Dear Arthur,
I suppose it is worth mentioning in this context that Cabezon and
Henestrosa's keyboard music was for tecla, harpa y vihuela, so
keyboard players, harpists and vihuela players were all expected to play
from the same notation, which is a form of tablature. As you know, there
is a
Well, I'll have another bash.
What you actually wrote was 'Transposing lute song (intabulated parts)
isn't that hard for an experienced player'. And yes, that does rather
imply all 'experienced' players. But this isn't really the point is
it? - more to it is what evidence do you
