousands of photographs I made with the *ist DS body, and I still  
marvel at how nice they are. The K10D represents an improvement,  
certainly, and has advantages for my work. But I would be stupid if I  
really believed it was a necessary improvement.

 And to contrast that with the thread about cameras we own and
 can't quite bring ourselves to sell even if we're not using them is
 interesting

I sell whatever I don't use for long enough, unless I get lazy.

 God help the poor prat who tries to send Pentax his K10 for service  
 or even
 a CLA in 2015 let alone 2037.

I bet that a sensibly used K10D will still be working perfectly and  
won't require a CLA in 2015. 2037 ... well, I might not be around at  
that point myself. What someone still capable of being a photographer  
would like to play with is up to them at that point.

Those great old film cameras will likely be totally forgotten by  
2015, never mind 2037.

The tendency to place things on a pedestal is a subtle way of  
reaching for immortality. Life is transitory, things stick around.  
Honoring things with endearment is trying to hold onto something  
fixed in time, with some permanence. My little am/fm transister radio  
from 1966 is still working perfectly. It's nice that it still works  
since I use it every day, but if it breaks I'll hand it to the  
recyclers and buy something new. What I honor is the function it has  
served with great economy: to bring news and entertainment to me in  
my reading chair.

Godfrey


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Re: Current camera classics? WAS:Re: Mouldering film camera survey

2007-12-07 Thread Bob Sullivan
You are absolutely right Cory.
The old gear has a touch and feel that doesn't go away.
The ME is so small, clean,and quick in the hands.
The ME Super is more quiet and solid feeling when the shutter fires.
The KX is big and durable and kind of ols school.
I feel like a pro with the little MX.
And the LX just feels premium, bigger and more substantial but so
nimble and flexible.
Finally the Super Program, the poor man's LX with TTL flash and a 3.5
fps winder.
Great cameras that the K10D will never compare to.
Regards,  Bob S.

On Dec 7, 2007 3:08 PM, cbwaters [EMAIL PROTECTED] wrote:
 Godfrey,
 you view is certainly logical, if a bit dispassionate.  I tend to impart a
 soul and personality to my possessions (and indeed items I want but will
 never own for lack of funds).
 I'm wondering if you had posters of cars, bikes or whatever on your walls as
 a teenager.
 I admire gadgets and equipment.  I'm sure I give them more importance than
 they're really worth.

 I guess my point with the post was to say that nobody will have any of the
 current crop of digital cameras in five to ten years time.  We'll have
 dumped them for newer models or binned them because they're dead and cannot
 be repaired. And to contrast that with the thread about cameras we own and
 can't quite bring ourselves to sell even if we're not using them is
 interesting

 God help the poor prat who tries to send Pentax his K10 for service or even
 a CLA in 2015 let alone 2037.

 Cory

 I have a Super Program and a beautiful black MX that don't see enough use.


 - Original Message -
 From: Godfrey DiGiorgi [EMAIL PROTECTED]
  Old things are interesting because they're old and remind us of good
  times of the past we had with them, using them. It has nothing to do
  with whether they were designed to last 30 years or not.
 
  But then I'm a robotnik. Cameras are tools.
  It's the photographs which make me nostalgic. ;-)
 
  Godfrey
 


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