From: Forgeot Eric [EMAIL PROTECTED]
I suppose nobody at abcusers ever tastes anything with alcohol
in it.
I must have missed the beginning of this thread as I can't see who Eric was
quoting. Sounds to me like a very strange assumption!
Laurie
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Gianni Cunich wrote:
I won't let your offensive emails drive me
away... Do you actually wish to ask Toby making this a censored list?
Not a bad idea actually. Why don't we take a vote on expelling Gianni
from the list?
Phil Taylor
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On Thu 01 Nov 2001 at 01:22PM -0500, Laura Conrad wrote:
James == James Allwright [EMAIL PROTECTED] writes:
James On Thu 01 Nov 2001 at 04:59PM +0100, Forgeot Eric wrote:
Sharps, flats and natural signs may be indicated in guitar chords
using '\#', '\b' and '\='.
On Friday 02 November 2001 04:31, Phil Taylor wrote:
Gianni Cunich wrote:
I won't let your offensive emails drive me
away... Do you actually wish to ask Toby making this a censored list?
Not a bad idea actually. Why don't we take a vote on expelling Gianni
from the list?
Phil Taylor
The user makes more difference than the developer here. If an ABC
file is clearly written *as source*, with the right choice of default
note length and laid out with some regard to the musical structure,
it's easy to work round dialect differences because you can see what
you're editing.
Just for the record:
I've just set up an e mail filter to autmotacially remove all messages
with the subject Re: [abcusers] dynamics (was). Can smeone tell me
when this is over?
Frank Nordberg
http://www.musicaviva.com
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Laurie Griffiths wrote:
From: Forgeot Eric [EMAIL PROTECTED]
I suppose nobody at abcusers ever tastes anything with alcohol
in it.
I must have missed the beginning of this thread as I can't see who Eric was
quoting.
Me. I was posting a Scandinavian drinking song a while ago, of
Phil Taylor wrote:
If you really want to put forward a serious proposal for features
to be added to a new standard you must first study _all_ of the
existing programs, and come up with something which minimises the
changes which have to be made to all of the existing code and
invalidates
Forgeot Eric wrote:
I suppose nobody at abcusers ever tastes anything with alcohol in
it.
No I don't, except in cakes or pancakes now. I became sober after
having tasted in Norway hjemmelaget whiskey [homemade whiskey, a
really horrible thing for health]... :)
Let this be a warning to
On Fri 02 Nov 2001 at 06:48AM -0500, Laura Conrad wrote:
James == James Allwright [EMAIL PROTECTED] writes:
James == James Allwright [EMAIL PROTECTED] writes:
James On Thu 01 Nov 2001 at 04:59PM +0100, Forgeot Eric wrote:
Sharps, flats and natural signs may be
James == James Allwright [EMAIL PROTECTED] writes:
James Ok, you have a point here, but I've never actually seen natural signs
James used in chords.
Maybe not, but they're used in figured bass all the time. And the
chord syntax is one of the possible ways to notate figured bass in
Frank == Frank Nordberg [EMAIL PROTECTED] writes:
Frank And, oh yes, let's start discussing something really simple. We all need
Frank some discussing practice before we try to handle the big stuff.
So propose a topic.
--
Laura (mailto:[EMAIL PROTECTED] , http://www.laymusic.org/
On Fri, 2 Nov 2001, Wendy Galovich wrote:
Well, at this point Gianni has earned himself the sad distinction of being
the only individual whose posts I have filtered, on any list, ever.
Same here. Likewise, a first.
If/when I see responses from other list members that indicate he's
jhoerr == jhoerr [EMAIL PROTECTED] writes:
Maybe not, but they're used in figured bass all the time. And the
chord syntax is one of the possible ways to notate figured bass in
ABC.
jhoerr Would this hold up under transposition? A sharp 6 in the key of G
jhoerr
On Fri 02 Nov 2001 at 09:32AM -0500, Laura Conrad wrote:
James == James Allwright [EMAIL PROTECTED] writes:
James Ok, you have a point here, but I've never actually seen natural signs
James used in chords.
Maybe not, but they're used in figured bass all the time. And the
chord
A possible topic?
Is there an abc program that will play Eunich, oops, I meant Unix based
tunes, and all of the other formats on a PC? If not, why? And if not, what
is the point of a standard when many of the tunes are incompatible to ALL
o/s formats. Perhaps those lofty developers resident
James == James Allwright [EMAIL PROTECTED] writes:
James Can you explain what figured bass is ? This isn't a term that I
James recognize.
When Baroque composers were writing for a bass instrument that could
play chords, they wrote the bass line, and sometimes indicated what
chord
Laura Conrad wrote:
But if you transcribe baroque music at all, you are going to want to
be able to transcribe the figures. Most keyboard parts to baroque
ensemble pieces that you've ever seen were what's called realizations
of the figured bass, where the editor filled in what a keyboard
James Allwright wrote:
Can you explain what figured bass is ? This isn't a term that I
recognize.
From the Musica Viva Encyclopedia of music
(http://www.musicaviva.com/encyclopedia/index.tpl):
Basso continuo
(It.) Also called continuo or figured bass. Basso continuo is a
system for
First why does digest come from UnknownSender@UnknownDomain?
What kind of list is this any way. A couple of weeks ago, when I signed up, I got a couple of tunes, that was cool. Now it's all about a bunch of arguing about arguing, about a code that apparently changes every time someone writes
What are you guys trying to do kill a good thing with your bickering
On 2 Nov 2001, Laura Conrad wrote:
But in most of the music I work with, X is used for both a sharp and a
natural on a note which would otherwise be flatted. So my guess is
that you don't really have to transpose the sharps in the figures to
naturals, either. Someone who knows more than I
Please remove my name from the mailing list. Following directions does not work. Too much nastiness here.
L. Allen
And, oh yes, let's start discussing something really simple. We all
need some discussing practice before we try to handle the big stuff.
Okay: tempi in words.
It ought to be possible to write
Q:allegro
in a tune header or
[Q:allegro]
in a tune body, and optionally define outside
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