Re: how many mSec between frames without flipping the mirror?

2009-05-15 Thread AlunFoto
2009/5/14 Larry Colen l...@red4est.com:
 I'm not looking for tonemapping. Last night I was trying to shoot the
 sunset while overlooking the Santa Clara Valley. I could expose on the
 sky, or on the valley, but not both. It is a perfect case of where two
 shots, several stop apart, shot in the same fraction of a second would
 be the perfect solution. I suppose that I could try bracketing and
 post processing, but it would be very handy to have it in the camera,
 and to have the two frames close enough in time, without camera
 jiggle, to hand hold.

I believed that combining different exposures to a single photograph,
compressing the total tonal range into something renderable on a
computer screen/print, was what tonemapping was all about? Shouldn't
matter where the processing takes place as far as I can see...

You're most welcome to set me straight, though... :-)

Jostein

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Re: how many mSec between frames without flipping the mirror?

2009-05-15 Thread Larry Colen
On Fri, May 15, 2009 at 01:15:28PM +0200, AlunFoto wrote:
 2009/5/14 Larry Colen l...@red4est.com:
  I'm not looking for tonemapping. Last night I was trying to shoot the
  sunset while overlooking the Santa Clara Valley. I could expose on the
  sky, or on the valley, but not both. It is a perfect case of where two
  shots, several stop apart, shot in the same fraction of a second would
  be the perfect solution. I suppose that I could try bracketing and
  post processing, but it would be very handy to have it in the camera,
  and to have the two frames close enough in time, without camera
  jiggle, to hand hold.
 
 I believed that combining different exposures to a single photograph,
 compressing the total tonal range into something renderable on a
 computer screen/print, was what tonemapping was all about? Shouldn't
 matter where the processing takes place as far as I can see...
 
 You're most welcome to set me straight, though... :-)

My apologies. I got my terms screwed up.  I had thought tone mapping
was doing the above with a single exposure.


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how many mSec between frames without flipping the mirror?

2009-05-14 Thread Larry Colen
It seems to me that it should be possible to expand dynamic range by
firing off two (or three) frames on the same shutter press. It
wouldn't work for sports, but for many shots even the motion in 1/5
second (assuming 5 FPS) would be acceptable. If the mirror is the
limiting factor, maybe 1/50 second rather thant 1/5 second between
frames would be doable.

Especially since a lot of the time when I have rough dynamic range
issues, I'm already shooting at something like 1/10 second, so two
frames of 1/10 second and 1/80 or 1/160 second would be a good match,
and the stutter between the two frames would be negligable compared
with the blur.


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Re: how many mSec between frames without flipping the mirror?

2009-05-14 Thread William Robb

- Original Message - 
From: Larry Colen
Subject: how many mSec between frames without flipping the mirror?


 It seems to me that it should be possible to expand dynamic range by
 firing off two (or three) frames on the same shutter press. It
 wouldn't work for sports, but for many shots even the motion in 1/5
 second (assuming 5 FPS) would be acceptable. If the mirror is the
 limiting factor, maybe 1/50 second rather thant 1/5 second between
 frames would be doable.

 Especially since a lot of the time when I have rough dynamic range
 issues, I'm already shooting at something like 1/10 second, so two
 frames of 1/10 second and 1/80 or 1/160 second would be a good match,
 and the stutter between the two frames would be negligable compared
 with the blur.

Look into HDR photography. Done right, it looks pretty natural. Done 
imaginatively, it looks completely surreal.

William Robb



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Re: how many mSec between frames without flipping the mirror?

2009-05-14 Thread AlunFoto
No idea if it's possible to make the shutter re-cock mechanism
independent of the mirror-return mechanism. That's what it reqires,
though...

Jostein

2009/5/14 Larry Colen l...@red4est.com:
 It seems to me that it should be possible to expand dynamic range by
 firing off two (or three) frames on the same shutter press. It
 wouldn't work for sports, but for many shots even the motion in 1/5
 second (assuming 5 FPS) would be acceptable. If the mirror is the
 limiting factor, maybe 1/50 second rather thant 1/5 second between
 frames would be doable.

 Especially since a lot of the time when I have rough dynamic range
 issues, I'm already shooting at something like 1/10 second, so two
 frames of 1/10 second and 1/80 or 1/160 second would be a good match,
 and the stutter between the two frames would be negligable compared
 with the blur.


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 The fastest way to get your question answered on the net is to post
 the wrong answer.
 Larry Colen             l...@red4est.com            http://www.red4est.com/lrc


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Re: how many mSec between frames without flipping the mirror?

2009-05-14 Thread P. J. Alling
Electronic control of the shutter independent of the mirror is probably 
easier to implement than mechanical control.  It wouldn't need tight 
tolerances between what are essentially separate mechanical subsystems. 
 I kind of thought that might already be the case.


AlunFoto wrote:

No idea if it's possible to make the shutter re-cock mechanism
independent of the mirror-return mechanism. That's what it reqires,
though...

Jostein

2009/5/14 Larry Colen l...@red4est.com:
  

It seems to me that it should be possible to expand dynamic range by
firing off two (or three) frames on the same shutter press. It
wouldn't work for sports, but for many shots even the motion in 1/5
second (assuming 5 FPS) would be acceptable. If the mirror is the
limiting factor, maybe 1/50 second rather thant 1/5 second between
frames would be doable.

Especially since a lot of the time when I have rough dynamic range
issues, I'm already shooting at something like 1/10 second, so two
frames of 1/10 second and 1/80 or 1/160 second would be a good match,
and the stutter between the two frames would be negligable compared
with the blur.


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The fastest way to get your question answered on the net is to post
the wrong answer.
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Re: how many mSec between frames without flipping the mirror?

2009-05-14 Thread AlunFoto
Video cameras don't have mechanical shutters at all, though. :-)

Jostein

2009/5/14 P. J. Alling p_all...@hotmail.com:
 Electronic control of the shutter independent of the mirror is probably
 easier to implement than mechanical control.  It wouldn't need tight
 tolerances between what are essentially separate mechanical subsystems.  I
 kind of thought that might already be the case.

 AlunFoto wrote:

 No idea if it's possible to make the shutter re-cock mechanism
 independent of the mirror-return mechanism. That's what it reqires,
 though...

 Jostein

 2009/5/14 Larry Colen l...@red4est.com:


 It seems to me that it should be possible to expand dynamic range by
 firing off two (or three) frames on the same shutter press. It
 wouldn't work for sports, but for many shots even the motion in 1/5
 second (assuming 5 FPS) would be acceptable. If the mirror is the
 limiting factor, maybe 1/50 second rather thant 1/5 second between
 frames would be doable.

 Especially since a lot of the time when I have rough dynamic range
 issues, I'm already shooting at something like 1/10 second, so two
 frames of 1/10 second and 1/80 or 1/160 second would be a good match,
 and the stutter between the two frames would be negligable compared
 with the blur.


 --
 The fastest way to get your question answered on the net is to post
 the wrong answer.
 Larry Colen             l...@red4est.com
  http://www.red4est.com/lrc


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 drinking; he can ruin himself with gambling. If he does he is certainly a
 damn fool, and he might possibly be a damned soul; but if he may not, he is
 not a free man any more than a dog.

        --G. K. Chesterton


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Re: how many mSec between frames without flipping the mirror?

2009-05-14 Thread Joseph McAllister

Nor does the K20 when in Burst Mode.

When shooting in RAW, you should be able to get HDR from a single shot  
in post by creating two or three versions from the RAW data, each   
taking advantage of the limits of the RAW data high and low, then  
combining them using Photoshops HDR.


Have you tried the HDR Digital Filter in the K20 yet?  Page 194-196


On May 14, 2009, at 13:08 , AlunFoto wrote:


Video cameras don't have mechanical shutters at all, though. :-)

Jostein

2009/5/14 P. J. Alling p_all...@hotmail.com:
Electronic control of the shutter independent of the mirror is  
probably

easier to implement than mechanical control.  It wouldn't need tight
tolerances between what are essentially separate mechanical  
subsystems.  I

kind of thought that might already be the case.

AlunFoto wrote:


No idea if it's possible to make the shutter re-cock mechanism
independent of the mirror-return mechanism. That's what it reqires,
though...

Jostein

2009/5/14 Larry Colen l...@red4est.com:



It seems to me that it should be possible to expand dynamic range  
by

firing off two (or three) frames on the same shutter press. It
wouldn't work for sports, but for many shots even the motion in 1/5
second (assuming 5 FPS) would be acceptable. If the mirror is the
limiting factor, maybe 1/50 second rather thant 1/5 second between
frames would be doable.

Especially since a lot of the time when I have rough dynamic range
issues, I'm already shooting at something like 1/10 second, so two
frames of 1/10 second and 1/80 or 1/160 second would be a good  
match,
and the stutter between the two frames would be negligable  
compared

with the blur.


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 http://www.red4est.com/lrc


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--

The free man owns himself. He can damage himself with either eating  
or
drinking; he can ruin himself with gambling. If he does he is  
certainly a
damn fool, and he might possibly be a damned soul; but if he may  
not, he is

not a free man any more than a dog.

   --G. K. Chesterton


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Re: how many mSec between frames without flipping the mirror?

2009-05-14 Thread AlunFoto
There is a reason why K20D reduce the number of pixels recorded for
burst mode. I would take an amazing bandwidth to gulf down a full
monty of mpix.
But you know, I really don't know the tech magic anyway. I just kinda
suspect that if it was easy, all the cams would have had it already.

I don't care much for tonemapping in the first place.

Jostein

2009/5/14 Joseph McAllister pentax...@mac.com:
 Nor does the K20 when in Burst Mode.

 When shooting in RAW, you should be able to get HDR from a single shot in
 post by creating two or three versions from the RAW data, each  taking
 advantage of the limits of the RAW data high and low, then combining them
 using Photoshops HDR.

 Have you tried the HDR Digital Filter in the K20 yet?  Page 194-196


 On May 14, 2009, at 13:08 , AlunFoto wrote:

 Video cameras don't have mechanical shutters at all, though. :-)

 Jostein

 2009/5/14 P. J. Alling p_all...@hotmail.com:

 Electronic control of the shutter independent of the mirror is probably
 easier to implement than mechanical control.  It wouldn't need tight
 tolerances between what are essentially separate mechanical subsystems.
  I
 kind of thought that might already be the case.

 AlunFoto wrote:

 No idea if it's possible to make the shutter re-cock mechanism
 independent of the mirror-return mechanism. That's what it reqires,
 though...

 Jostein

 2009/5/14 Larry Colen l...@red4est.com:


 It seems to me that it should be possible to expand dynamic range by
 firing off two (or three) frames on the same shutter press. It
 wouldn't work for sports, but for many shots even the motion in 1/5
 second (assuming 5 FPS) would be acceptable. If the mirror is the
 limiting factor, maybe 1/50 second rather thant 1/5 second between
 frames would be doable.

 Especially since a lot of the time when I have rough dynamic range
 issues, I'm already shooting at something like 1/10 second, so two
 frames of 1/10 second and 1/80 or 1/160 second would be a good match,
 and the stutter between the two frames would be negligable compared
 with the blur.


 --
 The fastest way to get your question answered on the net is to post
 the wrong answer.
 Larry Colen             l...@red4est.com
  http://www.red4est.com/lrc


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 is
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Re: how many mSec between frames without flipping the mirror?

2009-05-14 Thread Larry Colen
On Thu, May 14, 2009 at 10:49:12PM +0200, AlunFoto wrote:
 There is a reason why K20D reduce the number of pixels recorded for
 burst mode. I would take an amazing bandwidth to gulf down a full
 monty of mpix.

I'm certainly not looking for a big burst, just 2-3 frames.

 But you know, I really don't know the tech magic anyway. I just kinda
 suspect that if it was easy, all the cams would have had it already.

It's probably neither easy, nor outrageously difficult. It is very
likely deemed not worth the investment.

 
 I don't care much for tonemapping in the first place.

I'm not looking for tonemapping. Last night I was trying to shoot the
sunset while overlooking the Santa Clara Valley. I could expose on the
sky, or on the valley, but not both. It is a perfect case of where two
shots, several stop apart, shot in the same fraction of a second would
be the perfect solution. I suppose that I could try bracketing and
post processing, but it would be very handy to have it in the camera,
and to have the two frames close enough in time, without camera
jiggle, to hand hold.

 
 Jostein
 
 2009/5/14 Joseph McAllister pentax...@mac.com:
  Nor does the K20 when in Burst Mode.
 
  When shooting in RAW, you should be able to get HDR from a single shot in
  post by creating two or three versions from the RAW data, each  taking
  advantage of the limits of the RAW data high and low, then combining them
  using Photoshops HDR.
 
  Have you tried the HDR Digital Filter in the K20 yet?  Page 194-196
 
 
  On May 14, 2009, at 13:08 , AlunFoto wrote:
 
  Video cameras don't have mechanical shutters at all, though. :-)
 
  Jostein
 
  2009/5/14 P. J. Alling p_all...@hotmail.com:
 
  Electronic control of the shutter independent of the mirror is probably
  easier to implement than mechanical control.  It wouldn't need tight
  tolerances between what are essentially separate mechanical subsystems.
   I
  kind of thought that might already be the case.
 
  AlunFoto wrote:
 
  No idea if it's possible to make the shutter re-cock mechanism
  independent of the mirror-return mechanism. That's what it reqires,
  though...
 
  Jostein
 
  2009/5/14 Larry Colen l...@red4est.com:
 
 
  It seems to me that it should be possible to expand dynamic range by
  firing off two (or three) frames on the same shutter press. It
  wouldn't work for sports, but for many shots even the motion in 1/5
  second (assuming 5 FPS) would be acceptable. If the mirror is the
  limiting factor, maybe 1/50 second rather thant 1/5 second between
  frames would be doable.
 
  Especially since a lot of the time when I have rough dynamic range
  issues, I'm already shooting at something like 1/10 second, so two
  frames of 1/10 second and 1/80 or 1/160 second would be a good match,
  and the stutter between the two frames would be negligable compared
  with the blur.
 
 
  --
  The fastest way to get your question answered on the net is to post
  the wrong answer.
  Larry Colen             l...@red4est.com
   http://www.red4est.com/lrc
 
 
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  The free man owns himself. He can damage himself with either eating or
  drinking; he can ruin himself with gambling. If he does he is certainly a
  damn fool, and he might possibly be a damned soul; but if he may not, he
  is
  not a free man any more than a dog.
 
        --G. K. Chesterton
 
 
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  If it doesn?t excite you,
  This thing that you see,
  Why in the world,
  Would it excite me?
  ?Jay Maisel
 
  Joseph McAllister
  pentax...@mac.com
 
 
 
 
 
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Re: how many mSec between frames without flipping the mirror?

2009-05-14 Thread Larry Colen
On Thu, May 14, 2009 at 01:14:34PM -0700, Joseph McAllister wrote:

 Have you tried the HDR Digital Filter in the K20 yet?  Page 194-196

I don't think that it is real HDR, but rather the faux HDR from a
single raw.


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Re: how many mSec between frames without flipping the mirror?

2009-05-14 Thread Graydon
On Thu, May 14, 2009 at 02:23:25PM -0700, Larry Colen scripsit:
 I'm not looking for tonemapping. Last night I was trying to shoot the
 sunset while overlooking the Santa Clara Valley. I could expose on the
 sky, or on the valley, but not both. It is a perfect case of where two
 shots, several stop apart, shot in the same fraction of a second would
 be the perfect solution. I suppose that I could try bracketing and
 post processing, but it would be very handy to have it in the camera,
 and to have the two frames close enough in time, without camera
 jiggle, to hand hold.

It's surprisingly effective to set the exposure between the sky and the
valley, take a single raw exposure, process it twice or thrice with
radically adjusted white balance (once for the sky and once for the
valley, and maybe also once for the setting you took it on), and mush
those two or three back together into a single image.

I haven't done this for sunsets, but it works quite well to get shadow
detail out of otherwise brightly lit scenes (leopard enclosures, train
station colonnades, etc.) so I don't see why it wouldn't work.

-- Graydon

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Re: how many mSec between frames without flipping the mirror?

2009-05-14 Thread Joseph McAllister

But have you tried it?


On May 14, 2009, at 14:33 , Larry Colen wrote:


On Thu, May 14, 2009 at 01:14:34PM -0700, Joseph McAllister wrote:


Have you tried the HDR Digital Filter in the K20 yet?  Page 194-196


I don't think that it is real HDR, but rather the faux HDR from a
single raw.


Joseph McAllister
pentax...@mac.com

http://gallery.me.com/jomac
http://web.me.com/jomac/show.me/Blog/Blog.html
http://homepage.mac.com/jomac/Pentaxian%20GESO/


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Re: how many mSec between frames without flipping the mirror?

2009-05-14 Thread Paul Sorenson

Like this?

Original scanned from film...not art, just an example.

http://home.earthlink.net/~allaround6/images/inside_out_1.jpg

With a little post processing...

http://home.earthlink.net/~allaround6/images/inside_out_2.jpg

Graydon wrote:

On Thu, May 14, 2009 at 02:23:25PM -0700, Larry Colen scripsit:

I'm not looking for tonemapping. Last night I was trying to shoot the
sunset while overlooking the Santa Clara Valley. I could expose on the
sky, or on the valley, but not both. It is a perfect case of where two
shots, several stop apart, shot in the same fraction of a second would
be the perfect solution. I suppose that I could try bracketing and
post processing, but it would be very handy to have it in the camera,
and to have the two frames close enough in time, without camera
jiggle, to hand hold.


It's surprisingly effective to set the exposure between the sky and the
valley, take a single raw exposure, process it twice or thrice with
radically adjusted white balance (once for the sky and once for the
valley, and maybe also once for the setting you took it on), and mush
those two or three back together into a single image.

I haven't done this for sunsets, but it works quite well to get shadow
detail out of otherwise brightly lit scenes (leopard enclosures, train
station colonnades, etc.) so I don't see why it wouldn't work.

-- Graydon

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Re: how many mSec between frames without flipping the mirror?

2009-05-14 Thread Graydon
On Thu, May 14, 2009 at 07:04:39PM -0500, Paul Sorenson scripsit:
 Graydon wrote:
 It's surprisingly effective to set the exposure between the sky and the
 valley, take a single raw exposure, process it twice or thrice with
 radically adjusted white balance (once for the sky and once for the
 valley, and maybe also once for the setting you took it on), and mush
 those two or three back together into a single image.

 I haven't done this for sunsets, but it works quite well to get shadow
 detail out of otherwise brightly lit scenes (leopard enclosures, train
 station colonnades, etc.) so I don't see why it wouldn't work.

 Like this?

 Original scanned from film...not art, just an example.

 http://home.earthlink.net/~allaround6/images/inside_out_1.jpg

 With a little post processing...

 http://home.earthlink.net/~allaround6/images/inside_out_2.jpg

That's the stuff, yes.

http://picasaweb.google.com/lh/photo/ype9vXr2gIgKcVrGuzEJrQ?feat=directlink

would be one of the drastically back-lit leopards mentioned above. (That
particular zoo enclosure is enough to give me mad fits of wanting to go
in there, so I can get a good shot)

-- Graydon

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Re: how many mSec between frames without flipping the mirror?

2009-05-14 Thread Paul Ewins
The simple way to do this is to lock the mirror with an electromagnet  
once it has swung up and then release when complete. There was a range  
of electromagnetic leaf shutters developed in the sixties that used a  
completely mechanical action to fire the shutter, but an electromagnet  
to vary the delay between opening and closing the shutter. The fastest  
one I have is accurate to 1/250 sec with the top speed, 1/500, being  
purely mechanical. You probably wouldn't even need a new timing  
circuit, just a turn this on when in burst mode  and a don't  
release mirror until shutter button released subroutine.


Paul


On 15/05/2009, at 7:23 AM, Larry Colen wrote:

On Thu, May 14, 2009 at 10:49:12PM +0200, AlunFoto wrote:

There is a reason why K20D reduce the number of pixels recorded for
burst mode. I would take an amazing bandwidth to gulf down a full
monty of mpix.


I'm certainly not looking for a big burst, just 2-3 frames.


But you know, I really don't know the tech magic anyway. I just kinda
suspect that if it was easy, all the cams would have had it already.


It's probably neither easy, nor outrageously difficult. It is very
likely deemed not worth the investment.



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