Re: [Phono-L] Veteran's Day

2015-11-10 Thread Jim Cartwright via Phono-L
Wear a poppy!

 

Jim Cartwright

 

From: harvey kravitz via Phono-L [mailto:phono-l@oldcrank.org] 
Sent: Tuesday, November 10, 2015 11:05 PM
To: Oregon Territory Antique Phonograph Society; Antique Phonograph List
Cc: harvey kravitz
Subject: [Phono-L] Veteran's Day

 

I want to wish the membership of this Forum a wonderful Veteran's Day. Please 
take time to think about the sacrifices our men and women made so we can enjoy 
the freedoms that we take for granted. Also, play your patriotic disk and 
cylinder records to reflect the meaning of Veteran's Day.

Harvey Kravitz

Description: Image removed by sender.




[Phono-L] FW: Technology saves echoes of past from silence -- Boston Globe

2014-04-09 Thread Jim Cartwright
 

 

  _  

From: Karl Miller [mailto:karl.mil...@sbcglobal.net] 
Sent: Tuesday, April 08, 2014 1:17 PM
To: Stephen Aechternacht; Peter Bay; Victor Marshall; Paul Robinson; Jim
Cartwright; Ron Seeliger; Louis Harrison; Jeff Stephens; Kevin Mostyn; Lani
Spahr; Mark Obert-Thorn; Aaron Synder
Subject: Technology saves echoes of past from silence -- Boston Globe

 

Nice article.

 

Karl

 

 


http://www.bostonglobe.com/arts/2014/04/05/pushing-back-silence-new-technolo
gy-and-battle-save-old-recordings/8ccQ3EPHdc7TI6GnxK8QtM/story.html?s_campai
gn=email_BG_TodaysHeadline



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[Phono-L] Correction

2014-03-25 Thread Jim Cartwright
In my contribution to the Orthophonic vs. Electric discussion, I
mistakenly referred to my Viva-tonal 800 as 400.   Sorry.

 

 

Jim Cartwright

IMMORTAL PERFORMANCES, INC

Austin's Eclectic Used Record Store Since 1971

1404 West 30th StreetAustin, Texas 78703-1402 USA

(512) 478-9954E-mail: jim...@earthlink.net

 

 

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[Phono-L] Central TexasThomas Edison Birthday Party

2014-02-11 Thread Jim Cartwright
Join other Central Texas antique phonograph collectors to celebrate Thomas
Edison's Birthday at Immortal Performances, Inc., 1404 West 30th Street,
Austin, Texas 78703-1402 at 6:00 P.M. TODAY!

 

 

Jim Cartwright

IMMORTAL PERFORMANCES, INC

Austin's Eclectic Used Record Store Since 1971

1404 West 30th StreetAustin, Texas 78703-1402 USA

(512) 478-9954E-mail: jim...@earthlink.net

 

 

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[Phono-L] Edison Birthday Celebration in Central Texas

2014-01-25 Thread Jim Cartwright
This year, I'm again hosting a Thomas Edison Birthday Celebration to which
are invited antique phonograph collectors in the Central Texas area who are
known to me.If any other phonograph collectors in this area wish to
attend, the party will be at 6:00 O'clock in the evening on 11 February at
my home located at 1404 West 30th Street in Austin, 78703-1402.I'll
serve pizza  beverages  some attendees may bring things.

I look forward to getting together with other Central Texas antique
phonograph collectors!

 

Jim Cartwright

IMMORTAL PERFORMANCES, INC

Austin's Eclectic Used Record Store Since 1971

1404 West 30th StreetAustin, Texas 78703-1402 USA

(512) 478-9954E-mail: jim...@earthlink.net

 

 

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Re: [Phono-L] 10 record sleeves

2013-10-28 Thread Jim Cartwright
Bags Unlimited

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Richard
Sent: Sunday, October 27, 2013 8:03 PM
To: phono-l@oldcrank.org
Subject: [Phono-L] 10 record sleeves

Who's got the best price/quality combination on 10 record sleeves these
days?  I need to buy a bunch -- 250, maybe even 500 if the price is right.

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Re: [Phono-L] Columbia Viva-Tonal 810 Photo Needed

2013-10-06 Thread Jim Cartwright
Thanks to those of you who sent photos of Viva-Tonals.Having only dialup
internet I have encountered difficulties seeing some of the photos but have 
forwarded them to a friend who is an artist who will undertake to restore
the decorations.   The local antique phonograph repairman has sealed the
joints in the horn but says the soundbox diaphragm is badly damaged  wants
replacing.  The under lid decal is missing.   So I need the following:

1.   Columbia Viva-Tonal soundbox diaphragm
2.   Columbia Viva-Tonal 810 under lid decal

Please let me know if you know sources for these two items.   Many thanks!

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Arvin Casas
Sent: Sunday, September 22, 2013 9:44 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Columbia Viva-Tonal 810 Photo Needed

PS - The links get broken up in subsequent quoted replies so you always
have to go back to the original, non-quoted post.  If you don't want to go
back to find it, you can also cut and paste the link directly into a web
browser making sure to re-join any lines in the URL split by line wrapping.

For example:

theLinkToTheIma
Ge

theLinkToTheImaGe








On 9/22/13 10:29 PM, Arvin Casas it...@arvincasas.com wrote:

I can open them fine.

Such as this one taken from the original:

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On 9/22/13 9:39 PM, john robles john9...@pacbell.net wrote:

Thanks, but those links cannot be opened. You get a 404 File Not Found
warning.
John





 From: Arvin Casas it...@arvincasas.com
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Sunday, September 22, 2013 5:27 PM
Subject: Re: [Phono-L] Columbia Viva-Tonal 810 Photo Needed
 

Images can be attached actually.

If you look at Jim's original post and look for A non-text attachment
was
scrubbed...  you will see a link to two images he attached
(intentionally
or not - a signature perhaps?), scanned and cleared by the listserv.

Just a friendly fyi.

Arvin



On 9/22/13 6:54 PM, john robles john9...@pacbell.net wrote:

Yo can't attach images to email coming to the board, you have to use
Photobucket or some other photo host and include a link to it.  If you
don't have photobucket you can send me the link via email and I'll
upload
it to mine for everyone. Or email the pic directly to Jim.
John





 From: RBaumbach phonol...@mac.com
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Sunday, September 22, 2013 3:40 PM
Subject: Re: [Phono-L] Columbia Viva-Tonal 810 Photo Needed
 

I see that the image did not come through, so it was probably too large.
Here is a second attempt with a smaller file.



On Sep 22, 2013, at 1:09 PM, RBaumbach phonol...@mac.com wrote:

 I have attached a color image of the Columbia 810.  BTW, this image,
along with a number of other color images, is in the new edition of the
Columbia Phonograph Companion - Volume II.  There is more information
about the new edition here:
 
 
https://itunes.apple.com/us/book/columbia-phonograph-companion/id658141
2
4
9?mt=11
 
 
 
 
 Robert Baumbach
 
 On Sep 22, 2013, at 12:09 PM, Jim Cartwright jim...@earthlink.net
wrote:
 
 In collecting antique phonographs, I like to obtain twins, that is
similar
 but not identical models.Some years ago I obtained a Viva-Tonal
800
 which not too long ago was sonically restored using information 
 suggestions  provided by Anthony Sinclair carried out by local
antique
 phonograph repairman, Jeff Cecil  now gives excellent performance.
So I
 was please to pick up its twin, the Viva-Tonal 810 at an antique
mall
 yesterday.However, the 810 has been stripped  is bereft of its
original
 different color wood staining of different sections of the front
doors,
 floral design above the doors, etc.  I want to have its original
appearance
 restored.The Viva-Tonal 810 came with a 1927 ad that gives some
idea of
 how it originally looked as does the black-and-white illustration in
 Baumbach's The Columbia Phonograph Companion - Volume II.However,
what
 is needed to facilitate restoration of the decorative details is a
clear
 color image of the Vival-Tonal 810.Can anyone provide such?
 
 
 
 Many thanks for any help any of you may provide!
 
 
 
 
 
 Jim Cartwright
 
 IMMORTAL PERFORMANCES, INC
 
 Austin's Eclectic Used Record Store Since 1971
 
 1404 West 30th StreetAustin, Texas 78703-1402 USA
 
 (512) 478-9954E-mail: jim...@earthlink.net
 
 
 
 
 
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[Phono-L] Columbia Viva-Tonal 810 Photo Needed

2013-09-22 Thread Jim Cartwright
In collecting antique phonographs, I like to obtain twins, that is similar
but not identical models.Some years ago I obtained a Viva-Tonal 800
which not too long ago was sonically restored using information 
suggestions  provided by Anthony Sinclair carried out by local antique
phonograph repairman, Jeff Cecil  now gives excellent performance.   So I
was please to pick up its twin, the Viva-Tonal 810 at an antique mall
yesterday.However, the 810 has been stripped  is bereft of its original
different color wood staining of different sections of the front doors,
floral design above the doors, etc.  I want to have its original appearance
restored.The Viva-Tonal 810 came with a 1927 ad that gives some idea of
how it originally looked as does the black-and-white illustration in
Baumbach's The Columbia Phonograph Companion - Volume II.However, what
is needed to facilitate restoration of the decorative details is a clear
color image of the Vival-Tonal 810.Can anyone provide such?

 

Many thanks for any help any of you may provide! 

 

 

Jim Cartwright

IMMORTAL PERFORMANCES, INC

Austin's Eclectic Used Record Store Since 1971

1404 West 30th StreetAustin, Texas 78703-1402 USA

(512) 478-9954E-mail: jim...@earthlink.net

 

 

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Re: [Phono-L] Transporting Victrola's

2013-08-29 Thread Jim Cartwright
Some years ago I used Freighters and Craters to have some upright
phonographs shipped from Ohio to Texas, etc.   I believe they are a national
chain.

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of brice paris
Sent: Thursday, August 29, 2013 9:33 AM
To: Antique Phonograph List
Subject: [Phono-L] Transporting Victrola's

I know this has been a subject on the list in the past, but I could not find
it.  So I am asking again if anyone knows a reliable shipper that will
transport victrola's.  I currently have a need to transport one from
southern Oregon or Sacramento California to the Denver area?I would
appreciate any help or information you could pass on.    Thanks  brice

 


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Re: [Phono-L] Electric pen

2013-08-17 Thread Jim Cartwright
Mention of Edison's electric pen being the precursor of tattoo artists'
instrument brings to mind a new customer, a young man, who came in last week
looking for 78s  LPs. He has a Victrola 90  had an exquisitely tinted 
detailed tattoo of a Victrola No. 2 Soundbox on his arm! I'm not at all
into tattooing but this was certainly the most beautiful  unusual example
I've ever seen.  

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of DanKj
Sent: Saturday, August 17, 2013 9:29 AM
To: Antique Phonograph List
Subject: Re: [Phono-L] Electric pen

 I still want a cement Edison cylinder phonograph  !


http://en.wikipedia.org/wiki/File:Edison_phonograph_1912.jpg


- Original Message - 
From: Andrew Baron a...@popyrus.com
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Friday, August 16, 2013 11:16 PM
Subject: Re: [Phono-L] Electric pen


 Hi John ~

 A friend sent me this link this morning and I watched the video.  This may

 sound harsh (for me), but I found it to be typically inaccurate media-mill

 fodder, with a catchy segment title to attract a big audience.  Seems 
 they're also catering to the contingent that's hungry to pounce on an 
 Edison failure, perhaps?

 In reality, wasn't the electric pen Edison's first successful 
 mass-produced product; i.e., mass produced by Edison's own shops and 
 marketed in America and Europe, keeping his first factory quite occupied 
 during its brief heyday?  While we know that although the apparatus was 
 hard to maintain by untrained office staff, conceptually the idea was 
 successful enough to attract lumber man A. B. Dick, who with the much 
 simplified Edison's Mimeograph put himself on the map as a major office 
 machine and supplies manufacturer.

 Certainly it is true that the motorized pen was the ideal basis for the 
 tattoo stylus (or whatever the right word might be).

 A more accurate brief account than the tv.yahoo video:
 http://edison.rutgers.edu/pen.htm

 NOW FOR ACCURACY IN REPORTING
 Edison's worst invention in terms of unsuccessful marketing, must have 
 been his Electric Vote Recorder, his first issued patent unless I got this

 from a flawed history book.  None were manufactured beyond the prototype.

 Andrew Baron
 Santa Fe

 On Aug 16, 2013, at 8:48 PM, john robles wrote:

 Here is a clip on what was called Thomas Edison's Worst Invention. Of 
 course it is not well researched, but it is an interesting wawtch!


http://tv.yahoo.com/video/playlist/primetime/thomas-edisons-worst-invention-
061926628.html

 John Robles
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[Phono-L] The New His Master's Voice Instrument

2013-07-31 Thread Jim Cartwright
Was looking at a couple of HMV record sleeves that promote the just
introduced electrical recordings (though the term isn't used)  the
statement Listen to the bass! but instruments illustrated on one of the
sleeves are in rather small cabinets with horn openings no larger than
pre-Orthophonic Victrolas in comparable sized cabinets, especially the
Table Grand Model (No. 127) but also the Cabinet Grand Model (No. 162).
Could these have had somewhat larger folded horns that could come anywhere
near to reproducing the bass response of the earliest electrical recordings?
If not, how could the listener, Listen to the Bass! as the copy writer
admonished?(The other sleeve shows a large  'Re-Entrant' Model (No.
203) with horn opening filling the entire front of the cabinet which would
probably be the HMV equivalent of the Victrola Orthophonic Credenza.)
What kind of horns, tonearms  soundboxes were embodied in the HMV No. 127 
162  how do these perform when playing earliest electrical recordings?

 

 

Jim Cartwright

IMMORTAL PERFORMANCES, INC

Austin's Eclectic Used Record Store Since 1971

1404 West 30th StreetAustin, Texas 78703-1402 USA

(512) 478-9954E-mail: jim...@earthlink.net

 

 

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Re: [Phono-L] Go-To Recording for Testing a New Machine / Reproducer

2013-02-25 Thread Jim Cartwright
For Orthophonic or Viva-tonal phonographs, use earlier electrically-recorded
78s that were made for the machines  vice-versus, say pre-1930, before
electrical reproduction came into wide use  companies, Victor especially,
started employing recording curves that it would be impossible to compensate
for with acoustical reproduction.   I like good late 1920s dance band Scroll
label Victors or Viva-tonal Columbias.In England  Europe, electrical
reproduction was less quickly put into widespread use than in the United
States so European 78s from the 1930s were recorded without such extreme
recording curves  these too ought to play well acoustically.   Anthony
Sinclair offered the local antique phonograph repairman helpful hints on
restoring my large Viva-tonal  it plays beautifully.   Good luck with your
Viva-tonal soundbox!

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Arvin Casas
Sent: Sunday, February 24, 2013 11:14 PM
To: phono-l@oldcrank.org
Subject: [Phono-L] Go-To Recording for Testing a New Machine / Reproducer

Hi All,

I was wondering if folks have a favorite recording they reach for (or
require) when they are testing the chops of a new machine or a new/repaired
reproducer?

If you have one, why?  I'm interested in reasons technical (e.g., wide
frequency / volume variation) to personal (e.g., it's you post-repair good
luck charm, you like it enough that you don't mind hearing it over and over,
you know it so well that you know when it's the machine and not the record
underperforming, etc.,).

I'm fine tuning my Viva-Tonal reproducers and was just curious if folks had
certain obstacle course recordings they rely on for testing/inaugurating
their equipment.  I have none right now and am always looking for an excuse
to pick up some shellac. :-)

Thanks,

Arvin


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Re: [Phono-L] Diamond Disc 250 Mystery

2013-02-15 Thread Jim Cartwright
The electrical stop will stop the turntable shortly after the last inner
groove, right after the music ends, whereas the regular stop must be set for
the longest record in the collection  on shorter records will allow the
turntable to keep turning until this point is reached.   By the way, has
anyone noticed that the later diamond discs tend as a rule to have shorter
playing times than earlier issues?

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of William Zucca
Sent: Thursday, February 14, 2013 12:24 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Diamond Disc 250 Mystery

Well, I am satisfied that I know what the heck it is and how it operated.
Only one question remains in my mind about it..WHY?  The
manual autostop works fine.  Why install a more complex device that
requires electricity to do the same thing?

Thanks for all the information.

Green Mountain Bill

On Thu, Feb 14, 2013 at 7:07 AM, DanKj ediso...@verizon.net wrote:

  It was offered in new DD machines, so it can be called 'genuine', yes.  I
 don't think there's any special indication on the ID tag.  About 1.5 volts
 is needed to operate, and that was originally provided by a tall
ignition
 cell -  you could use a couple of D cells in parallel, today.  My 250 has
a
 square metal battery bracket in the rear-left corner, behind the horn -
 I've always used cheap 6volt lantern batteries which haven't hurt anything
 yet (25+ years and thousands of plays)


 - Original Message - From: William Zucca rochr...@gmail.com

 To: Antique Phonograph List phono-l@oldcrank.org
 Sent: Thursday, February 14, 2013 5:42 AM
 Subject: Re: [Phono-L] Diamond Disc 250 Mystery



  OK everyone.  Thanks.  Questions:

 Was this a genuine Edison option?  and if so...
 Should this this accessory be designated in some special way on the ID
 tag?
 was the power source-what type of battery?  Should there be a special
 place
 below the motorboard to put the battery?


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-- 
From The Hubbard House
On the park in Rochester, Vermont
where it's always 1929.
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Re: [Phono-L] question re gold plating

2013-01-18 Thread Jim Cartwright
I should have asked for brushed finish.

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Ken and Brenda Brekke
Sent: Thursday, January 17, 2013 3:41 PM
To: 'Antique Phonograph List'
Subject: [Phono-L] question re gold plating

Roger Merenkov runs a business that does metal finishing.  He has done most
of Jasper Sanfelipo's pieces.  I believe his company is called A Touch of
Beauty and is in the Chicago area.  I don't have any direct contact info.
 
I had parts replated for my Victor VI and I believe the finish is called a
brushed finish.  Otherwise you will end up with a bright and very shiny
finish.

Good Luck!!!
Ken Brekke


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Re: [Phono-L] question re gold plating

2013-01-17 Thread Jim Cartwright
Some years ago I had a few gold-plated phonograph parts re-plated at a
plating place  they came out with a different finish from that originally
used.   So, you may want to leave your not in best shape parts as they are
rather than having them re-plated with a finish that might not match
originals.

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Bob Maffit
Sent: Wednesday, January 16, 2013 10:25 PM
To: 'Antique Phonograph List'
Subject: [Phono-L] question re gold plating

Phono Listers:

 

i have some parts  ( tone arm, speed control, bullet brake) which are gold
plated however, not in the best shape. I hesitate to ask, given the price
of gold these days but, who does this kind of work?

 

I got to thinking and wondered if it wasn't really 'gold but maybe a less
expensive option like some type of brass mix or something.

 

Any thread discussing gold type plating, and or person doing this work would
be appreciated. Also, if someone in the last, say, 12 months had something
gold plated, what did it cost?

 

Oh! Yes, it is the Victor VV-Xii *grin*

 

Later

 

Bob

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Re: [Phono-L] 1927/ Viva Tonal Columbia Reproducers and Silvertone machines

2013-01-14 Thread Jim Cartwright
My wonderful Model No.800 Viva-Tonal has the gold plated aluminum diaphragm
soundbox pictured in the Baumbach book  identified as the Viva-Tonal
Columbia Phonograph Reproducer with aluminum diaphragm introduced in 1926
and in description of illustration of Model No. 800 referred to as
Viva-Tonal No. 15 reproducer.

Jim Cartwright

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Steven Medved
Sent: Wednesday, January 09, 2013 3:51 PM
To: phono-l@oldcrank.org
Subject: Re: [Phono-L] 1927/ Viva Tonal Columbia Reproducers and Silvertone
machines


Hello Columbia Viva Tonal owners, What reproducer is found on your machines?
Is it the Columbia 15A type? Any Silvertone owners of orthophonic machines
out there?  Does anyone have the Silvertone machines sold by Sears in 1927
that look like Victors with different names including the Kenmore?  For
those who want so see what I am talking about I can send a huge file off
list.  This huge file was made by someone else who made copies from the
original catalog.  I believe Wayne made it, what a wonderful catalog for
those who cannot remember 1927 Sears phonographs. Steve 
  Date: Wed, 9 Jan 2013 16:27:25 -0500
 From: aca...@spamcop.net
 To: phono-l@oldcrank.org
 Subject: Re: [Phono-L] 1927/ Viva Tonal Columbia Felt Colors
 
 Based on what I see in mine (and its cruder ancestor in my Grafonola 75,
 1915), the auto stop is a mechanism that works in conjunction with the
 motor via levers - a la the brake/stop/start underneath or above the motor
 board.  It is completely outside the sound reproducing system.  It should
 not have any connection to / intrusion upon anything from the horn all the
 way to the sound box, so it shouldn't contribute to leaks.
 
 Very odd.  What model is yours Jim?  (btw There's a nice 2-page ad on eBay
 right now that has photos of the 1927 models, mine is the lowest end and
 is only mentioned parenthetically, haha.)  I agree that for Columbia to
 omit this in the higher end models (especially if they went to the effort
 of using velveteen) is surprising.  Do you see anything under the platter
 that might suggest there might once have been an auto stop?
 
 
 
 On 1/9/13 1:13 AM, Jim  Cartwright jim...@earthlink.net wrote:
 
 My large Viva-tonal (cabinet larger than Orthophonic Credenza,
partially
 because doors slide into sides of cabinet)has green velveteen on the
 turntable.   After the local repairman sealed the horn  rebuilt the
 soundbox it sounds splendid even on late 1930s recordings such as Beecham
 conducting  Mozart's Symphony in E-flat with the London Philharmonic.
 My
 only regret is that it lacks the marvelous non-set automatic stop that
 would
 cut off at the end of any record.   A surprising lack in this next to top
 of
 the line model.   Might this have been because it would introduce air
 leaks?
 
  
 
 -Original Message-
 From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org]
 On
 Behalf Of Arvin Casas
 Sent: Tuesday, January 08, 2013 9:03 PM
 To: Antique Phonograph List
 Subject: Re: [Phono-L] 1927/ Viva Tonal Columbia Felt Colors
 
  
 
 Thanks for the helpful info everyone!  (Apologies for the late reply but
I
 
 only subscribe to the digest.)
 
  
 
 I contacted the youtube poster of the videos that DanKj linked to and
 
 posted on the phonoland board where I'm also a member.
 
  
 
 Based on the responses from all three sources, it's Green-land for me! :)
 
 I found one tiny oil stained mini-bumper in the cabinet late last night,
 
 once green, so that confirms everyone's input.
 
  
 
 I ordered a Victor sized green felt replacement from Walt @ Gettysburg
and
 
 will trim it down to size.  I have leftovers from a botched turntable job
 
 on a Grafonola I restored a few months ago which I'll use for bumpers.
 
  
 
 Ron - Interesting about the velvet.  Apparently they used felt early on,
 
 as in my case, but by the 700  800 series Columbia had models with
velvet
 
 (I learned this via phonoland.)
 
  
 
 Does the velvet help make the records sound smoother?  (Just kidding,
 
 though perhaps there's an audiophile who might ardently argue that.)
 
  
 
 Thanks again all.
 
  
 
  
 
  
 
  
 
 On 1/7/13 9:52 PM, Ron L'Herault lhera...@bu.edu wrote:
 
  
 
 My Vivatonals  both have what looks like green velvet on the turntables.
 
 Bumpers look like green felt.
 
  
 
 Ron L
 
  
 
  
 
 On 1/8/13 2:51 AM, DanKj ediso...@verizon.net wrote:
 
  
 
   There's a 602 on YooToob, TT  felt visible:
 
 http://www.youtube.com/watch?v=CL4n1HyTfq4
 
  
 
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Re: [Phono-L] 1927/ Viva Tonal Columbia Felt Colors

2013-01-08 Thread Jim Cartwright
My large Viva-tonal (cabinet larger than Orthophonic Credenza, partially
because doors slide into sides of cabinet)has green velveteen on the
turntable.   After the local repairman sealed the horn  rebuilt the
soundbox it sounds splendid even on late 1930s recordings such as Beecham
conducting  Mozart's Symphony in E-flat with the London Philharmonic.  My
only regret is that it lacks the marvelous non-set automatic stop that would
cut off at the end of any record.   A surprising lack in this next to top of
the line model.   Might this have been because it would introduce air leaks?

 

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Arvin Casas
Sent: Tuesday, January 08, 2013 9:03 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] 1927/ Viva Tonal Columbia Felt Colors

 

Thanks for the helpful info everyone!  (Apologies for the late reply but I

only subscribe to the digest.)

 

I contacted the youtube poster of the videos that DanKj linked to and

posted on the phonoland board where I'm also a member.

 

Based on the responses from all three sources, it's Green-land for me! :)

I found one tiny oil stained mini-bumper in the cabinet late last night,

once green, so that confirms everyone's input.

 

I ordered a Victor sized green felt replacement from Walt @ Gettysburg and

will trim it down to size.  I have leftovers from a botched turntable job

on a Grafonola I restored a few months ago which I'll use for bumpers.

 

Ron - Interesting about the velvet.  Apparently they used felt early on,

as in my case, but by the 700  800 series Columbia had models with velvet

(I learned this via phonoland.)

 

Does the velvet help make the records sound smoother?  (Just kidding,

though perhaps there's an audiophile who might ardently argue that.)

 

Thanks again all.

 

 

 

 

On 1/7/13 9:52 PM, Ron L'Herault lhera...@bu.edu wrote:

 

My Vivatonals  both have what looks like green velvet on the turntables.

Bumpers look like green felt.

 

Ron L

 

 

On 1/8/13 2:51 AM, DanKj ediso...@verizon.net wrote:

 

  There's a 602 on YooToob, TT  felt visible:

http://www.youtube.com/watch?v=CL4n1HyTfq4

 

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Re: [Phono-L] Reminder - record auction #137 is closing soon

2012-11-08 Thread Jim Cartwright
Tom, with so many tempting record auctions out there (Reiss, Recordsmith,
Holdridge, Venerable Music, et al) in addition to those you mentioned, it
would probably be impossible for all dealers to schedule their auctions so
as not to conflict with others.

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Robert Wright
Sent: Thursday, November 08, 2012 12:15 AM
To: Phono L
Subject: Re: [Phono-L] Reminder - record auction #137 is closing soon


Hi Tom,
Thanks for the auction info through the years. I do enjoy perusing. But --
and you may have your reasons for this -- your auction closes within days of
the Nauck auction, which got all my record money this year. I wouldn't
presume to speak for other collectors, nor to attempt to tell you your
business, but I would probably try to time my auctions to be in between, and
as far away from, Nauck's auctions as possible, as a matter of policy.
Again, I don't speak for others, but I (for one) would certainly have bid on
some of your things this time around if I hadn't already thrown a wad of
money at Kurt this month!
Nonetheless, again, thank you for keeping me on your list. May you and your
family have a wonderful and safe holiday season!
Best Regards,Robert Wright

 From: hawth...@thoseoldrecords.com
 To: phono-l@oldcrank.org
 Date: Wed, 7 Nov 2012 17:26:43 -0800
 Subject: [Phono-L] Reminder - record auction #137 is closing soon
 
 Hi Everyone,
 
 Just a quick reminder - Auction #137 - An Autumn Serenade closes on
November 16.  If you have already placed your bids, we thank you very much.
If you have not, then there is still time to do so, but don't delay too
long.  You may bid by email, fax or phone to insure that we receive your
bids before the deadline.
 
 If you need another copy of the auction catalog, let us know (off list,
please) and we'll send you a PDF file by return email.
 
 Thanks!
 
 Tom Hawthorn
 Hawthorn's Antique Audio
 www.thoseoldrecords.com
 hawth...@thoseoldrecords.com
 (916) 773-4727
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[Phono-L] Edison C-2 Radio-Phonograph Combination Query

2012-08-08 Thread Jim Cartwright
The turntable, arm  pickup of one of my Edison C-2 Radio-Phonograph
Combinations plays much louder through the Edison R-2 Radio phonojack than
it does through the C-2 chassis even though both chassis are identical so
I've put the C-2 chassis in the shop for repairs.   The technician informs
me that the problem is most likely the interstage audio transformer of the
preamplifier portion of the C-2 which has been replaced, the windings of the
replacement being of incorrect ratios.   The ratios of this center-tapped
preamp interstage audio transformer is not shown in the Edison Repair Manuel
documents nor in Ryders.   Can any of you supply information as to ratios of
the C-2 center-tapped preamp interstage audio transformer  possibly supply
a replacement?   Many thanks for any assistance anyone can provide!

 

 

Jim Cartwright

IMMORTAL PERFORMANCES, INC

Austin's Eclectic Used Record Store Since 1971

1404 West 30th StreetAustin, Texas 78703-1402 USA

(512) 478-9954E-mail: jim...@earthlink.net

 

 

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Re: [Phono-L] Edison's Birthday!

2012-02-14 Thread Jim Cartwright
I ask Jeff to mention that the C-2 played through the R-2 sounds best on
diamond discs when the filter mounted under the motorboard of the C-2 is
disabled but see he didn't include this when describing the Edison 165th
Birthday gathering.  The filter has been made switchable in or out.
For 78s, it may sound better in the in position but both electrically
recorded as well as acoustically recorded diamond discs sound incredibly
good with the filter out.   Some of the acoustics sound almost electric.
(For some reason, though the dance band acoustically recorded diamond discs
sadly have much less bass  solidity than those of classical music which is
a detriment to the reproduction of Adrian Rollini's wonderful bass sax on
Golden Gate Orchestra (nee California Ramblers) acoustic diamond discs!)

Jim Cartwright
Immortal Performances, Inc.

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Nancy/Jeff Cecil
Sent: Monday, February 13, 2012 8:51 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Edison's Birthday!

Jim Cartwright of Immortal Performances, Inc. in Austin , Texas hosted a
small 
gathering of antique phonograph enthusiasts on Saturday, the 11th of
February 
2012 to commemorate the 165th Birthday of Thomas Alva Edison, inventor of
the 
phonograph. Attending were MAPS Members Jim Cartwright, Mark Bykoski, Jeff
Cecil 
 his wife Nancy as well as Immortal Performances employee John Cox. After 
eating Mexican food, we gathered at the “Phonograph Gallery,” part of the 
addition under construction to Jim’s home, still a work in progress as
evidenced 
by the boxes stacked on the staircase,  listened to diamond discs played
using 
the turntable, tonearm  pickup designed by Theodor Edison of an Edison
Model 
C-2 Radio-Phonograph Combination (whose chassis  loudspeaker are at a
repair 
shop) connected to the phono jack of an Edison Model R-2 Radio (which has
the 
same chassis  loudspeaker as the C-2) which provided an astounding quality
 
quantity of sound for circa 1928 audio equipment. Here is the diamond disc
play 
list, all contemporaneous with the Model C-2 Radio-Phonograph Combination: 

Saying that no birthday celebration should be without cake, Nancy brought 
delicious homemade cinnamon cupcakes which were greatly enjoyed. We also
played 
one electrically recorded Blue Amberol cylinder on the Opera  compared the 
sound of diamond discs played acoustically on a SI-19 (Sheraton Inlay) with 
Edisonic reproducer  on a Pathe Gothic Art Model Actuelle, neither of which

came close to the sound of the Edison electronics! The evening ended with
the 
singing of “Happy Birthday Mr. Edison!” 

 
It is a goal to establish an Austin Club...one of these days. 
 
Jeff Cecil
 
 
 
The playlist for the party:
52530-L Fantasia on Aida – EDISON CONCERT ORCH. Directed by Carlo Peroni
52622-R I Want to Meander in the Meadow – PHIL SPITALNY’S MUSIC (vocal
chorus by 
Paull Sisters)
52472-R The Big Rock Candy Mountain – VERNON DALHART  COMPANY
80885-L Quintette in E-flat (Schumann): Part 2, (Second Movement) In modo
d’una 
Marcia – E. ROBERT SCHMITZ  PHILHARMONIC STRING QUARTET OF NEW YORK
52215-L Rose Room – PICCADILLY PLAYERS  SINGERS
52518-L Ever Since the Movies Learned to Talk – BILLY MURRAY  HIS MELODY
MEN
82357-R Il Barbiere di Siviglia: largo al factotum – MARIO BASIOLA
52416-R Get Out and Get Under the Moon – GOLDEN GATE ORCHESTRA
52606-R To Be In Love (Especially With You) – GLADYS RICE
52623-R The Stars and Stripes Forever March – THE GOLDMAN BAND directed by
Edwin 
Franco Goldman
52367-L I Love to Dunk a Hunk of Sponge Cake – THE HAPPINESS BOYS (Billy
Jones  
Ernest Hare)
52436-L In the Jailhouse Now – FRANKIE MARVIN AND HIS GUITAR WITH VIOLIN
52513-L Button Up Your Overcoat – GOLDEN GATE ORCHESTRA
52532-R Barnacle Bill the Sailor – FRANK LUTHER AND HIS PARDS
52143-R When Day is Done – THE EDISONIANS
 
Photos of the party. 
http://i1269.photobucket.com/albums/jj595/JimCartwright/R2front.jpg
http://i1269.photobucket.com/albums/jj595/JimCartwright/Actuelle.jpg
http://i1269.photobucket.com/albums/jj595/JimCartwright/C2.jpg
http://i1269.photobucket.com/albums/jj595/JimCartwright/JeffMarkJim.jpg
http://i1269.photobucket.com/albums/jj595/JimCartwright/JohnJeffNancy.jpg
http://i1269.photobucket.com/albums/jj595/JimCartwright/MarkJeffJimJohn.jpg
http://i1269.photobucket.com/albums/jj595/JimCartwright/MarkNancyJeffJimbesi
deC2.jpg

http://i1269.photobucket.com/albums/jj595/JimCartwright/R2back.jpg
http://i1269.photobucket.com/albums/jj595/JimCartwright/R2backcloseup.jpg





From: Jim Nichol jnic...@fuse.net
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Sat, February 11, 2012 3:40:07 PM
Subject: Re: [Phono-L] Edison's Birthday!

I'm speechless!  Almost everything in that video about Edison is wrong!

Jim

On Feb 11, 2012, at 3:13 PM, Peter Fraser wrote:

 Suggestion:
 
 Why don't we all use the comments function to try

[Phono-L] Lifebeltt (Not Flotation Device) Quetion

2012-01-29 Thread Jim Cartwright
Over the years, I seen various references from the mid-1920s, usually
quoting the British The Gramophone magazine about some aftermarket
attachment made of rubber tubing that supposedly dramatically improved the
tone quality of gramophones called a lifebelt.   I have goggled this 
found discussions of it from 1926 issues of The Gramophone as well as a
photo but the photo is too small to see what the thing is.Can any on the
list enlighten me as to what a lifebelt actually is, how it works  if
it's use results in an actual sonic improvement on acoustic machines?I
am always happy to have my antique phonographs perform as well as possible
since I play some nearly every day.

 

Jim Cartwright

Immortal Performances, Inc. 

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[Phono-L] Nutcracker Suite

2011-12-16 Thread Jim Cartwright
Since World War II, Tschaikowsky's Nutcracker Ballet , always a popular
concert item has become a Holiday Season favorite.   I just cranked up my
Edison C-2 Long Playing

Phonograph  listened without record change interruptions to the slightly
abridged Edison long-playing diamond disc record (30004) of Casse-Noisette
(Nutcracker) Suite performed by Edison's house orchestra, the American
Symphony Orchestra, no conductor listed on the label but no doubt directed
by Cesare Sodero.   At this time of year I recommend this record to all
collectors of antique phonographs despite its low volume level  the
occasional skip or repeat but be sure to fully wind the phonograph before
starting since the music lasts almost 20 minutes.   Merry Christmas! 

 

Jim Cartwright

Immortal Performances, Inc.

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Re: [Phono-L] Edison Diamond Disc Record NumberWanted

2011-11-19 Thread Jim Cartwright
Are Ray Wile  Ron Dethlefson on the list?   Their inputs might be helpful.

Jim Cartwright
Immortal Performances, Inc.

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Jim Cartwright
Sent: Thursday, November 17, 2011 9:04 PM
To: 'Antique Phonograph List'
Subject: Re: [Phono-L] Edison Diamond Disc Record NumberWanted

Thank you all for your replies to my query!   The matrix numbers are
typeset (not hand written inscriptions)  are situated in a small portion
of a semi-circular rings with rounded ends located at the bottom of the
label, the rest of the circular rings being filled with small circles.
These numbers are not mirror-images.  There is a rectangle with rounded ends
at the top of the label where the record number probably would have been
impressed but this space is blank on both sides.   There is a portrait of
Edison on the left side inside an oval  a similar oval to the right
contains patent restrictions.   This diamond disc is slightly thinner than
most  it's edges are slightly rounded.

(I have several Edison test pressings circa 1920 which are coupled
differently from the issued records  these all lack any label information 
other than matrix number  take letter, etc. impressed - no title, composer,
artist, etc. being shown on these.   A few have brown cardboard like that of
later paper label diamond discs where labels are missing  some of these
contain pencil notations about recording quality, etc.)

Jim Cartwright
Immortal Performances, Inc.

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Glenn Longwell
Sent: Thursday, November 17, 2011 7:36 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Edison Diamond Disc Record NumberWanted

In a spreadsheet I have of Edison matrix numbers this pairing isn't listed. 
 Very interesting.  

Perhaps this one of those early pre-commercial test pressings where pairings

didn't last long.  Are the matrix number mirror images or regular?  I have 
several of these early pre-commercial pressings in the presentation boxes
and 
they all have mirror image matrix numbers.

For those that haven't seen them before there's a picture of them at the
link 
below.  Very elaborate and expensive to produce.  No wonder Edison didn't 
continue these when they went commercial.

http://www.majesticrecord.com/labelsedison.htm

Glenn




From: Greg Bogantz gbogan...@charter.net
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Thu, November 17, 2011 6:43:21 PM
Subject: Re: [Phono-L] Edison Diamond Disc Record NumberWanted

   Tim Gracyk's book Edison Diamond Disc Re-Creations lists several
pairings 
for this 1052 matrix number:

One record number 50008 has it paired with matrix 1001 titled No One to
Love, 
Mixed Quartet

Record #50018 has it matched with matrix 941 titled Fairest Rose Waltz, 
Charles Daab

Record #50021 has the same pairing as #50018

Record #50022 has it matched with matrix 1053 titled Flower Song, Violin, 
Cello, Flute, Harp

Whispering Flowers by Reed Orchestra is listed as matrix #2367, paired
with 
matrix 2048 Angel's Dream Waltz, Band, on record #50037.

There are some other pairings of these in the 8 series:

Record 80001 has matrix 1052 paired with matrix 999 Berceuse-Jocelyn,
Cello.

Whispering Flowers is also listed as matrix 939, paired with matrix 1250
On 
the Road to Mandalay, Thomas Chalmers, on record 80003.

Record 80022 has this matrix with the same pairing as 50022.

I have #80022, complete with the box that it originally came in.  Some of
the 
earliest Edison DDs were packaged in a flat chipboard display box rather
than in 
a paper sleeve.  These deluxe boxes had a color picture and written
descriptions 
of the selections on the front.


There may be other pairings, but I didn't find them in a cursory scan of the

book.

Greg Bogantz




- Original Message - From: Jim Cartwright jim...@earthlink.net
To: phono-l@oldcrank.org
Sent: Thursday, November 17, 2011 4:57 PM
Subject: [Phono-L] Edison Diamond Disc Record NumberWanted


 I am cataloging my records  have one of the early etched label Edison
 diamond discs that does not include the record number on either it's face
or
 edge for which I have been unable to find a record number.It is:
 
 
 
 The Bloom is on the Rye  Henry R. Bishop, Composer - Tenor  baritone
 Orchestra Accompaniment (matrix number 1052) (I've found other couplings
of
 this listed as sung by Harry Anthony  Charles Harrison)//
 
 
 
 Whispering Flowers  Von Blon, Composer  Band - Reed  Instruments (matrix
 number as best I can make out 939)
 
 
 
 I any of you know the number of this record, I'd like to know.   Many
 thanks!
 
 
 
 Jim Cartwright
 
 Immortal Performances, Inc.
 
 
 
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[Phono-L] Edison Diamond Disc Record NumberWanted

2011-11-17 Thread Jim Cartwright
I am cataloging my records  have one of the early etched label Edison
diamond discs that does not include the record number on either it's face or
edge for which I have been unable to find a record number.It is:

 

The Bloom is on the Rye  Henry R. Bishop, Composer - Tenor  baritone
Orchestra Accompaniment (matrix number 1052) (I've found other couplings of
this listed as sung by Harry Anthony  Charles Harrison)//

 

Whispering Flowers  Von Blon, Composer  Band - Reed  Instruments (matrix
number as best I can make out 939)

 

I any of you know the number of this record, I'd like to know.   Many
thanks!

 

Jim Cartwright

Immortal Performances, Inc.

 

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Re: [Phono-L] Edison Diamond Disc Record NumberWanted

2011-11-17 Thread Jim Cartwright
Thank you all for your replies to my query!   The matrix numbers are
typeset (not hand written inscriptions)  are situated in a small portion
of a semi-circular rings with rounded ends located at the bottom of the
label, the rest of the circular rings being filled with small circles.
These numbers are not mirror-images.  There is a rectangle with rounded ends
at the top of the label where the record number probably would have been
impressed but this space is blank on both sides.   There is a portrait of
Edison on the left side inside an oval  a similar oval to the right
contains patent restrictions.   This diamond disc is slightly thinner than
most  it's edges are slightly rounded.

(I have several Edison test pressings circa 1920 which are coupled
differently from the issued records  these all lack any label information 
other than matrix number  take letter, etc. impressed - no title, composer,
artist, etc. being shown on these.   A few have brown cardboard like that of
later paper label diamond discs where labels are missing  some of these
contain pencil notations about recording quality, etc.)

Jim Cartwright
Immortal Performances, Inc.

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Glenn Longwell
Sent: Thursday, November 17, 2011 7:36 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Edison Diamond Disc Record NumberWanted

In a spreadsheet I have of Edison matrix numbers this pairing isn't listed. 
 Very interesting.  

Perhaps this one of those early pre-commercial test pressings where pairings

didn't last long.  Are the matrix number mirror images or regular?  I have 
several of these early pre-commercial pressings in the presentation boxes
and 
they all have mirror image matrix numbers.

For those that haven't seen them before there's a picture of them at the
link 
below.  Very elaborate and expensive to produce.  No wonder Edison didn't 
continue these when they went commercial.

http://www.majesticrecord.com/labelsedison.htm

Glenn




From: Greg Bogantz gbogan...@charter.net
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Thu, November 17, 2011 6:43:21 PM
Subject: Re: [Phono-L] Edison Diamond Disc Record NumberWanted

   Tim Gracyk's book Edison Diamond Disc Re-Creations lists several
pairings 
for this 1052 matrix number:

One record number 50008 has it paired with matrix 1001 titled No One to
Love, 
Mixed Quartet

Record #50018 has it matched with matrix 941 titled Fairest Rose Waltz, 
Charles Daab

Record #50021 has the same pairing as #50018

Record #50022 has it matched with matrix 1053 titled Flower Song, Violin, 
Cello, Flute, Harp

Whispering Flowers by Reed Orchestra is listed as matrix #2367, paired
with 
matrix 2048 Angel's Dream Waltz, Band, on record #50037.

There are some other pairings of these in the 8 series:

Record 80001 has matrix 1052 paired with matrix 999 Berceuse-Jocelyn,
Cello.

Whispering Flowers is also listed as matrix 939, paired with matrix 1250
On 
the Road to Mandalay, Thomas Chalmers, on record 80003.

Record 80022 has this matrix with the same pairing as 50022.

I have #80022, complete with the box that it originally came in.  Some of
the 
earliest Edison DDs were packaged in a flat chipboard display box rather
than in 
a paper sleeve.  These deluxe boxes had a color picture and written
descriptions 
of the selections on the front.


There may be other pairings, but I didn't find them in a cursory scan of the

book.

Greg Bogantz




- Original Message - From: Jim Cartwright jim...@earthlink.net
To: phono-l@oldcrank.org
Sent: Thursday, November 17, 2011 4:57 PM
Subject: [Phono-L] Edison Diamond Disc Record NumberWanted


 I am cataloging my records  have one of the early etched label Edison
 diamond discs that does not include the record number on either it's face
or
 edge for which I have been unable to find a record number.It is:
 
 
 
 The Bloom is on the Rye  Henry R. Bishop, Composer - Tenor  baritone
 Orchestra Accompaniment (matrix number 1052) (I've found other couplings
of
 this listed as sung by Harry Anthony  Charles Harrison)//
 
 
 
 Whispering Flowers  Von Blon, Composer  Band - Reed  Instruments (matrix
 number as best I can make out 939)
 
 
 
 I any of you know the number of this record, I'd like to know.   Many
 thanks!
 
 
 
 Jim Cartwright
 
 Immortal Performances, Inc.
 
 
 
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[Phono-L] Lambert Concert Cylinder Shrinkage

2011-10-14 Thread Jim Cartwright
My Lambert Concert Cylinder has shrunk to the extent that it won't fit all
the way onto the mandrel of my Edison Concert Phonograph.I don't want to
risk damaging it but would like it to fit so I can demonstrate the Concert
Phonograph without playing a fragile wax concert cylinder.Do any of you
have advice on how to deal with this problem?Thanks for any useful
suggestions!

 

Jim Cartwright

Immortal Performances, Inc.

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[Phono-L] Lid Display Suggestions Wanted

2011-10-09 Thread Jim Cartwright
Am in process of moving my phonographs into the phonograph gallery
addition to my house.There is a shelf 13-1/2 inches deep that sits above
a row of upright floor model machines to hold smaller cylinder phonographs.
The question is, what to do about their lids?   I've thought of placing a
small shelf above or hanging the lids by their handles from brackets
extending out from the wall above the appropriate machine.  How have other
collectors dealt with this? 

 

Jim Cartwright

Immortal Performances, Inc.

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[Phono-L] Theft of Maroon Edison Model D Gem Phonograph Serian Number 340962D

2011-09-03 Thread Jim Cartwright
An addition has been constructed to my home  I have cleared out the
original house  moved into the addition so the original house can be
renovated.Friends helped with the move which took over three weeks.
Many of my antique phonographs are in storage or in foster homes but most of
the nicest remained in the original house until the move to the addition
where they were placed rather willy-nilly in the phonograph gallery.On
Tuesday, in preparing for a visit by head of the Texas Music Museum  a
couple of other collectors I noticed that my Edison Model D maroon Gem was
missing.   It remained covered without it's horn being attached  had been
placed on a shelf in the phonograph gallery.   It would have been put there
sometime in the three week period prior to last Tuesday.Since it's paint
 striping were in near-mint condition this was one of my most prized items
 I kept it's cover on to preserve the finish.   A few subcontractors 
their employees were in  out of the addition to make a few corrections  do
touch up, etc. after the phonographs were moved there from the original
house.  I think one of them probably picked up the Gem because it was small
 easy to carry without knowing that it is something of a rarity, especially
in such excellent condition.   I reported this theft to the Austin Police
yesterday but they have yet to send a detective to get back with me.
Should any of you see this machine offered for sale, please let me or the
Austin Police know.   Austin Police Department's non-emergency number is:
(512) 974-5750.The serial number of my maroon Model D Gem is: 340962D.
Thank you all for any help you may be able to provide!

 

Jim Cartwright

Immortal 

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[Phono-L] FALSE ALARM - Edison maroon Gem Theft

2011-09-03 Thread Jim Cartwright
Am very embarrassed to have falsely reported that my maroon Model D Gem was
stolen.   When clearing out the original house, I cleared off the smaller
phonographs stacked on top of the Amberolas, Capehart  C-4 Radio-Phonograph
 took them to the home of the local antique phonograph repairman, Jeff
Cecil, who kindly offered to keep them until there was room in the addition.
Jeff saw my Phono-L post about the missing maroon Gem  called me to tell me
that it was stored at his home.  I have called the Austin Police to report
my mistake.Please forgive this false alarm!

 

Jim Cartwright

Immortal Performances, Inc.

 

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