Re: [TeX-music] ornament fonts

2002-08-27 Thread Christof Biebricher

On Mon, 26 Aug 2002, Mats Bengtsson wrote:

 Have you looked at the font of Lilypond? You can find a
 list of the symbols in Appendix A.5 of
 http://lilypond.org/stable/Documentation/user/out-www/lilypond.pdf
 (actually, Lilypond also includes a separate font for mensural
 notation, neumes and other early music symbols that's not listed.)
 
 Christian Mondrup has used a copy of an old version of the 
 Lilypond fonts together with MusixTeX, so you could do the
 same with a fresh copy of the font if you find that it has
 the desired symbols.
 
Thank you Mats,

indeed, the requested ornaments are in Lilypond and I shall proceed
as you proposed.

Christof

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Re: [TeX-music] ornament fonts

2002-08-26 Thread Mats Bengtsson

Have you looked at the font of Lilypond? You can find a
list of the symbols in Appendix A.5 of
http://lilypond.org/stable/Documentation/user/out-www/lilypond.pdf
(actually, Lilypond also includes a separate font for mensural
notation, neumes and other early music symbols that's not listed.)

Christian Mondrup has used a copy of an old version of the 
Lilypond fonts together with MusixTeX, so you could do the
same with a fresh copy of the font if you find that it has
the desired symbols.

  /Mats


 Dear all:
 
 I am in need of ornament fonts. The ornaments
 in the baroque were nationally quite different,
 e.g., England had special fonts for their shake.
 
 Many trills have complementaries at their end
 (a downturn, in German ``Nachschlag''). The French,
 e.g. Couperin, indicated them by placing a turn
 over the trill. Since the classical time it is usually
 written out.
 In the German baroque, most notably Bach, it is 
 noted by placing the
 mordent dash at the end of the trill and it was
 possible to combine that dash with the trills having
 downturns at the beginning indicated by a hook
 ( which Bach called Doppel-cadence ).
 The musixtex package does not provide for these very
 frequent ornaments. Werner Icking substituted
 the long mordent (\Mordent) in contrapunctus 8 of
 the Kunst der Fuge because it looked somewhat similar.  I am
 working on improving and extending my
 Organ version as well as Werner Icking's Urtext and
 string editions and the introduction of a wrong ornament
 bothers me very much because the execution of both ornaments
 is totally different. Is there a possibility to get the
 correct ornament, either by getting the font from another
 program, by a TeX macro superimposing the stroke or by a
 font produced by metafont?
 
 Christof
 
 
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Re: [TeX-music] ornament fonts

2002-08-26 Thread Christian Mondrup

Christof Biebricher wrote:
 Dear all:
 
 I am in need of ornament fonts. The ornaments
 in the baroque were nationally quite different,
 e.g., England had special fonts for their shake.
 
 Many trills have complementaries at their end
 (a downturn, in German ``Nachschlag''). The French,
 e.g. Couperin, indicated them by placing a turn
 over the trill. Since the classical time it is usually
 written out.
 In the German baroque, most notably Bach, it is 
 noted by placing the
 mordent dash at the end of the trill and it was
 possible to combine that dash with the trills having
 downturns at the beginning indicated by a hook
 ( which Bach called Doppel-cadence ).
 The musixtex package does not provide for these very
 frequent ornaments. Werner Icking substituted
 the long mordent (\Mordent) in contrapunctus 8 of
 the Kunst der Fuge because it looked somewhat similar.  I am
 working on improving and extending my
 Organ version as well as Werner Icking's Urtext and
 string editions and the introduction of a wrong ornament
 bothers me very much because the execution of both ornaments
 is totally different. Is there a possibility to get the
 correct ornament, either by getting the font from another
 program, by a TeX macro superimposing the stroke or by a
 font produced by metafont?
 

For my recently published typesetting of a lute tablature by Vincenzo 
Galilei (see sheet music archive) I needed a set of tablature symbols 
which I implemented using PsTricks macros. It's fairly simply but has 
the disadvantage of being uncompatible with dvipdfm.

A more 'clean' approach would be to design the new fonts with METAFONT 
(or METAPOST).

Bye
-- 
Christian Mondrup, Computer Programmer
Scandiatransplant, Skejby Hospital, University Hospital of Aarhus
Brendstrupgaardsvej, DK 8200 Aarhus N, Denmark
Phone: +45 89 49 53 01 - http://www.scandiatransplant.org

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