Hola Ralf,
yesterday I succeeded in looking up the interesting finding you have made.
Indeed two of the movements of Sonata 39 are concordant to Martino pieces:
Entree = Martino Sonata IV/1 (Capricio)
Ballo = Martino Sonata II/2 (Ballo)

For the other movements I didn't find a concordance in Martino at least.

If one compares the tablature the Salzburg versions are different in some 
details:
It is for an 11-course lute, whereas the printed versions are for 13-course 
lute.
There are some rests in the Salzburg versions that are filled with some 
accompanying chords in the print.
And there are some more bass notes in the Salzburg version. 

Although the last difference could point into the other direction I suppose 
that the Salzburg versions are earlier and the printed versions are overworked 
ones. 

As the two movements appear in different sonatas, they could be by Martino or 
they could be not by him. 
He wouldn't have been the first who included foreign works into his own:
One Courante by Weiss in d-minor exists in two versions for flute transposed 
one tone higher.
The first one is in a collection by Quantz, the other one appears in a print of 
a work by a composer named Braun. 

Best
Markus


On Mon, 22 Aug 2005 07:18:59 -0700 (PDT), Ralf Bachmann wrote:

RB> Hola amigos,
RB>
RB> It has been quiet in this list for some weeks now, but
RB> I am sure the enthusiasm is still out there à
RB>
RB> As to me, I have been working sporadically (when my
RB> job and family are not in the way, grrr à) on the
RB> Philippo Martino Trios (see below) and found out
RB> something interesting about this music in the so
RB> called Salzburg Lautencodex MIII-25, more precisely in
RB> the Sonata 39 in B-major, which has no title on the
RB> score but is described in the Index as
RB> ôXXXIX Liuto Violino Basso
RB> Authore Christ:  ô
RB>
RB> This sonata consists of 4 movements named
RB> Entrée (B-major), Ballo (g-minor), Cicill. (B-major)
RB> and Menuet (B-major)
RB>
RB> When I first played this pieces, I immediately
RB> recognized them to be works by Philippo Martino!
RB> (To be fair, since this  Salzburg source consists
RB> mostly of chamber music, of which only the lute parts
RB> have survived, [apart from some interesting music by
RB> Weiss and Lauffensteiner that  is real solo music with
RB> some added parts] this is something only for extreme
RB> enthusiasts ,-)
RB>




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