Wallowing M Spouted Its Foam-Fountains, Unsubduable Nightly Dew-Fed
http://kharkov.vbelous.net/images/mixture/turbo1.jpg "This is what hatred did." -is the very last line from Amos Tutuola's _My Life in the Bush of Ghosts_... Lotus eater is dropped М the phoenix has not lost the skill fragments vegetables feast erbiumornamental hairpin jade tablet chicken kiss-crowned with dragonfly theriveting young sincerepeach eleventh of the twelve Earthly Branches ripplesthe companionto add the standing grain the bosomoccupies fumigates flame 'tis out gather'd suave qui peut-peut a hobolisk graven with photons Ohi M in frocade brother rubberembryoto peep weep siesta nutter for animal balloon maker a window washer Howis the rhinoceros narrow fries lay in a great water flies that prick the M ogg olden aorsa ivry white quart quarrel quail chariot drawn by two charcoal snakes the pursing head clampscooks in a covered vessel sterling endless wherefore not helm the huge the ship to gnaw white meat skiff studded with blood pearl irksome chin-spur phonograph reads eats delicacies deeper in the down Rhodope in the empty shell Roc-May bacteria riding gold-leaf on the agriculturewinds while the crow doth stare jaunty to the sickened beast not like the vintage burn the franciumgarden to hang canonists woodbine come cooingly roasting 'tirra lirra' tra-la-tra-la rubber booted in the slop the tender tone that maddened her, a frown, fetlock-deep in marbled sneers digs up is tundra scatters covers with a mat the crime all slowly thickening to flaunt, to dress, to thud sumac burl throstle in the tent of its throat long glories of the winter M yonder is the Po and under the hollwol ung mid ocean, on one side, O green!
Re: FEUILLETON
don't rewrite
215/365, Fran
Fran placed another order. I asked if this one was a hot order, too. She drawled, Honey, they're all hot. Everything we do is hot. Our jobs come in three flavors: 'hot', 'hot hot', and 'hot, hot, oooh so hot'. 40 words, 40 years 365 days, 365 people http://www.logolalia.com/40x365
Wam, P link, Meats
Wam the reef gash the bled fish the boom clod the ,forty gunners flayed a way ,to knackers slaw to ,page you spat er like a cloud oh rice soaked with gore the idiot bush with gaso line of shore approaching like a maw P link bluntly crawling toward the gash you bread pencil ,drop keeper shit n dipper think ,a g round p hone doll op en ter prise jacked yr shirtsleeve off .blobbed moon an ,dry heaves ,blot dance burns yr knees ,like strumming Meats dog needer ,soak the meat sock bark spoon you brokered at the burning wall your fright spot seeper than ,a boast a ,knob scum ,ranly porkid fried yr ,bloat the feet rock mooned in clay uh slathered croak uh ,nab dance beating steak against the floor John M. Bennett __ Dr. John M. Bennett Curator, Avant Writing Collection Rare Books Manuscripts Library The Ohio State University Libraries 1858 Neil Av Mall Columbus, OH 43210 USA (614) 292-3029 [EMAIL PROTECTED] www.johnmbennett.net http://www.library.osu.edu/sites/rarebooks/avantwriting/ ___
House of Sand
House of Sand*Postcards from the sky and the sea Dry and harden into dust. The skin of a beach Could be you, soon. Get some in your eyes Then close them. The sky covers itself. You cover me. The crater in front of you Is for corpses. Everywhere there are children. A labyrinth of circles Winds you closer Until it stops And you stop, too. Shadows make a desert thrive.What real music is like Has always been difficult to explain. When they got to the moon, they found sand.Tom Savage 8/12/06 Stay in the know. Pulse on the new Yahoo.com. Check it out.
over the else (after Thomas Savage)
over the else (after Thomas Savage)each s and lose kin arduous rust leavings hemcreator top over the else sic womb like cirque rind seamingsheila e. murphyThomas savage [EMAIL PROTECTED] wrote:House of Sand*Postcards from the sky and the sea Dry and harden into dust. The skin of a beach Could be you, soon. Get some in your eyes Then close them. The sky covers itself. You cover me. The crater in front of you Is for corpses. Everywhere there are children. A labyrinth of circles Winds you closer Until it stops And you stop, too. Shadows make a desert thrive.What real music is like Has always been difficult to explain. When they got to the moon, they found sand.Tom Savage 8/12/06 Stay in the know. Pulse on the new Yahoo.com. Check it out.
Re: promise/skewity... appendix.Z / Twittering (exerpt)
ah it never seems to end...misunderstanding among intimates. cuz the stakes are so high. skewed communication, skewered heart, squirming on the spit like an impaled frog. At 2:59 AM -0700 8/14/06, Talan Memmott wrote: Loyalty is for dogs. Dogs and pussies. Now. Or, so it seems. One thinks this Punk would know better -- know this already, but you can't teach an old dog new tricks. He's too busy getting ready, already, for his next campaign. The next, which will be the next never next. Failure is predetermined; a repeating pattern beyond his control. What control? He's too weak to even consider. Still, he will march whole-heartedly into the next, his own demise. He already has, again. And all will shake their heads, lower their heads in disgust. She makes a promise. She makes a promise to break a promise. The initial promise is still unspoken but he knows it's there, was there -- he feels it, he felt it. He thought. She want's him to make a promise. She wants him to make a promise she knows he cannot keep. She wants him to break. He wants her to make a promise he knows she will not keep. This is nothing new. Fathomless. Before she speaks he tells her he will keep the promise, her promise; unspoken. But, first he wants to know the conditions, what must he do, exactly, for it, the promise to be kept -- considered. She can only promise -- what she will do, in actuality, is another matter. Entirely. He can only promise -- what he will do next doing is another matter entirely. He will keep her promise, but wants to know what he is protecting. She will need evidence. She will ask for the evidence and pretend to be surprised, as if she is being presented with a gift. A great gift, proving everything. Unspoken. Dogs and pussies! She can only promise skewity. He can only promise skewity, though she thinks differently. That he promises something else. She's no longer interested. No longer interested, she's already in Paris. 2000. No. Pas deux mille. Le c'est pas le temps pourtant. Supplémentaire dans l'avénir. Bastille Day, and everyone is American. 2001. Le c'est pas deux mille et une. Bastille Day, and everyone is American. Dogs and pussies! She will promise if he will promise. She will make him promise in order to keep her promise. He will promise with the prospect that she will keep her promise. Otherwise...
Re: FEUILLETON
It remembers when I saw my fizrit lapwing, too... Cheers Doc! Do a face-stand in the Pumice for the ghost of Ghengis.. - Original Message - From: Dr. T. Michael Roberts [EMAIL PROTECTED] To: WRYTING-L@LISTSERV.WVU.EDU Sent: Monday, August 14, 2006 2:43 PM Subject: Re: FEUILLETON If they will not work then let them play. The slippage and play of the signifiers is what it is all about. The text is always about nothing precisely because there is nothing outside the text for the text to be about. The absent center of every text is also a door leading to the thing outside the text that the text would be about if it worked for a living by describing something outside itself. The text is a bird with one wing that goes into a panic when it asks itself the unanswerable question of what the text is about. It panics as if hotly pursued by a dead police that no one would want to sleep with and flies around and around in tighter and tighter circles closing in on that center of itself which is also a door into the absolute not-text other which makes the text mean rather than just being a lazy bonobo playing with the basic equipment because it's there. The warm, gooey thing that happens when that one-winged bird of a text finally disappears up the neither end of its own sweet self is the thing that the text is never about but can sometimes do on a good day. It killed the policeman and it is glad. --- Maria Damon [EMAIL PROTECTED] wrote: which island? At 5:39 PM -0500 8/13/06, Audacia Dangereyes wrote: I've been making a point of overhearing different people coming and going from the island writing between one found bit and the next. Everything seems to fit together, but only if I don't work at them too hard. There's a number of pieces that I haven't sent to the list that I've been rewriting many times I can't get them to work. Audacia On Aug 13, 2006, at 5:08 PM, Maria Damon wrote: what's the compositional principle at work? In so far as literature turns back on itself and examines parodies or treats ironically its own signifying procedures, it becomes the most complex account of signification we possess. - John Deely __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
How do you pronounce?
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uncanny mappings of binoculars onto spheres through dark matter hegemony
uncanny mappings of binoculars onto spheres through dark matter hegemony http://www.asondheim.org/ invisiblebino - go first to directory, then to 'invisiblebino' - there are 8 of them thank you.
AVATARS OF STORY / Cybermind (fwd)
Traces the transformation of storytelling in the digital age. AVATARS OF STORY Marie-Laure Ryan University of Minnesota Press | 296 pages | 2006 ISBN 0-8166-4685-6 | hardcover | $60.00 ISBN 0-8166-4685-6 | paperback | $20.00 Electronic Mediations Series, volume 17 Marie-Laure Ryan moves beyond literary works to examine other media, especially electronic narrative forms, revealing how story, a form of meaning that transcends cultures and media, achieves diversity by presenting itself under multiple avatars. Ryan considers texts such as the reality television show Survivor, the film The Truman Show, and software-driven hypertext fiction, and anticipates the time when media will provide new ways to experience stories. For more information, including the table of contents, visit the book?s webpage: http://www.upress.umn.edu/Books/R/ryan_avatars.html For more information on the Electronic Mediations Series: http://www.upress.umn.edu/byseries/electronic.html
Re: AVATARS OF STORY / Cybermind (fwd)
This is bound to be great... I've seen a couple of chapters. On Mon, 14 Aug 2006 19:44:36 -0400 Alan Sondheim [EMAIL PROTECTED] wrote: Traces the transformation of storytelling in the digital age. AVATARS OF STORY Marie-Laure Ryan University of Minnesota Press | 296 pages | 2006 ISBN 0-8166-4685-6 | hardcover | $60.00 ISBN 0-8166-4685-6 | paperback | $20.00 Electronic Mediations Series, volume 17 Marie-Laure Ryan moves beyond literary works to examine other media, especially electronic narrative forms, revealing how story, a form of meaning that transcends cultures and media, achieves diversity by presenting itself under multiple avatars. Ryan considers texts such as the reality television show Survivor, the film The Truman Show, and software-driven hypertext fiction, and anticipates the time when media will provide new ways to experience stories. For more information, including the table of contents, visit the book?s webpage: http://www.upress.umn.edu/Books/R/ryan_avatars.html For more information on the Electronic Mediations Series: http://www.upress.umn.edu/byseries/electronic.html
Re: shows you've read little
Title: Re: shows you've read little this is exactly the MN mindset. folks who use a lot of words are villainous. when i went to see the k branagh/e thompson film of Much Ado About Nothing here in MN i had a v funny experience. Keanu Reeves's first lines are Sire, I am a man of few words. You could feel the audience warming up to him immediately and the ensuing confusion when he turned out to be the bad guy. At 6:48 PM -0500 8/14/06, Tony Trigilio wrote: http://www.starve.org/usenet.html You claim that words are a satanic medium . . . by that logic, the fewer words they use, the less satanic they are. Source: Page 148 of White Noise Keywords: shows, you've, read, little About The Usenet Project: An x is drawn in the middle of a page of Don DeLillo's White Noise (Penguin Classics Edition, 1999). The first three, sometimes four, words (excluding articles and prepositions) that intersect the lines of this x from its cross are fed into Google's Usenet index, which now dates back to 1981. On even-numbered days, the most recent Google entry is used, using Google's sort by date function. On odd-numbered days, the first Google entry to appear is used, anything from 1981 to the present. A new posting will be included every week -- an archive of radiant rants, habits, and hobbies. Thanks to Bernadette Mayer's X on Page 50 at half inch intervals.
Re: SUBMOVIE 01
Very cool! Cecil mwp wrote: SUBMOVIE 01 2006 Each frame of this 30fps movie is entirely black, aside from a single 1x1 pixel area, selected at random, that is white. http://mwp.jaycloidt.com/MPMOV2006/SUBMOV0160SEC.mp4 1 minute, 265KB mwp
Re: AVATARS OF STORY / Cybermind (fwd)
I reviewed Twisty Little Passages. I found it interesting and informative. The author has not shown up at my front door to punch my nose yet so I guess Im just not and will never be in the same class as the late, great John Simon. Even his good reviews read as if the lucky recipient were being praised as one of the less fragrant of the cadavers in the morgue of contemporary culture. Until Simons death, there was a clause in every contract Liza Minnelli signed agreeing to appear live onstage anywhere explicitly stating that John Simon was not to be seated. It held up in court. The moral of the story is, I think, clear; never describe any popular actress in a public review as having the same large, expressionless brown eyes as one would expect to see staring blankly forth from the face of a recently deceased beagle even if its the plain truth. This kind of thing just makes one unpopular in direct proportion to the popularity of the actress. Many waitresses are frustrated actress wannabes and they all know the Visin trick. Even a true werewolf would like to drink his Pena Colada in peace at the end of a long day of chewing people up without worrying about this sort of thing. Read it all but only review the things you like. Its safer that way. No one ever killed a friendly turnip for not being deep enough. Few suspect a turnip of being as sinister as a German observation balloon that observes underground. --- Alan Sondheim [EMAIL PROTECTED] wrote: I think so; I asked for a review copy. I've read texts like Twisty Little Passages which I really love. - Alan On Tue, 15 Aug 2006, marc wrote: thanks Alan, this looks pretty interesting stuff :-) marc Traces the transformation of storytelling in the digital age. AVATARS OF STORY Marie-Laure Ryan University of Minnesota Press | 296 pages | 2006 ISBN 0-8166-4685-6 | hardcover | $60.00 ISBN 0-8166-4685-6 | paperback | $20.00 Electronic Mediations Series, volume 17 Marie-Laure Ryan moves beyond literary works to examine other media, especially electronic narrative forms, revealing how story, a form of meaning that transcends cultures and media, achieves diversity by presenting itself under multiple avatars. Ryan considers texts such as the reality television show Survivor, the film The Truman Show, and software-driven hypertext fiction, and anticipates the time when media will provide new ways to experience stories. For more information, including the table of contents, visit the book�s webpage: http://www.upress.umn.edu/Books/R/ryan_avatars.html For more information on the Electronic Mediations Series: http://www.upress.umn.edu/byseries/electronic.html -- Furtherfield - http://www.furtherfield.org HTTP - http://www.http.uk.net Node.London - http://www.nodel.org blog at http://nikuko.blogspot.com - for URLs, DVDs, CDs, books/etc. see http://www.asondheim.org/advert.txt - contact [EMAIL PROTECTED], - general directory of work: http://www.asondheim.org Trace at: http://tracearchive.ntu.ac.uk - search Alan Sondheim In so far as literature turns back on itself and examines parodies or treats ironically its own signifying procedures, it becomes the most complex account of signification we possess. John Deely __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re: SUBMOVIE 01
Quite an amazingly kinetic field.-Peter CiccarielloOn 8/14/06, Cecil Touchon [EMAIL PROTECTED] wrote: Very cool!Cecilmwp wrote: SUBMOVIE 01 2006 Each frame of this 30fps movie is entirely black, aside from a single 1x1 pixel area, selected at random, that is white. http://mwp.jaycloidt.com/MPMOV2006/SUBMOV0160SEC.mp4 1 minute, 265KB mwp--
Re: SUBMOVIE 01
Thanks both! I wasn’t sure what to expect when I came up with the idea. I had predicted that maybe the black would almost completely subsume the white pixel and make the screen appear nearly static aside from a few momentary flashes when the eye happened to be looking in the same place as where a dot appeared. But it is far more visible than I had planned, and much more kinetic, as you say. m On Aug 14, 2006, at 7:09 PM, Peter Ciccariello wrote: Quite an amazingly kinetic field. -Peter Ciccariello On 8/14/06, Cecil Touchon [EMAIL PROTECTED]> wrote:Very cool! Cecil mwp wrote: > SUBMOVIE 01 > 2006 > > Each frame of this 30fps movie is entirely black, aside from a single > 1x1 pixel area, selected at random, that is white. > > http://mwp.jaycloidt.com/MPMOV2006/SUBMOV0160SEC.mp4 > 1 minute, 265KB > > > mwp > --
PORTAL
PORTAL ceremonial plaything followed clanking metal thud running eyes looked young beckon a rusty man pond followed pond through the woods edge next to the device said voice was tiny torn road thrown aside wonder gestured at the opening you have managed an insurrection http://stoneagetype.tk
Re: SUBMOVIE 01
This shows as a broken QuickTime frame on my computer and will not play. --- Peter Ciccariello [EMAIL PROTECTED] wrote: Quite an amazingly kinetic field. -Peter Ciccariello On 8/14/06, Cecil Touchon [EMAIL PROTECTED] wrote: Very cool! Cecil mwp wrote: SUBMOVIE 01 2006 Each frame of this 30fps movie is entirely black, aside from a single 1x1 pixel area, selected at random, that is white. http://mwp.jaycloidt.com/MPMOV2006/SUBMOV0160SEC.mp4 1 minute, 265KB mwp -- In so far as literature turns back on itself and examines parodies or treats ironically its own signifying procedures, it becomes the most complex account of signification we possess. John Deely __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
the diplomacy of quietude in critical landscape
the diplomacy of quietude in critical landscapehttp://tinyurl.com/k4quj-- Peter Ciccariello http://invisiblenotes.blogspot.com/
