Re: tips digest: January 29, 2003

2003-01-30 Thread Esther Yoder Strahan
On the topic of students wanting to drop other professor's sections:

It can be very instructive to discuss with that student the reasons she/he 
wants to drop that course and transfer into yours. It might be because the 
other instructor is rude or abrasive, or seen as intimidating, or has very 
high expectations, may be using language the student finds offensive, may 
be making sexual overtures to the student, etc...

Once you have that information, depending on the situation, you can suggest 
viewing this course as an opportunity to deal with people who are 
intimidating (that worked very well for me once in the past--the student 
decided to rise to the challenge, and while she never liked the professor 
in question, had a higher degree of self-efficacy afterwards about dealing 
with difficult people). In other cases, the student should go directly to 
the department chair (or the dean if the person in question _is_ the 
department chair!) if the professor's behavior is out of line and there 
might be a need for some kind of intervention.

Probably it's safest in most cases to send that student to the department 
chair, anyway, to get another opinion at the very least. One pitfall in 
this sort of situation is that it is flattering to us to be seen as popular 
teachers who are sought-after by students, so we may want to ride to the 
rescue in a situation where that student could learn some very valuable 
lessons by staying where he/she is.

Esther

At 12:00 AM 1/30/03 -0500, Teaching in the Psychological Sciences digest wrote:
 A student came to me with a request that he wants to
transfer to my intro section.It is too late for him to add
/drop.He wants to drop another prof'S section.
He thinks that I should discuss with the other instructor
the possibility of attending my class butI would
advice the other instructor of the course grade.
Should I do this?
Michael Sylvester



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Early European vs American

2003-01-30 Thread sylvestm
 would I be correct in saying that in the history
  of Psychology European scholars were more interested
  in the structure of mind whereas on this side
   of the ocean the emphasis was on behavior-environment
   interaction?
  Could Psychoanalytic,Gestalt,Existential,Stucturalism
  be booked on a mind trip
  and functionalism and behaviorism be booked on
  the ecological trip?
Michael Sylvester,PhD
Daytona Beach,Florida

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co-teach

2003-01-30 Thread sylvestm
 do any of you co-teach a class where you are responsible
 for specific chapters and the other teacher other
chapters?
How should the course grade be allocated?
I once co-taught but I preferred to take the
first half of the semester and let the other
dude teach the second half.
I do not think that the students liked that format.
 Comments invited.

Michael Sylvester,PhD
Daytona Beach,Florida

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DID movies

2003-01-30 Thread Hetzel, Rod
Which movie offers the best depiction of Dissociative Identity Disorder?
Which offers the most realistic?  Are they the same movie?  What would
you choose for an undergraduate psychology course?  Sybil?  Three Faces
of Eve?  K-Pax?

__
Roderick D. Hetzel, Ph.D.
Department of Psychology
LeTourneau University
Post Office Box 7001
2100 South Mobberly Avenue
Longview, Texas  75607-7001
 
Office:   Education Center 218
Phone:903-233-3893
Fax:  903-233-3851
Email:[EMAIL PROTECTED]
Homepage: http://www.letu.edu/people/rodhetzel


 -Original Message-
 From: sylvestm [mailto:[EMAIL PROTECTED]] 
 Sent: Thursday, January 30, 2003 9:10 AM
 To: Teaching in the Psychological Sciences
 Subject: co-teach
 
 
  do any of you co-teach a class where you are responsible
  for specific chapters and the other teacher other
 chapters?
 How should the course grade be allocated?
 I once co-taught but I preferred to take the
 first half of the semester and let the other
 dude teach the second half.
 I do not think that the students liked that format.
  Comments invited.
 
 Michael Sylvester,PhD
 Daytona Beach,Florida
 
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student exchange

2003-01-30 Thread Pollak, Edward
If you consider doing this you must get the chairpersons OK. There are
ethical issues about another prof getting paid for teaching your student.
Granted that it usually doesn't matter but in some courses that pay by the
head, I've seen this abused and I've seen people fired for committing a
fraud. 
Ed

Edward I. Pollak, Ph.D.
Department of Psychology, 
West Chester Univ. of Pennsylvania
Home: 610-363-1939; Office: 610-436-3151; Fax: 610-436-2846
Finals Week Office Hours: Monday 2-4; Tues.  Thurs. 11-1 and by appointment

~~~
Husband, father, grandfather, biopsychologist, bluegrass fiddler and
herpetoculturist..  in approximate order of importance.   

Shameless self promotion:  The Mill Creek Bluegrass Band performs every
Tuesday night at Dugal's Inn, Mortonville, 8 miles west of West Chester, PA.
Call 610- 486-0953 for directions. 



 Subject: student exchange
 From: sylvestm [EMAIL PROTECTED]
 Date: Wed, 29 Jan 2003 10:29:40 -0800 (PST)
 X-Message-Number: 3
 
  A student came to me with a request that he wants to
 transfer to my intro section.It is too late for him to add
 /drop.He wants to drop another prof'S section.
 He thinks that I should discuss with the other instructor
 the possibility of attending my class butI would
 advice the other instructor of the course grade.
 Should I do this?
 Michael Sylvester
 
 --
 

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Re: DID movies

2003-01-30 Thread Dan Segrist



Rod--I use 3 Faces of Eve (though some students are horrified by it bec
ause 
it's in black and white!). But I also use Primal Fear (a fairly recent 
movie),because of the excellent depiction of faked DID. Students tend 
to 
really like the film and it really gets them talking about the controversies
 
surrounding DID.

Hope this helps.
Dan Segrist, Ph.D.
Southwestern Illinois College

Dan Segrist, Ph.D.Assistant Professor of PsychologySouthwestern
 
Illinois CollegeGranite City Campus4950 Maryville RoadGranite Ci
ty, 
IL 62040(618) 931-0600, ext. 6694[EMAIL PROTECTED]&
gt; 
[EMAIL PROTECTED] 01/30/03 09:29AM Which movie offers the b
est 
depiction of Dissociative Identity Disorder?Which offers the most 
realistic? Are they the same movie? What wouldyou choose for
 an 
undergraduate psychology course? Sybil? Three Facesof Eve?
bsp; 
K-Pax?__Roderick D. 
Hetzel, Ph.D.Department of PsychologyLeTourneau UniversityPost 
Office Box 70012100 South Mobberly AvenueLongview, Texas 
75607-7001Office: Education Center 
218Phone: 
903-233-3893Fax: 
903-233-3851Email: [EMAIL PROTECTED]Homepage: http://www.letu.edu/people/rodhe
tzel 
-Original Message- From: sylvestm [mailto:[EMAIL PROTECTED]
du] 
 Sent: Thursday, January 30, 2003 9:10 AM To: Teaching in th
e 
Psychological Sciences Subject: co-teach  
bsp; 
do any of you co-teach a class where you are responsible for 
specific chapters and the other teacher other chapters? How 
should the course grade be allocated? I once co-taught but I preferr
ed 
to take the first half of the semester and let the other dud
e 
teach the second half. I do not think that the students liked that 
format. Comments invited.  Michael 
Sylvester,PhD Daytona Beach,Florida  --- You
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movies in the classroom

2003-01-30 Thread Beth Benoit



Over the years I've seen many discussions on TIPS about movies to show in 
the classroom and this has always made me wonder about the time considerations 
of showing it. Specifically, how do each of you go about showing a movie 
for use in class?

The obvious possibilities are:
A. Use a whole class - or two if needed - to show a full-length 
movie
B. Edit clips from a movie for use in class
C. Assign the movie to be watched outside of class

Each scenario has its pluses and minuses, and some choices are more 
available depending on the time length of your class. (For example, I'm 
now teaching two classes that run 3 1/2 hours long, meeting once a week. 
While I thought this would be a great chance to show a "whole movie," I find 
that I still don't have enough time to show a 1 1/2 hour movie and still cover 
the necessary classroom material that I want to cover.) So I'm still 
pulling clips from movies that I edit myself, but wishing, for example, I could 
show "Twelve Angry Men" in its entirety.

What methods have you chosen to use movies in class?

Beth Benoit
University System of New Hampshire
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RE: movies in the classroom

2003-01-30 Thread Rick Froman



For 2001: A Space Odyssey (used to provoke 
thought about artificial intelligence in a Cognitive Psych class), I devote 50 
minutes to the HAL part of the movie and then discuss it the next time. This is 
near the beginning of the semester, as a general intro to some of the larger 
questions in Cognitive Psych. I have used a fairly brief clip fromThe 
Matrix to introduce the concept of Perception in Intro Psych. I think 
asingle brief clip that can be cued upbefore class can be very 
helpful for introducing topics.I generally find multiple 
clipsthroughout the periodto be impractical although it might be 
easier to do with digital technology.Using unedited clips, as I sometimes have 
to do is not very satisfactory since you have to keep jumping around (although 
it is much easier with a DVD with chapters than with a videotape). 

Rick

Dr. Rick 
Froman Associate Professor of 
Psychology John Brown University 
Siloam Springs, AR 72761 (479) 524-7295 e-mail: 
[EMAIL PROTECTED] web: http://www.jbu.edu/academics/sbs/rfroman.asp 


  -Original Message-From: Beth Benoit 
  [mailto:[EMAIL PROTECTED]]Sent: Thursday, January 30, 2003 
  12:49 PMTo: Teaching in the Psychological 
  SciencesSubject: movies in the classroom
  Over the years I've seen many discussions on TIPS about movies to show in 
  the classroom and this has always made me wonder about the time considerations 
  of showing it. Specifically, how do each of you go about showing a movie 
  for use in class?
  
  The obvious possibilities are:
  A. Use a whole class - or two if needed - to show a full-length 
  movie
  B. Edit clips from a movie for use in class
  C. Assign the movie to be watched outside of class
  
  Each scenario has its pluses and minuses, and some choices are more 
  available depending on the time length of your class. (For example, I'm 
  now teaching two classes that run 3 1/2 hours long, meeting once a week. 
  While I thought this would be a great chance to show a "whole movie," I find 
  that I still don't have enough time to show a 1 1/2 hour movie and still cover 
  the necessary classroom material that I want to cover.) So I'm still 
  pulling clips from movies that I edit myself, but wishing, for example, I 
  could show "Twelve Angry Men" in its entirety.
  
  What methods have you chosen to use movies in class?
  
  Beth Benoit
  University System of New Hampshire---You are currently 
  subscribed to tips as: [EMAIL PROTECTED]To unsubscribe send a blank email to 
  [EMAIL PROTECTED] 
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Re: DID movies

2003-01-30 Thread Robert Grossman

Hetzel, Rod wrote:

 Which movie offers the best depiction of Dissociative Identity Disorder?
 Which offers the most realistic?

For what its worth, I prefer The Case of the Hillside Strangler and the
second half of the case The Mask of Madness.  This was presented over PBS in
a slightly altered form a number of years ago.  These are available from
www.films.com #GTA7334-A and GTA7335-A.  The two videos cost $159.95 which
is on the expensive side but I think it is worth it.  This is a case of a
serial killer who is diagnosed  DID by several Psychologists and
Psychiatrists and is found to be faking it by two Psychiatrists-Psychologists
and the courts.  It shows students how complex and sophisticated the
diagnostic issues are with this disorder.

For a short segment I use The Brain Series from PBS.  I have edited versions
from when I used Myers intro text (segment #24 of his videos) and it is also
part of the video package I have with my abnormal psych text by Comer
(segment 217 of tape # IV).  I like this because they present the evidence
for DID but also show a therapy session where the therapist quite clearly
calls forth and names the multiple personalities.  That allows me to discuss
the views of those who think multiples are a product of subtle aspects of the
therapist client interaction (iatrogenic cause).  I find the movies clearly
biased and 3 Faces of Eve a bit dated and Sybil over dramatized.  Students
find Sybil engaging.

Bob Grossman
Kalamazoo College
[EMAIL PROTECTED]

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tel;fax:616-337-7030
tel;work:616-337-7108
x-mozilla-html:TRUE
url:http://www.kzoo.edu/psych/ndex.htm
org:Kalamazoo College;Psychology
adr:;;1200 Academy Street;Kalamazoo;Michigan;49006;USA
version:2.1
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title:Professor 
fn:Bob Grossman, Ph.D
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RE: movies in the classroom

2003-01-30 Thread McKinley, Marcia
Title: Message



Beth Benoit wrote:
Over the years I've seen many 
discussions on TIPS about movies to show in the classroom and this has always 
made me wonder about the time considerations of showing it. 
Specifically, how do each of you go about showing a movie for use in 
class?

Hi Beth,
This semester I am teaching "Law and 
Psychology" for the first time. There are so many great movies on 
this topic! And, there are even books written about legal movies as 
textbooks(e.g., law professors giving gavels instead of stars). So, 
I have set up a weekly movie time -- 8:30 pm on Sunday nights. It is a 
little too late for me, especially when watching Judgment at Nuremberg 
(3 hours and 20 minutes). However,earlier times conflicted with 
Mass and given that we are a Catholic school, I feel like I do have to schedule 
around that.It alsooffers an entertainment alternative on a 
weekend night, which isgood for the students. I invite the entire campus to see the movies, in the 
auditorium. We will see a movie every week, same time and place, 
throughout the semester (except for last week, when I cancelled it b/c of the 
Super Bowl). If students come see the movie then, they just write their 
name and a few comments/reactions at the end of the movie. If they don't 
see the movie with the class, they write a 2-page summary of the movie so that I 
am sure that they saw it.

As a compromise to the students for spending 
this time out of class, I haven't assigned any additional reading outside the 
textbook. (Usually, I require 6 or 7 books plus the text.) Also, I 
do slightly more lecturing from the textbook than I ordinarily do. 


I haven't had any complaints about this 
general approach--only about the length and "slowness" of Judgment at 
Nuremberg. I promised them none of the other movies would be this 
long!

Hope this helps,
Marcia

Marcia J. McKinley, J.D., Ph.D. Assistant Professor of Psychology Mount St. Mary's College Emmitsburg, 
MD 21727 (301) 447-5394 x4282 
[EMAIL PROTECTED] 

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RE: movies in the classroom

2003-01-30 Thread Joann Jelly









Hi, Beth, in Human Sexuality class, i.e., Adolescent/Development
chapters, I show the rated version of American Pie (which students
love, they think it is directly applicable to their lives), but first I
indicate relevant concepts from the text. I create a handout/analysis
sheet summarizing those concepts in which students must report where in the
film that portrayal occurs. Of course we discuss in class as well.



It seems to me that art/films do connect
theory to every day life, or what is going on "out there," obviously
a good theory does this but from an academic perspective. In later
classes, (arousal, etc.) students often refer to the previously shown film to question/explain
their understanding of the text. And, of course it helps to have a quality,
action oriented film to which students can relate. In this class (which
is very "sensitive" to some students), I do emphasize that information,
i.e., film, text, hand/out, lecture is being presented to
illustrate scientific data, not to excite nor to advocate, for example, eating
Apple Pie (just kidding).



Time: sometimes I rent two copies of
the same film and show the most relevant scenes from the first and then the
last half of the film; this is hard to do in one class period unless discussion
is held at the next class. If students have not seen the film or
want to see the whole film, they have to rent it on their own; spending more
than 2 classes (1 hr  15min each) is too time expensive. 



For an analysis guide, I have used Hi-Q
Film Review , ATW Publications, P.O.Box
  10053, Costa
  Mesa, CA; however, I think they are out of business.



I am curious to see how other faculty use
films. 



Oh, one other idea, my "Psychologie"
Club used to show "psychologically oriented" films on alternate
Friday afternoons (outside class hours) popcorn, etc. as a fund
raiser. I provided analysis and afterwards we discussed the film
and relevant theories. I might pick that up again.



Joann Jelly

Barstow College 







-Original Message-
From: Beth Benoit
[mailto:[EMAIL PROTECTED]] 
Sent: Thursday,
 January 30, 2003 10:49 AM
To: Teaching in the Psychological
Sciences
Subject: movies in the classroom





Over the years I've seen many
discussions on TIPS about movies to show in the classroom and this has always
made me wonder about the time considerations of showing it. Specifically,
how do each of you go about showing a movie for use in class?











The obvious possibilities are:





A. Use a whole class - or two
if needed - to show a full-length movie





B. Edit clips from a movie for
use in class





C. Assign the movie to be
watched outside of class











Each scenario has its pluses and
minuses, and some choices are more available depending on the time length of
your class. (For example, I'm now teaching two classes that run 3 1/2
hours long, meeting once a week. While I thought this would be a great
chance to show a whole movie, I find that I still don't have enough
time to show a 1 1/2 hour movie and still cover the necessary classroom
material that I want to cover.) So I'm still pulling clips from movies
that I edit myself, but wishing, for example, I could show Twelve Angry
Men in its entirety.











What methods have you chosen to use
movies in class?











Beth Benoit





University System of New Hampshire



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RE: student exchange

2003-01-30 Thread Lipschultz, Rachelle
I have to disagree that this is dishonest.  I've actually done precisely
this in a couple of situations, but only when there was a pressing reason
(e.g., the student needed the course to graduate on time, and this was the
only section that would fit his/her schedule).  However, this was done a)
with my department chair's blessing (and at his request, actually), and b)
with the agreement in writing, so that it was clear who was responsible for
what.  That way, if there's a question about the grade, the right person
will be held accountable, and we are able to show students that we can be a
bit flexible when necessary in order to allow them to take the courses they
need.  As long as the professor signing off on the grade is confident that
the one doing the teaching is competent (and if that's not the case, then
they shouldn't be teaching anyway), I don't see that it lessens the meaning
of the grade in any way.

Just my two cents

Rachelle Lipschultz
[EMAIL PROTECTED]

-Original Message-

Subject: student exchange
From: sylvestm [EMAIL PROTECTED]
Date: Wed, 29 Jan 2003 10:29:40 -0800 (PST)
X-Message-Number: 3

 A student came to me with a request that he wants to
transfer to my intro section.It is too late for him to add
/drop.He wants to drop another prof'S section.
He thinks that I should discuss with the other instructor
the possibility of attending my class butI would
advice the other instructor of the course grade.
Should I do this?
Michael Sylvester


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Re: movies in the classroom

2003-01-30 Thread Dan Segrist



Beth--this is a great question. I always wrestle with the cost/benefit 
of 
showing movies in class. But here's what I do...

In Social Psych. I show 12 Angry Men in class and have students write a
 
response paper based on social psych concepts.

In Personality Theories I've had people watch Citizen Kane outside of c
lass 
and write about the film using Erikson's theory.

In Abnormal I show either Ordinary People or One Flew over the Cuckoo's
 
Nest the first 1-2 days and then discuss concpets/stigmas of mental illness,
 
etc. Students also select 2 films to watch and respond to during the semeste
r 
(e.g., I Never Promised you a Rose Garden, Nuts, Primal Fear, Days of Wine a
nd 
Roses, Caine Mutiny, Rain Man, etc.).

Just yesterday another prof. told me that when she teaches Abnormal she
 has 
students find movies on their own and then show a 10 minute clip in class th
at 
demonstrates some aspect of mental illness. Students then discuss the clips.
 I 
haven't done this but I like the idea.

Hope this helps.

Dan Segrist, Ph.D.Assistant Professor of PsychologySouthwestern
 
Illinois CollegeGranite City Campus4950 Maryville RoadGranite Ci
ty, 
IL 62040(618) 931-0600, ext. 6694[EMAIL PROTECTED]&
gt; 
[EMAIL PROTECTED] 01/30/03 12:48PM 
Over the years I've seen many discussions on TIPS about movies to show 
in 
the classroom and this has always made me wonder about the time consideratio
ns 
of showing it. Specifically, how do each of you go about showing a mov
ie 
for use in class?

The obvious possibilities are:
A. Use a whole class - or two if needed - to show a full-length 
movie
B. Edit clips from a movie for use in class
C. Assign the movie to be watched outside of class

Each scenario has its pluses and minuses, and some choices are more 
available depending on the time length of your class. (For example, I'
m 
now teaching two classes that run 3 1/2 hours long, meeting once a week.
p; 
While I thought this would be a great chance to show a "whole movie," I find
 
that I still don't have enough time to show a 1 1/2 hour movie and still cov
er 
the necessary classroom material that I want to cover.) So I'm still 
pulling clips from movies that I edit myself, but wishing, for example, I co
uld 
show "Twelve Angry Men" in its entirety.

What methods have you chosen to use movies in class?

Beth Benoit
University System of New Hampshire---You are currently subscr
ibed 
to tips as: [EMAIL PROTECTED]To unsubscribe send a blank email to 
[EMAIL PROTECTED] 
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movies in the classroom

2003-01-30 Thread Aubyn Fulton
Beth Benoit wrote...
Over the years I've seen many discussions on TIPS about movies to show in
the classroom and this has always made me wonder about the time
considerations of showing it.  Specifically, how do each of you go about
showing a movie for use in class?

The obvious possibilities are:
A.  Use a whole class - or two if needed - to show a full-length movie
B.  Edit clips from a movie for use in class
C.  Assign the movie to be watched outside of class (SNIP)

What methods have you chosen to use movies in class?

Aubyn writes...
I have several courses in which I require one or two feature-length films
per quarter. I use your option C above - though I don't just assign them
outside of class, I schedule an evening at the start of the quarter, put it
in my syllabus, and require students to watch it all together, with me, at
the same time and place. I started doing this because I teach at a
denominationally affiliated liberal arts college, and I found it was easier
to defend the showing of what are (by local community standards) fairly racy
films if I could tell my administrators that the introductory and concluding
comments I made put the film in the proper educational context (plus, I
think my comments really do provide the necessary context). I continue to do
it because I find that if I just have students rent it on their own, or get
it from reserve in the library, a higher percentage of them never watch it,
or never give it sufficient thought. Also, films are inherently community
experiences, and I think there are several benefits for the class to watch,
and then discuss the film together. Of course there are always a few
students who have unavoidable conflicts, but I can usually keep that to a
minimum, and I allow those with genuine conflicts (work or class) to watch
it on their own. We are a residential college, and while students would
typically prefer a later showing, I usually can get away with showing them
from 5:00 to 7:30 (last 30 minutes or so for discussion). I make each
(roughly 2 hour) movie worth about 50 pages of reading, and adjust
supplemental reading assignments accordingly.

Most often I have students write a reaction paper to the film, though
sometimes I just put an essay question covering it on an exam. In all cases
I provide them with thought questions to guide their viewing and help them
relate it to course issues.

Most teachers who use films can't help but share the list, and I am no
exception. One reason I use films is because I am enthusiastic about them,
and with rare exceptions the students catch the enthusiasm too. My list is
pretty standard I think:

G Psych: *The Breakfast Club*; *Philadelphia* (I used to show *Long Time
Companion* instead - which I think is a better film - but it was just a
little too much for many of my students, and they could not learn what I
wanted them to)
Learning  Memory: *Memento* (though I occasionally show clips from the
first third of *Total Recall* in class)
Principles of Counseling: *Ordinary People* and (this year for 1st time) 2
episodes from the first season of *The Sopranos*
Personality: *Hamlet* (Mel Gibson version)

Before being sentenced to my current term as Department Chair I used to
teach Adolescent Development also, and showed a film every other evening
(e.g. *Stand By Me*, *The Breakfast Club*, *Breaking Away*, *The Incredibly
True Adventure of Two Girls in Love*, *The Graduate*).

I've noticed that some college teachers worry that feature films contain
errors, distortions and oversimplifications; I try to minimize that, but it
doesn't worry me too much. The viewing questions, pre-film comments and
post-film discussion focuses on how the film illustrates both what we think
we know, and common misconceptions.

Last bit: I have seen *The Breakfast Club* so many times now that I can
probably recite most of the dialog from memory (Screws fall out all the
time, the worlds' an imperfect place). Sadly, though I show it so often, it
has never been one of my favorite films; the Brat Pack always did get on
my nerves, and the film is too self-conscious and mannered for my taste. But
it so nicely illustrates several stock points from adolescent development,
and college students tend to enjoy it, that my own lack of enjoyment of it
doesn't seem to matter too much (and I do have fun making fun of the music).


Aubyn




Aubyn Fulton, Ph.D.
Professor of Psychology
Chair, Behavioral Science Department
Pacific Union College
Angwin, CA 94508

Office: 707-965-6536
Email: [EMAIL PROTECTED]
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