[Phono-L] Medium tone steel needles

2009-07-27 Thread Ron L
Several months ago, someone mentioned a source in the US for well made
medium tone needles.  I thought I kept the message but can't find it.   If
anyone remembers this source, would you please clue me in.

Thanks,

Ron L

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[Phono-L] 4 spring credenza motor problem

2009-05-01 Thread Ron L
I actually did tear the motor apart a second time, including removing the
springs to insure that I didn't inadvertently capture a cat or some other
foreign material in the springs.   This credenza motor is the first one I've
seen this way.  It is impossible to reassemble the springs into the cans in
correctly.  

You are probably familiar with springs that catch onto a rivet.  Some have a
rivet hole on the outer end and inner end.  They can be assembled either
clockwise or counter clockwise and look correct but when you wind it, the
rivet will unhook from the spring, most likely catch the back of the hole or
maybe the very end of the spring and try to push the spring the other way,
resulting in very obvious damage.

Some springs have a crimped inner end instead of the rivet there but still
have a rivet on the outside.  If this type is assembled incorrectly, I
believe the crimp will just push out and the center arbor will spin around
without much damage.

The system on the motor I have in front of me has the crimped inner part.
However, the outer part is just the very end of the spring bent over in a U
shape.  Touch the palm of your hand with your fingertips.  Now relax them a
bit.This U catches a long flat plate, which is attached to the spring
barrel and with one side slightly bend up.  It does not move and the U will
only catch on it one way.  It cannot be hooked on backwards.  Neat, huh?
And it is probably cheaper to assemble, if not manufacture.  The outer parts
of the can were marked so that they could not be transposed.

Ron

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Douglas Houston
Sent: Friday, May 01, 2009 12:49 AM
To: Antique Phonograph List
Subject: RE: [Phono-L] 4 spring credenza motor problem

I've been watching this thread, and dagnab it, I still have my aged mind
mde up that sumpin' is together bass-ackwards. The only way to ever find
out is to take the thing apart again and re-construct the assembly. I
haven't studied the effects of having a spring in backwards, so my theories
may not mean anything. You realize that this thing is going to have me
losing sleep.  I'll need to swallow a Melatonin tonight just to have peace!

You can bet your sweet bippy that, when I reassemble the 4 spring motor for
a VV-XIV I have, that I'll ponder over every part of that thing.  BTW, I
have heard that white lithium grease is good stuff for these motors. Have
you ever heard otherwise?

There's a spare 4 spring motor laying around here someplace, and I'd even
use it to check on myself when I put the other one together. 

Seriously, Ron, you wouldn't have to remove any springs from the barrels if
you want to check on yourself. If you just remove the barrels from the
shafts and the hubs, you can see readily, which way the spring winds  up in
each end of the barrel. That way, you'll prove conclusively, that I'm
wrong. 


 [Original Message]
 From: Ron L'Herault lhera...@bu.edu
 To: Antique Phonograph List phono-l@oldcrank.org
 Date: 4/30/2009 11:46:43 PM
 Subject: RE: [Phono-L] 4 spring credenza motor problem

 They did, indeed feel stiff and winding seems normal.  It is gear
reduction
 winding on this type motor, not direct so winding is easy.

 Ron

 -Original Message-
 From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org]
On
 Behalf Of Bob
 Sent: Thursday, April 30, 2009 2:05 PM
 To: Antique Phonograph List
 Subject: Re: [Phono-L] 4 spring credenza motor problem

   When you put the springs back did they feal realy stiff?  Does it seem
to 
 have good tension when you wind it?  I don't know if this will help, but
I 
 would let it run down completely and then count the number of turns to
get 
 it fully wound.  Then ask someone with a Credenza with a good 4 spring
motor

 to do the same and compare the results   I didn't see Georges sugestion. 
 What was it?
 Bob
 - Original Message - 
 From: Ron L lhera...@bu.edu
 To: 'Antique Phonograph List' phono-l@oldcrank.org
 Sent: Thursday, April 30, 2009 12:28 PM
 Subject: RE: [Phono-L] 4 spring credenza motor problem


  The owner of the machine said that even with the thump, it played more 
  than
  three sides.  However, the thump was so bad at one point that the needle
  jumped.  I winder if it was so bound up that one or more of the springs
  acted as if they were smaller/under more tension and so powered the
motor
  longer but not the full 20 min.   I also suspected that the springs may 
  have
  'softened' over time but I will try George Vollema's gear suggestion 
  before
  I do anything else.
 
  Ron L
 
  -Original Message-
  From: phono-l-boun...@oldcrank.org
[mailto:phono-l-boun...@oldcrank.org] 
  On
  Behalf Of Bob
  Sent: Thursday, April 30, 2009 11:56 AM
  To: Antique Phonograph List
  Subject: Re: [Phono-L] 4 spring credenza motor problem
 
  Ron,
 Did you wind it fully and play it before you changed the grease to
  eliminate

[Phono-L] 4 spring credenza motor problem

2009-04-30 Thread Ron L
Oh, the thump is gone, thankfully.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Douglas Houston
Sent: Thursday, April 30, 2009 11:37 AM
To: Antique Phonograph List
Subject: RE: [Phono-L] 4 spring credenza motor problem

What  I was thinking was that when you're packing the spring in the barrel,
it can be started either clockwise, or counterclockwise, depending on
whether it's the winding nend, where the winding gear is, or where it's the
driving end, which attaches to the drive gear.  (there must be a better way
to say it), but I had wondered if one of the springs could have been
started in the wrong direction. If that were done, it might have some funny
behavior, or possibly, the motor could not be wound at all. And too,
packing directions with a 4 spring motor could give you some strange
effects if one spring was inserted in reverse. ?

The Victor thump is enough of an annoyance,without having the motor not
working properly!


 [Original Message]
 From: Ron L lhera...@bu.edu
 To: Antique Phonograph List phono-l@oldcrank.org
 Date: 4/30/2009 10:49:41 AM
 Subject: RE: [Phono-L] 4 spring credenza motor problem

 I do have an electric C.   This is a repair for someone else.  The neat
 thing about the clip end/bent end springs is that it is impossible to
 assemble them into the cans in the wrong direction.   It is easy to mess
 them up when you have rivets in the cans and holes on the springs.  They
do
 not wind up, and in fact will distort the spring centers, with the real
 potential for breaking them.

 Ron L


 -Original Message-
 From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org]
On
 Behalf Of Douglas Houston
 Sent: Thursday, April 30, 2009 10:05 AM
 To: Antique Phonograph List
 Subject: RE: [Phono-L] 4 spring credenza motor problem

 This is a sticky one. I have a long shot thought. Victor has a procedure
in
 the service notes, that tells you whichn spring to load in the barrel, and
 its direction of winding.Is it possible that one of the springs could have
 nbeen installed in reverse? I'm not even sure if the motor could be nwound
 if that were done, but as I've said, it's a long shot.

 I have one of those 4 spring jobs apart now, and I've got to study the
 thing a lot before I re-pack the springs.

 (Maybe if you got one of those electric Credenzas like I have, you
wouldn't
 have this mess)

 Cheers

 Doug. Houston


  [Original Message]
  From: Ron L'Herault lhera...@bu.edu
  To: Antique Phonograph List phono-l@oldcrank.org;
 phonol...@yahoogroups.com
  Date: 4/29/2009 10:55:02 PM
  Subject: [Phono-L] 4 spring credenza motor problem
 
  Hokay, list experts.  I need help.  The original problem was thumping
  springs.  So, you take them out (done that many times) clean them, and
  reinstall/relube. This should be pretty straight forward.  And these are
 the
  ones with the clip outer ends and bent over inner ends.  They only go
  together one way.  It winds up fine but only plays 4 sides before it
 starts
  to loose power and slow down when you try to play the 5th side. 
Sometimes
  it makes a bit of a scraping sound but nothing is hitting the turntable.
  What have I missed?
 
  Thanks,
 
  Ron L
 
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[Phono-L] Ultona tone arm won't rotate

2009-03-20 Thread Ron L
Oh, I feel the pain.

Ron

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of F. Korzatkowski
Sent: Friday, March 20, 2009 3:52 AM
To: Antique Phonograph List
Subject: RE: [Phono-L] Ultona tone arm won't rotate


Hi Ron,
  I didn't let you down.  Another member sugessted I remove
the arm and reduce the diameter.  I did this and it worked
just fine, however, I was able to snatch defeat from the
Jaws or Victory when I dropped in the floor and broke it
in half.  Luckly I was able to put a dowel in it andit works
fine.  If I have to move the weight towards the front I may
have a problem.  
  Thanks again for the help.
Joe


--- On Thu, 3/19/09, Ron L'Herault lhera...@bu.edu wrote:

 From: Ron L'Herault lhera...@bu.edu
 Subject: RE: [Phono-L] Ultona tone arm won't rotate
 To: 'Antique Phonograph List' phono-l@oldcrank.org
 Date: Thursday, March 19, 2009, 7:03 PM
 You got lucky on that one, Joe.?
 Those metal castings often just break
 apart.? I've got one with a crack that formed as it
 just sat there.
 
 Ron L
 
 -Original Message-
 From: phono-l-boun...@oldcrank.org
 [mailto:phono-l-boun...@oldcrank.org]
 On
 Behalf Of F. Korzatkowski
 Sent: Thursday, March 19, 2009 6:47 PM
 To: Antique Phonograph List
 Subject: RE: [Phono-L] Ultona tone arm won't rotate
 
 
 Hello Ron,
 ? Thanks.
 ? I put it in the freezer for 20 minutes and then
 warmed it up
 kinda quick.? It still didn't move so I took it out to
 the
 garage, put it in the vice(carefully padded) and used a
 padded
 pipe to rotate it.? It is moving and now can be
 adjusted to
 play discs etc.? But the arm has to be removed.?
 Maybe it'll
 loosen up in time. I put a small amout of rig greese at
 the
 joint and maybe it'll work it's was in in time.? No
 hurry.
 The PB spray is a good idea too. I would have not thought
 of your method.
 ? Thank you for your interest and assistance.
 Joe
 
 --- On Thu, 3/19/09, Ron L lhera...@bu.edu
 wrote:
 
  From: Ron L lhera...@bu.edu
  Subject: RE: [Phono-L] Ultona tone arm won't rotate
  To: 'Antique Phonograph List' phono-l@oldcrank.org
  Date: Thursday, March 19, 2009, 1:20 PM
  Joe,
  
  You might be able to rotate the head if you put the
 whole
  assembly in the
  freezer for a while.? If that doesn't work, they you
  could also repeat the
  freezer and when you take it out, warm the
  head.???A bit of PB blaster on
  the joint will help too.
  
  Ron L
  
  -Original Message-
  From: phono-l-boun...@oldcrank.org
  [mailto:phono-l-boun...@oldcrank.org]
  On
  Behalf Of F. Korzatkowski
  Sent: Thursday, March 19, 2009 3:52 PM
  To: phono-l@oldcrank.org
  Subject: [Phono-L] Ultona tone arm won't rotate
  
  
  Hello,
 ? I'm new.
 ? I just purchased a Bruswick record player.? It
 is a
  cabinet model
  with bulit in record rack.? It's about 3 feet wide
 and
  21.5 inches
  deep. The Brunswick all phonographs in one, Model Q,
 Serial
  number is
  133,774. Last copyright is May 181920.
 ? My problem is the tonearm wont rotate. The pin
 lock pin
  was taken out and
  it still wond work. It seems to be frozen at the head
 and
  the sound shaft.
  I'm afraid to force it or dump WD-40 into it.?
 What's
  the best way to fix
  this so I could play all the various records.? I
  didn't know it had three
  needles on it, so duh.? It does play well with the
  steel needle.
  ? I always wanted one of these and but was too
 stupid/
  lazy to investigate
  prior to buying, but what's new, huh.
  ? Also anybody know what year it was made.
  ? Any help would be appreciated.
  Thanks,
  ? Joe
  
  
  
  ? ? ? 
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 ? ? ? 
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[Phono-L] Need a part made?

2009-03-20 Thread Ron L
That Lancia is parked right next to a red Triumph TR3, my first car.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Bob
Sent: Friday, March 20, 2009 10:16 AM
To: Antique Phonograph List
Subject: Re: [Phono-L] Need a part made?

If you thought that was neat, look at the rest of his web sight.  All kinds 
of neat antique cars that he owns repairs and drives. This is the ultimate 
collecting.
- Original Message - 
From: Ron L lhera...@bu.edu
To: 'Antique Phonograph List' phono-l@oldcrank.org; 
phonol...@yahoogroups.com; electr...@yahoogroups.com
Sent: Friday, March 20, 2009 9:17 AM
Subject: [Phono-L] Need a part made?


 This talks about antique car parts but should be very useful to us too.

 http://tinyurl.com/berfgf

 or the original link, which may get split over two lines:


http://widgets.nbc.com/o/47f1317f105123ad/49930a9fc57c735f/47fe70d4555df05a/
 9b5b999b/-cpid/ba4377d3bfd6c




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[Phono-L] Lyric phonograph

2009-03-17 Thread Ron L
I've got at least one of the Lyric laterals.  I believe there was a Pathe
connection for a while.  I do know that the disk is nicely recorded.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Glenn Longwell
Sent: Monday, March 16, 2009 11:42 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Lyric phonograph

Correction:
I was watching '24' when typing this and not sure what I was thinking.? The
address of Newark, NJ cited in the link Bruce posted was used on their
records when they went to lateral.? This is when they began to use the
Never Scratches trademark on the records.? Also, not sure about the
lateral but there were 12 vertical records as well.? According to TMW they
were to come out in January 1918.

Glenn





From: Glenn Longwell majesticrec...@snet.net
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Monday, March 16, 2009 10:03:18 PM
Subject: Re: [Phono-L] Lyric phonograph

I've been doing some research on Lyraphone but I still have a way to go.?
Here's what I can tell you.? Sutton's ARLC says Lyraphone's trademark
claimed Lyric as a phonograph brand since October 1915.? I have communicated
with the owner of this machine and the pictures I have show no name of
Stewart.? It is clearly a Lyric phonograph made by Lyraphone Co. of
America.? These are clearly the same company as the Lyric record label.? The
records, however, didn't come out until the fall of 1917.? They were
vertical cut.? I also have some label images and sleeves on my website at
www.majesticrecord.com/labelsl.htm.? What I was very interested in seeing
with this phonograph was whether it played vertical, lateral or both.? It
plays lateral only unless there was an adaptor of some sort that I don't
know about.? This doesn't surprise me though since there's no mention of
Lyraphone starting from 1917 in The TAlking Machine World about being a
phonograph producer.? All their ads and announcements talk about records
only although there's mention of a Lyric adaptor being produced to play them
on lateral machines.? The trade directories from?early 1917 on don't list
Lyraphone as a machine producer.? I don't have access to earlier information
right now but the one piece of evidence I do have is an article from 1917
referring to their past reorganization. So, at the moment, I have to presume
they failed as a machine producer and came back as a record producer with
General offices in Manhattan and production in Brooklyn.? The only reference
I've found to NJ as Bruce's link showed was after they went into
receivership in late 1921 and the company resurfaced with the Lyraphone
label (no longer Lyric) and they no longer produced the records.? So, it
would appear this phonograph is from 1915 or 1916. When I find their
incorporation papers I'll see if they actually started there as well.? I
don't
have information yet on the location of their phonograph operation except
the label on the phonograph, which does say New York.

Glenn





From: DanKj ediso...@verizon.net
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Monday, March 16, 2009 7:33:57 PM
Subject: Re: [Phono-L] Lyric phonograph

I think these were also sold as Stewart phonographs, which came in green
or wood-grain and were also round.? I have a green one.


- Original Message - From: bruce78...@comcast.net
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Monday, March 16, 2009 7:21 PM
Subject: Re: [Phono-L] Lyric phonograph


This is a wild guess but I suspect it may be the same Company that made the
Lyric Records, I believe those were the records that had the cat on the
label. Maybe they got into the production of phonographs at some point in
the late teens when the patent on the flat disc record and disc phonographs
ran out and many companies jumped into the market at that time.

Bruce
- Original Message - From: Ryan Barna ryansrecor...@hotmail.com
To: phono-l@oldcrank.org
Sent: Monday, March 16, 2009 1:15:40 PM GMT -05:00 US/Canada Eastern
Subject: [Phono-L] Lyric phonograph


Can anyone help this gentleman? I can't find anything in my sources about
Lyric machines. Please respond to him directly.





From: aelitel...@aol.com
Date: Sat, 14 Mar 2009 17:43:17 -0400
Subject: Wondering if you new any information about my Lyric table top
phonegraph
To: ryansrecor...@hotmail.com


Hi, Ryan

I have a Table top crank phonograph, it says LYRIC AND LYRAPHONE CO. NEW
YORK. It is round and made of metal but looks like wood. Approximately 15
inches across at it widest spot. I cant seem to find any info on this
phonograph on the net?

Thanks
Jim Schaffer

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[Phono-L] Problem Solved

2009-03-16 Thread Ron L
Just put the bad side toward the wall, John 8-).

The bracket you are getting is far more valuable to you than the one you are
giving away.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of john robles
Sent: Monday, March 16, 2009 1:29 AM
To: phono-l@oldcrank.org
Subject: [Phono-L] Problem Solved

Hello all
A member of the group has scrounged through their vast empir of parts and
found me a Victor III bracket. I will trade for my Vic V bracket, as he
needs it for a V he is restoring,and we will both be happy.
The interesting thing is, the bracet he is sending me is restored on one
side and unrestored on the other.? It belonged to a big parts guy who used
to take it to shows to illustrate the difference between unrestored and his
restoration job. The guy I am getting it from is including a new set of
decals, so I look forward to making it look great!
And efore you tell me I am trading a much more valuable bracket for a lesser
one, I know that, but he is a good friend of min so I don't mind!
Thanks to all in the group who helped me and who responded with such great
info! That's what makes this board great, camaraderie
John Robles!
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[Phono-L] Vic 1 horn

2009-03-16 Thread Ron L
I'm trying to help someone find a vintage horn for a Vic 1.  He prefers
either a Victor horn or an aftermarket one of the period rather than a
modern reproduction.  He needs the proper elbow as well.  Anyone have
something suitable?

Ron L


[Phono-L] About Brunswick Ultona

2009-02-19 Thread Ron L
Have you removed the motor to look inside?

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of John Sheets
Sent: Thursday, February 19, 2009 12:12 AM
To: phono-l@oldcrank.org
Subject: [Phono-L] About Brunswick Ultona

I wonder if anybody has hints or tips on replacing the springs on the lid
hinges for an Ultona? I have the springs but can't figure how to get at the
hinges. 

Thanks in advance for any tips-

 

 

John Sheets

 

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[Phono-L] Diamond B stylus size/dimensions.

2008-12-19 Thread Ron L
Does anyone have handy, the dimensions, tip size for the diamond on an
Edison Diamond B stylus?  If there is a comparable modern stylus, I was
thinking of trying to fabricate my own replacement for a worn tip.

Thanks,

Ron L


[Phono-L] Amberola VIII and cyl cabinet questions

2008-12-15 Thread Ron L
The hole is in the sheet metal cover that goes at the very back of the
cabinet behind the neck of the stationary horn.   

Ron

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Bob
Sent: Monday, December 15, 2008 10:51 AM
To: Antique Phonograph List
Subject: Re: [Phono-L] Amberola VIII and cyl cabinet questions

Ron,
The Amberola VIII uses a Fireside motor.  If you are familiar with that 
model you can use it as a reference. I've had a couple of these and can't 
remember any oblong hole in the bed.  However, I believe the bed is cast 
iron and I think it would be rather difficult to cut a hole in it.  Is there

any black paint like that on the top of the bed in the hole?
Bob
- Original Message - 
From: Ron L'Herault lhera...@verizon.net
To: phonol...@yahoogroups.com; 'Antique Phonograph List' 
phono-l@oldcrank.org
Sent: Sunday, December 14, 2008 11:54 PM
Subject: [Phono-L] Amberola VIII and cyl cabinet questions


I have recently acquired an Amberola VIII that I think someone modified to
 run on an electric motor once.  The electric motor was already gone though
 as was most of the original spring motor.  Sooo, the questions are:

 1. What is the original size (OD and diameter at the belt groove bottom) 
 of
 the pulley on the spring motor.

 2. Is this pulley very heavy for its size.

 3. Should it have a cork lining to the pulley groove?

 4. There is an oblong hole in the back plate to the right of the cut out 
 for
 the horn neck.  I suspect the on/off electrical switch was there but I am
 not sure.  Has anyone seen a hole like this in their VIII?

 And on a separate note,
 I've been given a cylinder cabinet, a rather simple design with flat board
 shelves that have grooves in them into which one glues cardboard pegs.
 Toilet paper and paper towel inner cardboard tubes are the right size, by
 the way.

 The hooks that keep the shelves from pulling all the way out are missing.
 Anyone have a source for replacement hooks.  They are a rather critical
 component.

 Thanks,

 Ron L

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[Phono-L] Victor VV-1-1

2008-12-03 Thread Ron L
I don't think either APSCO or George Vollema have a minimum purchase amount.
Having said that however, if you know the size of the pin you need you
should be able to source it from a local machinists supply store.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of John Selph
Sent: Wednesday, December 03, 2008 12:35 PM
To: phono-l@oldcrank.org
Subject: [Phono-L] Victor VV-1-1

Can anyone tell me where I can purchase the tapered pin that goes through
the spindle and drives the platter for the above phono?  That is the last
piece that I need to complete this unit, and I'm not in a position to order
other parts to reach a minimum purchase amount as required from most
dealers.

Thanks,

John

 

Always do sober what you said you'd do drunk. That will teach you to keep
your mouth shut.
--Ernest Hemingway

 

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[Phono-L] Curious Edison artifact on eBay

2008-12-01 Thread Ron L
I think that is the way the projector is supposed to look.  It is missing
its lens.  They were not pretty affairs and the wooden parts were often cut
and modified for instance, to add a take up spool rather than to let the
film dump into a bag.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Andrew Baron
Sent: Monday, December 01, 2008 11:20 AM
To: Antique Phonograph List
Subject: [Phono-L] Curious Edison artifact on eBay

What do you all make of this?  The seller describes it as a peephole  
device, but the original serial number plate reads Projecting  
Kinetiscope.  The cabinet at first glance appears to be home made,  
but the age of it seems honest; not faked to look old.  The external  
hardware certainly appears to be age-appropriate, and yet the cabinet  
wood looks like pine or fir, which would be odd for the time.

The mechanism appears intact, but I don't see anything that's  
obviously involved with projection.  Is this part of a larger affair,  
or something made from a more complete device to adapt it to a  
different use?

EDISON KINETOSCOPE CAMERA PHONOGRAPH RARE FILM VIEWER
Item number: 110320165169   

Andy Baron
Santa Fe

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[Phono-L] Music Box springs

2008-12-01 Thread Ron L
Thanks to all who've responded.   Nancy's name comes up the most.
Mainsprings come from Dennis Valente at APSCO according to a source who
spoke with Nancy about it.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of zonophone2...@aol.com
Sent: Monday, December 01, 2008 11:56 AM
To: phono-l@oldcrank.org
Subject: Re: [Phono-L] Music Box springs

hi ron
you might try nancy fratti  music boxes
or 
 
 
_Nancy Fratti Music  Boxes_ (http://www.nancyfrattimusicboxes.com/)  
 
 
 
 
Nancy  Fratti Music Boxes

(formerly Panchronia  Antiquities) 
PO Box  400  
Canastota, NY  13032-0400 USA 
315-684-9977 


In a message dated 12/1/2008 10:02:58 A.M. Eastern Standard Time,  
lhera...@bu.edu writes:

List  mates,

This is a bit off topic, but ISTR that some of our members also  work on
music boxes.  


[Phono-L] Music Box springs

2008-12-01 Thread Ron L
List mates,

This is a bit off topic, but ISTR that some of our members also work on
music boxes.  A friend of mine has asked me to repair the spring in a music
box he owns (I have not seen it yet and have just e-mailed him to ask for
the brand/model).  So, if anyone has information about parts suppliers for
Music Boxes, particularly in the North East USA (I'm in MA and the machine
is in CT), or can recommend a reputable repair person in the North East USA,
I'd appreciate it.  I've already cautioned him that music box springs are
even more powerful than phono springs, told him about sharp edges etc.  I've
successfully replaced quite a few phono mainsprings and still have all my
original functioning extremities, digits and eyes. 8-).

Ron L


[Phono-L] Victor D ID Plate

2008-11-21 Thread Ron L
I noticed and thought the same thing, Bob. 

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Bob
Sent: Friday, November 21, 2008 7:12 AM
To: Antique Phonograph List
Subject: Re: [Phono-L] Victor D ID Plate

Did anyone notice the crank? This doesn't look like any Victor crank I've 
ever seen before.  I suspect it is not correct for the machine.
- Original Message - 
From: phonol...@mac.com
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Thursday, November 20, 2008 11:48 PM
Subject: Re: [Phono-L] Victor D ID Plate


 This is a dealer tag.  Lyon and Healy did this for a short period.
 They put their own celluloid tag in place of the Victor dataplate and
 put the real dataplate inside.



 On Nov 20, 2008, at 7:16 PM, c5...@aol.com wrote:

 Has anybody seen the type of ID plate that does not have any serial
 or  model
 number, like the Victor D on eBay #270305150373? The plate on the
 front  has
 nothing and the plate on the bottom of the inside has the serial
 and model.
 Neither my early or late D has this type ID plate. I have never
 seen one  on
 the inside.


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[Phono-L] Television Trivia - Leave It To Beaver

2008-10-20 Thread Ron L
I bought my Vic Type 6 (as the ID tag states) with steel and brass horn
about 1971 at an estate auction for $100.  It was not exactly a song and
dance but it was pretty reasonable.

Ron L

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Kuglarb at wmconnect.com
Sent: Monday, October 20, 2008 2:52 PM
To: phono-l at oldcrank.org
Subject: [Phono-L] Television Trivia - Leave It To Beaver

Hi all.  You know, we lovers of vintage phonos can't get away from them even

while watching the old sitcom Leave It To Beaver.  I was going through some 
records this morning and the television just happened to be on.  I just
happened 
to look up and could hardly believe my eyes.  Ward and June were talking in 
front of a gorgeous Victor VI with a speartip horn!  Yep, a Victor VI
machine!  
I called for my bride who happened to be downstairs so that she could see
it. 
 

I immediately did some research on the episode:

The Title: Happy Weekend
Year Ran: 12/25/1958

I wish that I could have been the set director and would have been able to 
make an offer on that 50 year old (at that time) phonograph.  One could have

probably got it for a song and dance (no pun intended).  The only thing is,
I was 
only 1 month and 9 days old at the time.  This means that I turn the big 5-0

myself next month!

Anyway gang, just thought that I'd share this with you.  Take care and God 
bless.

Brantley
Williston, S.C.
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[Phono-L] Borri Cylinders...

2008-09-25 Thread Ron L
He's a huge devotee.

Ron

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Peter Fraser
Sent: Thursday, September 25, 2008 2:03 AM
To: Antique Phonograph List
Subject: Re: [Phono-L] Borri Cylinders...

actually it makes him either a huge devotee...or a crackpot.

On Sep 24, 2008, at 6:55 PM, C5fan at aol.com wrote:

 I believe he bought the name and the rights years ago just like  the  
 company
 in India that bought the name and rights to the HMV's that we call
 crapophones. That is why he has made this claim and I guess it does  
 make him the
 successor. .


 In a message dated 9/24/2008 9:10:05 P.M. Eastern Daylight Time,
 john9ten at pacbell.net writes:

 Sounds  like a shady guy. The one thing I never liked about his  
 business is
 that he  claimed to be successor to the original Edison Phonograph  
 Works...to
 me that  is just plain dishonest.

 --- On Wed, 9/24/08, John Pisano  jpisano at cox.net wrote:

 From: John Pisano  jpisano at cox.net
 Subject: [Phono-L] Borri Cylinders...
 To:  phono-l at oldcrank.org
 Date: Wednesday, September 24, 2008, 2:49 PM

 I  met Shawn Borri at the MME show in New Jersey a few years back.   
 I  traded
 him and his partner a shaving machine in exchange for eight   
 cylinders. I
 received two cylinders at the show and he was going to make  the  
 rest when he
 got home.  I gave him the shaver at the show.   This was several  
 years ago.
 I never did receive the cylinders.  I have  e-mailed him several  
 times since
 and he has e-mailed me back stating he  would send the cylinders as  
 recently
 as a year ago.  I have never  received them and have since given up.
 Obviously I would not do business  with him again.

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[Phono-L] Columbia BC friction wheel drive

2008-09-11 Thread Ron L
If my friend dismantles his reproducer, I will see about getting dimensions,
materials and the weight of the weight to reproduce a set.

Ron L

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Mobility Scooters
Sent: Wednesday, September 10, 2008 11:08 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Columbia BC friction wheel drive

Greg
Fantastic to see one of these machines working so well.
Very, very well done.
I have a BC missing the Stylus and weight.
Can anyone out there please help me find one.
Many thanks
Tony McCarthy
New Zealand
Or email me mobilityscooters at xtra.co.nz


-Original Message-
From: phono-l-boun...@oldcrank.org
[mailto:phono-l-bounces at oldcrank.org]On Behalf Of Steven Medved
Sent: Thursday, 11 September 2008 10:53 a.m.
To: Antique Phonograph List
Subject: Re: [Phono-L] Columbia BC friction wheel drive


Greg,

Wonderful of you to share this, thanks so much.

Steve



 From: gbogantz1 at charter.net To: phono-l at oldcrank.org Date: Wed, 10 Sep
2008 15:47:37 -0400 Subject: Re: [Phono-L] Columbia BC friction wheel
drive  I just received this link to a forum thread devoted to the Columbia
BC.  Reid Welch has fitted new friction parts to a BC and has had good
success  with them. He even includes a video of his machine in operation!
The only  one on the internet, I think. There's hope for us BC owners yet!
Good  stuff. Enjoy: 
http://www.forum.condorcup.com/viewtopic.php?f=7t=20p=59#p51  Greg
Bogantz - Original Message -  From:
Zonophone2006 at aol.com To: phono-l at oldcrank.org Sent: Sunday, August
31, 2008 5:16 AM Subject: Re: [Phono-L] Columbia BC friction wheel drive 
  paul baker used to restore these but he takes a long time to do it 
  In a message dated 8/30/2008 3:49:30 P.M. Eastern Daylight Time, 
steve_noreen at msn.com writes:   Hi Greg,   Does anyone make
reproduction parts for these
 reproducers?   Steve : [Phono-L] Columbia BC friction wheel
drive  Ron, it's difficult to  explain the BC friction wheel driveshaft
system  without pictures or   handwaving  :o) The drive train begins
with a  gear-driven piece of metal tubing   which is  enclosed in the
stationary outer  housing which is fastened to the gear  housing casting
on the side of the  machine. This first piece of tubing   (call  it
part 1) rotates but does not  translate axially. Inside this rotating 
tubing is the brass coupling sleeve  (part 2) which can rotate and also  
slide  along its axis. And inside the  brass sleeve is the solid rod
(part 3)   which  connects with the amber wheel.  This part 3 rotates
and also slides   axially.  Part 2 has two slots,  diametrically
opposed and milled into its outside  surface that run almost  the full
length of the part. Part 1 transmits   its  torque via two setscrews 
which extend inward fr
 om Part 1 into the slots   milled  in part 2. (Access to  these screws
is via a hole drilled in the s  tationary outer tube.) This  allows Part
2 to be rotated by part 1 and   also  to slide axially inside part  1.
Part 3 has a T shaped fixture at its   end  that engages two
longitudinal  slots milled INSIDE of part 2. This is   what  transmits
the torque from part  2 to part 3 and also allows part 3 to  translate
axially. The slots inside  of part 2 do not extend all the way   to the
 ends of part 2. When part 3 is  pulled along the mandrel with the  
reproducer,  its T fixture hits the ends  of the slots inside of part 2
and thereby   drags  part 2 along with it  axially. All this assemblage
has a purposefully  sloppy fit to allow the  amber wheel end of part 3 to
wobble around   radially so  it can follow the  stylus assembly as it
is raised and lowered from the  record surface.  Clear as mud? Again,
it's hard to envi
 sion what's   happening  without  seeing the structure in detail. But
maybe this helps understand   it.   Greg Bogantz 
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[Phono-L] Playing two minute wax records with an H or R

2008-09-09 Thread Ron L
Hmmm, 

I wouldn't play two min. wax with an H but I might try two min. celluloid.


I've never had an R to try on anything.

I've tried the Diamond B on a two min. Celluloid and it sounded fine to me.

If I didn't play 2 min wax with a C I couldn't play them at all.   I don't
have many that are pleasant to listen to and don't play them often.

Ron L


-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Steven Medved
Sent: Tuesday, September 09, 2008 8:51 AM
To: Phono-l; phonolist
Subject: [Phono-L] Playing two minute wax records with an H or R

Hello,
 
I am interested in your opinions.
 
What do you think about playing two minute records with an R or H?
 
What do you think about using a diamond B on 2 minute celluloid cylinders?
 
How about playing brown wax cylinders with a model C?
 
Shawn, I am especially interested in what you think.
 
Thanks,
 
Steve
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[Phono-L] Playing two minute wax records with an H or R

2008-09-09 Thread Ron L

Although it is not something one might want to do all the time, playing a 2
min celluloid with a 4 min stylus will probably not hurt either the cylinder
or the stylus.   I also suspect that the size of the stylus tip is not as
critical for a hill and dale cylinder groove as it is for a lateral disk
groove.

Ron L

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of andersun at tampabay.rr.com
Sent: Tuesday, September 09, 2008 11:45 AM
To: Antique Phonograph List
Subject: Re: [Phono-L] Playing two minute wax records with an H or R

No the 4 minute stylus is completely different than the 2 minute. The 4
minute groove is much smaller than the 2 minute.
Sent via BlackBerry by ATT

-Original Message-
From: Ron L lhera...@bu.edu

Date: Tue, 9 Sep 2008 09:32:36 
To: 'Antique Phonograph List'phono-l at oldcrank.org
Subject: Re: [Phono-L] Playing two minute wax records with an H or R


Hmmm, 

I wouldn't play two min. wax with an H but I might try two min. celluloid.


I've never had an R to try on anything.

I've tried the Diamond B on a two min. Celluloid and it sounded fine to me.

If I didn't play 2 min wax with a C I couldn't play them at all.   I don't
have many that are pleasant to listen to and don't play them often.

Ron L


-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Steven Medved
Sent: Tuesday, September 09, 2008 8:51 AM
To: Phono-l; phonolist
Subject: [Phono-L] Playing two minute wax records with an H or R

Hello,
 
I am interested in your opinions.
 
What do you think about playing two minute records with an R or H?
 
What do you think about using a diamond B on 2 minute celluloid cylinders?
 
How about playing brown wax cylinders with a model C?
 
Shawn, I am especially interested in what you think.
 
Thanks,
 
Steve
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[Phono-L] Need a Diaphragm for a Columbia Vivatonal Reproducer

2008-09-08 Thread Ron L
That might work but it is not a Vivatonal diaphragm.  It looks like it has
more pleats than the Vivatonal and I think I see attachment areas for a
Spider.

Ron L

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Norman Bruderhofer
Sent: Monday, September 08, 2008 11:51 AM
To: Antique Phonograph List
Subject: Re: [Phono-L] Need a Diaphragm for a Columbia Vivatonal Reproducer

This should the one you are looking for:

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=180282111614

He seems to accidentally describing them as HMV instead of Columbia. 
So, they are actually Viva-Tonal diaphragms.

Norman


At 11:17 08.09.2008, you wrote:

I just purchased a nice Columbia Vivatonal portable.  It's a model 202 and
was made in England.  When I played it, it sounded terrible.  When I opened
the reproducer I found out why.  Someone had replaced the diaphragm with a
piece of aluminum foil.  They didn't even punch a hole for the needle bar
screw.  Unbelievably, it actually played; feebly but you could hear it.
Does anyone know a source for a replacement diaphragm for this machine.
The
original was 2 1/8 in diameter. Thanks
Robert Vuillemeot

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[Phono-L] Amberola 30 erratic speed

2008-09-02 Thread Ron L
What he said.

Ron L

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Andrew Baron
Sent: Tuesday, September 02, 2008 12:26 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Amberola 30 erratic speed

What a great bunch of replies!  Good suggestions, all.

Even though many of us have been working on these wonderful time- 
machines for years, and have accrued mechanical intuition as well as  
experience, it never hurts to be reminded of all the possibilities.   
Even though I didn't post the original inquiry, I recognize the value  
of all the feedback and will print out a line-item summary of the  
broad range of possible issues, to post in my workshop as a reminder  
and checklist.  In focusing on the minutiae, we sometimes overlook the  
obvious.

Best to all,
Andy Baron
Santa Fe


On Sep 2, 2008, at 7:19 AM, Ron L wrote:

 The test you suggest is a good one.  I'll do it for sure.  However,  
 I am
 pretty sure that the spring could give sufficient energy for correct  
 speed
 at one point (coils slide by one another) and then, as it uncoils,  
 encounter
 an area of sticky old grease, impeding proper release of energy,  
 especially
 since we are dealing with century old springs and equally old  
 lubricant.

 Ron L

 -Original Message-
 From: phono-l-bounces at oldcrank.org [mailto:phono-l-bounces at oldcrank.org 
 ] On
 Behalf Of Robert Wright
 Sent: Monday, September 01, 2008 11:43 PM
 To: Antique Phonograph List
 Subject: Re: [Phono-L] Amberola 30 erratic speed

 Last thought -- listen to a cylinder you know well and wait for the  
 speed to

 drop.  Back the reproducer up about 20 or 30 grooves and see if it  
 does it
 in the same spot, within about 3 or 4 grooves.  If so, it's not the
 mainspring, or anything other than something the carriage encounters  
 near
 that physical location along the feedscrew, whether the contact  
 point of
 half-nut to feedscrew, or the shaft the carriage rides along the  
 length of
 the playback.  Forgive me for speaking out of school, but if it were  
 the
 mainspring, it just sems like there'd be no point at which you had  
 reliable
 speed.  These guys are the experts, but at least give the 30 this
 'repeatable error' test first.


 - Original Message -
 From: Ken Danckaert kend at lemur.org
 To: Antique Phonograph List phono-l at oldcrank.org
 Sent: Monday, September 01, 2008 3:37 PM
 Subject: Re: [Phono-L] Amberola 30 erratic speed


 Your problem is in the mainspring.  It needs to be pulled and ALL  
 the old
 lubrication removed.  40 steel wool and wd40 will do that.   
 Relube and
 put
 the spring back in.  That will get rid of the problem.  DON'T soak  
 it in
 kerosene or some other short cut to cleaning.  The old stuff has  
 got to
 come
 off the spring.

 Ken Danckaert

 On Mon, Sep 1, 2008 at 12:50 PM, Ron L'Herault lherault at bu.edu  
 wrote:

 OK, gang, it is time to tap into the lists' wisdom.  I'm working  
 on an
 Amberola 30.  The hook came unsoldered and the reproducer needed a
 rebuild.
 Those two easy repairs (the spring was in the case)completed, I  
 tested
 the
 phonograph and found that the speed is a bit erratic. It will  
 sound nice,
 then slow just a bit then return to speed for a while only to slow  
 again.
 The carriage moves easily and the horn bobbles and rotates as it  
 should.
 The governor is lubricated and the pad has been oiled.  There is no
 evidence
 of crud or damage to the governor disk.  There were a few teeth on  
 the
 large
 hear that had a bit of damage but a bit of judicious filing has  
 cured the
 noise the damage created, and besides, the speed variation is more  
 random
 than the cycle of the gear noise.  I'm thinking that the  
 mainspring may
 need
 to be removed, cleaned and re-lubricated but I thought I might see  
 if
 there
 is anything else I missed before tearing it apart.

 Thanks,

 Ron L


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[Phono-L] Triumph with Columbia horn?

2008-09-02 Thread Ron L
Just last week, I think it was, I saw a rear section of wood horn with metal
collar on eeebay.   It looked like a fresh cut.   Now I know why.

Ron L

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Steve Andersen
Sent: Tuesday, September 02, 2008 1:04 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Triumph with Columbia horn?

My opinion is that the wood section is not original or aftermarket for  
any Edison machine.  The whole wood section appears too long and does  
not hang on the cygnet crane properly. It does look like a wood horn  
for a rear mount machine that was cut to fit in the housing of an  
Edison cygnet elbow.
On Sep 2, 2008, at 12:32 PM, Andrew Baron wrote:

 Can the wood portion of the cygnet horn that's with this Triumph be
 original?  I wasn't aware that Music Master, before or after Edison
 began offering them, used this type of wood pattern which appears to
 be a ca. 1908 Columbia #2 wood horn bell.  Any thoughts?


http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=170257543430ssPageName=A
DME:B:SS:US:1123

 Andy Baron
 Santa Fe
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[Phono-L] Bloomfield NJ Phono Parts

2008-08-19 Thread Ron L
I once wrote to Coppernoll and I believe Al G supplied a gear to me for a
(since stolen) Edison Standard.  I think I still have those letters
somewhere.

Ron L

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Clint Spaar
Sent: Tuesday, August 19, 2008 1:08 AM
To: phono-l at oldcrank.org
Subject: Re: [Phono-L] Bloomfield NJ Phono Parts

Hi Ray,
Very good thanks for some more details on Al Gerichten, I did a quick
google search and came up with this interesting page of collector
pictures.

http://timbrooks.net/histrecordind/collect70s.cfm

 What I remember (I was 12 back then) that picture of Al's basement
shop looks very familar especially the shelf of phonographs, and the
pile of witch hat horns.

Clint

On Tue, Aug 19, 2008 at 12:25 AM, Clint Spaar clint.spa at gmail.com wrote:
 Date: Mon, 18 Aug 2008 10:09:00 -0400
 From: wilenzick at bellsouth.net
 Subject: Re: [Phono-L] Collectibles - How's That For Originality?
 To: Antique Phonograph List phono-l at oldcrank.org
 Message-ID: 000401c9013b$f7cd60a0$6401a8c0 at Wilenzick
 Content-Type: text/plain; format=flowed; charset=iso-8859-1;
   reply-type=original

 Clint:
 The correct spelling of his name is Al GERICHTEN, of 23 Waldo Ave.,
 Bloomfield, NJ.  He was, indeed, the major phono parts supplier in the
 Northeast in the 70's.

 Ray

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[Phono-L] Details, details

2008-08-04 Thread Ron L
Thanks, Steve.  

The block off of the two min. speed consisted of eliminating the two
little posts on the center shaft that slipped into holes on the main pulley,
making the center shaft, pulley and feed screw turn at the same speed.  Is
there supposed to be a spacer in there to keep the speed change ring in the
rightmost (4 min) position?  If not, what kept it in place?  Should there
still be that little L shaped clip on the collar at the bearing end, which
engages a groove in the feed screw shaft?

Ron

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Steven Medved
Sent: Sunday, August 03, 2008 10:57 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Details, details

Hi Ron,
 
The Home F was an E with the 2 minute blocked off.  It was not cobbled
together, my Triumph E has a D pulley also.  I believe the pulleys were
marked D on the Model D E F and G as they did not change.  
 
Steve



  Hi gang,  I've got a couple of machines for which I need some detailed
pictures. I need to see what the pulley end and the bearing end of the feed
screw on an Edison Home Model F look like, in particular, what is(or is
not)screwed into the various holes. I'd also love a picture of the
disassembled speed change mechanism. I have an F here that has H-D on the
pulley and mandrel and I am wondering if it is cobbled together. There does
not seem to be any way to make it play 2 min records though. 
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[Phono-L] Styli

2008-07-15 Thread Ron L
I'm pretty sure a 3 mil stylus will work on the Edisons and probably will
work on the Pathe verticals.An LP stylus will probably work on the
cylinders.  It certainly won't hurt either the cylinder or the stylus to
try.

Ron L

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of jimcip at earthlink.net
Sent: Tuesday, July 15, 2008 1:40 PM
To: Phono-L at oldcrank.org
Subject: [Phono-L] Styli

A friend has asked me to record electrically some of my vertical-cut Pathe
records  I also want to record electrically Edison Diamond Discs  two 
four-minute cylinders.I have sophisticated equipment for playing 78s
electrically (for 17 years I produced a weekly show
for the local FM station of Classical 78s) including a Packburn Noise
Suppressor which has switch for playing vertical-cut recordings but I
need styluses to play Pathe, Diamond Discs,  two  four-minute cylinders
(using a Rabco tangential tracking arm   the mandrel 
motor from an Amberola 30) that will fit  either a Shure M44 cartridge,
Shure M78S cartridge or  Shure Model V cartridge   If any of you all have
had experience in electrically-reproducing vertical-cut records of various
types  can advise me on sources for such styli I would  greatly appreciate
it.   (I know of Expert Pickups in England but their prices are out of this
world so I hope to find a more affordable source.0
Thanks!
 
Jim Cartwright
 
Immortal Performances
 



jimcip at earthlink.net
EarthLink Revolves Around You.
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[Phono-L] AB's and gear oiling

2008-07-15 Thread Ron L
I usually grease gears and oil bearings on phonos.

Ron L

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Mike Stitt
Sent: Tuesday, July 15, 2008 1:35 PM
To: Antique Phonograph List
Subject: [Phono-L] AB's and gear oiling

The recent thread about the AB MacDonald brings up a good question. Among
the many things I collect includes clocks. Now in the world of clocks you
never oil gears, no  and no. Should you oil gears in phonographs? Would the
higher rate of speed of the governor be a rationale? Would the presumed
higher loads from a larger spring dictate oiling? I do and have oiled
phonograph gears. Should we? And break the clock rule?
Mike
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[Phono-L] AB's and gear oiling

2008-07-15 Thread Ron L
Why would oil ruin the phonograph?   Is it an issue of uneven wear with
dissimilar materials?

Ron L

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Rich
Sent: Tuesday, July 15, 2008 2:29 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] AB's and gear oiling

You do not oil gears except in special cases.  Many people are not 
swayed by sound engineering practices and proceed to ruin good 
phonographs. Clocks have brass meshed with steel and so do most 
phonographs.  IF you find similar materials meshed with each other then 
an extremely light coat is beneficial.  Use a synthetic oil or a clock 
oil.  The 3 in 1 oil is crap.

Mike Stitt wrote:
 The recent thread about the AB MacDonald brings up a good question. Among
 the many things I collect includes clocks. Now in the world of clocks you
 never oil gears, no  and no. Should you oil gears in phonographs? Would
the
 higher rate of speed of the governor be a rationale? Would the presumed
 higher loads from a larger spring dictate oiling? I do and have oiled
 phonograph gears. Should we? And break the clock rule?
 Mike
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[Phono-L] AB's and gear oiling

2008-07-15 Thread Ron L
I've read that one can use powdered graphite to lube fiber gears.   Oil can
soften the fiber material.  If the story of the raw material for fiber gears
is to be believed,  the fiber material is naturally lubed.  Ewww.

Ron L

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Greg Bogantz
Sent: Tuesday, July 15, 2008 3:30 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] AB's and gear oiling

snip.  Some 
people prefer not to oil fiber gears at all.  Some fiber gears are designed 
to run dry if they mesh with a highly polished worm gear.  snip



[Phono-L] AB's and gear oiling

2008-07-15 Thread Ron L
No credit until you take the quiz next period, Bruce.

Ron L

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of BruceY
Sent: Tuesday, July 15, 2008 3:44 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] AB's and gear oiling

I never imagined that my ill-begotten terminology would generate such a 
remarkably detailed response. Thanks for the advanced education seminar on 
the proper lubrication standards of the Talking Machine. I hope to receive

at least 3 continuing education credits for attending this course.

Bruce
- Original Message - 
From: Greg Bogantz gbogan...@charter.net
To: Antique Phonograph List phono-l at oldcrank.org
Sent: Tuesday, July 15, 2008 3:29 PM
Subject: Re: [Phono-L] AB's and gear oiling


The issue with using oil or grease on metal parts is whether it dries 
 up
 and gets sticky over time.  This can be especially detrimental  on very
 low-torque mechanisms such as the escapement or verge of a clockwork.
 Also, oiling must be done with the right formula when applied to
 non-metallic surfaces such as the fiber gears on some phonographs.  Some
 people prefer not to oil fiber gears at all.  Some fiber gears are 
 designed
 to run dry if they mesh with a highly polished worm gear.  But high-torque
 gears such as the winding gears where the crank shaft meshes with the 
 spring
 barrel and the output or bull gear on the spring barrel on phonographs
 should be lubricated with a heavy oil or grease.  These are often
 steel-on-steel gears.  I restore both clocks and phonos and I usually 
 grease
 the high-torque gears on the spring barrel of phonos and use a 20 weight 
 or
 so oil on all the other metal gears, including the high-speed governor 
 gears
 and pivots.  I actually use a mixture of petroleum oil and a PTFE additive
 such as Slick 50 for my middle weight applications.  The PTFE works
 especially well on sliding surfaces such as the ways that support the
 reproducer on cylinder phonos.  Sliding surfaces lubricated this way hold
 their lubricity for a very long time.

Clocks have considerably lower torque in their spring barrels, so a
 medium weight oil is all that's necessary on them.  Then I oil the pivots
 and higher speed gears with a very light clock oil.  These oils are 
 designed
 not to gunk up and won't get sticky.  I do not oil the escapement 
 mechanism
 at all, whether pendulum or balance wheel type, although I do oil their
 pivots with the light oil.

I agree that 3-in-1 oil is not good for these purposes.  And WD-40 is a
 BAD idea as it gets sticky quite quickly when the solvent evaporates from
 it.

 Greg Bogantz



 - Original Message - 
 From: Ron L lherault at bu.edu
 To: 'Antique Phonograph List' phono-l at oldcrank.org
 Sent: Tuesday, July 15, 2008 3:03 PM
 Subject: Re: [Phono-L] AB's and gear oiling


 Why would oil ruin the phonograph?   Is it an issue of uneven wear with
 dissimilar materials?

 Ron L

 -Original Message-
 From: phono-l-bounces at oldcrank.org [mailto:phono-l-bounces at 
 oldcrank.org]
 On
 Behalf Of Rich
 Sent: Tuesday, July 15, 2008 2:29 PM
 To: Antique Phonograph List
 Subject: Re: [Phono-L] AB's and gear oiling

 You do not oil gears except in special cases.  Many people are not
 swayed by sound engineering practices and proceed to ruin good
 phonographs. Clocks have brass meshed with steel and so do most
 phonographs.  IF you find similar materials meshed with each other then
 an extremely light coat is beneficial.  Use a synthetic oil or a clock
 oil.  The 3 in 1 oil is crap.

 Mike Stitt wrote:
 The recent thread about the AB MacDonald brings up a good question. 
 Among
 the many things I collect includes clocks. Now in the world of clocks 
 you
 never oil gears, no  and no. Should you oil gears in phonographs? Would
 the
 higher rate of speed of the governor be a rationale? Would the presumed
 higher loads from a larger spring dictate oiling? I do and have oiled
 phonograph gears. Should we? And break the clock rule?
 Mike
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[Phono-L] Bad English on the Bay

2008-06-25 Thread Ron L
What struck me was the incongruity (and therefore the humor) of touting
someone as your favorite artist and then misspelling both the name and the
genre.  I know I've made errors in E-Bay listings but when I read it over, I
usually catch them.

Ron L

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Bill Boruff
Sent: Tuesday, June 24, 2008 11:28 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Bad English on the Bay

It's too bad that everyone isn't as perfect as some of us!  When I  
joined Phono-L I thought the purpose of the  group was to share  
phonograph information - not to beat up on  others for what they  
don't know.
Bill B

On Jun 24, 2008, at 9:07 AM, Rich wrote:

 Probably a benefit of the PC Public Education system.  There is a  
 spell
 check built into the eBay listing routine but they are still  
 working on
 the grammar checking module.

 john robles wrote:
 How can someone with such moronic English usage spell almost  
 everything correctly?? And ththe description was like one long run- 
 on sentence...

 Ron L lherault at bu.edu wrote:  This seller touts his/her favorite  
 oprah singer Elma Gluck. See:
 Item # 370061668586

 Ron L


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[Phono-L] Bad English on the Bay

2008-06-24 Thread Ron L
This seller touts his/her favorite oprah singer Elma Gluck.  See:
Item # 370061668586

Ron L
 



[Phono-L] edisonic vs. dance?

2008-05-08 Thread Ron L
I believe one has two springs and the other has only one.   I think the
Edisonic has the spring only on the needle bar and the Dance has one on the
diaphragm as well, hence the bolt-on neck.

Ron L

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Peter Fraser
Sent: Thursday, May 08, 2008 1:46 PM
To: Antique List Phonograph
Subject: [Phono-L] edisonic vs. dance?

can anyone expound on the differences between the Edison Dance  
reproducer and its successor, the Edisonic?  As near as i can tell,  
it's just the bolt-on neck...but does the little spring have different  
characteristics?  is there anything else?  do they sound appreciably  
different when equally restored?

thanks for anything you can offer...

-- peter
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[Phono-L] edisonic vs. dance?

2008-05-08 Thread Ron L
Has anyone ever tried slipping a bit of modern rubber tubing over the
spring or maybe painting the spring with silicone sealant?

Ron L

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Greg Bogantz
Sent: Thursday, May 08, 2008 3:47 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] edisonic vs. dance?

Ron L is correct.  But both of these springs were bad ideas to begin 
with.  They were a lame attempt to account for the escessive bias placed on 
the diaphragm by the extra weight which causes the diaphragm to be stressed 
(and strained) downward even more by the tension in the stylus bar link. 
The extra weight used in the Dance and Edisonic models was required to 
reduce mistracking and distortion when playing highly modulated records, 
particularly the later electrics.  It DOES NOT make the reproducer play 
louder, contrary to the bilge in the Edison blurbs to that effect.  The 
loudness can only be controlled by changing the mechanical gain of the 
stylus bar which is the ratio of the stylus tip distance to the bar pivot 
relative to the distance from the bar pivot to the link. This ratio is the 
same for ALL Edison DD stylus bars, hence they all play at the same 
loudness.  You can confirm this to yourself by using the different models of

reproducer to play very soft recordings which do not tax the reproducers - 
they will all sound the same loudness.  The fact that they may sound 
different when playing loud recordings is due to the differences in 
mistracking and distortion that they exhibit on those records.

This biasing of the diaphragm is indigenous to the tracking of vertical 
modulation and is one of the several problems with that technology.  (This 
problem does not exist with lateral reproduction.)  Having a permanent bias 
or bend in one direction while playing a record causes the diaphragm to 
exhibit assymmetric nonlinear behavior  (due to it nonlinear elasticity) 
which is yet another contributor to the generation of even orders (2nd, 4th,

6th, etc.) of harmonic distortion.  Edison tried to reduce this bias (or 
permanent bending offset under playing tension) of the diaphragm with the 
addition of these springs into his later models of DD reproducers.  There is

a lot of bloviation about the purpose of the springs in his patent 
disclosure for the Dance reproducer, but compensation for the bias was their

intended purpose.  It didn't work.  Mostly because he didn't account for the

added spring constants these springs introduced into the diaphragm resonance

which changes and/or adds to the mechanical resonances of the system.  In 
particular, he didn't damp the springs sufficiently or at all.  The 
diaphragm spring was designed with some damping in it, but it was 
ineffective.  The stylus bar spring has no damping that I can find. 
Consequently, you can hear this spring ring when you play records.  If you

pay attention, you can hear a ringing noise behind the music which is this 
spring boinging or oscillating.  Bad idea.  My advice is to just remove both

of these springs.  The reproducer will sound cleaner and clearer with fewer 
resonances and extraneous noises.

Greg Bogantz



- Original Message - 
From: Ron L lhera...@bu.edu
To: 'Antique Phonograph List' phono-l at oldcrank.org
Sent: Thursday, May 08, 2008 2:07 PM
Subject: Re: [Phono-L] edisonic vs. dance?


I believe one has two springs and the other has only one.   I think the
 Edisonic has the spring only on the needle bar and the Dance has one on 
 the
 diaphragm as well, hence the bolt-on neck.

 Ron L

 -Original Message-
 From: phono-l-bounces at oldcrank.org [mailto:phono-l-bounces at 
 oldcrank.org] 
 On
 Behalf Of Peter Fraser
 Sent: Thursday, May 08, 2008 1:46 PM
 To: Antique List Phonograph
 Subject: [Phono-L] edisonic vs. dance?

 can anyone expound on the differences between the Edison Dance
 reproducer and its successor, the Edisonic?  As near as i can tell,
 it's just the bolt-on neck...but does the little spring have different
 characteristics?  is there anything else?  do they sound appreciably
 different when equally restored?

 thanks for anything you can offer...

 -- peter
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[Phono-L] Down Time

2008-05-01 Thread Ron L
Thanks Loran.  And thanks for kicking the Chat computer last week so that we
didn't suffer Chat withdrawal.  

Ron L

-Original Message-
From: phono-l-bounces at oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Loran T. Hughes
Sent: Wednesday, April 30, 2008 11:43 PM
To: Antique Phonograph List
Subject: [Phono-L] Down Time

Folks,

I want to apologize for Phono-L being down for a few days... I had a  
major software malfunction here. Everything seems to be back up and  
running normally now.

Loran
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[Phono-L] Two VV IX for sale

2008-04-23 Thread Ron L
I was contacted by a woman who has two VV IXs to sell.  One is an earlier
version, footless, a version C with the female crank.  It looks like it is
mahogany.  It is all there and working.  Case is in very nice shape although
allegatored.  It sits on a great matching record cabinet that, to me at
least, curiously opens from the long side rather than what would be the
front of the machine.  There is a Vic 2 on a gold elbow sitting loose in
this machine.

The second IX is a version G, also in nice shape.  The wood looks a little
lighter and more like walnut but I don't think it is.  It also is complete,
working and in nice shape. 

She is not sure what she wants for the machines and has a local paper's
syndicated Antiques column with a common looking Victrola upright valued by
the column author at $1000!  I don't know if I've convinced her yet that the
author was greatly mistaken about that one.

If anyone is interested in these machines, which are in Mansfield, MA,
please contact me off list.

Thanks,

Ron L


[Phono-L] Credenza Knock off?

2008-04-18 Thread Ron L
I can see the horn well enough to determine that it is two large flat boards
making a truncated V shape.  The tone arm looks Orthophonic.  I wonder
what the reproducer looks like.  Tom Rhodes has Adverts for aftermarket
machines that look like this.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Bob
Sent: Friday, April 18, 2008 12:52 PM
To: Antique Phonograph List
Subject: [Phono-L] Credenza Knock off?

Check ebay item #  120249190282.  At first glance this looks very similar to

a Credenza.  Unfortunately you can't see the horn very well. Anyone ever see

one of these in the flesh or have any information about it?
RMV 

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[Phono-L] Elusive machine on Ebay

2008-04-16 Thread Ron L
I thought the legs were gone too but I looked again and I do believe they
are there.  It is just the way it is photographed.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Bob
Sent: Wednesday, April 16, 2008 7:26 AM
To: Antique Phonograph List
Subject: Re: [Phono-L] Elusive machine on Ebay

The phonograph is a Victor orthophonic 8-12.  Unfortunately not only does it

have the wrong arm and reproducer, but if you look closely, the legs have 
been cut off.  From th eway the pictures were taken and the flowery 
description, I suspect the dealer knows more about the machine than he is 
letting on and trying to educate him would be futile.
RMV
- Original Message - 
From: est...@localnet.com
To: phono-l@oldcrank.org; phonol...@yahoogroups.com
Sent: Wednesday, April 16, 2008 6:21 AM
Subject: [Phono-L] Elusive machine on Ebay


 The dealer says the details on this machine Remain elusive but the 
 components are All original. It's a Victor that someone has fitted with 
 a Brunswick Ultona arm. Will someone with more tact that I have please 
 elucidate the seller, who (it appears) will welcome information.

http://cgi.ebay.com/Victrola-Antique-Standing-Record-Player_W0QQitemZ2502374
54040QQihZ015QQcategoryZ1442QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
 Eric

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[Phono-L] Elusive machine on Ebay

2008-04-16 Thread Ron L
I'd love to have the doors and carved accent for the bottom medallion.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of BruceY
Sent: Wednesday, April 16, 2008 10:24 AM
To: Antique Phonograph List
Subject: Re: [Phono-L] Elusive machine on Ebay

Yes, and still a good deal if you can get it at the 99 cent minimum bid and 
then drive down to Pa. and haul it back home.
- Original Message - 
From: Ron L lhera...@bu.edu
To: 'Antique Phonograph List' phono-l@oldcrank.org
Sent: Wednesday, April 16, 2008 9:49 AM
Subject: RE: [Phono-L] Elusive machine on Ebay


I thought the legs were gone too but I looked again and I do believe they
 are there.  It is just the way it is photographed.

 Ron L

 -Original Message-
 From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] 
 On
 Behalf Of Bob
 Sent: Wednesday, April 16, 2008 7:26 AM
 To: Antique Phonograph List
 Subject: Re: [Phono-L] Elusive machine on Ebay

 The phonograph is a Victor orthophonic 8-12.  Unfortunately not only does 
 it

 have the wrong arm and reproducer, but if you look closely, the legs have
 been cut off.  From th eway the pictures were taken and the flowery
 description, I suspect the dealer knows more about the machine than he is
 letting on and trying to educate him would be futile.
 RMV
 - Original Message - 
 From: est...@localnet.com
 To: phono-l@oldcrank.org; phonol...@yahoogroups.com
 Sent: Wednesday, April 16, 2008 6:21 AM
 Subject: [Phono-L] Elusive machine on Ebay


 The dealer says the details on this machine Remain elusive but the
 components are All original. It's a Victor that someone has fitted with
 a Brunswick Ultona arm. Will someone with more tact that I have please
 elucidate the seller, who (it appears) will welcome information.


http://cgi.ebay.com/Victrola-Antique-Standing-Record-Player_W0QQitemZ2502374
 54040QQihZ015QQcategoryZ1442QQssPageNameZWDVWQQrdZ1QQcmdZViewItem
 Eric

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[Phono-L] Seeburg Home Library

2008-03-31 Thread Ron L
And it went for a little more than $150.

Ron

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Greg Bogantz
Sent: Monday, March 31, 2008 3:14 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Seeburg Home Library

Doug, even though it's bigger than a Victor 10-50, it weighs about the 
same.  The wood console cabinet was made and sold as two pieces.  You could 
originally buy just the mechanism is you wanted to custom install it.  Or 
you could buy just the wooden mechanism housing if you wanted it to be free 
standing.  Or you could buy the lower record storage and speaker stand (also

contained the power amp) as an option.  Or you could order the entire 
ensemble complete as one model as you see it shown on the eBay listing.  But

the cabinets were still supplied as separate upper and lower sections.  I 
have the mechanism and complete electronics for one of these which I've 
built into my own cabinet.  I wasn't able to salvage the original cabinet. 
But from what I have and what I can see of the cabinet, I'm estimating that 
the entire upper section probably weighs about 200 pounds.  And the lower 
section which is mostly empty probably weighs another 100 pounds for a 
combined weight of around 300 pounds.  But it's still a BIG beast, even 
separated into two parts.  You'd have to have a large pickup truck or a 
full-sized van to haul the thing.  But it's a great toy.  I use mine 
regularly.  The mechanical design is beautiful, robust, and works like a 
charm.  Despite the direct worm gearing (no rubber belts or drive pucks to 
wear out), there is no rumble, wow, or flutter in playback

Greg Bogantz



- Original Message - 
From: Douglas Houston cdh...@earthlink.net
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Monday, March 31, 2008 2:51 PM
Subject: RE: [Phono-L] Seeburg Home Library


 The thing is beautiful. I shudder to thnk what it weighs, though.


 [Original Message]
 From: Greg Bogantz gbogan...@charter.net
 To: phono-l@oldcrank.org
 Date: 3/30/2008 4:11:13 PM
 Subject: [Phono-L] Seeburg Home Library

 Hey guys, here's a rare opportunity to score one of the most unusual
 home phonographs ever made, the Seeburg Home Library:



http://cgi.ebay.com/Vintage-Seeberg-Automatic-Record-Console_W0QQitemZ260223
 421468QQihZ016QQcategoryZ3283QQssPageNameZWDVWQQrdZ1QQcmdZViewItem

   In case you don't know what it is, this is the first 78rpm version
 of the Seeburg Select-O-Matic record changer which was introduced as the
 M100A jukebox in 1948.  It is full intermix - you can use 10 and 12 inch
 records loaded in any order anywhere in the record magazine with automatic
 size selection by the mechanism.  The M100A offered 100 selections, 
 whereas
 this version holds 100 records for a total of 200 selections.  This
 mechanism was offered as the Seeburg Industrial/Commercial Music (SICM)
 system housed in a huge steel cabinet as well as this home version as 
 shown
 in the wooden console.  This model includes the preamp, power amp, speaker
 and 24-hour timer which can be programmed to start and stop the music
 program numerous times over a 24-hour period.  This one looks to be in
 complete and nice shape, too.  I have no financial interest in this item, 
 I
 just wanted it to find an appreciative buyer. Somebody here on this list
 should give it a good home. It's very rare to find one of these, never 
 mind
 in this kind of good condition.

   Greg Bogantz

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[Phono-L] Columbia Reproducer Tool

2008-03-20 Thread Ron L
Nope, I just looked at watch case openers.  I'm the one who identified the
multi use tool that Bob has and it does not look like a watchcase opening
tool.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of David Dazer
Sent: Thursday, March 20, 2008 11:22 AM
To: Antique Phonograph List
Subject: Re: [Phono-L] Columbia Reproducer Tool

This sounds like a watch case opening tool.  Check out Timesavers.com You
can send me a photo if you would like to.
  Dave

Bob rvu...@comcast.net wrote:
  I held a meeting of our local phonograph group at my house Sunday. While
looking at a Columbia console I'm in the process of restoring one of the
more astute members of the group was able to identify a tool that I found in
one of the drawers. This is a tool specifically designed to repair Columbia
reproducers. It's about 4 1/2 long and 2 1/2 wide. It's shaped like a
Whamo slingshot frame. It has 2 spanner wrenches to remove the metal ring
that holds the diaphragm in place. The larger one is set for 2 3/16 and the
smaller for 
1 13/16. Then there are 4 different size hex wrenches for adjusting the nuts
on the needle bar and finally, a fine screw driver for removing the screw
that holds the needle bar to the diaphragm. When he got home one of the
members tried to research this tool on line but could find nothing about it.
I'm wondering if any of the people on this list are familiar with this tool
and cam supply information about it. Email me if you would like to see a
picture of it.
RMV
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[Phono-L] Crapophones and The Buyers and The Dealers!

2008-03-13 Thread Ron L
Hi Bob,

I e-mailed from a laptop at home last night but I am not sure if it was
working correctly so I though I'd better reply again this morning from work.
What did you have in mind for the book?

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Bob Johnson
Sent: Wednesday, March 12, 2008 5:03 PM
To: 'Antique Phonograph List'
Subject: RE: [Phono-L] Crapophones and The Buyers and The Dealers!

Hey Ron L.  email me about the Tin Foil to Stereo book.  Bob Johnson
bjohn...@mrvictor.com   

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Ron L
Sent: Wednesday, March 12, 2008 12:05 PM
To: 'Antique Phonograph List'
Subject: RE: [Phono-L] Crapophones and The Buyers and The Dealers!

You are probably lucky that you did not get to talk to the fellow who had
just blown $950 of that $1000.  He would have thought that you were one of
the loosing bidders trying to make him feel bad, at the very least.



[Phono-L] Tinfoil To Stereo

2008-03-12 Thread Ron L
You are lucky to have been given that book.  I was one of a very few who
took From Tin Foil To Stereo out of our library.  I used to know the exact
spot on the shelf where it resided.  One day, I went in to borrow it only to
learn that it had disappeared!  Someday I'll find an affordable (i.e.
inexpensive or free) copy.   8-)

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of John Maeder
Sent: Tuesday, March 11, 2008 10:13 PM
To: Antique Phonograph List
Subject: RE: [Phono-L] Tinfoil To Stereo


I am proud that Ken Blazier gave me his copy of 'From Tinfoil To Stereo'
that was given to him by Elmer Moore (a first generation Southern California
collector).  Both their names are inside with dedications from each
generation to the next.  Ken passed away earlier this winter, for those of
you who may not know.  I also have Del Hahn's copy of 'Edison Cylinder
Phonograph Companion'.  Del passed away early last year.  Elmer was before
my time in SoCal but heard many stories about him.  I knew Ken and Del well
and thought very highly of them both.  I really treasure those books! 

When I was a kid (I started collecting at age 10), I used to check a 1954
edition of 'Fabulous Phonograph' out of the Ft. Knox (Ky.) library.   The
librarian told me I was the only person that had ever checked it out!  On
one visit when I was about 13 or 14, she gave it to me stamped 'discarded'.
I still have it.  Kind regards, John

 Date: Tue, 11 Mar 2008 18:38:39 -0700
 From: deedeebl...@yahoo.com
 To: phono-l@oldcrank.org
 Subject: [Phono-L] Tinfoil To Stereo
 
 For those that get tired of stories from back when I
 was a new collector, you can tune out now.  When I
 started collecting in the early 70's, the only books
 that were available were Tinfoil to Stereo first
 printed in 1959 and The Fabulous Phonograph first
 printed in 1954.  I was introduced to both those books
 by Ira Dueltgen.  He had an extra copy of The
 Fabulous Phonograph that he gave or sold me at a
 modest price.  I was disappointed to find out that
 Tinfoil was out of print and I had to wait what
 seemed like forever before the second edition was
 available.  When I was looking for the photo of the
 Diamond Disk with the loud speaking attachment I
 checked the inside cover and found that my copy came
 through several collectors.  On the inside cover it
 says:  Received 1-13-66, Purchased from A. Nugent Jr.
 3804 Charles City Rd. Richmond, Va. Property of H.
 Claire Carpenter Sr.   Sold to Ira Dueltgen by Mr.
 Carpenter's widow  Purchased from Ira by John
 Davis in 1978 ... gift from John Davis to Jerry Blais
 12-11-2006.
  I sold my second edition copy of Tinfoil from a
 posting on phono-l some time ago.  We have so many
 wonderful phonograph books.  My only difficulty today
 is trying to process so much information.  Happy
 collecting, Jerry Blais
 
 



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[Phono-L] Shellac records and damage from steel needles

2008-03-06 Thread Ron L
I don't think anyone ever said that no wear  (not damage-the choice of terms
shows a prejudice) to a record occurs.  That is clearly wrong for the
reasons you have stated.  Wear to the needle continues throughout the play
of the record.  If a machine is properly maintained and the reproducer has
compliant parts, when a new steel needle(not a nail - see comment in
parentheses above) is used, wear is kept to a minimum. Having said that,
further qualification should be made.  Some machines had better designs than
others.  Steel needles are ground to a point and tumbled to create a
particular radius on the tip they are not merely, headless nails.   What
has happened over time is that the whole playback system has become refined.
Even diamond styli are worn by vinyl records and the records themselves are
worn (degraded) every time they are played.  No contact system of playback
will eliminate this.  If you have a super-valuable/rare record, should you
play it repeatedly with a steel needle? No.  But then again, you probably
shouldn't play it repeatedly with any needle/stylus.

I think Greg Boganz mentioned the lack of wear on DDs on the Electrola list
recently.  It is not entirely because of the tone arm and has to do with
vertical grooves and the nature of the DD surface.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Robert Wright
Sent: Thursday, March 06, 2008 3:53 AM
To: Antique Phonograph List
Subject: [Phono-L] Shellac records and damage from steel needles

Many times the pros and cons of playing shellac discs on wind-up phonographs

have been discussed here on this list.  There are more than a few collectors

who are completely convinced that if you follow the rules, no damage occurs 
to your records whatsoever (I even know of an eBay seller who admits to 
playing ALL his records on his wind-up for aural grading purposes, complete 
with a diatribe in this practice's defense, though he'll never convince me 
to buy one of his items), and outside of phono maintenance, there really is 
only one rule -- use a new needle every time, period.

I have never agreed with this.  I'm a child of the 80's, and I remember when

CD's came out -- one of the selling points (though quite secondary to the 
issue of surface noise) was that you cannot play a record with some 
miniscule amount of damage, but that you cannot inflict any amount of damage

on a CD by playing it no matter how many times you do so.  (And remember, 
they were talking about modern vinyl records with lightweight tonearms and 
meticulously ground stylii, not a headless nail with a half-pound chunk of 
metal sitting on it.)  It's absolutely true, as anyone who has ever fallen 
asleep during play of a modern LP on a modern, non-automatic turntable can 
attest, as they will hear what sounds like pink noise coming from the closed

groove near the label, and a certain amount of black vinyl dust wil find 
itself on their stylus.

Further proof:  I have a very nice audiophile turntable rig (Music Hall 
MMF-9 with lots and lots of upgrades, Shure V15VxMR cartridge), and every 
time I change the stylus, I let it run in one of the locked-groove white 
noise grooves of the Cardas Frequency Sweep and Burn-In Record for at least 
a few hours (usually more like 5) before doing any serious listening.  And 
if you go through my disc's tracks one by one, you will plainly hear a 
couple that have been used more than once, as evidenced by 3 to 6 dB 
decrease in the treble frequencies.

But back to wind-ups.  The idea behind the steel needle/diamond dust in the 
shellac system is that at the beginning of the record, the first few grooves

of (hopefully) dead air will grind the surface of the needle to custom fit 
that particular groove.  My expanded idea of this is that once the needle is

sufficiently ground to fit, the grinding of both the needle and the record 
are reduced drastically, as the weight of the soundbox is then supported by 
the maximum amount of contact area between needle and groove; if this is 
true, then an ideal constitution of shellac and diamond dust could be 
arrived at, as the amount of grounding necessary could be calculated to a 
very fine degree.

So what's the problem?  Azimuth.  The soundbox travels at a curve.  And to 
compound the problem, tonearms were largely kept at a relatively short 
distance, something like 170mm compared to the 233mm of a modern tonearm. 
The length of the tonearm is one of the things directly responsible for the 
reproducer's perpendicularity to the tangent of the groove at the needle's 
contact point.  I don't have a protractor with which to measure the degrees 
of arc the soundbox of my portable Victrola is subjected during full 
transverse of a disc, but believe me, it is sadly substantial, visually.

Here's a non-scientific test:  grab a small square and align one leg against

the inside of the soundbox, with the other leg vertically

[Phono-L] FW: records from 1907

2008-03-06 Thread Ron L
Our members may find this article interesting.  It is about the discovery of
a bunch of records stored in a time capsule in the Paris Opera and mentioned
in Phantom of the Opera.

 

Ron L

 

  _  

Here's the article on the records found from 1907  1912 

http://www.smithsonianmag.com/arts-culture/preseence-200803.html

featuring the opera singers.

Cheryl

 

 


[Phono-L] Birthday wishes

2008-03-03 Thread Ron L
Ha!  I've googled a few times today and didn't even notice!

Thanks, Loran.

Ron

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Loran Hughes
Sent: Monday, March 03, 2008 2:37 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Birthday wishes

Ron,

Check out Google's logo today (www.google.com).

Loran

On Mar 3, 2008, at 11:19 AM, Ron L wrote:

 Today is Alexander Graham Bell's Birthday.   I work in Boston, not  
 all that
 far from where he (and Edison) did research.

 It is a good time to play Give Me Your Telephone Number.

 Ron L
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[Phono-L] Portables

2008-02-11 Thread Ron L
Ha! Well, at least one of those arms is incorrect, apparently.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Robert Wright
Sent: Monday, February 11, 2008 1:22 AM
To: Antique Phonograph List
Subject: [Phono-L] Portables

Well, scratch that theory...  Here's another Carryola with the same 
reproducer but a 'normal' tonearm.

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=300197974468ssPageName=M
ERC_VI_RSCC_Pr8_PcY_BID_Stores_ITrefitem=290205612802itemcount=8refwidget
loc=active_view_itemusedrule1=StoreCatToStoreCatrefwidgettype=cross_promot
_widget_trksid=p284.m184_trkparms=algo%3DDR%26its%3DS%252BI%252BSS%26itu%3
DISS%252BUCI%252BSI%26otn%3D8


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[Phono-L] Vic 4

2008-02-06 Thread Ron L
Someone has a clean 4 spring motor on E-bay so I don't have to look at mine
at home.  There is a collar with a set screw at the end of the casing
farthest from the winding gears.   I don't think there are any others.
Remove the set screw and any hardened grease and you should be able to tap
the shaft out, I believe.  Just in case, clean the ends of the shaft and
gears and look for additional set screws.


Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of TERRY LEWIS
Sent: Wednesday, February 06, 2008 8:54 AM
To: phono-l@oldcrank.org
Subject: [Phono-L] Vic 4

Can someone please tell me how to remove the shaft
from a Victor 4 spring assembly.  Thanks, Terry Lewis


 


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[Phono-L] Super Bowl Predictions from Phono Nuts

2008-02-01 Thread Ron L
The coach at our school, so I am told, said that the band guys were sissies.
It was a smallish school and there was competition for bodies.  That didn't
help my opinion of athletes though.  Now, here I am almost 61 and still
playing music and getting paid for it.  As far as I know, none of those
now-60-year old jocks are making money playing football.  And they probably
couldn't play a whole game if they had to   8-).

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of keeper...@aol.com
Sent: Friday, February 01, 2008 2:44 AM
To: phono-l@oldcrank.org
Subject: Re: [Phono-L] Super Bowl Predictions from Phono Nuts

 
In a message dated 1/31/2008 2:02:10 PM Pacific Standard Time,  
lhera...@bu.edu writes:

The only  time I ever went to football games was when I was in the band.  If
I  was not actually playing I was bored and cold.  Why would anyone want  to
chase a ball anywere?


To knock other big, strong guys into mud?
 
; )
 
E



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[Phono-L] Super Bowl Predictions from Phono Nuts

2008-02-01 Thread Ron L
Hmm, I think you are right.  I'd forgotten about that.  8-)

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Robert Wright
Sent: Friday, February 01, 2008 3:24 AM
To: Antique Phonograph List
Subject: Re: [Phono-L] Super Bowl Predictions from Phono Nuts

Nah, that's what my older brothers were for. :-)  Us band geeks got to ride 
back from away games with the cheerleaders and drill team.  Right, Ron?

NE 28
Giants 20

best,
r.



- Original Message - 
 Why would anyone want  to
 chase a ball anywere?


 To knock other big, strong guys into mud?

 ; )

 E 

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[Phono-L] Record Price for Edison Army-Navy??

2007-10-25 Thread Ron L
Service number? Nope, I was 1Y

Ron (blind in one eye)L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Rich
Sent: Wednesday, October 24, 2007 5:57 PM
To: Antique Phonograph List
Subject: RE: [Phono-L] Record Price for Edison Army-Navy??

Remember your service number?  Use it along with a couple of special
characters.

On Wed, 24 Oct 2007 15:44:59 -0400, Ron L wrote:

I did get a message from EBay (it was legit-on My EBay-messages) that
advised me to change my password because the existing one was too easy.
Now, if I could only remember the new password.  8-)

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of phonofo...@aol.com
Sent: Wednesday, October 24, 2007 3:37 PM
To: phono-l@oldcrank.org
Subject: Re: [Phono-L] Record Price for Edison Army-Navy??


I am surprised that ebay has not tightened up on their seciurity network to
prevent anyone from obtaining your personal ebay password. Could they
develop a software that would automatically delete the cookies that house
the password in your computer or form their website? I am sure something
could be done, but then again it may cost ebay lots of money to invest in
such a precaution. I would hate to see them dip into their millions of
dollars in revenues and profits to help their fellow customers.



Rick


-Original Message-
From: aph4...@aol.com
To: phono-l@oldcrank.org
Sent: Wed, 24 Oct 2007 2:48 pm
Subject: Re: [Phono-L] Record Price for Edison Army-Navy??




 
In a message dated 10/24/2007 10:58:29 A.M. Mountain Daylight Time,  
bruce78...@comcast.net writes:

No, I  get them all the time, but being the naturally suspicious fellow
that

I  am, I have never fallen for one of them, and send them immediately to  
sp...@ebay.com , so I can't imagine in this day and age of crooks,
thieves,

and con artists on the internet, that anyone in their right mind  falls for

that CRAP!! and wondered whether there was another way that  these
hijackers

were lifting peoples  passwords.

Bruce


Bruce,  I had my eBay identity AND password hijacked recently and  someone 
used it to put a bunch of Mercedes, Jaguars and Rovers up on eBay for  sale
by 
..me!  I still haven't figured out how they would benefit from  this.
But 
I was told by eBay that you don't even have to click on the  links given on

the phishing site for them to find your password.  You just  have to OPEN a

phishing email for them to gain that information.  I  certainly don't
understand 

how they can do that.   I'm opening fewer  emails now!
---Art Heller



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[Phono-L] Cleaning Filigree...

2007-10-05 Thread Ron L
I use mechanic's waterless hand cleaner, WITHOUT PUMICE.  I have not had a
problem yet.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Douglas Curran
Sent: Friday, October 05, 2007 9:54 AM
To: phono-l@oldcrank.org
Subject: [Phono-L] Cleaning Filigree...


Greetings:
 
Is there a safe way to clean back brackets without damaging the filigree
decoration?
 
Tnx  Rgds.
 
Doug -- 
 
 
_
Windows Live Hotmail and Microsoft Office Outlook ? together at last. ?Get
it now.
http://office.microsoft.com/en-us/outlook/HA102225181033.aspx?pid=CL10062697
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[Phono-L] Edisonia

2007-09-18 Thread Ron L
Neat!  Thanks.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of John Maeder
Sent: Tuesday, September 18, 2007 12:05 PM
To: phono-l@oldcrank.org
Subject: [Phono-L] Edisonia

http://en.wikipedia.org/wiki/Edisonia_Hall


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[Phono-L] Edisonia picture

2007-09-18 Thread Ron L
Here's a link to the postcard.  You can barely make out Edisonia

http://members.cox.net/crescentpark/c-p23.htm




[Phono-L] Mystery

2007-09-05 Thread Ron L
I remember my red  1958 Triumph TR 3.  It had faded to a pinkish color by
1968 when I bought it.  Aggressive polishing helped make it look a bit
redder, as I recall.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Jeffry Young, D.O.
Sent: Wednesday, September 05, 2007 9:25 AM
To: Antique Phonograph List
Subject: RE: [Phono-L] Mystery

We need the input of artists, home painters and auto painters. I have
always been told that the red spectrum of colors is more light
sensitive, and will fade easier and faster than other colors. 

Truth?

Jeff
Wisconsin

 

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org]
On Behalf Of aph4...@aol.com
Sent: Tuesday, September 04, 2007 11:21 PM
To: phono-l@oldcrank.org
Subject: Re: [Phono-L] Mystery

 
In a message dated 9/4/2007 8:13:21 P.M. Mountain Daylight Time,  
lhera...@bu.edu writes:

The red  underneath the elbo is not exposed to ultraviolet.  No UV no
fade.
Very few pigments in use 
in the early 1900s were color  fast.  Almost all of them fade and the
color
that they fade to, in  most 
cases, is not what you would expect.


And so...can we assume that the maroon accents fade but the amber horn
color 
either does not fade or fades much less than maroon?  I am simply
wondering 
what pigment difference there might have been.
The simplest answer would seem to be that certain colors absorb UV light

more than others.
I wonder what other present day horns would have been different colors
when  
they were manufactured.
---Art Heller



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[Phono-L] Mystery

2007-09-04 Thread Ron L
More likely it is a UV issue, rather than exposure to air.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of wilenz...@bellsouth.net
Sent: Tuesday, September 04, 2007 11:06 AM
To: Antique Phonograph List
Subject: Re: [Phono-L] Mystery

I don't think the maroon or red accent used on Vic O horns was paint, but 
rather some type of dye color which readily fades possibly over time when 
exposed to the air.  I have a friend with a beautiful Vic O, nice original 
paint on horn, but missing the maroon trim also.  Perhaps it's maroon under 
the elbow because that part was protected from the air.  Just a guess.
Ray

- Original Message - 
From: DeeDee Blais deedeebl...@yahoo.com
To: phono-l@oldcrank.org
Sent: Monday, September 03, 2007 9:25 PM
Subject: [Phono-L] Mystery


I bought a Vic O from long time collector and dear
 friend, John Davis, a couple of months ago.  John
 purchased the machine about fifteen years ago from an
 elderly gentleman that remembered his parents bringing
 it home as a new machine.  When John offered it to me,
 I gave it a quick examination and realized that I was
 looking at a superb example of a Vic O so I bought it.
 I did notice that there was absolutely no indication
 or traces of the maroon accent that is commonly found
 on Vic O horns.  I assumed that some amber Vic O horns
 were not accented with the maroon trim.  I didn't give
 it much more thought until I recently removed the
 black painted elbow to wax the horn and it's maroon
 under the elbow!  Any thoughts?  I thought that
 perhaps the maroon accent was removed from a prior
 waxing or cleaning but you would expect to find maroon
 coloration in the seams of the horn. I found no old
 wax or any trace of maroon paint in the seams.  Next,
 I wondered if sunlight obliterated a possible light
 coat of maroon paint.  If that were true, I expected
 to see traces of paint at least in the underside seams
 but once again, nothing.  Next, I wondered if a
 solvent was used to remove the maroon paint but the
 original decals are in good shape and have not
 suffered from something strong enough to remove paint.
 Why would there be maroon paint under the elbow and
 nowhere else?  What am I missing?  Any suggestions
 would be appreciated.  Thanks, Jerry Blais






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[Phono-L] Amberola 30 Serial number difference

2007-08-29 Thread Ron L
Well, if George can't fix it, the machine is not repairable so you'd better
hope that Mr. Babson will stand behind his letter.

Ron L
8-)

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of michael funk
Sent: Wednesday, August 29, 2007 12:57 PM
To: phono-l@oldcrank.org
Subject: [Phono-L] Amberola 30 Serial number difference

I recently bought an Amberola 30 that was not working very well. When
dissembling the machine to send the motor to George Vollema I found a letter
in the bottom of the case dated January 27, 1916.  The letter was in reply
to a complaint the original owner (J. D. Smith of Sheridan Wisconsin) had
about the machine. Directions for things to try where described and at the
end the letter states I am ready and willing to send you all charges
prepaid at my expense, a new top plate and motor for your machine that I
know will illuminate this trouble, if after having followed out the
instructions I have given desired results are not obtained. F. K. Babson
MGR.

 I am beginning to wonder if this machine has always been troubled! A
stamped number on the machine says 22162 while a top plate I found under
the motor is 19165. I am assuming these numbers should match if they
started out life together.   The letter is a purple ditto and not an
original typed letter. I wonder why they didn't send out the typed original
and keep the ditto.

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[Phono-L] Silvertone Catalog

2007-08-24 Thread Ron L
The Aeolean Vocalion Graduola also encouraged the listener to interact via
their Graduola remote control which was a solid wire inside a spiral wire
with a black coating.  The cable controlled the motion of a roughly teardrop
shaped, fluted rubber stopper that moved up or down in the throat of the
horn where it connected to the base of the reproducer.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Andrew Baron
Sent: Thursday, August 23, 2007 10:59 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Silvertone Catalog

snip 

being manipulated while playing, thus enabling you to  
give your own interpretation to the music, is certainly reminiscent  
of the way player piano operators of the same era were encouraged to  
interact with the controls while the piano was playing to make the  
music their own.

snip


[Phono-L] Auxetophone Sold!

2007-08-13 Thread Ron L
I thought the conical were more exponential than the morning glory and that
the cygnet shape were even better than the conical.  Of the acoustical era
horns I am sure the cygnet shape is the best so did I have it wrong with the
other two?

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Douglas Houston
Sent: Sunday, August 12, 2007 10:57 PM
To: Antique Phonograph List
Subject: RE: [Phono-L] Auxetophone Sold!

That's a reasonable theoey. A Morning Glory horn is  somewhat exponential
in form, so it should amplify better than any conical horn

Was there ever an Evening Glory horn? I've often wondered.


 [Original Message]
 From: jim...@earthlink.net jim...@earthlink.net
 To: Antique Phonograph List phono-l@oldcrank.org
 Date: 8/12/2007 10:49:20 PM
 Subject: RE: [Phono-L] Auxetophone Sold!

 Have never heard an Auxetophone but would expect one would sound better
 with morning glory shaped horn instead of the conical horn that always
 accompany them
 in pictures.   
  

 Jim Cartwright
 jim...@earthlink.net
 EarthLink Revolves Around You.


  [Original Message]
  From: DeeDee Blais deedeebl...@yahoo.com
  To: phono-l@oldcrank.org
  Date: 8/12/2007 10:13:33 AM
  Subject: [Phono-L] Auxetophone Sold!
 
  Portland seems to be the place to find an Auxetophone.
  In addition to the two that surfaced a few years ago,
  one sold this weekend.  I believe I was second in line
  but another collector scraped up the asking price of
  $2500.   I don't know if it had the blower assembly
  but the seller said the electronics did not work.  It
  had the large mahogany horn and had been refinished. 
  I don't know who bought it but he's one lucky
  collector!  
 
 
 
 


 
  Yahoo! oneSearch: Finally, mobile search 
  that gives answers, not web links. 
  http://mobile.yahoo.com/mobileweb/onesearch?refer=1ONXIC
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 8/12/2007 11:03 AM


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[Phono-L] ***SPAM*** Phono-L Digest - Substitute metal horn forvictor 6

2007-08-13 Thread Ron L
As I mentioned before, I have the brass bell, steel body horn with a
mahogany colored paint but not with wood grain effect.  I've had the machine
since the early 1970s and I believe it is an original horn.  It is pictured
in some ads.  ISTR the ad in a small slip cased book the title of which
escapes me at the moment.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of valecnik57-p...@yahoo.com
Sent: Monday, August 13, 2007 5:04 AM
To: phono-l@oldcrank.org
Subject: [Phono-L] ***SPAM*** Phono-L Digest - Substitute metal horn
forvictor 6

Picking up on George Paul's comment on this subject from some time back, I
would like to mention that I also have one of the substitute metal horns
that was offered in lieu of the black rubberized paper mache horn in 1905.

The paper sticker on the small end of the horn says something like, 

This horn may be exchanged for the standard rubberized paper mache horn
which is currently unavaliable owing to the Russo-Japanese war.  

I also have an advertisement from  Munsey's magazine showing a picture of
the victor 6 with this horn.  I thought it's interesting that they would
advertise with that horn given that it was supposed to be a temporary thing.
I wonder if Tim Fabrizio's looks the same?  Mine is not a particularly
pretty horn compared to the other horns I've seen that could have come on a
vic 6, (wood spearpoint, paper mache, no.23b all brass).

You can see pictures of a victor 6 sporting these various horn options at my
website, www.bojo.cz/phonograph.  Click on the victor 6 and scroll down to
the bottom of the victor page to see them.  Sorry the webiste is kind of
messed up.  One of these days I've gotta get that junker amberola I off the
home page.  I put it on there to sell.  It's since sold.

Has anybody seen a wood grained brass bell horn for a victor 6?  I have seen
advertisements for them but have nver actually seen one.

Regards,

Bruce Johnson
Pod Valem II, 870
252 43 Pruhonice
Czech Republic
website www.bojo.cz/phonograph

Tel: (CZ) + 420 602 362 473
Tel: (US) + 1 612 605 5242
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[Phono-L] ***SPAM*** Phono-L Digest - Substitute metal horn forvictor 6

2007-08-13 Thread Ron L
That first looks like the color of my horn.  I don't recall seing either the
tag or its remnants anywhere though.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of phonop...@aol.com
Sent: Monday, August 13, 2007 1:33 PM
To: phono-l@oldcrank.org
Subject: Re: [Phono-L] ***SPAM*** Phono-L Digest - Substitute metal horn
forvictor 6

Hi-- I see that pictures don't come through on Phono-L -- so please go  
to 
 
_www.phonophan.com/privateviewing.html_ 
(http://www.phonophan.com/privateviewing.html) 
 
to see the Victor horn pictures.
 
Cheers,
 
Tim  Fabrizio
phonophan
PO Box 747 
Henrietta, NY 14467

TEL 585 582  1586
FAX 585 582 2624
Web site:  www.phonophan.com



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[Phono-L] OT-vintage car

2007-06-26 Thread Ron L
My vintage car is a 1973 Triumph TR6.  My first car was a ten year old 1958
TR-3 and I've owned Triumphs ever since.  Insurance covers the expenses of
being hit usually, but it does little for the pain of knowing your special,
heretofore all-original treasure has been damaged.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of zonophone2...@aol.com
Sent: Monday, June 25, 2007 10:02 PM
To: phono-l@oldcrank.org
Subject: Re: [Phono-L] OT-vintage car

KUDOS TO YOU RENE
YOU ARE BRAVER THAN ME
OLD CARS ARE FUN BUT THEY CAN GET TOO EXPENSIVE IF SOMEONE HITS YOU
ENJOY
ZONO



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[Phono-L] Victor P bracket

2007-06-22 Thread Ron L
My cleaner of choice for shellac is mechanic's waterless hand cleaner,
without pumice.  It does not dull or soften the shellac but it does remove
oils, greases and old wax.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Rich
Sent: Friday, June 22, 2007 2:54 PM
To: Antique Phonograph List
Subject: RE: [Phono-L] Victor P bracket

The best bet is Murphy's Oil Soap.  Mix with a little water and whip up a
lather.  It might dull the 
shellac and if it does paste wax will fix it.  It will take off the oxidized
oil, coal dust, wood ash, and 
general dirt.  It requires patience.

ANY product that is listed as either a polish or body scrub or cleaner is an
ABRASIVE and will cut 
through the shellac like a knife.  The chemical carriers in these products
may also strip the shellac.  
The copper plate is very thin and that is what makes it fragile.

Some of these oxidized fishes are coated with real violin varnish which is
much tougher than plain 
shellac.  The color of the final product was controlled by what was used to
over coat it.


On Fri, 22 Jun 2007 14:10:37 -0400, Steven Medved wrote:

Hi Loran,Would a gently cleaner such as Maguires body scrub clean the crud
off of the shellac?  A lot 
of houses were heated with coal and or wood and this leaves things very
dirty.  Patina is good, dirt is 
irritating, but sometimes it is best to leave well enough alone.The oxidized
finish is very delicate, 
when working with Edison oxidized reproducers I only remove dust with a soft
tissue.  I would think 
that the shellac could be removed and a new finish installed, but when
dealing such an expensive 
item you would want an expert to do it.Steve Other than gently wiping with
a soft (microfiber) cloth to 
knock the   dust off, I'd leave well enough alone. I'm a believer that
patina   shows the piece has 
lived a nice, long life.  Loran  On Jun 21, 2007, at 9:49 AM, Dan Kj
wrote:   I knew someone 
who had the same finish on all the door hardware inhis house  
he removed every piece  
got them all clean again with somekind of  industrial polishing
compound.  I couldn't tell if he 
wasdisappointed when I  told him the pieces were  SUPPOSED to have
spots of different-   
colored metal.  ack. - Original Message -  From:
David Dazer 
dda...@sbcglobal.net  To: Antique Phonograph List
phono-l@oldcrank.org  Sent: Thursday, 
June 21, 2007 9:10 AM  Subject: Re: [Phono-L] Victor P bracketI
had good luck cleaning 
mine with  steel wool and somewaterless hand  cleaner that
mechanics use.  Go easy 
with it or you might end upstripping the  whole thing off.  When you
see some of the copper 
coming back, quit.Dave   phonofo...@aol.com wrote:   I have an
oxidized Victor P front 
mount support brack that is verydark. How  could I bring the support
bracket back to life so it 
will show theoxidized  finish? Do I remove the old laquer/shellac
finish and then
relacquer? If so what  type of finish remover would you recommend?
Thanks!   
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[Phono-L] Victor P bracket

2007-06-21 Thread Ron L
I have not tried it on mine yet, but I'm betting it is just shellac on a
piece that old.  You could try a Q tip moistened with methanol on the lower
surface of the bracket and see if it softens/removes it.  The alcohol should
not change the oxidized finish itself.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of phonofo...@aol.com
Sent: Thursday, June 21, 2007 8:31 AM
To: phono-l@oldcrank.org
Subject: [Phono-L] Victor P bracket


I have an oxidized Victor P front mount support brack that is very dark. How
could I bring the support bracket back to life so it will show the oxidized
finish? Do I remove the old laquer/shellac finish and then relacquer? If so
what type of finish remover would you recommend? Thanks! 

AOL now offers free email to everyone.  Find out more about what's free from
AOL at AOL.com.
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[Phono-L] Victor P bracket

2007-06-21 Thread Ron L
A lot of those were plated steel too.   It was quite easy to polish the
copper off.  Don't ask me how I know. 8-)


Ron

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Dan Kj
Sent: Thursday, June 21, 2007 12:49 PM
To: Antique Phonograph List
Subject: Re: [Phono-L] Victor P bracket

I knew someone who had the same finish on all the door hardware in his house

  he removed every piece  got them all clean again with some kind of 
industrial polishing compound.  I couldn't tell if he was disappointed when
I 
told him the pieces were  SUPPOSED to have spots of different-colored metal.

ack.





[Phono-L] Bettini sound and oxidized finish Edison DD reproducer.

2007-06-04 Thread Ron L

After reading a couple of articles in the latest Sound Box, two questions
come to mind.

1.  How do Bettini cylinders sound?  Are they louder, softer, have better
high and/or low frequency recorded on them and does these highs/lows
reproduce better on playback with Bettini and/or other reproducers?  I've
never had the good fortune to see or hear anything Bettini.

2.  George Paul mentions that the A and B-150s had an oxidized bronze finish
on the metal parts and was the only model to feature this.  My D25 (serial
number 25 has an oxidized finish reproducer and looks just like the one
pictured on page 13 but it does not have the damper in it.  The horn Elbow
on the D25 has a kind of antiqued brass look to it, rather greenish/brass,
brush finish.   Do I have the wrong reproducer with the Jacobean (D25).
What should it have?  Neither nickel nor gold would look right with the
finish on the horn elbow.

I have not finished the mag yet but the articles I have read are wonderful.

Ron L


[Phono-L] edison c-150 grill

2007-04-19 Thread Ron L
You cold drizzle a bit of lemon oil in there to provide some lubrication. 

Ron L 

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of mbditt...@comcast.net
Sent: Thursday, April 19, 2007 3:40 PM
To: phono-l@oldcrank.org
Subject: [Phono-L] edison c-150 grill

Hi,

I have an Edison C-150 diamond disc player which I bought last summer.  It
is becoming apparent that the motor springs need to be cleaned and
re-greased ( occasional thumping, etc ).  The problem I have is that the
front wooden grill is apparently swollen into the bottom groove in which it
rests...and of course it is necessary to remove the grill to remove the
motor. The top of the grill moves freely.  I have tried repeatedly to get
the grill to budge,  but can only get it to move a little.  Short of cutting
the grill out and repacing it,  does anybody have any other techniques I
could try?  It has also occurred to me that someone in the past may have
glued it in there,  but I don't really see any evidence of that.

Thanks,

Mark D
Westminster, CO

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[Phono-L] Slipping belts

2007-02-26 Thread Ron L
I had one machine that did not want to cooperate.  I ended up putting a
light coating of rubber cement on the mandrel shaft pulley.  The belt would
then slip just the right amount.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Ken Danckaert
Sent: Monday, February 26, 2007 8:55 AM
To: phono-l@oldcrank.org
Subject: [Phono-L] Slipping belts

I thought it would be interesting to find out what people do for 
slipping belts since this is a fairly common problem.  You can obviously 
tighten the belt but that will affect play if it gets too tight and 
doesn't always solve the problem.  Some people put a coating on the back 
side of the belt to prevent slipping.  Auto stores sell a stick to stop 
fan belts from slipping but it depends on heating by friction to apply 
it.  What solutions do you use?

Ken Danckaert
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[Phono-L] Slipping belts

2007-02-26 Thread Ron L
I have yet to see modern leather belts that look as nice and are as supple
as a good old original belt.  The replacement material I've seen so far is
thicker.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Rich
Sent: Monday, February 26, 2007 10:56 AM
To: Antique Phonograph List
Subject: Re: [Phono-L] Slipping belts

It will trash a leather belt.  Sandpaper and maybe rosin powder is about all
that will work.  leather belts 
have been around for a very long time.  And they do wear out.  They are not
expensive

On Mon, 26 Feb 2007 08:23:41 -0700, Andrew Baron wrote:

Radio-TV service shops, for decades used a product called Phono Non- 
Slip Compound, a GC (General Cement) to prevent rubber idler wheels  
from slipping against the inside rim of electric turntables and other  
drives that rely on friction for grip.  I keep a bottle of this thick  
liquid handy, but almost never use it as I consider it a shortcut fix  
(preferring instead to recondition the rubber where possible and  
properly clean the tt rim.  However, it might be suitable in some  
cases for the leather belts on antique phonos (although I've never  
tried it for that purpose).  It dries to a flexible, lightly tacky  
but non-sticky surface, which might be just the thing for some  
stubborn cases when you don't want to replace a belt and it doesn't  
respond to sanding, etc.  I believe you can still buy this product  
from electronic suppliers such as Antique Electronic Supply and other  
sources.

Andy Baron


On Feb 26, 2007, at 8:04 AM, Ron L wrote:




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[Phono-L] Columbia AS reborn

2007-02-02 Thread Ron L
How about some before/after shots of that one, Bob?

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Bob Johnson
Sent: Friday, February 02, 2007 10:42 AM
To: 'Antique Phonograph List'
Subject: RE: [Phono-L] Columbia AS reborn

Beautiful Ken:  To those Phono-L members who don't know of Ken's restoration
talents, he recently finished restoring three early case multiphones, one of
which is mine, a restoration job that another prominent phonograph restorer
said could not be done.  Thanks for posting the pictures Ken.  Bob



[Phono-L] in the papers

2007-01-22 Thread Ron L
Hi gang,

http://tinyurl.com/2e2kxa

will take you too an article about my collection.  Loran thought you all
might enjoy it.

Ron


[Phono-L] Re: Noisy Home

2007-01-02 Thread Ron L
How are the rubber mounts between bedplate and motor, and between upper
works and bedplate?   Are the gears lightly greased or just oiled?  Have the
conical bearings on the mandrel shaft ever been disturbed, especially turned
and/or moved in or out?

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Michael F. Khanchalian
Sent: Tuesday, January 02, 2007 1:49 AM
To: Antique Phonograph List
Subject: [Phono-L] Re: Noisy Home


I've got a noisy home, and the kids are already in bed.

Well...an Edison Home (Banner case), that is.

 I've tried most of the tricks and can't seem to quiet it.  The noise seems 
mostly associated with the pulley shaft and it's associated gears or 
bearings.  But...everything looks true and the machine has had very 
little apparent use.

Maybe it has had very little use from the beginning precisely because it's 
so dang  noisy?!!!

I'm usually pretty intuitive about this stuff, but I'm ready to humbly call 
for the wisdom and experience of all you out there.

What am I missing?!

Thanks all,

Michael Khanchalian (cyl doc) 



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[Phono-L] Re: Noisy Home

2007-01-02 Thread Ron L
I can agree with the possibility of dirt getting in grease and causing wear
but I'm not sure about the self lubricating aspect of this post.  Anyone
else want to weigh in on this?

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Rich
Sent: Tuesday, January 02, 2007 12:00 PM
To: Antique Phonograph List
Subject: RE: [Phono-L] Re: Noisy Home

Brass gears meshed with steel gears should never be greased or heavily
lubricated.  They are self 
lubricating.  Any extra lube will hold dirt which will imbed into the brass
which will result in excessive 
wear on the harder (steel) gear.  If you van see of feel the lubricant then
there is way too much.

Rich


On Tue, 2 Jan 2007 10:46:15 -0500, Ron L wrote:

How are the rubber mounts between bedplate and motor, and between upper
works and bedplate?   Are the gears lightly greased or just oiled?  Have
the
conical bearings on the mandrel shaft ever been disturbed, especially
turned
and/or moved in or out?



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[Phono-L] Re: Noisy Home

2007-01-02 Thread Ron L
The brass-on-steel is more quiet that steel on steel because the brass is
softer, is my guess.  I'm going to run this by our materials guy here at
work.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Rich
Sent: Tuesday, January 02, 2007 1:22 PM
To: Antique Phonograph List
Subject: RE: [Phono-L] Re: Noisy Home

Try this then.  Why do you suppose that The Edison Co. went to all of the
trouble to build motors 
where there was a brass gear meshed with a steel gear?  It is not an
accident.  Look at any Edison 
motor.  This dissimilar metal mesh cost a lot of money to manufacture.

Rich

On Tue, 2 Jan 2007 12:21:09 -0500, Ron L wrote:

I can agree with the possibility of dirt getting in grease and causing wear
but I'm not sure about the self lubricating aspect of this post.  Anyone
else want to weigh in on this?

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Rich
Sent: Tuesday, January 02, 2007 12:00 PM
To: Antique Phonograph List
Subject: RE: [Phono-L] Re: Noisy Home

Brass gears meshed with steel gears should never be greased or heavily
lubricated.  They are self 
lubricating.  Any extra lube will hold dirt which will imbed into the brass
which will result in excessive 
wear on the harder (steel) gear.  If you van see of feel the lubricant then
there is way too much.

Rich


On Tue, 2 Jan 2007 10:46:15 -0500, Ron L wrote:

How are the rubber mounts between bedplate and motor, and between upper
works and bedplate?   Are the gears lightly greased or just oiled?  Have
the
conical bearings on the mandrel shaft ever been disturbed, especially
turned
and/or moved in or out?



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[Phono-L] Re: Noisy Home

2007-01-02 Thread Ron L
Here is what our resident materials guy had to say about the brass/steel
issue.

Can't believe that no lube is less wear than with lube.
There are a few reasons for using brass against steel.  If the steel part is
difficult to replace, then the brass is the sacrificial part and is the
easier to replace; e.g. the steel gear is a single part of a motor drive,
like a worm gear is the threaded end of a motor shaft.
Also, with different materials, there is essentially no chance of galling
(sticking) of the materials in the event that the lube disappears.  However,
when the lube is gone, I bet that the brass gear will soon disappear.
Also, with different materials, the larger part is made of the softer
material, and the smaller part of the harder material; this tends to wear
both parts at nearly the same rate.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Rich
Sent: Tuesday, January 02, 2007 1:22 PM
To: Antique Phonograph List
Subject: RE: [Phono-L] Re: Noisy Home

Try this then.  Why do you suppose that The Edison Co. went to all of the
trouble to build motors 
where there was a brass gear meshed with a steel gear?  It is not an
accident.  Look at any Edison 
motor.  This dissimilar metal mesh cost a lot of money to manufacture.

Rich

On Tue, 2 Jan 2007 12:21:09 -0500, Ron L wrote:

I can agree with the possibility of dirt getting in grease and causing wear
but I'm not sure about the self lubricating aspect of this post.  Anyone
else want to weigh in on this?

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Rich
Sent: Tuesday, January 02, 2007 12:00 PM
To: Antique Phonograph List
Subject: RE: [Phono-L] Re: Noisy Home

Brass gears meshed with steel gears should never be greased or heavily
lubricated.  They are self 
lubricating.  Any extra lube will hold dirt which will imbed into the brass
which will result in excessive 
wear on the harder (steel) gear.  If you van see of feel the lubricant then
there is way too much.

Rich


On Tue, 2 Jan 2007 10:46:15 -0500, Ron L wrote:

How are the rubber mounts between bedplate and motor, and between upper
works and bedplate?   Are the gears lightly greased or just oiled?  Have
the
conical bearings on the mandrel shaft ever been disturbed, especially
turned
and/or moved in or out?



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[Phono-L] My dilemma - which machine would you pick??

2006-12-24 Thread Ron L
I'd go for the open horn machine.  They look great, sound a bit better than
the Victrola and take up less space/are easily transported.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of john robles
Sent: Monday, December 04, 2006 11:48 AM
To: phono-l@oldcrank.org
Subject: [Phono-L] My dilemma - which machine would you pick??

I am trying to decide between two machines, and I thought it would be fun to
throw the question out there - 
  Given a choice of a one-family, TOTALLY unrestored Victor II Humpback with
an aftermarket horn with 12 petals lacquered red, green and gold and bearing
a 4 digit serial number, OR a Victrola 130 (late model Victrola XVII with
the little drawer for used needles) with beautiful gold hardware, nice
original finish, either of which you could have for $1150-1250, which would
you choose??
  John Robles
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[Phono-L] uh, wow...

2006-12-24 Thread Ron L
I have not tried it but I think the speed control is capable of making the
turntable go very slowly.  It controls speed and not spring power, so unless
the spring is so weak that it depends on a flywheel effect from the
turntable, it could very well play a 45 or a 33.3.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of Robert Wright
Sent: Thursday, December 07, 2006 6:57 AM
To: Antique Phonograph List
Subject: Re: [Phono-L] uh, wow...

I played 45's on victrolas as a kid, too, but this phonograph is running at 
exactly 45rpm (a quick comparison to a modern cd issue of Love Me Tender 
will show this).  That's the part I was bewildered by.  Was there ever any 
kind of mod available (as horrible an idea as it would've been) that made 
wind-up phonographs play at 45rpm?  Man I hope not, but I could certainly 
see some company 'inventing' a conversion kit with claims of identical 
fidelity to electric etc., etc., and taking the money and running.





- Original Message - 
From: estott est...@localnet.com
To: Antique Phonograph List phono-l@oldcrank.org
Sent: Thursday, December 07, 2006 5:12 AM
Subject: Re: [Phono-L] uh, wow...


 Playing a 45 on a victorola isn't that hard, it helps that they often 
 presed them in a very hard plastic. The greatest chance for the needle to 
 rip out the groove is at the beginning- if you can get past that point the

 needle seems to ride pretty well, I recall that I had to do a lot of 
 experimenting with needle grades. Now, if you're all agast, I was doing 
 this back in grade school. As a kid I even played 33's with a 
 counterweight systen on the soundbox.

 Eric Stott

 - Original Message - 
 From: Robert Wright esrobe...@hotmail.com
 To: Antique Phonograph List phono-l@oldcrank.org
 Sent: Thursday, December 07, 2006 1:54 AM
 Subject: [Phono-L] uh, wow...


 Can someone tell me how this can be possible?

 http://www.youtube.com/watch?v=twgw-MReQaI

 Judging by the sound changing as the camcorder gets closer to and farther

 from the horn, and the amateurish vibe of the clip, it doesn't seem to be

 any kind of hoax.  (Also notice the shredding of the poor record when he 
 gets close enough to see it.)

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[Phono-L] WANTED: Automatic Reproducer

2006-12-24 Thread Ron L
Thanks!

Ron

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of drbor...@aol.com
Sent: Thursday, December 21, 2006 12:02 AM
To: phono-l@oldcrank.org
Subject: Re: [Phono-L] WANTED: Automatic Reproducer

A recent article in The Sound Box containing production dates for the
suitcase Home indicated 35,873 was made in October, 1900.
 
David   
 
 
-Original Message-
From: lhera...@bu.edu
To: phono-l@oldcrank.org
Sent: Wed, 20 Dec 2006 10:05 PM
Subject: RE: [Phono-L] WANTED: Automatic Reproducer


When would 35873 have been made?  That's my suitcase Home and it had (still
has) a winged C with the side arm, when I acquired it in the late 1960s.

Ron L

-Original Message-
From: phono-l-boun...@oldcrank.org [mailto:phono-l-boun...@oldcrank.org] On
Behalf Of gpaul2...@aol.com
Sent: Wednesday, December 20, 2006 5:18 PM
To: phono-l@oldcrank.org
Subject: Re: [Phono-L] WANTED: Automatic Reproducer

Mario,

Home Phonograph No.25936 was built in February 1900; a bit early for a 
winged Model C, although a perfectly legitimate update for the machine.

George Paul
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