Re: [Tango-L] Will close embrace go the way of the dinosaur?

2008-07-10 Thread Tango For Her
Actually, I disagree that nuevo will decrease. It may not be called nuevo, but 
it will still be there.  The reasons are simple.

Nuevo classes (or, really, classes with tricky patterns) are popular.  That 
drives the nuevo scene.

But, also, we are all better at some things than others in this dance.  The 
majority of men find it easier to go down the path of excelling at tricky moves 
than at becoming smooth.

And, finally, women don't, typically, complain to the guy's face that he is 
throwing her around.  So, without that knowledge, they will keep doing what 
they are good at, so to speak.  

Here are two intersting questions:

1. What percentage of guys have looking good and having fun on the top of their 
minds?

2. What percentage of guys have being softer and softer on the top of their 
list?

I would guess that #1 far outweighs #2.  It is what it is!






  
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Re: [Tango-L] Changes of direction

2008-07-10 Thread David Thorn

Jack: You listed the 6 CODs as :

 Right foot front cross to left foot back cross;
 Right foot back cross to left foot front cross;
 Right foot open step to left foot open step;
 Left foot front cross to right foot back cross;
 Left foot back cross to right foot front cross; and
 Left foot open step to right foot open step

I'm a little confused. I lead quite a number of other things that I think of as 
changes of direction.
For Example:
Left Front Cross (now pivot follow 180 deg CCW on left foot) to Right Back 
(Open). Backstep, not Sidestep. (This certainly can mess with women who don't 
follow since they are perhaps expecting that after the LFX they will either be 
led side to continue the turn or RFX as a front ocho.) This is essentially a 
rock step with a pivot in between. It is very akin to LFX (now both lead  
follow pivot 180 deg CW) BRX except that by not pivoting with my partner her 
back right is open and not cross.

Cheers,

D. David Thorn

P.S. And yes Astrid - follows are not expected to get this. It does however 
represent the intellectual side of the lead process for at least some of us 
leads.

P.P.S. I know that I left the list, but somehow my request to be removed was 
ignored and I just couldn't help asking this.

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Re: [Tango-L] Will close embrace go the way of the dinosaur?

2008-07-10 Thread David Thorn

Mario:

I'm not sure why you might ask this.  All of the decent nuevo dancers that I 
know are entirely capable of dancing
close embrace, often do dance close embrace, and in fact may change embrace a 
number of times during a song to
incorporate various degrees of light.  Although I am sure that they do exist, I 
personally know no, zero, nuevo
dancers who think that they should not be proficient at all forms of dancing to 
tango music.

It is possible that your perception of a dichotomy between the open and close 
embrace dancers is a boggyman,
spawned by a vocal minority who seem to believe that nuevo is a bastard child 
of the one true tango.  I, and most
dancers that I know, think that it is all good, it is all fun, and the only 
question is:  What is appropriate to a specific
partner, a specific dance floor and a specific set of circumstances.  And often 
it is indeed close embrace.

Cheers

D. David Thorn

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Re: [Tango-L] Will close embrace go the way of the dinosaur?

2008-07-10 Thread melvillefox
-Original Message-
From: David Thorn [EMAIL PROTECTED]
To: Mario [EMAIL PROTECTED]; tango-l tango-l@mit.edu
Sent: Thu, 10 Jul 2008 4:36 pm
Subject: Re: [Tango-L] Will close embrace go the way of the dinosaur?

All of the decent nuevo dancers that I
know are entirely capable of dancing
close embrace, often do dance close embrace, and in fact may change 
embrace a
number of times during a song to
incorporate various degrees of light.

 If they are changing the embrace during a tango, they are not 
dancing 'close embrace'. They are dancing a 'flexible embrace'. The 
feeling is completely different. The close embrace is a close 
connection because it is kept throughout the dance. It is not something 
to be thrown away for a turn (or maybe a boleo).

Although I am sure that they do exist, I
personally know no, zero, nuevo
dancers who think that they should not be proficient at all forms of 
dancing to
tango music.

 Is there a bridge in Brooklyn you want to sell me? Most of the nuevo 
dancers I've seen are too busy thinking about their steps to listen the 
the music. Why else do they dance to music without rhythm? For example, 
'Oblivion' is a beautiful tango for listening, but there's no rhythm to 
dance to.

It is possible that your perception of a dichotomy between the open and 
close
embrace dancers is a boggyman,
spawned by a vocal minority who seem to believe that nuevo is a bastard 
child of
the one true tango.

 Bastard child of the one true tango? Now why didn't this vocal 
minority have the cleverness to think of that one?

Mel

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[Tango-L] So what is an OPEN mean?

2008-07-10 Thread [EMAIL PROTECTED]
Jack Dylan wrote -- Astrid, These concepts are only of any value to the 
man, as leader; they have no relevance to the lady, as follower. So don't worry 
your pretty little head about it :-))

Oooh, are you in deep shxx, at least if any of the women you want to dance with 
are on tango-l.  And putting smileys after your message doesn't make it into a 
joke. I hope you don't pat your partners on the head and say Good girl!

He also wrote -- The great thing about Naveira's terminology is that the 
lady's step is determined by her position relative to the man.

For example; if the lady steps LF backward on the man's right side, this would 
be a LF back cross. This means, for example, that the man could lead her 
directly into a Back Ocho or a Giro to Left, both of which incorporate a LF 
back cross.

But if the lady stepped LF backward on the man's left side, this would be a LF 
open step. This means, again for example, that the man could lead her directly 
into a Giro to Right, which incorprates a LF open step. He couldn't lead her 
directly into an Ocho without an intermediate step.

From my perspective as a professional systems engineer, with well over a dozen 
years experience working for NASA and Boeing deconstructing systems (including 
human systems) much more complex than than the Naveira/Salas effort, I 
consider the Naveira/Salas terminology poorly thought out. There's a whole 
list of requirements for good terminology resulting from such system analyses. 
One of them is that labels have invariant meanings. Labels that change the way 
you decribe is a no-no.

Perhaps the problem is that we're using English translations. Maybe the Spanish 
terms are instantly crystal clear to the average Spanish speaker.

So maybe you can give us a simple explanation of just what open and closed 
mean.

Larry de Los Angeles



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Re: [Tango-L] Changes of direction

2008-07-10 Thread Jack Dylan
David,

A Change of Direction, as the term now seems to be commonly used, includes 
a change in the direction of a Giro.

A LF Front Cross is part of a Giro to Left [CCW]. If you the lead the lady to a 
RF 
Back [Open] Step this is still part of a Giro to Left as is shown by the fact 
that the 
lady pivotted CCW. As the direction of the turn hasn't changed, it isn't a 
Change of 
Direction

In the example I gave - Left foot front cross to right foot back cross, the 
pivot would 
be to right [CW] and the direction of the turn changes from CCW to CW.

In this type of terminology, it really makes no difference whether the step is 
a RF 
Open Backstep and a RF Open Sidestep. They're both just a RF Open Step.

Jack

- Original Message 
 From: David Thorn [EMAIL PROTECTED]
 I'm a little confused. I lead quite a number of other things that I think of 
 as 
 changes of direction.
 For Example:
 Left Front Cross (now pivot follow 180 deg CCW on left foot) to Right Back 
 (Open). Backstep, not Sidestep.  


  


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