Why not use |: and :| for onbar-repeats and /: and :/ for inbar-repeats.
Surrounded with whitespace a parser could handle this as separate
tokens and it will not conflict with the A/2 syntax.
Also you can be explicith now if needed:
| /: abc abc | abc abc :/ | abc /: abc | abc :/ abc |
-Original Message-
From: Laurie Griffiths [SMTP:[EMAIL PROTECTED]]
Sent: Wednesday, December 19, 2001 1:39 AM
To: [EMAIL PROTECTED]
Subject:Re: [abcusers] Initial repeats
I think it's a bit late for that.
May be that's true, but ...
Although there are some problems
Hi,
I had the same problem last year. I could not unsubscribe.
For a couple of weeks I just ignored the list than it became
interresting for me again.
So I did not try to unsubscribe anymore. Don't know if it works now.
Toni
-Original Message-
From: Cynthia [SMTP:[EMAIL PROTECTED]]
Thank you!
-Original Message-
From: John Walsh [SMTP:[EMAIL PROTECTED]]
Sent: Saturday, February 02, 2002 22:15
To: [EMAIL PROTECTED]
Subject: Re: [abcusers] ties and accidentals
This thread keeps going on, but I have the feeling that there
has
been agreement for
From: Laurie (ukonline) [mailto:[EMAIL PROTECTED]]
...
My own guess is that D/A means any combination of the notes
D F# and A in
any octaves, so long as it contains at least one of each note
and the lowest
note of all of them is an A in some octave.
Nice. This should be enough for a
Bryan wrote:
This morning I had one junk email from the abcusers list and
seven talking
about it (here's another). Just delete junk and forget it.
You whouldn't have get those seven emails and this one
without the junk mail.
I think that anyone who writes to list should be intrested
in
On Fri, 17 May 2002, Toni Schilling wrote:
I think that anyone who writes to list should be intrested
in getting response. So it's no problem, if only subscribers
can post to the list
Is that a yes-vote?
--
oh sorry!
of course it is a yes.
Toni
To subscribe/unsubscribe, point your
Hi.
A little bit of this thread ..
Are there any Bodhran-players out there?
And do you have any suggestions to notate *nice* bodhran-playing?
If you do not only play (in a simple way) to reels,jigs,.. but also to
any folk,jazz,swing and what ever you want or if you think of people
like J.J.Kelly
When practicing I always have the problem to remember or to write down
(hopefully) nice ideas. And two days later I start again from scratch,
trying different sticks/fingers, patterns, rolls, colors of sound
(sorry, is this english?), playing short or long sounding, ...
I can note some
Hmmm ... Y'know; that might not be too difficult. For the x note
heads, it would have been nice if 'x' hadn't been already taken up as
an invisible rest; it would have made an intuitively-correct modifier
for this purpose. Maybe we could use '*' for this purpose, so the *e
Why not use
Could be that you are subscribed, or posting using an
alias. Since I
turned on the option that allows only list members to post,
some people
who have aliases have been having problems posting.
Can you hear me on ABC?
(Sorry, it seems it's getting quiet on ABC.
Or am I boring you
Jeff Bigler wrote:
...
I totally agree with all.
And if we handle it like this the only problem
is to find out if the _writer_ knows what ties and slurs are.
Toni
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Atte Andre Jensen wrote
*formatting is seperated from the music itself
*anything else* is separated from the music information itself.
I would say, this is the most important thing. All other resons
are based on this one in some way.
The information is now a kind of stream-format which
Laura Conrad wrote
Atte Or better (IMHO): an interface that works the way lily
Atte works. That is the note is asumed to be the closed to the
Atte previous one.
I disagree -- that makes the notes too context dependant, so you can't
just cut and paste a snippet into an email.
Sorry, for posting again on this subject.
From time to time there were people who could not unsubscribe from the
list.
The answer was in most cases to search for the correct subscribed
address
in the email-header and then unsubscribe with this address.
Today I found that the header from
Laurie wrote:
...
To summarise it so you can see it at a glance, here it is as
a table. The
final sequence is the first two chords in reverse order e.g. G7=C.
K:Cmaj CG7 F
K:Ddor Dm E (G, Bm)
K:Ephr EFmaj7 G7 Am
K:Gmix GF (C)
K:Aaeo Am C
Bryan Creer wrote:
However, I am a bit confused by -
So if you need the A4 as first listed note in the chord
for some other reason (e.g. to indicate the melody),
you can give the chord an other length whith ]2
I had assumed the number after the chord was intended to
represent its
Jack Campin wrote:
Or did I get the semantics wrong? I'd expect [d6z2]2 to mean the same
as [d12z4] (whatever *that* meant)
Sorry, you are wrong. If the ]2 is just multiplied to the length
of the notes inside the chord, there would be no benefit of the [..]2
notation.
You can write better the
My vote is: first=melody shortest=length.
Why:
1) gives you two bits of syntx to write two bits of info
2) shortest can't be the melody, because the accompaniment could be
shorter
3) shortes is ok to give the length, because you can add a rest after
the chord, to delay the following note.
**
Starling [mailto:[EMAIL PROTECTED]] wrote:
Toni Schilling [EMAIL PROTECTED] writes:
: Question: applies the n to all notes in the chord as a multiplier or
: only to those which have no length modifier?
Guh, definitely not a multiplier.
Until now I prefered multiplier because I could
Don't you think it's time to change the subject-line of this thread?
Toni
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Jon wrote:
Tenor sets can be very hard to find in the UK too.
As I mentioned before, I opt for singles but your type
of solution is quite common - I used to do that too.
So it's not my invention ;-)
If you wanted to try ordering sets from the UK, you could try
Redwing Strings from Mally -
Claire Curtis wrote:
I too have tried to unsubscribe, to no avail.
I looked at the source of the web page, and may have found
the problem.
(Those of you who are programmers, please double check).
...
I've just tried the html-code (from IE on WNT to Apache on WNT).
There's nothing wrong
Sorry, don't know what to say ...
I've no idea what he looked like, even.
There's a picture of him here:
http://www.musements.co.uk/muse/CV.html
Thank you for the picture
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