Re: [abcusers] Multiple Endings

2003-03-04 Thread Phil Taylor
Jean-François Moine wrote:

On Fri, 28 Feb 2003 21:44:29 +, [EMAIL PROTECTED] (Phil Taylor)
wrote:
John Chambers has proposed a series of extensions to handle this, and
I tried to implement them in my own program.  It turned out to be a
nightmare to get it working in the player.  Eventually I got frustrated
with it and pulled all the code.  As far as I know, only John's abc2ps
clone implements this, and no player programs.

This works with abcm2ps. About players, numerical values would be
feasible (use a bitmap), while free text (as [last time) asks for
more information...

Not sure how bitmaps are relevant to this.  It turned out that there were
lots of small irreconcilable problems with existing files when you allow
more than two repeats.  For example, in the simplest case I wanted to
be able to play triple endings like this:

abc abc |1 ABC ABC :|2 CBA CBA :|3 BCA BCA ||

Just a very simple extension of what we have at present.  The problem
is that there are loads of tunes out there with two endings, which are
written like this:

abc abc |1 ABC ABC :|2 CBA CBA :|

It doesn't cause any problem at present, as the program knows that you
can't have more than two endings and so treats the second :| as a terminator
rather than as a repeat.  If more than two endings are allowed then the
program plays the tune three times and then throws an error because it
can't find the expected third ending.

Put this in the tune header:

P:(AB)3AC

then write the tune like this:

[P:A] AA,2A, B,2C |[P:B]DD3 z3 ||[P:C] DD6 |]

OK for computers, but not for people reading a score!

Yeah.

Phil Taylor


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Re: [abcusers] Multiple Endings

2003-03-03 Thread ANewman110
The latter.

People on this list will try to tell you that you don't really want to do that, which 
of course you do or you wouldn't be asking :)

Regards,
Aaron

In a message dated 2/28/2003 12:43:38 PM Eastern Standard Time, [EMAIL PROTECTED] 
writes:

 
 
 I'm having problems getting the variant ending feature to work for me.
 
 This works for 1 and 2 being different:
 
 AA,2A, B,2C |1DD3 z3 :||2 DD6 |]
 
 But I can't seem to find a way to indicate 1-3 are the same with 4 being 
 different.  I've tried encapsulating it in quotes, brackets, parentheses...
 
 Am I missing something, or is the ABC standard missing something?

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Re: [abcusers] Multiple Endings

2003-03-03 Thread Jean-Francois Moine
On Fri, 28 Feb 2003 21:44:29 +, [EMAIL PROTECTED] (Phil Taylor) 
wrote:
John Chambers has proposed a series of extensions to handle this, and
I tried to implement them in my own program.  It turned out to be a
nightmare to get it working in the player.  Eventually I got frustrated
with it and pulled all the code.  As far as I know, only John's abc2ps
clone implements this, and no player programs.

This works with abcm2ps. About players, numerical values would be
feasible (use a bitmap), while free text (as [last time) asks for
more information...

Put this in the tune header:

P:(AB)3AC

then write the tune like this:

[P:A] AA,2A, B,2C |[P:B]DD3 z3 ||[P:C] DD6 |]

OK for computers, but not for people reading a score!

-- 
Ken ar c'hentañ | ** Breizh ha Linux atav! **
|   http://moinejf.free.fr/
Pépé Jef|   mailto:[EMAIL PROTECTED]
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Re: [abcusers] Multiple Endings

2003-03-02 Thread Henrik Norbeck
John Chambers wrote:
 Since I'm also involved with  styles  like  trad  Scandinavian  music
 (How  can  you  possibly  write  music  without  using  3rd  and 4th
 endings?)

I don't really understand your problem. I've played A LOT of 
Scandinavian music and NEVER seen a 3rd and 4th ending in 
print. Though, of course they could be handy for handwritten music.
What is needed much more is bis notation. Do we allow repeats 
within repeats, or should we use some other way of writing it?


Henrik Norbeck, Stockholm, Sweden
[EMAIL PROTECTED]
http://home.swipnet.se/hnorbeck/ My home page
http://home.swipnet.se/hnorbeck/abcmus/  AbcMus player program
http://home.swipnet.se/hnorbeck/abc.htm  1600 ABC tunes
http://surf.to/blackthorn Irish trad music band
http://www.rfod.se/folklink/  Links to Swedish music
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Re: [abcusers] Multiple Endings

2003-03-02 Thread John Chambers
Henrik Norbeck writes:
| John Chambers wrote:
|  Since I'm also involved with  styles  like  trad  Scandinavian  music
|  (How  can  you  possibly  write  music  without  using  3rd  and 4th
|  endings?)
|
| I don't really understand your problem. I've played A LOT of
| Scandinavian music and NEVER seen a 3rd and 4th ending in
| print. Though, of course they could be handy for handwritten music.
| What is needed much more is bis notation. Do we allow repeats
| within repeats, or should we use some other way of writing it?

Well, I suspect that you hang out with people who are less lazy  than
the ones that I know. ;-) I've learned most of the Scand stuff that I
know either by ear or from  handwritten  pages.   I've  noticed  that
published  music tends to write out the repeats that the lazier types
condense.  Consider this well-known tune:

X: 1
T: Polska efter Pekkos Olof Hansson
R: Bingsj\o-polska
M: 3/4
L: 1/16
K: Dm
|: DEFG A4   d4 | A2BA  G2AG F2AF | D2f2 ~f2ef gfed | ^c2a2 age^c A4  |
   DEFG A4   d4 | A2BA  G2AG F2AF | D2f2 ~f2ef gfed | age^c d8 :|
|: A2df a2ba g4 | A2^ce gage f4   | fafd ege^c d2e2 | ~f2ed ^c2ec A3A |
   A2df a2ba g4 | A2^ce gage f4   | fafd ege^c d2e2 | {f}ed^ce d8 :|

This is what you would probably see in print.  But note that in  each
section,  the  first three bars are repeated exactly.  So this can be
written as:

X: 1
T: Polska efter Pekkos Olof Hansson
R: Bingsj\o-polska
M: 3/4
L: 1/16
K: Dm
|: DEFG A4   d4 | A2BA  G2AG F2AF | D2f2 ~f2ef gfed |1,3 ^c2a2 age^c A4  :|2,4 age^c   
 d8 :|
|: A2df a2ba g4 | A2^ce gage f4   | fafd ege^c d2e2 |1,3 ~f2ed ^c2ec A3A :|2,4 
{f}ed^ce d8 :|

This uses half as much paper, and actually makes the  repeat  pattern
much  clearer.  And you can fit twice as many tunes on a page, so you
don't have to carry as much paper to events where you'll need printed
music.  (Or you can have twice as many tunes to choose from.)

But I think the real explanation is laziness.  Or the desire to spend
less time writing and more time playing. So people writing down tunes
by hand are more likely to do this than a publisher.

One  could  argue that this notation would be useful in British-Isles
styles.  There are lots of tunes whose 8-bar phrases obviously have a
4-bars-repeated  structure.   But on closer examination, it turns out
not to be that useful.  In  those  tunes  whose  bars  5  and  6  are
identical  to  bars  1  and 2, you usually find that bars 7 and 8 are
both different from bars 3 and 4.  So the above compact notation only
saves  you  two bars per phrase, and half of each phrase is under the
repeat bracket. This isn't nearly as usueful.  In Scandinavian music,
the  above  pattern  with only the last of 4 bars varied is so common
that treating it as 4x4 rather than 2x8 makes a lot more sense.

And, of course, if you're a classical musician, you complain when you
see any repeats. All those repeats should be unrolled, and everything
written out in full, no matter how many pages it takes.  ;-)

One place that I saw the |1,3 ...  :|2,4 ...  notation a lot was back
in  college  when I was in the marching band.  A very real constraint
here is that the musicians have those little  lyre  attachments  on
their  instruments  that  are  mini-music stands; they use a standard
(quite small) page size,  and  you  can't  turn  pages  while  you're
playing.   An  instrument's  part  MUST  fit onto one page.  For some
pieces, there's no real  problem,  but  some  music  requires  rather
inventive notation to shoehorn a piccolo, flute or clarinet part onto
a single small page.

I've actually had some email contact with a  few  musicians  who  are
involved  in  this sort of music.  They find some of my abc2ps tweaks
very useful, for exactly this reason.  Of course, for purely  musical
purposes,  none  of  this  is  needed.   Repeats aren't needed.  (Key
signatures aren't needed.  ;-) But sometimes there are very practical
(if non-musical) reasons for wanting compact notation.


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[abcusers] Multiple Endings

2003-02-28 Thread Steven K. Mariner
I'm having problems getting the variant ending feature to work for me.

This works for 1 and 2 being different:

 AA,2A, B,2C |1DD3 z3 :||2 DD6 |]

But I can't seem to find a way to indicate 1-3 are the same with 4 being 
different.  I've tried encapsulating it in quotes, brackets, parentheses...

Am I missing something, or is the ABC standard missing something?

Thanks for any and all help.

___
Steven K. Mariner
[EMAIL PROTECTED]
http://home.earthlink.net/~marinersk/

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Re: [abcusers] Multiple Endings

2003-02-28 Thread John Chambers
| I'm having problems getting the variant ending feature to work for me.
| This works for 1 and 2 being different:
|
|  AA,2A, B,2C |1DD3 z3 :||2 DD6 |]
|
| But I can't seem to find a way to indicate 1-3 are the same with 4 being
| different.  I've tried encapsulating it in quotes, brackets, parentheses...
|
| Am I missing something, or is the ABC standard missing something?

What you're missing is that the ABC standard is  very  sketchy  here,
and  what  you want isn't very widely implemented.  Most abc software
implements only first and second endings.  It turns out that the  abc
standard doesn't say what endings software must handle.  It just says
that the ending notation exists, and gives one  example  that  has  a
first  and  second ending.  Most implementers have taken this to mean
that  they  don't  need  to  implement  anything  else.   Indeed,  in
traditional  folk  music  of the British Isles (which was abc's first
uses), you don't see many alternate endings at all, and you'll search
long  and  hard for a third or fourth ending.  So people working with
that sort of music don't notice that there's something missing.

Since I'm also involved with  styles  like  trad  Scandinavian  music
(How  can  you  possibly  write  music  without  using  3rd  and 4th
endings?), I made my own clone of abc2ps (jcabc2ps) which implements
endings  like  |1,3 and |1-3 and so on.  I can even do random text in
endings, though that's a different story and is probably worth trying
to get some standards on.

One problem with my doing this, of course, is  that  my  Scand  tunes
tend  to  come out with the endings wrong when you feed them to other
abc tools.  But there's not much I can do about that.  And when we've
discussed  the  topic  in  the  past,  it's  pretty  obvious that the
overwhelming majority consider the subject  boring.   Who  the  hell
needs THAT?  Let's discuss something interesting instead.

I wonder what other abc tools implement |1,3 and |1-3 now?  Does  any
tool implement any endings beyond this?  One thing I can write is:

   ... :|[Coda ... |]

To be unambiguous, you would need to use the full syntax  here,  with
the  bracket,  so  that  the  quoted ending text isn't mistaken for a
chord.  But it's sufficient to handle all the cases that I  know  of,
and easy for a program to parse.  I'd have to warn users that this is
an extension of the abc syntax, not supported by any standard that  I
know of, so it probably won't make sense to other abc tools.

One of the things that perhaps qualifies as broken in current abc
is that you often see the notation

|: ...  |1 ... :|2 ... :|

This prints out just like you'd expect, with a repeat  symbol  before
the 2nd ending and also at the end of the section. This is often used
as a kludge to hint that the section should  be  played  four  times,
because  this  is  actually  accepted  by  most abc software.  But it
produces a real musical disaster when you put  the  music  on  stands
before  a  group of musicians.  Half the group will notice that final
repeat and go back for the 3rd time through the  phrase.   The  other
half  will  either not notice it, or will treat it as an obvious typo
(because the ending brackets clearly say that the  phrase  is  to  be
done  exactly twice), and will barge ahead.  The music then collapses
on the floor and you have to stop and  explain  that,  yes,  this  is
atrocious notation, but it's all that the software will permit.

This example really should be:

|: ...  |1,3 ... :|2,4 ... :|

Unfortunately, very few abc programs accept this.  It's not an actual
violation  of  the  standard.   But the standard doesn't say that abc
programs have to handle this, so most don't.


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Re: [abcusers] Multiple Endings

2003-02-28 Thread Phil Taylor
Steven K. Mariner wrote:

I'm having problems getting the variant ending feature to work for me.

This works for 1 and 2 being different:

 AA,2A, B,2C |1DD3 z3 :||2 DD6 |]

Your program should have flagged :|| as an error - the correct symbol for
a repeat bar is :|

But I can't seem to find a way to indicate 1-3 are the same with 4 being
different.  I've tried encapsulating it in quotes, brackets, parentheses...

Am I missing something, or is the ABC standard missing something?

John Chambers has proposed a series of extensions to handle this, and
I tried to implement them in my own program.  It turned out to be a
nightmare to get it working in the player.  Eventually I got frustrated
with it and pulled all the code.  As far as I know, only John's abc2ps
clone implements this, and no player programs.

This is what the standard says:

 First and second repeats
  

First and second repeats can be generated with the symbols [1 and
[2,  e.g.  faf gfe|[1 dfe dBA:|[2 d2e dcB|]. When adjacent to bar
lines, these can be shortened to |1 and :|2, but with  regard  to
spaces | [1 is legal, | 1 is not.

No mention of more than two endings.  As things stand at present the
only way you can do it so it will be universally understood is to use
the part-order syntax.

Put this in the tune header:

P:(AB)3AC

then write the tune like this:

[P:A] AA,2A, B,2C |[P:B]DD3 z3 ||[P:C] DD6 |]

Phil Taylor


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[abcusers] Multiple Endings

2001-12-13 Thread Phil Taylor

When John first suggested multiple alternate endings and repeats of
2 times I thought it was a good idea and started to implement it in
BarFly.  Getting it to display was easy, but getting it to play correctly
turned out to be a nightmare, to the extent that after working on it
for several days I gave up and pulled all the new code out.  There were
all sorts of problems.  Of course that does not mean that it can't be
done, just that it ain't as easy as it looks at first sight.

A few things to consider when discussing repeat syntax:

* It has to coexist happily with other methods of specifying repeats,
such as the P: field in the header, and not rule out the use of conventional
musical indirection (e.g. using the Segno).  (A lot of people would like to
use that.)

* If we can have multiple alternate endings, why not multiple alternate
segments within a repeat, not necessarily at the end?  This is common
in pipe music, and we have seen requests for it on this list.

* It is very common to see repeats written as:

abc |[1 abc :|[2 cba :|

which is wrong (the last repeat should be written as || or |]), and is
explicitly forbidden by the 1.6 standard.  At the moment, because it's
so common BarFly lets it go without comment, but what should be done
here?  Should it be treated as an instruction to repeat the section
four times with endings 1,2,1,2, or should it generate an error?

* We need a clear set of rules as to where repeats should start from.
At present, when it encounters a repeat BarFly searches backwards for
one of the following symbols: |:, ||, |], [|, a P: field, or the start
of the tune.  This seems to give the least problems, but it does mean
that you can't use a double bar or thin/thick bar within a repeat.

* We also need a (preferably illustrated) description of how the various
repeats are to be displayed in conventional notation.  If we have a
4x repeat - |:::...:::|, should that be displayed with four dots
arranged vertically next to the bar line?  I have seen that symbol used
in music where the context suggests that a normal single repeat is what
is intended (e.g. in the Original Sacred Harp).

Phil Taylor


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Re: [abcusers] Multiple Endings

2001-12-13 Thread James Allwright

On Thu 13 Dec 2001 at 11:57AM +, Phil Taylor wrote:
 When John first suggested multiple alternate endings and repeats of
 2 times I thought it was a good idea and started to implement it in
 BarFly.  Getting it to display was easy, but getting it to play correctly
 turned out to be a nightmare, to the extent that after working on it
 for several days I gave up and pulled all the new code out.  There were
 all sorts of problems.  Of course that does not mean that it can't be
 done, just that it ain't as easy as it looks at first sight.

abc2midi should handle alternate endings - it took some thinking about,
but I'm reasonably confident that it does actually work.

 
 A few things to consider when discussing repeat syntax:
 
 * It has to coexist happily with other methods of specifying repeats,
 such as the P: field in the header, and not rule out the use of conventional
 musical indirection (e.g. using the Segno).  (A lot of people would like to
 use that.)

The P: field is currently the way to generate more than 2 times through a 
section. So far I haven't attempted to implement segno/coda based repeats.
 
 * If we can have multiple alternate endings, why not multiple alternate
 segments within a repeat, not necessarily at the end?  This is common
 in pipe music, and we have seen requests for it on this list.

The problem is how you notate the end of a segment - this is not imediately
obvious to me.
 
 * It is very common to see repeats written as:
 
 abc |[1 abc :|[2 cba :|
 
 which is wrong (the last repeat should be written as || or |]), and is
 explicitly forbidden by the 1.6 standard.  At the moment, because it's
 so common BarFly lets it go without comment, but what should be done
 here?  Should it be treated as an instruction to repeat the section
 four times with endings 1,2,1,2, or should it generate an error?

I would say an error / warning.
 
 * We need a clear set of rules as to where repeats should start from.
 At present, when it encounters a repeat BarFly searches backwards for
 one of the following symbols: |:, ||, |], [|, a P: field, or the start
 of the tune.  This seems to give the least problems, but it does mean
 that you can't use a double bar or thin/thick bar within a repeat.

I think it is reasonable to require |: at the start of a repeat section
and issue a warning if it has been missed out. By require, I mean that
a player program might ignore the end repeat if there is no start repeat
and just play once through.

James Allwright 
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Re: [abcusers] Multiple Endings

2001-12-13 Thread John Chambers

James Allwright writes:
| On Thu 13 Dec 2001 at 11:57AM +, Phil Taylor wrote:
|  When John first suggested multiple alternate endings and repeats of
|  2 times I thought it was a good idea and started to implement it in
|  BarFly.  Getting it to display was easy, but getting it to play correctly
|  turned out to be a nightmare, to the extent that after working on it
|  for several days I gave up and pulled all the new code out.  There were
|  all sorts of problems.  Of course that does not mean that it can't be
|  done, just that it ain't as easy as it looks at first sight.
|
| abc2midi should handle alternate endings - it took some thinking about,
| but I'm reasonably confident that it does actually work.

How about a reminder of the best place to get the current version?
I have it in my notes, but I'd guess that other interested parties
might not.

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Re: [abcusers] Multiple Endings

2001-12-13 Thread Buddha Buck

At 01:34 PM 12-13-2001 +, James Allwright you wrote:
On Thu 13 Dec 2001 at 11:57AM +, Phil Taylor wrote:
  A few things to consider when discussing repeat syntax:
 
  * It has to coexist happily with other methods of specifying repeats,
  such as the P: field in the header, and not rule out the use of 
 conventional
  musical indirection (e.g. using the Segno).  (A lot of people would like to
  use that.)

The P: field is currently the way to generate more than 2 times through a
section. So far I haven't attempted to implement segno/coda based repeats.

I would like both the P: field, and an inline way.  I have several pieces 
of music to notate in which the  most convenient way to notate them in abc 
is as P: A3B3C3D3E3F3G3, which is a bit rediculous when it would make 
more sense to write it as |: ... :3| |: ... :3|, etc.

On the other hand, I have some music where I could write it as P: (A2B2)3 
without repeats or as P: (AB)3 with repeats and it isn't clear which is 
better.  The original source doesn't have repeats, but has instructions 
like Slide to the left _._; That again to the right _:_/Step in with 
right, step out again, kick in with right and shake foot.  Hokey Pokey and 
turn single _._; That again with left _:_, with the _._, _:_ etc, 
indicating the number of times a particular part is played.

I guess I want the flexibility to do one piece as (A2B2)3 without repeats 
and the other without specifying a pre-key P: line (so I naturally get 
ABCDEFG) with repeats.

   * If we can have multiple alternate endings, why not multiple alternate
  segments within a repeat, not necessarily at the end?  This is common
  in pipe music, and we have seen requests for it on this list.

I assume this means music with an ABC AB'C structure?

The problem is how you notate the end of a segment - this is not imediately
obvious to me.

By convention ;-)

The easiest convention would be to require all internal parts to have the 
same length, so something like:

|: abc |[1 abc | abc |[2 cba | cba | cba :|

would play as

| abc | abc | abc | cba || abc |cba |cba |cba || (double bar between repeats).

However, if parts 1 and 3 are supposed to be one length, and 2 and 4 a 
different length, this doesn't work.

In theory, only the last repeated segment has a problem, since the ending 
of the others is implicit in the beginning of their successor.

What would

|: abc |[1 abc | abc |[2 cba | cba ]| cba :|

conflict with?  I could even see allowing (but not insisting) that the 
second segment begin with ]|[2, so the |[1 is closed.

  * It is very common to see repeats written as:
 
  abc |[1 abc :|[2 cba :|
 
  which is wrong (the last repeat should be written as || or |]), and is
  explicitly forbidden by the 1.6 standard.  At the moment, because it's
  so common BarFly lets it go without comment, but what should be done
  here?  Should it be treated as an instruction to repeat the section
  four times with endings 1,2,1,2, or should it generate an error?

I would say an error / warning.

The first notation I propose above for internal segments in repeats would 
also allow

|: abc |[1 abc |[2 cba :|

as a valid way of writing the thing (the common post-segment part is 
empty).  Is this a problem in people's minds?


  * We need a clear set of rules as to where repeats should start from.
  At present, when it encounters a repeat BarFly searches backwards for
  one of the following symbols: |:, ||, |], [|, a P: field, or the start
  of the tune.  This seems to give the least problems, but it does mean
  that you can't use a double bar or thin/thick bar within a repeat.

I think it is reasonable to require |: at the start of a repeat section
and issue a warning if it has been missed out. By require, I mean that
a player program might ignore the end repeat if there is no start repeat
and just play once through.

That seems reasonable.  Can we then allow nested repeats?


James Allwright
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Re: [abcusers] Multiple Endings

2001-12-13 Thread John Chambers

Phil taylor writes:
| A few things to consider when discussing repeat syntax:
|
| * It has to coexist happily with other methods of specifying repeats,
| such as the P: field in the header, and not rule out the use of conventional
| musical indirection (e.g. using the Segno).  (A lot of people would like to
| use that.)

There has long been a debate over whether a letter in  the  header  P
field refers to just once through the part or includes repeat(s).  If
you look at the (mostly English) books that use  this  notation,  you
see  that  they  do  it both ways.  So this is probably a rathole; no
matter how you do it, half the users will loudly insist  that  you're
wrong.  This doesn't mean that we can't establish an ABC standard, of
course; it just means that no matter what we decide, we'll be wrong.

This should be a separate topic. The P fields need to be worked over,
and a consistent interpretation found.  But this shouldn't get in the
way of getting [3 and [1,3 legalized and implemented, which is useful
to a lot more musicians.

| * If we can have multiple alternate endings, why not multiple alternate
| segments within a repeat, not necessarily at the end?  This is common
| in pipe music, and we have seen requests for it on this list.

Yeah; I'd like that.  But I'd classify it as one of the  things  that
has  killed  action on the topic in the past, so it should wait until
we can at least get [3 and [1,3 legalized and implemented.

| * It is very common to see repeats written as:
|
| abc |[1 abc :|[2 cba :|
|
| which is wrong (the last repeat should be written as || or |]), and is
| explicitly forbidden by the 1.6 standard.  At the moment, because it's
| so common BarFly lets it go without comment, but what should be done
| here?  Should it be treated as an instruction to repeat the section
| four times with endings 1,2,1,2, or should it generate an error?

This is done because with most current ABC tools, it's the *only* way
to indicate four times through.  It's definitely crappy notation, but
it's the best you can do if the software chokes on:
 abc |[1,3 abc :|[2,4 cba :|

BTW, where does the 1.6 standard explicitly forbid this final :|?   I
don't  seem  to  see anything at all on the topic, only the statement
that :| marks the end of a repeated section.  This would  imply  that
the  above  notation  is legal, since that bar line *is* the end of a
repeated section.

| * We need a clear set of rules as to where repeats should start from.
| At present, when it encounters a repeat BarFly searches backwards for
| one of the following symbols: |:, ||, |], [|, a P: field, or the start
| of the tune.  This seems to give the least problems, but it does mean
| that you can't use a double bar or thin/thick bar within a repeat.

Going back to || or [| isn't a very good idea.  It's common  practice
to  use double bars to mark the major phrases within a section, and
they are (almost) never used as repeat boundaries. The code should go
back to |:  or the start of the tune. We oughta state this in the ABC
standard docs.  This would both answer the question,  and  make  life
easier for implementers.

(Some people have ranted about the practice of omitting |: initially,
but  this  is a losing battle.  You're fighting too much tradition in
this case.)

| * We also need a (preferably illustrated) description of how the various
| repeats are to be displayed in conventional notation.  If we have a
| 4x repeat - |:::...:::|, should that be displayed with four dots
| arranged vertically next to the bar line?  I have seen that symbol used
| in music where the context suggests that a normal single repeat is what
| is intended (e.g. in the Original Sacred Harp).

That's a bit bizarre, though I've seen it, too. And some printers use
four dots for all repeats, because it's visually stronger. There is a
problem of finding the start of repeats in a lot  of  printed  music,
and  some  printers  have  used various techniques to make them stand
out.  Using a thick double bar and big dots is probably better.   The
meaning  of  a  four-dot  repeat isn't at all standardized, and it is
best left as an option in the program. In ABC, |::: or |4: would be a
much better way to signal four times.

I do sorta like the |4: ... :4| suggestion, though it hadn't occurred
to  me.   But while it's a clever computerish notation, I don't think
I'd want to print it that way.  The few musicians who use such repeat
notation (mostly dance musicians) expect |:::  ... :::|. An option to
write 4x in bold letters over the ending could come in handy,  too,
so that musicians would be less likely to misunderstand.

Repeat notation is an ongoing problem in a lot of printed music. Lots
of  printers  produce notation that is difficult for musicians to get
right.  It's common for music to collapse as people jump to different
points  at  a repeat sign.  Then you have to stop and discuss it, and
every musician writes their own idiosyncratic notes on the 

Re: [abcusers] Multiple Endings

2001-12-13 Thread John Chambers

Phil taylor writes:
| A few things to consider when discussing repeat syntax:
|
| * It has to coexist happily with other methods of specifying repeats,
| such as the P: field in the header, and not rule out the use of conventional
| musical indirection (e.g. using the Segno).  (A lot of people would like to
| use that.)

There has long been a debate over whether a letter in  the  header  P
field refers to just once through the part or includes repeat(s).  If
you look at the (mostly English) books that use  this  notation,  you
see  that  they  do  it both ways.  So this is probably a rathole; no
matter how you do it, half the users will loudly insist  that  you're
wrong.  This doesn't mean that we can't establish an ABC standard, of
course; it just means that no matter what we decide, we'll be wrong.

This should be a separate topic. The P fields need to be worked over,
and a consistent interpretation found.  But this shouldn't get in the
way of getting [3 and [1,3 legalized and implemented, which is useful
to a lot more musicians.

| * If we can have multiple alternate endings, why not multiple alternate
| segments within a repeat, not necessarily at the end?  This is common
| in pipe music, and we have seen requests for it on this list.

Yeah; I'd like that.  But I'd classify it as one of the  things  that
has  killed  action on the topic in the past, so it should wait until
we can at least get [3 and [1,3 legalized and implemented.

| * It is very common to see repeats written as:
|
| abc |[1 abc :|[2 cba :|
|
| which is wrong (the last repeat should be written as || or |]), and is
| explicitly forbidden by the 1.6 standard.  At the moment, because it's
| so common BarFly lets it go without comment, but what should be done
| here?  Should it be treated as an instruction to repeat the section
| four times with endings 1,2,1,2, or should it generate an error?

This is done because with most current ABC tools, it's the *only* way
to indicate four times through.  It's definitely crappy notation, but
it's the best you can do if the software chokes on:
 abc |[1,3 abc :|[2,4 cba :|

BTW, where does the 1.6 standard explicitly forbid this final :|?   I
don't  seem  to  see anything at all on the topic, only the statement
that :| marks the end of a repeated section.  This would  imply  that
the  above  notation  is legal, since that bar line *is* the end of a
repeated section.

| * We need a clear set of rules as to where repeats should start from.
| At present, when it encounters a repeat BarFly searches backwards for
| one of the following symbols: |:, ||, |], [|, a P: field, or the start
| of the tune.  This seems to give the least problems, but it does mean
| that you can't use a double bar or thin/thick bar within a repeat.

Going back to || or [| isn't a very good idea.  It's common  practice
to  use double bars to mark the major phrases within a section, and
they are (almost) never used as repeat boundaries. The code should go
back to |:  or the start of the tune. We oughta state this in the ABC
standard docs.  This would both answer the question,  and  make  life
easier for implementers.

(Some people have ranted about the practice of omitting |: initially,
but  this  is a losing battle.  You're fighting too much tradition in
this case.)

| * We also need a (preferably illustrated) description of how the various
| repeats are to be displayed in conventional notation.  If we have a
| 4x repeat - |:::...:::|, should that be displayed with four dots
| arranged vertically next to the bar line?  I have seen that symbol used
| in music where the context suggests that a normal single repeat is what
| is intended (e.g. in the Original Sacred Harp).

That's a bit bizarre, though I've seen it, too. And some printers use
four dots for all repeats, because it's visually stronger. There is a
problem of finding the start of repeats in a lot  of  printed  music,
and  some  printers  have  used various techniques to make them stand
out.  Using a thick double bar and big dots is probably better.   The
meaning  of  a  four-dot  repeat isn't at all standardized, and it is
best left as an option in the program. In ABC, |::: or |4: would be a
much better way to signal four times.

I do sorta like the |4: ... :4| suggestion, though it hadn't occurred
to  me.   But while it's a clever computerish notation, I don't think
I'd want to print it that way.  The few musicians who use such repeat
notation (mostly dance musicians) expect |:::  ... :::|. An option to
write 4x in bold letters over the ending could come in handy,  too,
so that musicians would be less likely to misunderstand.

Repeat notation is an ongoing problem in a lot of printed music. Lots
of  printers  produce notation that is difficult for musicians to get
right.  It's common for music to collapse as people jump to different
points  at  a repeat sign.  Then you have to stop and discuss it, and
every musician writes their own idiosyncratic notes on the 

Re: [abcusers] Multiple Endings

2001-12-13 Thread James Allwright

On Thu 13 Dec 2001 at 03:30PM +, John Chambers wrote:
 
 How about a reminder of the best place to get the current version?

http://abc.sourceforge.net/abcMIDI/

James Allwright
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Re: [abcusers] Multiple Endings

2001-12-13 Thread Laura Conrad

 John == John Chambers [EMAIL PROTECTED] writes:

John BTW, where does the 1.6 standard explicitly forbid this final :|?   I
John don't  seem  to  see anything at all on the topic, only the statement
John that :| marks the end of a repeated section.  This would  imply  that
John the  above  notation  is legal, since that bar line *is* the end of a
John repeated section.

No, you never repeat the alternates.  (Except for your :|1,3 example.)

John (Some people have ranted about the practice of omitting |: initially,
John but  this  is a losing battle.  You're fighting too much tradition in
John this case.)

But it might not be a bad idea for printing programs to provide an
option to not print an initial |:.  This would allow ABC coders to
write balanced repeat indicators, but have them print the way most
printed music does it.


-- 
Laura (mailto:[EMAIL PROTECTED] , http://www.laymusic.org/ )
(617) 661-8097  fax: (801) 365-6574 
233 Broadway, Cambridge, MA 02139
(If I haven't invited you to my party on December 16, I'm sure it's an oversight.)
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Re: [abcusers] Multiple Endings

2001-12-13 Thread James Allwright

On Thu 13 Dec 2001 at 03:24PM +, John Chambers wrote:
 
 | * We also need a (preferably illustrated) description of how the various
 | repeats are to be displayed in conventional notation.  If we have a
 | 4x repeat - |:::...:::|, should that be displayed with four dots
 | arranged vertically next to the bar line?  I have seen that symbol used
 | in music where the context suggests that a normal single repeat is what
 | is intended (e.g. in the Original Sacred Harp).
 

As a concrete suggestion for the multiple repeat syntax, how about:

!4x!|:   ...:|

The idea being that 4x is attached to the immediately following start
repeat by a printer program and detected as the repeat count by a player
program. If the printer program wants to use lots of dots or other
clever stuff to indicate a strange repeat, then it can, but that doesn't
show up in the abc.

James Allwright
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Re: [abcusers] Multiple Endings

2001-12-13 Thread Phil Taylor

John Chambers wrote:
Phil taylor writes:

| * It is very common to see repeats written as:
|
| abc |[1 abc :|[2 cba :|
|
| which is wrong (the last repeat should be written as || or |]), and is
| explicitly forbidden by the 1.6 standard.  At the moment, because it's
| so common BarFly lets it go without comment, but what should be done
| here?  Should it be treated as an instruction to repeat the section
| four times with endings 1,2,1,2, or should it generate an error?

This is done because with most current ABC tools, it's the *only* way
to indicate four times through.  It's definitely crappy notation, but
it's the best you can do if the software chokes on:
abc |[1,3 abc :|[2,4 cba :|

No, people use it sloppily where there is only one repeat.

BTW, where does the 1.6 standard explicitly forbid this final :|?   I
don't  seem  to  see anything at all on the topic, only the statement
that :| marks the end of a repeated section.  This would  imply  that
the  above  notation  is legal, since that bar line *is* the end of a
repeated section.

You are quite right.  I could have sworn that the standard forbade the
use of :| to terminate the second repeat.  Maybe it was in an earlier
version of the standard?

Phil Taylor


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Re: [abcusers] Multiple Endings

2001-12-13 Thread Jack Campin

 I think it is reasonable to require |: at the start of a repeat section

Not given the amount of ABC out there that doesn't have one.

Like all of mine.

And I am NOT interested in re-editing the whole damn lot to please
simpleminded fussbudget implementations.


: If we can have multiple alternate endings, why not multiple alternate
: segments within a repeat, not necessarily at the end?  This is common
: in pipe music, and we have seen requests for it on this list.

I suggest we hold off on this one and get the simpler extension fixed
first (while bearing in mind that it might be added later and shouldn't
be precluded).

The historical reason why it's so common in pipe music is because of the
format of pipe tune books.  For a really big umpty-part tune, you needed
to save space to get it all one page (see David Glen's collections of
about 100 years ago for most of the examples; you can watch his typo-
graphy getting increasingly desperate as he approaches the bottom of
the page).  Publishers less concerned about saving paper, as in most
modern tune collections, make much less use of it.

There is probably no point in going for it unless we can do an altogether
more sophisticated structure.  A very long time ago (years) I posted an
example of what such a structure might do: the 9/8 march Heights of
Dargai has the form ABAC DBDC, and I've seen that in a modern book (in
two staff lines) as

[1,2 A  [1,3 B :|
[3,4 D  [2,4 C :|

which was remarkably readable (unlike some of Glen's stunts).  But the
amount of structural analysis required to use such a feature is far
beyond what most ABC coders do.  It might get more use if we had editing
tools that could identify common sections and create variant-repeat
structures to make more compact notation, but as yet we don't.


+| At present, when it encounters a repeat BarFly searches backwards for
+| one of the following symbols: |:, ||, |], [|, a P: field, or the start
+| of the tune.  This seems to give the least problems, but it does mean
+| that you can't use a double bar or thin/thick bar within a repeat.
+ Going back to || or [| isn't a very good idea.  It's common  practice
+ to  use double bars to mark the major phrases within a section, and
+ they are (almost) never used as repeat boundaries. The code should go
+ back to |:  or the start of the tune. We oughta state this in the ABC
+ standard docs.  This would both answer the question,  and  make  life
+ easier for implementers.

...if those implementers didn't actually care whether their software could
handle existing ABC written years before they thought up this restriction.

A futureproof way of allowing repeats to cross double bars would be to
introduce a new kind of repeat-transparent double bar.  This would
print the same way as || does, but would tell player programs to search
back past it for the start of the repeated section.  That wouldn't break
any existing ABC (*all* of which has the semantics Phil described insofar
as the transcriber thought about it) but would allow transcribers to get
the behaviour John wants for new material.  A sign like |.| or |:| would
do it.


? As a concrete suggestion for the multiple repeat syntax, how about:
?!4x!|:   ...:|

I already suggested a syntax for it:

  |4: ... :4|

which has the advantage of not using ! signs (a complete no-no given the
amount of ABC out there written for abc2win, which puts ! to a far more
productive use that would be much better adopted by any new standard).
It also has bracketing which humans or computers can use to check that
the transcriber hasn't forgotten something.

? The idea being that 4x is attached to the immediately following start
? repeat by a printer program and detected as the repeat count by a player
? program.

CHARACTERS IN ABC SOURCE DON'T NEED TO GET PRINTED IN STAFF NOTATION!

As John Chambers says, a lot of users would rather have :: in the middle
of the staff.  Others might like 4x, 4 defa or whatever.  Formatters
can generate any of them no matter what the ABC notation looks like, so
long as it's unambiguous, and a *good* formatter will give the user a
choice.  The focus needs to be on designing a notation to be intrinsically
readable, helps avoid mistakes, and is easy to implement for whatever
purpose ABC might be put to.  ASCII-fying a particular style of staff
notation isn't going to get there.


=== http://www.purr.demon.co.uk/jack/ ===


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Re: [abcusers] Multiple Endings

2001-12-13 Thread John Chambers

Jack Campin wrote:
| ...  A very long time ago (years) I posted an
| example of what such a structure might do: the 9/8 march Heights of
| Dargai has the form ABAC DBDC, and I've seen that in a modern book (in
| two staff lines) as
|
| [1,2 A  [1,3 B :|
| [3,4 D  [2,4 C :|
|
| which was remarkably readable ...

That's wonderful notation! I'm  gonna  have  to  find  some
excuses to use it.

You wouldn't have that tune still around,  would  you?   It
might  make a good example to throw into a test collection.
My abc2ps clone should handle it without problems, but it's
not much of a challenge for a music formatter.  It could be
a good test for a player.


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Re: [abcusers] Multiple Endings

2001-12-13 Thread John Chambers

Phil taylor writes:
| John Chambers wrote:
| Phil taylor writes:
| | * It is very common to see repeats written as:
| | abc |[1 abc :|[2 cba :|
| 
| This is done because with most current ABC tools, it's the *only* way
| to indicate four times through.  It's definitely crappy notation, but
| it's the best you can do if the software chokes on:
|   abc |[1,3 abc :|[2,4 cba :|
|
| No, people use it sloppily where there is only one repeat.

Perhaps; there certainly is a lot of sloppiness.  But  I  and  others
have  used it knowingly, because it's the only way to get a clue onto
the paper that the section is to be played  more  than  twice.   I've
stopped  doing this since I implemented [1,3 and [2,4 endings.  But I
haven't gotten around to upgrading all my files to use this.

| BTW, where does the 1.6 standard explicitly forbid this final :|?   I
| don't  seem  to  see anything at all on the topic, only the statement
| that :| marks the end of a repeated section.  This would  imply  that
| the  above  notation  is legal, since that bar line *is* the end of a
| repeated section.
|
| You are quite right.  I could have sworn that the standard forbade the
| use of :| to terminate the second repeat.  Maybe it was in an earlier
| version of the standard?

I don't think so. The subject of endings and repeats was always quite
sketchy. This isn't really a criticism of Chris, since his effort was
obviously a prototype.  Also, he was mostly  concerned  with  British
Isles  folk music, where there's not a lot of need for such notation.
I do remember noticing right off that the documentation on this  left
a  bit  to  be  desired, and obvious a lot of software didn't do much
with the idea.  But after all  these  years,  and  with  the  growing
interest  in  using  ABC for other kinds of music, it's maybe time we
did something about it.

In any case, the :| at the end of the second ending  is  conventional
when there are 3rd and 4th endings. It makes sense that at the end of
the 2nd ending you'd tell the reader to go back and do it again.  Now
we  just  need the conventional notation to indicate what to play for
the other endings.

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Re: [abcusers] Multiple Endings

2001-12-13 Thread John Chambers

Phil taylor writes:
| John Chambers wrote:
| Phil taylor writes:
| | * It is very common to see repeats written as:
| | abc |[1 abc :|[2 cba :|
| 
| This is done because with most current ABC tools, it's the *only* way
| to indicate four times through.  It's definitely crappy notation, but
| it's the best you can do if the software chokes on:
|   abc |[1,3 abc :|[2,4 cba :|
|
| No, people use it sloppily where there is only one repeat.

Perhaps; there certainly is a lot of sloppiness.  But  I  and  others
have  used it knowingly, because it's the only way to get a clue onto
the paper that the section is to be played  more  than  twice.   I've
stopped  doing this since I implemented [1,3 and [2,4 endings.  But I
haven't gotten around to upgrading all my files to use this.

| BTW, where does the 1.6 standard explicitly forbid this final :|?   I
| don't  seem  to  see anything at all on the topic, only the statement
| that :| marks the end of a repeated section.  This would  imply  that
| the  above  notation  is legal, since that bar line *is* the end of a
| repeated section.
|
| You are quite right.  I could have sworn that the standard forbade the
| use of :| to terminate the second repeat.  Maybe it was in an earlier
| version of the standard?

I don't think so. The subject of endings and repeats was always quite
sketchy. This isn't really a criticism of Chris, since his effort was
obviously a prototype.  Also, he was mostly  concerned  with  British
Isles  folk music, where there's not a lot of need for such notation.
I do remember noticing right off that the documentation on this  left
a  bit  to  be  desired, and obvious a lot of software didn't do much
with the idea.  But after all  these  years,  and  with  the  growing
interest  in  using  ABC for other kinds of music, it's maybe time we
did something about it.

In any case, the :| at the end of the second ending  is  conventional
when there are 3rd and 4th endings. It makes sense that at the end of
the 2nd ending you'd tell the reader to go back and do it again.  Now
we  just  need the conventional notation to indicate what to play for
the other endings.

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Re: [abcusers] Multiple Endings

2001-12-13 Thread John Walsh

John Chambers writes:

Going back to || or [| isn't a very good idea.  It's common  practice
to  use double bars to mark the major phrases within a section, and
they are (almost) never used as repeat boundaries. The code should go
back to |:  or the start of the tune. We oughta state this in the ABC
standard docs.  This would both answer the question,  and  make  life
easier for implementers.


There's a backwards-compatibility problem here:  the [| and |]
constructs came relatively late in the life of abc---in abc 1.6, I think,
since my copy of abc2mtex 1.5 chokes on both.  The result is that there are
a lot of tunes out there (well...in my collection, at least;  while I don't
know about anybody else's, it's a pretty safe bet that there are plenty)
which use || instead of |].  Of course I could re-edit most of them by a
global search-and-replace, (at the price of a few unpleasant surprises) but
I don't want to, since I want to be able to print them with my favorite
legacy app.

James Allright writes:

I think it is reasonable to require |: at the start of a repeat section
and issue a warning if it has been missed out. By require, I mean that
a player program might ignore the end repeat if there is no start repeat
and just play once through.  


I can live with that.  However, having the player program go back to
the beginning of a tune whenever there's no begin-repeat would be a serious
bug IMHO.  (And it would be nice to be able to turn the warnings off.  Come
to think of it, that seems like a good general design feature: warnings tell
the user that there's something there which is neither correct nor a
disaster. They're very useful, but if the user--mea culpa--already knows
that that his or her practice is frowned upon, and is pig-headed enough to
insist on using it anyway, the warnings become annoying, and he or she'll be
better-disposed toward the program if it's possible to turn off the source
of annoyance.)

Cheers,
John Walsh  
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