Given the popularity of renaissance compositions for lute and voice, I am
surprised that I have not seen a single baroque lute song (of course, i'm not a
musicologist and may not be looking in the right places)
This also begs the question - what changed so that the baroque lute was not
Baroque lutes _were_ being used to accompany singers. Weiss wrote in a
letter, IIRC, that he quite successfully used a swanneck onstage.
On the other hand, baroque lieder, songs and arias were notated in staff
notation with thorough bass, so that the accompaniment could be executed
on any
There are some, notably the few vocal items in the Augsburg Mss, and the
dreaded Beyer collection.
There is also -
http://www.polyhymnion.org/lieder/german.html
RT
- Original Message -
From: theoj89...@aol.com
To: baroque-lute@cs.dartmouth.edu
Sent: Tuesday, June 16, 2009 8:42 AM
I checked my collection, but it's all pretty ominous...;-(((
http://www.polyhymnion.org/lieder/german.html
I have quite a few on the subject of evil mothers-in-law...;-))
RT
Dear friends,
do you know any songs for baroque lute, theorbo with soprano or
countertenor or both, for the special
Some from them sounds suspiciously like bandoras songs which I had
pleasure heard in Lviv.
G
Dnia 17-06-2009 o godz. 0:03 Roman Turovsky napisał(a):
Look in
http://www.torban.org/pisni/
;-)
RT
- Original Message -
From: Grzegorz Joachimiak gjoachim...@wp.pl
To: Roman Turovsky
There are also 17th century kanty, both sacred and secular.
I have a great a capella wedding song for 3 voices item from 1680, if you
are interested.
Bandurists tend to appropriate anything they can, including Holborne.
RT
- Original Message -
From: Grzegorz Joachimiak
I heard one guy, who played and sang well. He learned in Kiev special
school for bandurist and now he know few hard songs (in polish language
called Duma) and teach some boys in Lviv. His songs was not sugary.
GJ
Dnia 17-06-2009 o godz. 0:23 Roman Turovsky napisał(a):
Those are rarely a
